#2.5D stage play

[taran-chan]

is there any secret link out there that i can watch hataraku saibou (english name: cells at work) stage play? 😭😭

#hataraku saibou #2.5d stage play #cells at work #pls help a girl out #働く細胞 #はたらく細胞

[mashleverse]

Mashle: Magic and Muscles Stage Play Main Visual and Character Visuals Unveiled

CAST

Akazawa Ryoutarou as Mash Burnedead

Hiroi Yuuto as Finn Ames

Ishikawa Ryouga as Lance Crown

Yamada Takeshi James as Dot Barrett

Kawauchi Misato as Lemon Irvine

#butai mashle #stage play #2.5d #mashle #mashle magic and muscles #mash burnedead #akazawa ryotaro #finn ames #lance crown #dot barrett #lemon irvine #hiroi yuto #ishikawa ryouga #yamada takeshi james #kawauchi misato

[taketheringtolohac]

like heres the thing. fuck all those musical adaptations of movies and whatever that are happening rn and coming to broadway like i am Sick Of It and want something actually new and original however i need the death note musical to come to broadway so badly. i need there to be serious nyc theater goers watching the toxic homophobic yaoi or whatever those two have going on live on stage like right now. broadway producers listen to me i am a voice of the people you would make so much money from cringe anime teens

#like. 2.5D stage plays are just different. sorry for being a hater (<literally isnt) #broadway isnt the end all be all of theater i know this but like. i live in ny and its close and i want to see it.

[grasstrava]

Shiozuru Ichina - Yuu Fukuzawa from new butai "Ketsugou Danshi"

#art #japan #2.5 stars #2.5d stage #stage play #ketsugou danshi #Shiozuru Ichina #fukuzawa yuu #fanart #butai

[youuuuwontbelievethis]

I'm pretty much not happy at all that people referring Touken Ranbu as "Gay swords". The thing is, it's pretty much disrespectful for the actor and the whole series that doesn't even put any romantic things on their plays. And as always, if you aren't even bother to watch or even to know the shows and such, then don't even bother to refer them as something like that.

(I found this when i was reading Oshi no Ko. The manga itself is interesting but found this page really gave me a turn off for this series. If you want to educate your reader then try to educate it without using an offensive things)

#touken ranbu #toumyu #oshi no ko #tourabu #touken danshi #tousute #2.5d #stage play

[adohachan]

⚽️INFO NONTON BLUE LOCK STAGE

(INFORMATION FOR WATCH BLUE LOCK STAGE)⚽️

⚠️HARAP DIBACA SAMPAI AKHIR AGAR TIDAK ADA PERTANYAAN BANYAK YANG SAMA LAGI

(PLEASE READ UNTIL END SO YOU DON'T HAVE MANY QUESTIONS OF THE SAME AGAIN)⚠️

Sebelum itu, thank u udah sempetin buka link ini, silakan support dan donasi ke DANA aku ini yaa guys yaa🤗 (ini ga ada paksaan, seriusan✌🏻)

Bagi kalian yang punya uang cukup, silakan beli tiket untuk bisa nonton live streaming Blue Lock Stage di website namanya DMM atau bisa klik di sini

(For those of you who have enough money, please buy a ticket to be able to watch the Blue Lock Stage live streaming on the website called DMM or you can click here)

Sebelum beli, harap dibaca-baca dulu atau silakan baca penjelasan aku yg udah aku pahamin

(Before buying, please read it first or please read my explanation which I already understand)

1. Website DMM ini bisa diakses buat live streaming harus pake VPN. VPN yg worth it menurutku bisa pake namanya ‘Open VPN’ (cara pakenya bisa cari di-google)

(This DMM website can be accessed for live streaming using VPN. VPN that is worth it, in my opinion, can use the name 'Open VPN' (how to use it, you can search on Google))

2. Di website yg aku udah terterain link-nya, ada 3 jenis pembelian. 1 video show hari pertama, 1 video show hari terakhir, 2 video show (hari pertama dan terakhir)

On the website that I have listed the link for, there are 3 types of purchases. 1 video show on the first day, 1 video show on the last day, 2 video shows (first and last day))

3. Pembayarannya bisa pake credit card visa, yhaa silakan cek sendiri atau kalian bisa cek caranya di sini

(You can pay using a visa credit card, please check it yourself or you can check the method here)

4. Kalo kalian masih susah, ga ada uang cukup untuk beli, aku ada rencana mau buka patungan. Penjelasan patungannya kek apa bisa langsung DM aku aja di instagram @about2.5d

