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honourablejester · 6 hours
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The defining thing that society in the Animals of Farthing Wood revolves around, at least for the Farthing Wood group themselves, is the Oath of Mutual Protection. When they lost their land and had to flee together, the entire group, predators and prey alike, swore not to harm each other, not to eat each other, to protect each other, and to work together to keep everyone alive. Even when they arrived in White Deer Park, this was upheld, to the point that several of the predators nearly died over a harsh winter because prey animals among the park had learned to name-check the oath to avoid being eaten (this only partly works, because you have to be Farthing Wood to claim the oath). So they are, as a society, very much about mutual assistance, and will hold to their oaths even when starving to literal death.
That being said, there are quite a lot of feudalistic elements in Farthing Wood. The leaders are mostly predators, because they’re the ones who primarily fight and protect everyone else, so there is a degree of ‘service in exchange for military protection’ happening. White Deer Park itself is arguably a monarchy under the White Stag, and there is a general ‘predators as leaders/aristocracy’ vibe that runs throughout.
However, when the White Stag passed and was succeeded by, to put it bluntly, a little shit, the rest of the park, and the Farthing Wood crew in particular, absolutely do not accept it. So no. There is no divine right to rule. There is an acknowledgement of what is your land and what is your territory, but unless a leader actively protects and helps those under him, he’s not tolerated for long.
The Animals of Farthing Wood are decidedly not monarchists. There’s a fair amount of communism in their outlook, mutual protection and sharing of resources, and a fair amount of feudalism, land and territory protected by a military elite with support and protection to and from their vassals. They're probably big fans of trade unions.
I don't know what paddington is doing on that list, but it made me think of the time someone drew a picture of the queen with paddington after she died, and we had scores of people losing their minds at the idea that paddington bear wasn't the same kind of communist as them
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honourablejester · 12 hours
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Rutger Hauer as Captain Etienne Navarre LADYHAWKE 1985 | dir. Richard Donner
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honourablejester · 12 hours
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Caspar David FRIEDRICH The Sea of Ice 1824 Oil on canvas, 96,7 x 126,9 cm Kunsthalle, Hamburg
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honourablejester · 12 hours
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In my head I keep calling this the '1920s carpet vampire collection'.
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Christian Dior Spring 1998
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honourablejester · 12 hours
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Late Victorian brooch with a man in the moon cameo carved from transparent moonstone, set in white and rose gold with a border of diamonds and rubies.
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honourablejester · 12 hours
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been a bit, here’s a guy
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honourablejester · 12 hours
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Random personal opinion: if you can’t make your own apple sauce, store bought absolutely is NOT fine. At least for me.
Brought to you by me finding a jar in the back of the fridge that I need to throw out. I’m not sure if it was just the brand or if it’s the stuff they have to put in to give it a shelf life, but that did not taste like apple sauce. (When I bought it, I should clarify, this is not just the result of a too long a stay in the fridge). We never usually buy the jarred stuff, I just bought this one on a whim to see what it was like and maybe to have as a snack, but, uh. No. That is not apple sauce.
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honourablejester · 1 day
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Some thoughts for an Osh Derrinalina PF2e Conversion
I’m considering how much would need to be tweaked to use PF2e for my Osh Derrinalina setting. And … in a couple of places, it’s actually easier than D&D 5e, in that it has two specific player ancestries that make my life much easier: the Anadi and the Leshi.
The Anadi are not quite what I’ve been picturing for the Ineian Weavers, but you know what? They’ll do the job quite nicely. Their lore, as very communal and diplomatic spider people, fits very nicely, and the bits that don’t I’d be tweaking for a homebrew setting anyway (such as the lifespan, because the Weavers are longer lived than elves). For the Weavers I would have been picturing the hybrid form as the only form initially, but I can roll with the were-spider angle. I’d probably want to do an Anadi heritage that grants darkvision and bioluminescence, call it Deep Weaver, and the rest is pretty much already there. Anadi already get weaving feats, I might add that Deep Weaver silk is also luminous to those.
