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Frederick Sandys - Miranda (1896)
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Evening Boots
1885-1890
Probably French
While the slipper and the strapped shoe were the most common choice for evening wear in the last third of the 19th century, boots did occasionally continue to appear. As with shoes, the basic evening boot was satin, either plain or featuring an embroidered vamp, usually in floral or foliate designs. Surviving examples of evening boots of the late 19th and early 20th centuries suggest, however, that those daring to wear something already outside of the ordinary often opted as well for unconventionally bold and unusual materials and trimmings. This pair of boots typifies that phenomenon: anachronistic side-lacing, novel and atypically exuberant fret and scroll motifs, and embroidery covering the entire boot, including the heel.
The MET (Accession Number: 2009.300.1477a–d)
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The Letter (A Classical Maiden), 1899
John William Godward
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Otto Lilienthal and his glider the Normalapparate, 1896
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Source details and larger version.
If you like fairies or are one, here's my current collection of vintage fairy imagery.
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"The artist's family" (1893)
Vladimir Makovskiy (1846-1920)
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After Breakfast (Päättynyt aamiainen / Avslutad frukost), 1890, by Elin Danielson-Gambogi (1861–1919)
Apparently this painting is the first depiction of a woman with a hungover in Finnish art, at least by a female artist. It was condemned and mocked by the contemporaries; even Danielson-Gambogi herself later seems to have regretted presenting it publicly, calling it "that idiotic breakfast thing". *
Obviously I disagree with her: I've always loved this painting and its atmosphere :)
* Leponiemi, S. (2021). Niin kauan kuin tunnen eläväni: Taidemaalari Elin Danielson-Gambogi. Gummerus.
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La Mode Illustree 1891
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Enfin Seule! (Finally Alone) by Jean-Louis Forain in Le Courrier Français, ca. 1890
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Cape
Late 1890s
The John Bright Collection
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submitted by @downtonbaddie7 🩷💚
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Amaldus Nielsen - Evening sea view from the fjord (1897)
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Brooch
Edgar Bense for Boucheron
c.1890
Conceived as a dazzling dragonfly with delicate plique-à-jour wings, this brooch epitomizes the Art Nouveau style in both fashion and manufacture. With its translucent wings set en tremblant and its sparking rose-cut diamonds, the present jewel catches the light brilliantly. In the enameling technique called plique-à-jour, vitreous enamel is applied to openwork wire cells without a backing, creating the transparent effect of stained glass. The house of Boucheron was founded in 1858 by Frédéric Boucheron (1830–1902). First opened in the Galerie de Valois, under the arcades of the Palais Royal, the shop was perfectly situated in the center of Second Empire Parisian luxury. In 1893 Boucheron moved to the Place Vendôme—the first of the great French houses to occupy that location—where it remains headquartered to this day, with more than 30 branches across the globe.
The MET (Accession Number: Accession Number: 2018.447.1)
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Bath time, 1897
Virgilio Tojetti
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The title of a short story about a French girl who sprays a man with a garden hose.
(source: The Philadelphia Times, April 12, 1891)
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