(If you are still struggling, you don't have enough money to buy it, I have a plan to open a joint venture. Explanation of the join split, you can DM me directly on instagram @about2.5d)

Okay, kalo gitu sampe sini dulu penjelasannya~

(Okay, if that's the case, here it is for explanation~)

Moga paham yaaa, feel free kalo mau nanya2 yg lain, makasih guys <3

(I hope you understand, feel free if you want to ask anything else, thanks guys <3)

#blue lock #blue lock stage #2.5d #2.5次元 #2.5次元舞台 #stage actor #stage play #ブルーロック #ブルステ

[kmkzgirls]

so like. how far is the oshi no ko anime adapting. bc i think episode one is extra long to adapt all of volume one (bc of the Inciting Incident of The Plot)

#like honestly i see either to 2.5d stage play or private depending on how long the season is

[karasunocurry]

Hello friends and tumblr critters

It has been less than half a year wowie. Happy new year. I will soon be sharing more subs (but nothing that anyone has been waiting for I feel)... I'll be bringing you nostalgia with the first Yowapeda play from 2012 and next I'll be sharing the Ochanomizu Rock live stage. After that i'm not sure! Should I continue working on the old yowapedals? Should I try my hand at Noragami now that it is sufficiently old and nobody cares? Should I... god forbid... sub Mankai Stage????

I could also do Blue Period but...... that's a tough one. And it's a bluray and idk how to rip those.

#curry talks #curry translates stuff sometimes #2.5D #subbing stage plays

[doizy]

BASARA Gaiden-KATANA Rainbow Story-Ginkgo : A review (?)

When I first read the Katana Short Story in volume 26 of Yumi Tamura's Basara I had the thought that in a fair universe where Basara has the high budget anime adaptation it deserves this story would have had it's own stand alone-ish movie adaptation.

The people who adapted Basara to the stage must have had a similar idea because they chose to adapt this story for the stage.

Like all 2.5 play this play was performed for a limited time, in february 2019 (i think they were only 7 performances in total).

I was pretty curious to watch it so i ordered a dvd off yahoo auctions, and watched it yesterday.

Obviously this didn't come with subtitles, and my Japanese it still very rudimentary so this review is going to be quite superficial, but I was still able to to follow the play pretty well having read the short story it's adapting twice before.

For a refresher Katana is the story of the failed rebellion led by the generation of Sarasa's great grandparents against the cruel and sadistic Lion King, 100 years before the events of Basara.

Our protagonist Tara is a young woman who grew up as an orphan and was painfully rejected and abused by her community as they believed her to be cursed which means that she had grow up without ever feeling love or comfort. She was about to be killed in a sacrificial ritual but is rescued by the rebellion led by Gensho (Tatara and Sarasa's ancestor). She then joins the rebellion, where she for the first time find meaning and a place where she belongs, and we follow her and her companions doomed efforts in their battle against the Lion King.

The story is pretty short (about a 100 pages), which means that the stage play is able to adapt it really well without having to take big shortcuts, and it's folktale like narrative worked very well on the stage i thought. The play is even able to flesh out some bits, which was very nice, they added a lot of banter between our rebels which highlighted their relationship as brothers in arms (even if i couldn't understand most of it...).

Notably we see a lot more of the Lion King (who by the way is played by a woman, a former Takarazuka actress which i thought was neat), with little comedic scene which really show him a a despotic and cruel but also very bored ruler. By his side are two original characters and given their color coding i assume that must be the then Red and Blue Kings, which is the nice touch, they don't really do much in the story though, apart for acting as a leader of enemy troops in battle.

Speaking of battles those were really fun to watch! The choreography felt really dynamic, I loved the scenes with the lions in particular , i think they were inspired by traditional performances and used puppet and traditional sounding music with some nice drums. They were really cool to see!

Something else that was fleshed out in this adaptation is the relationship between Tanmanya and Iris, the stranded European woman he falls in love with. I think this was my favorite part of the show (maybe because i could actually understand some of it since Iris spoke english), it felt very sweet and beautiful (and you know, sad...).

Asahiko also get a flashback scene featuring his little sister that makes the scene where he's tricked into killing her all the more tragic (the flashback scene i wasn't quite able to follow but I'm a bit worried that it had some weirdly incestuous undertone since what i understood of it was Asahiko telling his sister that she's beautiful before she tells him that she wants to become a bride, doesn't seems very tamura esque though, so i might be completely off).