The other small issue is that human absolutely would not be the standard alternate form for a Deep Anadi, given that humans are fairly vanishingly rare in Osh Derrinalina, but you need a whole other heritage to get a non-human Anadi form. I will probably just politely ignore that and say that the typical non-spider form for Weavers is Starfolk elf. Though … given their roles as diplomats and go-betweens for most of the Lightless Sea, it might actually be a thing to let Weavers outside of Ysea have a form that’s the common one for the area. So Weavers living/stationed in Tchorit would have gnome forms, and ones in Durgenrath would have dwarf forms. This is not a deception, Weavers are up front about who and what they are, and most of them probably stay in spider or hybrid form most of the time anyway. But. If weavers need to do politics and spycraft, their other forms could be handy, and also as a … comforting gesture, when they’re publicly known.
The Leshy, of course, specifically the Fungal Leshy, would be Patient Ones of Lochantu. For the Patient Ones, I might say that they’re Medium, rather than Small, I’m not sure if that would have any knock-on effects through the Leshy feats, but I think it should be fine.
Unfortunately, there’s still no player version of a flumph in PF2e, no more than in D&D 5e, so playing a Joy Singer is still out. Eh, maybe we can work on that.
For both Palerin Goblins and Durgen Dwarves, I’d probably want to do homebrew heritages as well. Call the Durgen the Grower Heritage, and give them some primal innate spellcasting, and maybe do something similar to the Death Warden dwarf heritage for the Palerin goblins? Palerin would also get wonky lifespans, as Rachinilea messes with their mortality. Homebrew ancestry feats for the girrish tattoos are definitely also a must.
For the Starbuilders, the Umbral Gnome heritage might work? I might still want to do a more custom heritage to pull some elements of the crystal/earth partnership in. I could do that with some ancestry feats either, though.
For the Hadali merfolk, the Ancient Scale Azarketi work perfectly. Exactly what I want, darkvision and bioluminescence. Obviously I’d be changing pretty much all of the Azarketi lore, just keeping the mechanics, since Osh Derrinalina is a very different setting and does not include fallen continents, Atlantean empires, and algholthu corruption. Again, might do up a few ancestry feats relating to Derrinalina herself and the protection of the Mother Sea.
(Sidenote: I probably also want to do a deity write-up for Derrinalina. Possibly also Rachinilea as well)
For the Starfolk, Cavern Elf again works pretty perfectly. In Osh Derrinalina, at least if you’re a native, darkvision is pretty much all you need from your heritage (with the possibly exception of Durgen dwarves, because of the suns, but dwarves get darkvision by default anyway). Again, a couple of feats relating to endurance and constitution, as a result of the legacy of the Great Flight, or a couple relating to trade and diplomacy bonuses, could be worth considering. Might give them access to a couple of the PF2e human ancestry feats in that cause.
For the Siinelan Crystalfolk, like the Joy Singers, there still isn’t really a good player option. I’m not sure what stat block I’d use for them as NPCs, either. However … crystal, empathy, luminescence … I am wondering if some reskinned Kashrishi might work? Trogloshi, obviously. I don’t know, I would have to think about that one. The Oread versatile heritage would also be something to consider. That being said, they’re a bit more alien than a lot of player ancestries, again like the Joy Singers, so it might be better to leave them as NPCs.
So the set up here is that, in Osh Derrinalina, the common ancestries are deep anadi, cavern elf, grower dwarf, umbral gnome, ghostly goblin, fungal leshy, and ancient scale azarketi, and everything else is rare and usually only seen on strangers via the Southern Passage or the Durgenroad.
I am wondering if I need to tweak Silrithantus. PF2e Umbral dragons have somewhat different vibes to 5e shadow dragons. But, honestly, I can just use the stat block and change the lore, and Silrithantus was always his own deal anyway.
For Zarathea, I definitely want to tweak a Dragon Turtle statblock for blindness, albinism, faint bioluminescence, and possible deathly influences, but then I’d also have to do all that in 5e too. Heh.
Lochantu’s sacred bats can be either Giant Bats or Albino Giant Bats, possibly a mix of both.
