lovevalley45

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Da gukgaks

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noooo girlieeeee

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gorgug had to drop the Jock identity so they could pick up Mean Girl

he saw that fig decided to drop off the social scene and said well SOMEONE has to serve cunt around here

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people wanted to see more of my bad kids, heres an adaine!! :)

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forgiving your past self ☀️

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We love an icon

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No see results option, I'm forcing you to perceive yourself. rb for more results plus

#online #i was literally told yesterday how antisocial i was when they first met me lol

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@stone-stars' sol raised in the crick / callie growing up in tsunare / calder stolen by mothership au

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God, I love the art this season so much. Not just because it's fucking gorgeous, (which it is.) But. like. look at this.

The Trio of Goblin Badasses (otherwise known as the Gukgak family):

First of all. Pretty. Second of all, look at their facial features. Riz's got his dad's ears, but his mom's nose. Sklonda's jawline and Pok's dark brows. This kid is the spitting image of his parents, a perfect combo of the two. Just like Kalina said in Sophomore Year.

I Just Think It's Neat.

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[ID: a sketch of Moonshine and Jaina from NADDPOD. Moonshine is smiling with her hands on her hips while Jaina holds Moonshine's arm and stares up at her, blushing. Moonshine is a tall, fat Crick elf with long fluffy curly hair and mushrooms sprouting from her body. Jaina is a muscular butch dwarf with medium length curly hair slicked back on the sides. end ID]

havent had time to draw in months. should not have stayed up until 2am. and yet i heard request for more fat moonshine art; i am honourbound to answer the call

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Happy dimension 20 day that last one was a doozy

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What if we were deities...and our domains were direct opposites to eachother...and we were married... 👉👈

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the moment brennan pulled out the real exam questions every dnd player started praying to every god in the universe that their dm wouldn’t find out and do this, and every dm took down a little note

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this entire episode was a place haunted by Riz's nightmare, with the people dearest to him turning into the personification of his fears - and then every single time he is about to come into contact with Baron he is not in the room or Adaine casts a fucking spell to prevent it or Murph rolls a 1 and that's as funny as it is amazing. YOUR HORRORS- can't reach you right now umm uhh they seem to have juuuust missed you, darn

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reading this like oh average university library experience. well maybe not that last one

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a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…

you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.

and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.

it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--

the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.) for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.

melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack. for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.

the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands. for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.

the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.

anyway. this was a post about naddpod music.

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"so we have lost fleek, and there is no heir" is so perfectly elven.

#whenever my polish professor in my linguistics class starts talking to us abt slang