The finale was was very emotional with the tragedy of seing our heroes fails and their swords be scattered across the Japan, but with an added touch of hope conveyed by a cameo by Sarasa and the other heirs of the legendary swords.

If there was something i liked less it was the over reliance on pre recorded lines used for the characters inner monologues, since those are usually some very important lines and it would have been better to see the actors actually perform them in my opinion.

Other than that i thought the performance were pretty good, but without really understanding them i can't really judge, the music was great and really one of the highlights for me. The costume were simple but pretty nice (why didn't they let Asahiko wear crop tops like he does in the mnga though...), i wasn't much a fan of the costume of the King's harem (?) women though, it felt a bit to orientalist sexy costume and less like the interesting byzantine and Japanese style fusion Basara is usually going for.

It was really fun to watch and if you like Basara i can only encourage you to check it out! I think it's available on amazon Prime in japan, so if you have a subscription and a VPN you might be able to watch it there.

It left me very interested to check out the three other stage play that adapt the main story!

#basara #legend of basara #yumi tamura #2.5D play #stage play #review #shojo manga #if anyone is interested i might rip the play and upload it to a google doc or something since the dvd isn't available new anymore #and it's not like you can stream it legally in the west

[bishonenspit]

i have such a deep deep love for eroica stage....i have so much hope for it i really hope they do more....

#bii talk tag #it reminds me of patasute 2016 in the way it feels like a baby stage LOL but like there's so much potential to it and it was so well done #the casting is so good i want them to do more and do a longer run!!! world's shortest stage run holy shit #imo the music left a little to be desired like im not sure if the songs were entirely memorable but i genuinely do have faith #that if they do more it'll grow into itself a little more? i really love it so much i want to see it evolve #stages have a way of getting me into old manga huh lmao patasute was what started my descent into madness and this stage is what prompted me #to start reading the manga and here we are #i can't wait for the dvd to release .... #something about silly stages based off showa comedy manga are so so important to me #ive always said the most effective 2.5d adaptations are the ones for series that take the piss out of themselves bc then the goofiness that #comes with 2.5d is used really effectively.... they had some really good bits and klaus was SO GOOD #so funny his actor played him so well i want to see more of him 💔 #please buy the dvd if you can!!!! let them know we want more!!! i think it's still available for pre-order!!!!

[thankskenpenders]

There have been some interesting bits of Sonic-related news lately! This is the post where I comment on them.

Sonic Superstars

Finally! A new Sonic sidescroller! It's been too long.

Admittedly, in a perfect world, I would've wanted a Sonic Mania 2, but I'll take a 2.5D game with all new zones for sure, especially when the art direction for it looks this nice. And four-player co-op with Sonic, Tails, Knuckles AND Amy playable? Hell yeah. Also Fang is back, and there's a new funny little guy designed by Naoto Ohshima! Wow!

There's been some concern over how this will play, particularly after it was discovered it's being co-developed by Ohshima's company Arzest. They're perhaps best known for some mediocre Nintendo games like Yoshi's New Island, Hey! Pikmin, and the 3DS version of Mario & Sonic 2016, as well as, of course... co-production on Balan Wonderworld. The thing is, Arzest is very much one of those "silent collaborator" type companies. They're hired gun developers who do the grunt work on projects for other studios without being put in the spotlight. The quality of their games isn't really up to Arzest, who are presumably just doing whatever they're directed to do with whatever resources they're allotted. It's up to their publishers.

Based on the side-by-side physics comparisons that have been going around Twitter, it seems clear that SOMEONE on this project is invested in making Superstars play just like the classic games. I'm admittedly no Sonic physics purist, but the extended gameplay footage (with placeholder music from Sonic 4 Episode 2) looks spot on to me. Christian Whitehead also seems to know things about the game, stating that "the Mania physics were indeed fully translated to modern 3D." It seems that at the very least they consulted his previous work on this, regardless of whether or not he's actually involved.

But even if this ends up not being true, honestly, I'll take a new Sonic sidescroller that's "just okay" if it has all new zones, nice art direction, and good music. If Sonic 4 had checked those three boxes but played exactly the same, I would've been way more into it.