Overall, though? Definitely a doable conversion. And the Anadi … oh, the Anadi make my life so much easier, just by existing. I really love the happy little spider people? Long may they reign!
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honourablejester · 1 day
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Watership Down traumatised the absolute fuck out of me, apparently, because I saw this cute picture and all I could think of was the destruction of Sandleford Warren scene:
(WARNING: DO NOT PLAY THIS if you have any form of claustrophobia or fear of suffocation).
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... Excellent book/movie, do not get me wrong. I remember it fondly. But it will definitely fuck you up.
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honourablejester · 1 day
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Caves are weirder and more varied than you think
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honourablejester · 2 days
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On the subject of Anna May Wong and Marlene Dietrich, this is the fanvid that introduced me to the movie Shanghai Express (1932):
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Which stars the pair of them as a pair of prostitutes, Shanghai Lily (Dietrich) and Hui Fei (Wong), travelling by train through 1931 civil war torn China, along with several other characters including a moralising preacher and Harvey, Shanghai Lily’s ex-lover surgeon that she’s still hung up on. The train is captured by a warlord, and the two women basically save the day, despite being hurt and looked down on the entire time (and, in Hui Fei’s case, raped). They make this movie.
I also ship them. So much. Lily, honey, Hui Fei would have been so much better a choice than Harvey. Like, yeah, he came around in the end, but he was a dick to you for so much of this movie. Hui Fei saved you all. Go back to your girl and leave the twat to work out his moralising in his own time.
(This movie is the source of this scene:
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This is after Hui Fei has been raped, and Lily is protecting her from herself in the aftermath. Harvey fucking who? Anna May Wong is right there)
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honourablejester · 2 days
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Propaganda
Kim Novak (Vertigo, Bell, Book, and Candle)— She fought as much as she could to be able to preserve her own identity within the crushing hollywood system. She refused to change her czech last name and fought for a higher salary once she discovered her male counterparts were getting payed significantly more, which was an incredibly risky thing to do. She went through so much hollywood bs like she was forced to drop her affair with Sammy Davis jr. She played her iconic role in Vertigo thinking about her own oppressive and significant changes she had to undergo in order to fit in the tight hollywood mold which i think is partly why the movie is so beautiful and timeless. She is a gorgeous soul and a great artist.
Marlene Dietrich (Shanghai Express, Witness for the Prosecution, Morocco)—Bisexual icon, super hot when dressed both masculine and feminine, lived up her life in the queer Berlin scene of the 1920s, central to the 'sewing circle' of the secret sapphic actresses of Old Hollywood, refused lucrative offers by the Nazis and helped Jews and others under persecution to escape Nazi Germany, the love of my life
This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Kim Novak:
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Marlene Dietrich:
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ms dietrich....ms dietrich pls.....sit on my face
its marlene dietrich!!!! queer legend, easily the hottest person to ever wear a tuxedo, that hot hot voice, those glamorous glamorous movies…. most famously she starred in a string of movies directed by josef von sternberg throughout the 1930s, beginning with the blue angel which catapulted her to stardom in the role of the cabaret singer lola lola. known for his exquisite eye for lighting, texture, imagery, von sternberg devoted himself over the course of their collaborations to acquiring exceptional skill at photographing dietrich herself in particular, a worthy direction in which to expend effort im sure we can all agree. she collaborated with many other great directors of the era as well, including rouben mamoulian (song of songs), frank borzage (desire), ernst lubitsch (angel), fritz lang (rancho notorious), and billy wilder (witness for the prosecution). the encyclopedia britannica entry im looking at while compiling this propaganda describes her as having an “aura of sophistication and languid sexuality” which✔️💯. born marie magdalene dietrich, she combined her first and middle names to coin the moniker “marlene”. she was a trendsetter in her incorporation of trousers, suits, and menswear into her wardrobe and her androgynous allure was often remarked upon. critic kenneth tynan wrote, “She has sex, but no particular gender. She has the bearing of a man; the characters she plays love power and wear trousers. Her masculinity appeals to women and her sexuality to men.” in the 1920s she enjoyed the vibrant queer nightlife of weimar berlin, visiting gay bars and drag balls, and in hollywood her love affairs with men and women were an open secret. she was an ardent opponent of nazi germany, refusing lucrative contacts offered her to make films there, raising money with billy wilder to help jews and dissidents escape, and undertaking extensive USO tours to entertain soldiers with an act that included her a playing musical saw and doing a mindreading routine she learned from orson welles. starting in the 50s and continuing into the mid-70s she worked largely as a cabaret artist touring the world to large audiences, employing burt bacharach as her musical arranger.
