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#2019 film
boardchairman-blog · 8 months
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**Shots of the Movie**
Little Women (2019)
Director: Greta Gerwig Cinematographer: Yorick Le Saux
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littlesugarwords · 2 years
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𝙢 𝙤 𝙫 𝙞 𝙚 𝙨   𝙩 𝙝 𝙖 𝙩   𝙡 𝙞 𝙫 𝙚   𝙞 𝙣   𝙢 𝙮   𝙝 𝙚 𝙖 𝙧 𝙩
 ⇢ p a r a s i t e (2 0 1 9)
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japanfilmclub · 2 years
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Videophobia (2019) Written and directed by  Daisuke Miyazaki 宮崎大祐
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yesterdanereviews · 1 year
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Men in Black: International (2019)
Film review #536
Director: F. Gary Gray
SYNOPSIS: Molly has been obsessed by finding out who the “Men in Black” are ever since she saw them and an alien as a child. She eventually tracks them down as an adult, and convinces them to let her join as a provisional agent. She is sent to London for training where she meets veteran Agent H, and the two inadvertently get caught up in an alien plot that threatens the whole world...
THOUGHTS/ANALYSIS: Men in Black: International is a 2019 sci-fi film and the fourth in the Men in Black franchise. The film focuses mostly on Molly, who when she was a young girl saw an alien in her home, and watched as the men in black came and neuralised her parents. Since then, she has been obsessed with finding out who they are, and about the existence of aliens. Now an adult, she manages to track them down and convince them to let her join. As a probationary agent she is sent to the London branch, where she meets Agent H, a veteran and hero of the branch. the two get involved in an alien plot that threatens the whole Earth, and only they can stop it. The film is a spin-off the the previous trilogy, with none of the characters from them making an appearance apart from one. The plot has most of the typical plot points you would expect from a Men in Black film, with the two agents having to protect a small alien artefact from evil aliens who intend on destroying the world. The plot generally takes a bit of a backseat role compared to the main characters and the general feel of the Men in Black doing their daily jobs, and the comedy that results form it. Unfortunately, this does not feel like a Men in Black film at too many points: the big action scenes are at odds with an agency that seems to be trying to keep their work a secret, the lore seems incompatible with the other films (such as the Eiffel Tower being built for a wormhole or some such, when the first contact with aliens was supposedly in the U.S. in the 60′s. Everything the characters do just doesn’t fit with what we know about the Men in Black. As a typical action film it has a variety of locations and some decent action, but again, just feels out of place. The story feels like a cheap imitation of the other films, and at nearly two hours, it goes on far longer than necessary. having the “international” element doesn’t really add anything new to the franchise, especially when the locations are ones we would typically see in films like this.
The biggest drawback in the film for me is the characters: the previous trilogy had some bumps, but was generally saved the chemistry between it’s two leads, which, while it wasn’t too original to pair a rookie and a veteran, they still generated plenty of strong interactions, comedy and emotions. Here, we get none of that. Molly as Agent M has a mix of personality traits that are jarring and don’t really endear her to her character: I get that she had to be different to a complete “rookie” so as to differentiate herself from Agent J, but her enthusiasm and obsession with the men in Black makes her an annoying character that just feels way out of her depth. Maybe it could have been interesting to contrast her extrovert enthusiasm with the secretive, repressed nature of the Men in Black agency, but I don’t think that has been accomplished here. Agent H is just...bland. I think he’s meant to be written like that partly, as the typical heroic and accomplished agent, but again, that heroic nature just doesn’t work in an agency that is supposed to be discreet and not stand out. The chemistry between them is just non-existent, and nothing ever develops between them. The aliens are altogether forgettable in their design, and supporting characters don’t leave a mark. There’s a fair amount of reviews that say the chemistry between the two is the only redeeming feature of the film, so your mileage may vary on this aspect. The only character that returns is O, the head of MiB, who is more or less the same as she was in Men in Black 3, which is not a bad thing, and we get a brief cameo of the worms and Frank the pug (Who are naughtily given prominent space on the poster despite being in the film for less than thirty seconds), but other than that, it all feels slightly disconnected to the franchise, and any attempt to build something new with the characters just falls flat.