Really, it's the music that has me most concerned. Obviously we all love Jun Senoue, but hearing he's trying to do "classic-style" music again makes me worry that he's gonna bust out the fake Genesis synths. I'm actually a weirdo who likes the Classic Sonic stage themes in Forces, but those weren't by Senoue, whose otherwise very strong compositions were really hurt by the sound palette chosen for Sonic 4. Like many others, I'd prefer it if Superstars went for the new jack swing sound of Sonic Mania - and considering Tee Lopes is contributing, hopefully he's allowed to tap into that sound a little. But I'd be open to other styles, too. I just really don't think a game with HD visuals should be going for a fake 16-bit sound.

But yeah, overall, I'm looking forward to Superstars. I think we've needed something like this for a long time, and I'm glad they're finally doing it.

Sega union update

We don't have many details on this, but the newly forming Sega of America union, AEGIS-CWA, is facing resistance from management. Apparently some form of "anti-union campaign" (their wording) is underway, also described more worryingly as "relentless attempts at union busting." We unfortunately don't have more details right now, and it seems like no news outlets are doing anything with this story.

This behavior is unfortunately not surprising, even from a company that purports progressive values like Sega. Remember kids: corporations are not your friends.

In the face of this, the members of AEGIS-CWA are still trying to convince management to stay neutral with the help of their fan petition that raised over 4300 signatures. At the time of writing this, their first union election is also underway. I continue to wish them luck in their efforts. We're currently seeing a wave of unionization attempts the likes of which we've never seen before, and I have to hope that at least some of them stick. We need real change in the game industry, an industry where if you're able to stick around longer than ten years without burning out then you're one of the lucky ones.

Okay now time for the thing y'all really wanted me to comment on

Penders says he's leaving Twitter

Earlier this month, Penders announced: "Since Twitter is promoting anti-trans nonsense, I can’t in good conscience continue to be associated with it much longer."

He's certainly not wrong. Elon's been doubling down on his transphobic fearmongering, and Twitter's already weak moderation of hate speech has only gotten even weaker. (They quietly removed their rule against intentional misgendering in April.) But based on the date he tweeted this, I assume Ken was referring specifically to Elon promoting Matt Walsh's shit ass transphobic documentary, which Elon personally allowed to be hosted on Twitter in its entirety. I'd quit the site myself if it didn't feel necessary to promote my work and stay connected with my peers. (Both the furry community and the gamedev sphere are very much centered on Twitter.) Assuming Ken does actually leave in protest, hey, good on him.

There's been some surprise over the fact that he's apparently a trans ally, but for all his many flaws, Penders has always been your average baby boomer Democrat. Half his tweets are about hoping Trump goes to jail. He has many outdated views that he refuses to unpack (I am not going to devolve this post into a catalog of stupid shit he's tweeted), but he at least understands that "progressive" is a thing you should try to be. He's that uncle who you wouldn't go to for a nuanced view on queer identity, but like, he knows trans people exist and are discriminated against and that that's bad.

Of course, instead of just leaving Twitter, he's announced that he intends to leave by September 30th, after which point people will have to contact him via his website. The idea of someone scheduling a date four months in the future on which they're going to leave a social media platform in protest is very, very funny to me. I wonder if he has something planned for September that needs to happen first - like, you know, maybe finally releasing at least a portion of The Lara-Su Chronicles?

Lord knows when the hell we'll be able to read the first part of the comic, but in the near future you WILL be able to buy THIS on a t-shirt!

Wait did he change that one character from Anthony Mackie to Ernie Hudson???

Anyway, my one hope is just that even if he does leave Twitter, he doesn't delete his account. His tweets have long been one of my most important sources for behind the scenes info on Archie Sonic, even if you do have to take some of it with a grain of salt. Gallagher and Bollers are simply not going on Twitter and talking about this stuff on a regular basis like Ken does. With so many old forums and fan sites now gone, only partially preserved by the Wayback Machine, Ken deleting his Twitter would truly be the burning of the library of Alexandria for old Archie Sonic behind the scenes drama.

You know, assuming he actually does leave Twitter.

...

Aaaand that about does it for Sonic-related news lately, I think? Okay, back to my hiatus. I would still like to get back to updating sometime this year, but I'm still in recovery mode following SLARPG's launch, so I can't promise when that'll be. I appreciate everyone's continued patience!

#tkp post

[taran-chan]

the thing is, i make fan edits when i'm sick

#yu yu hakusho #stage play #2.5d stageplay #koenma #botan #araki hirofumi #hirata yuka #舞台幽白 #平田裕香 #新木宏典 #コエンマ #ぼたん

[adachimoe]

Meeting Mitsuaki Madono

I went to Sabaku Con over Memorial Day weekend and met Mitsuaki Madono, Adachi's Japanese voice actor.