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First of all, there are those publicity photos of her in a tux. Second of all, I have never been the same since knowing that she sent copies of those photos to her Berlin lovers signed "Daddy Marlene." Not only is she hot in all circumstances, but she can do everything from earthy to ice queen. Also, she kept getting sexy romantic lead parts in Hollywood after the age of 40, which would be rare even now. She hated Nazis, loved her friends, and had a sapphic social circle in Hollywood. She also had cheekbones that could cut glass and a voice that could melt you.
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Her GENDER her looks her voice her everything
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“In her films and record-breaking cabaret performances, Miss Dietrich artfully projected cool sophistication, self-mockery and infinite experience. Her sexuality was audacious, her wit was insolent and her manner was ageless. With a world-weary charm and a diaphanous gown showing off her celebrated legs, she was the quintessential cabaret entertainer of Weimar-era Germany.”
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The bar scene in Morocco awoke something in me and ultimately changed my gender
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"Her manner, the critic Kenneth Tynan wrote, was that of ‘a serpentine lasso whereby her voice casually winds itself around our most vulnerable fantasies.’ Her friend Maurice Chevalier said: ‘Dietrich is something that never existed before and may never exist again.’”
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"Songstress, photographer, fashion icon, out bisexual phenom (notoriously stole Lupe Velez and Joan Crawford's men, and Errol Flynn's wife, had a torrid affair with Greta Garbo that ended in a 60-year feud, other notable conquests including Erich Maria Remarque -yes, the guy who wrote All Quiet on the Western Front- Douglas Fairbanks Junior, Claudette Colbert, Mercedes de Acosta, Edith Piaf), anti-Nazi activist. Marlene was a bitch - she had an open marriage for decades and one of her favorite things was making catty commentary about her current lover with her husband, and her relationship with her daughter was painful- but she was also immensely talented, a hard worker, an opponent of fascism and the hottest ice queen in Hollywood for a long time."
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"She can sing! She can act! She told the Nazis to fuck off and became a US citizen out of spite! She worked with other German exiles to create a fund to help Jews and German dissidents escape (she donated an entire movie salary, about $450k, to the cause). She looks REALLY GOOD in a suit. If you're not convinced, please listen to her sing "Lili Marlene". Absolutely gorgeous woman with a gorgeous voice."
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"Bisexual icon and Nazi-hater. Looks absolutely stunning in the suits she liked to wear. 'I dress for the image. Not for myself, not for the public, not for fashion, not for men'."
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"would you not let her walk on you?"
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honourablejester · 2 days
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Propaganda
Tallulah Bankhead (Lifeboat, Devil and the Deep, The Cheat)— Fierce, outspoken, uninhibited, and witty. An amazing actress who strongly supported civil rights and was unashamed of her sexuality.
Anna May Wong (The Thief of Bagdad, Shanghai Express)—Wong was the first Chinese American movie star, arguably the first Asian woman to make it big in American films. Though the racism of the time often forced her into stereotypical roles, awarded Asian leading roles to white actors in yellowface, and prohibited on-screen romance between actors of different races, she delivered powerful and memorable performances. When Hollywood bigotry got to be too much, she made movies in Europe. Wong was intellectually curious, a fashion icon, and a strong advocate for authentic Asian representation in cinema. And, notably for the purposes of this tournament, absolutely gorgeous.
This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Anna May Wong propaganda:
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"She so so gorgeous!! Due to Hollywood racism she was pretty limited in the roles she got to play but even despite that she’s so captivating and deserves to be known as a leading lady in her own right!! When she’s on screen in Shanghai Express I can’t look away, which is saying something because Marlene Dietrich is also in that film."
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"SHE IS ON THE BACK OF QUARTERS also she was very smart and able to speak multiple languages and is a fashion icon on top of the acting/singing"
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"Paved the way for Asian American actresses AND TOTAL HOTTIE!!! She broke boundaries and made it her mission to smash stereotypes of Asian women in western film (at the time, they were either protrayed them as delicate and demure or scheming and evil). In 1951, she made history with her television show The Gallery of Madame Liu-Tsong, the first-ever U.S. television show starring an Asian-American series lead (paraphrased from Wikipedia). Also, never married and rumor has it that she had an affair with Marlene Dietrich. We love a Controversial Queen!"
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"She's got that Silent Era smoulder™ that I think transcends the very stereotypical roles in which she was typically cast. Also looks very hot smouldering opposite Marlene Dietrich in "Shanghai Express"; there's kiss energy there."
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"Hot as hell and chronically overlooked in her time, she's truly phenomenal and absolutely stunning"
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"A story of stardom unavoidably marred by Hollywood racism; Wong's early-career hype was significantly derailed by the higher-up's reluctance to have an Asian lead, and things only got worse when the Hayes code came down and she suddenly *couldn't* be shown kissing a white man--even if that white man was in yellowface. After being shoved into the Dragon Lady role one too many times, she took her career to other continents for many years. Still, she came back to America eventually, being more selective in her roles, speaking out against Asian stereotypes, and in the midst of all of this finding the time to be awarded both the title of "World's Best Dressed Woman" by Mayfair Mannequin Society of New York and an honorary doctorate by Peking University."
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"Incredible beauty, incredible actress, incredible story."
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"-flapper fashion ICON. look up her fits please <3 -rumors of lesbianism due to her Close Friendships with marlene dietrich & cecil cunningham, among others -leveraged her star power to criticize the racist depictions of Chinese and Asian characters in Hollywood, as well as raise money and popular support for China & Chinese refugees in the 1930s and 40s. -face card REFUSED to decline"
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Tallulah Bankhead:
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please read the personal life section of this woman’s wikipedia. a bisexual (or ambisextrous as she called herself) legend
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She was bisexual. About her film The Devil and the Deep she said 'Dahling, the only reason I accepted that part was to fuck that divine Gary Cooper'.
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honourablejester · 2 days
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The Three Musketeers by Gregory Fromenteau
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honourablejester · 2 days
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One Teague Martin for the Dunwall Days fanzine project @10yearsofdishonoredzine
Also available on my INPRNT and RedBubble!
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honourablejester · 2 days
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Seeker Upon the Sea Tower
Mark Jarrell
markjarrellart.com
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honourablejester · 2 days
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I vibe with the thaumaturge so much:
“The world is full of the unexplainable: ancient magic, dead gods, and even stranger things. In response, you've scavenged the best parts of every magical tradition and built up a collection of esoterica—a broken holy relic here, a sprig of mistletoe there—that you can use to best any creature by exploiting their weaknesses and vulnerabilities. The mystic implement you carry is both badge and weapon, its symbolic weight helping you bargain with and subdue the supernatural. Every path to power has its restrictions and costs, but you turn them all to your advantage. You're a thaumaturge, and you work wonders.”
They fit a particular sort of occult archetype that 5e really struggles with, the sort of ritualistic, vampire hunting, bell-book-and-candle sort of character that was so at home in pulpy gothic stories. They’re not a spellcaster, they don’t wield the raw forces of creation, by their own power or by the gift of others, they just scrounge broken scraps of power and build a tool kit, an arsenal, from them. It’s all salt lines and stolen relics and pockets full of silver bullets. I love them so much.
(In 5e, to get this sort of vibe, I’ve actually spoken before on how I’d go for a fey wanderer ranger rather than a warlock. Thaumaturge fits that martial, pragmatic, spooky, well-spoken sort of vibe, but it’s purpose built for it, whereas the ranger useage is probably not intentional).