I came into his QA session late on the 1st day as I had just arrived in Albuquerque and he was answering questions about his anime work. I think he assumed most people visiting his panels were into Bleach as its more recent (he voices Kon) as he did reference Kon a bunch, but a few people in the audience mentioned Adachi and he quoted Adachi's popular line, "This world's gone straight to shit" (世の中クソだな). He mentioned he found it fun to portray characters like Adachi and he also enjoys scaring his coworkers lol.

For shits & giggles, I asked him about reprising his role as Adachi in the P4U2 stage play cause it was different than his usual voice work and there was absolutely no way anyone had asked that before me. He explained for the rest of the audience that in Japan they do "2.5d" stage plays where there's actors playing the characters on stage, but they also do effects and stuff (the Personas fighting) as a screen overlay. He had told his agency he was interested in portraying Adachi on stage cause he really enjoys the role.

He then went into an old man rant about getting into shape for the stage play. These 2.5d plays are usually all acted by 20-30 year olds, but he was in his 50s at the time. He just had a health scare prior to taking on the role, so he had pushed himself to do it - doing cardio and also learning sword fighting for the stage play so he could keep up with all of the youngins. (Honestly, I think Adachi would say the same shit at age 27-28.)

To my embarrassment, after asking that, him and his wife remembered me all weekend. 🤡 I got to chat with him in Japanese as well! And he nihongo jyozu'd me. Which is basically Kryptonite to anyone who has spent time trying to learn Japanese lmao.

It was neat to meet him and also get to chat with him as well! His visit to the southwest really caught me off guard. I didn't find out about it until after I had come back from Asia, and it seemed so out of the blue that he was at a smaller local con like this.

The item I got signed was my wall scroll from the Persona 4 Golden anime adaptation. Right is his kanji name signature, left is his first name in hiragana calligraphy. (I debated getting my Adachi perfume signed, but the box is tiny...)

#persona 4 #tohru adachi #mitsuaki madono #persona 4 stage play #persona 4 arena ultimax

[worlddaikokonat]

For anyone looking for a new rhythm game and/or a game with canon yuri to play, the game World Dai Star: Yume no Stellarium is currently celebrating it's 0.5th anniversary with a new main story chapter, a festival banner and reruns of previous banners.

World Dai Star is a mixed media theatre girls franchise whose main entries are the anime of the same title and the mobile rhythm game. It features both original songs and cover songs such as Stellar Stellar, Phony, Snow Halation, Ano Natsu ga Houwa Suru, Tokyo Shandy Rendezvous and more.

It's set in a world which had a huge theatre boom in the middle of the 20th century, which resulted in the field of theatre acting becoming so crowded that some people developed mutations which gave them acting superpowers called 'Senses', which can range from increased athletic ability to mind reading to de-aging while on stage. The very best actors are classed as World Dai Stars, with only a small number of people worldwide claiming the title.

The anime follows a girl named Otori Kokona as she joins the theatre troupe 'Sirius' and starts her journey towards becoming a World Dai Star. Kokona has been repeatedly rejected during auditions as they say she lacks a Sense, however she has her best friend Shizuka supporting her in her dreams no matter what. As it turns out though, no one else can see or hear Shizuka. As the show progresses Shizuka becomes visible to others and it's revealed that she's actually Kokona's Sense and although many mysteries remain around her, with her help Kokona's acting starts to shine.

World Dai Star: Yume no Stellarium is a direct sequel to the anime which continues to follow Kokona and the rest of Sirius while introducing three new troupes, Eden, Gingaza and Gekidan Denki.

Eden is a subversive troupe led by the young lesbian genius Renjakuno Hatsumi, which creates unique plays with controversial subject matters and has a dangerous reputation with the more mainstream troupes in the area. Bar Hatsumi, whose Sense allows her to suppress other's Senses, all members of the troupe have Senses which can act as double edged swords.

Gingaza is one of largest and most prestigious theatre companies in Tokyo and scouts for actors internationally. The environment at the beginning of the game is both hyper competitive and unfriendly and the members rarely befriend each other, but that begins to change when Ramona Wolf arrives from Germany.