I also love the symbolism of the thaumaturge implements so much. The implements are specific objects, beyond your general kit of scavenged bits and bobs that are your esoterica, that you use to define your build, and they have so many archetypes. For a start, they quite literally have the bell (bell), book (tome) and candle (lantern) implements, along with mirror, chalice, amulet, wand, and weapon. You choose three of them over the course of your career, though only your first will be fully unlocked. So if you want to play a border guardian led by the light of a ghostly lantern, or an occult infiltrator and terrifying combatant with a mirror self, or an occult scholar guided by the knowledge stored in eldritch tomes, you can do that.
This class is so strongly built around objects, ritual and symbolism, and I enjoy it so much. They’re the rag-and-bone prophets, the sleight of hand street magicians, the Victorian spiritualists, the down and dirty vampire hunters. I’ve doodled around with a witch gnoll thaumaturge before, and I just … I love their whole vibe.
I do also enjoy oracles, though they’re much more on the cosmic horror side than the gothic milieu the thaumaturge hangs around in. Very much ‘things man was not meant to know’, where you’ve tapped some vast cosmic mystery and physically and psychologically paid the price for it. You have eschewed the guidance of the gods to grapple with universe on your own terms, and it cost you, but you did grapple with it, and you did win power from it, and from your own understanding, not the dribs and drabs fed to you by powerful beings. Maybe it’ll kill you, sure, but even if it does, you did all this yourself, on your own terms, and that is worth something. You wield powers similar to those granted by gods, and you do so by your own merits alone.
Basically, if you came to the warlock class to play blasphemous hubris and defiance of the gods, PF2e’s oracle has you covered. Trust me.
The different mysteries add a bit of extra flavour on top of this, which particular part of the universe you grabbed with your bare hands and naked mind and tried to master, whether it was death itself (bones), the vast forces that move the stars (cosmos), the untapped well of knowledge that lies behind the world (lore), or the very flow of time (time).
All this to say, yes, very much agree with this post. PF2e has a whole buffet of occult classes to play, depending on which flavour you want, which I do think provides a few more purpose built options than 5e. I also just really love PF2e’s occultism skill, which gives you a lot of skill feat options to add to your spookiness, and that’s before we get to a bunch of archetypes like the Exorcist, Eldritch Researcher, and Pact Binder to let you put some spookiness onto the class of your choice.
It's good for all things occult and spooky, is what I’m saying here. Heh.
"how do you play a warlock in Pathfinder 2e" - fortunately, and unfortunately, the answer is perhaps fivefold I'd argue, depending on WHAT precisely about the warlock you find appealing: witch, thaumaturge, magus, psychic or oracle.
The PF2E witch is a full spellcaster using intelligence - but they rely on a patron who gives them their spells via a special familiar. Definitely Pact of the Chain warlock vibes. However, way more powerful spellcasting then a 5e warlock, more equivalent to a wizard.
The thaumaturge has strong occult vibes, focused on "esoterica" - magical scraps and relics that empower special abilities. No patron, technically not spellcasting, but a Charisma-based occult magic user that looks sick as hell. Does seem a bit Hexbladey though, given armor and weapon proficiencies and capacity for melee combat.
The magus similarly is a strong melee combatant, with limited spellcasting much more akin to how the warlock pact slots work in 5e (though Intelligence based). They can use spells to empower their weapon strikes, and they can only cast at their highest two spell levels available (though unlike the warlock, these levels go all the way to 9)
If the thing you like most about the warlock is being able to build a mass murderer around a cantrip, the psychic might be right for you. One of their cool base class features is additional psychic-only cantrips, which you can then "amp" for more power and utility.
The oracle, like the thaumaturge, shares more flavor than mechanics with the warlock, and is probably the weakest case for equivalency in this post. They're charisma casters with divine spells, but unlike clerics their power isn't from a god, but rather a "mystery". One of their key features is a curse, which as it's strengthened provides both power and drawbacks. The curse mechanics feel very eldritch.
ANYWAY at first glance I was like "wtf no warlock, that seems like a missed opportunity" but no, Paizo was like "how do you like your warlock?" and served you up a buffet.
Visit Archives of Nethys if you're interested!
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