Gekidan Denki is a troupe which focuses on 2.5D performances such as anime adaptations. They are a relatively easygoing troupe made up of various kinds of otaku and their dedicated fans are very enthusiastic. However, due to changes in the economy of Akibahara the troupe isn't as profitable as it used to be, and the threat of closure is often hovering above their heads. The story starts when a cosplaying anime otaku named Iroha, who quit acting when she was young because she has no Sense, joins the troupe with her best friend Mito.

The rhythm game aspect has been praised for it's three finger Olivier charts and high level of user customisation, which you can see in the linked video and read more about in the English language fan guide. It uses a system called Star Acts for it's scoring system. The team building and score increasing aspects are more in depth than most rhythm games and are considered one of the major draws of the games for people who like meta aspects.

The card art is always high quality and in particular often has excellent lighting.

The original songs are also highly praised, and the game has many covers like the ones mentioned above and ANIMA, Turing Love, Fleeting Lullaby and Hide and Seek. You can see three different difficulty levels with three different songs in the videos below.

In addition to the rhythm game section, there are also 3DMVs with customisable cast members and outfits and Photo Spots where you can dress members up and take photos of them in daily life situations. There are also 3DMVs of plays such as The Phantom of the Opera in the game, which have scripts written by a professional playwright.

For the yuri, there's a lot of potential pairings who openly flirt with each other, but more explicitly Renjakuno Hatsumi is gay and is in an open relationship with Lilja Kurtbay of Gingaza (first pic below). She cruises around town in her car hitting on girls on most days and regularly goes on dates with the girls she picks up. She's hit on most of the girls in the cast at this point and about a third of them like it. Also, the most loved up pair in the game are Senju Iroha and Shiromaru Mito (second pic below), and the official Twitter account of the game liked a post of rainbow flags replying to one of the Iroha/Mito 1komas that they posted.

(There's also this from the anime.)

Since the 0.5th anniversary banners and events are ongoing it's a good time to start the game, you can download it through QooApp. The game was laggy for Android on release and the reviews reflect that, but the issue was fixed in the first month and it now runs smoothly. All of the main story chapters, all of the key story events and some other events are translated to English, link is below.

#world dai star #rhythm game #yuri #canon yuri #GL #stage girls #theater girls #music game #mobage #mobile game #game recommendation #anime recommendation

[bleachbleachbleach]

There's a new Rock Bleach Musical coming out in 2024 👀

https://x.com/RM_BLEACH2024/status/1736212115650707770?s=20

THANK YOU FOR THINKING OF US WITH THIS NEWS. I associate Bleach Rock Musical with Christmas, because I'm pretty sure when we first watched one it was Christmas Eve, and this was how we ended up subjecting a large number of our family members to our very specific niche tastes.

I'm so glad they're moving into later parts of the story! Though I wonder how far they plan to get. I could see a very poignant play wrapping with Orihime's goodbye/leaving with Ulquiorra. But I feel like also the musical I have in mind is Orihime-focused and also takes place primarily in Orihime's apartment and the Advance Team arc, hahaha.

We (B3) have now seen quite a few anime stage plays, whether musicals or 2.5Ds or whatever a 'live spectacle' is (including some for anime we have not actually seen); and I'm curious to see whether BRM's vibe will be different in this 2024 era, as the genre (from my vantage point) has moved. Each one has such a different flavor, nearly unique unto itself, but there are a lot of really pushed the envelope with the genre and shifted the baseline for what an audience might expect on stage.

I will say, I feel like they're making these JUST for me. I have seen more theatre this year (anime stage plays, student theatre of various levels, community theatre, Broadway, and I got introduced to the StarKid musicals--so really, the whole gamut) than any other form of media, which is new for me. So like, I'm primed, MY BODY IS READY, BRM!!!

I hope they reprise "DEATH!!" plssss

#this is not brm-related but on the subject of anime stage plays (albeit of a VERY different flavor) #i saw the spirited away stage play videocast in may and oh my GOD it was absolutely stellar #kind of bleach-related because romi park was in it--she played zeniba and absolutely killed it #probably my second-favorite role for her after edward elric *_* #bleach rock musical #asks #no brain just bleach

[adohachan]

Hii ><

It’s been a very long time since I don’t online, and finally, I’m comeback!!

For now, I’ll make some posts about another 2.5D stage plays, musicals, and any other projects that relate to stage/musical actors ><

So please always support me and donated to my ko-fi, and my DANA for my local donated. Thank you~!

#stage play #musical #2.5d #2.5次元 #2.5次元舞台 #2.5次元ミュージカル #stage actor #stage actress