As mentioned, there’s some okay action scenes and a variety of locations, but most of it feels like it doesn’t belong in the Men in Black franchise. I’m also not sure who the film is aimed at, as a lot of the more darker and complex elements have essentially been removed, so it feels less adult, but then again doesn’t seem like a film for younger audiences. The humour is way off the mark: I think I got a slight laugh at one joke: most of it is entirely predictable, and the banter between the two leads, which is supposed to be funny, just comes off as annoying and distracting. The film apparently had a troubled production and underwent numerous re-writes and tinkering, and it definitely shows: the film is all over the place, and not just literally in terms of locations. The film has the return of Danny Elfman for the music, and Steven Spielberg to produce alongside Barry Sonnenfeld (who directed the previous three films), but they just cannot save the script or offer a direction for the franchise. The original film was a tightly packed venture that, while not the best or most original film, was entertaining enough for a summer blockbuster, and built up a nice world for its characters to grow. Every sequel has been trying to match it, and they all fail to do so (Although Men in Black 3 does a good job in it’s own right). The constant recycling of the same plot has failed to give the franchise any room to grow, and while Men in Black: International tries to do some new things, it manages to change too much, so that it doesn’t feel like a Men in Black film for the most part. I appreciate that it it tries to create a new dynamic between the two leads that differentiates them from Agents J and K, but they just don’t come together to make something memorable or interesting (although I appreciate that they didn’t shoehorn in a romance subplot). The story is very thin and as mentioned, recycled, and it just feels like nobody knows what to do with this franchise after the first film over twenty years prior. The humour is predictable and never lands properly, the alien designs are uninspiring, and overall I don’t think there’s anything really interesting or entertaining enough to warrant a watch. I would have to say this is the worse film in the franchise, even below Men in Black 2.
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prokopetz · 5 months
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Insisting that there's only one good MCU film can be a much more effective way of winding up MCU fans than insisting that they all suck, but you've gotta pick the right one. If you claim Captain America: The Winter Soldier is the only good MCU film, they'll probably just be like "I disagree, but I can understand how you'd feel that way"; if you insist with a straight face that Thor: The Dark World is the only good MCU film you can get them to write entire essays about how wrong you are.
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filmnoirsbian · 1 year
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People who say 2019 cats is a crazy/weird masterpiece have never seen an actually crazy weird movie in their lives I'm so sick of 2019 cats propaganda it's not even entertaining bad it's literally completely devoid of creativity and artistry and I'm SICK of people acting like its anything more than bad acting and bad cgi the visuals aren't even that weird!! Nothing pisses me off more than someone acting like 2019 cats is anything more than a poorly made normie film. It's a "weird" film for disney fans that's it.
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cinemapphic · 2 years
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LET’S GROOVE! an ode to unsettling dance scenes
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videodrme · 4 months
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BLACK CHRISTMAS (1974) dir. Bob Clark BLACK CHRISTMAS (2006) dir. Glen Morgan BLACK CHRISTMAS (2019) dir. Sophia Takal
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mareestoermers · 1 month
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TIMOTHÉE CHALAMET AND FLORENCE PUGH Little Women 2019 dir. Greta Gerwig | Love in Film Series
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killingsboys · 7 months
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5/31 DAYS OF HALLOWEEN — Us (2019)
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lacebird · 3 days
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HAYDEN CHRISTENSEN The Last Man (2019) | dir. dir. Rodrigo H. Vila
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andichoseyou · 3 months
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"Perhaps we deserve each other."
Knives Out (2019) dir. Rian Johnson
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horrorwomensource · 2 days
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FLORENCE PUGH as DANI ARDOR MIDSOMMAR (2019) dir. ari aster
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yesterdanereviews · 5 months
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The Big Step (2019)
Film review #585
Director: Antonio Padovan
SYNOPSIS: Mario heads to the countryside to deal with his estranged brother Dario, who has been arrested for arson. Dario is released into Mario's care, as he struggles to deal with his brother's confrontational and weird nature, and his big secret: building a rocket to fly to the moon...
THOUGHTS/ANALYSIS: The Big Step (Il Grande Passo) is a 2019 Italian film. Mario, who owns a hardware store in Rome, has to drive out to the Italian countryside to take care of his Brother Dario, who has been arrested, and must be released to another family member. Mario learns that Dario has been trying to build a rocket to fly to the moon, and the two brothers must try to get along after being estranged for so long. The film is essentially a drama film that focuses on these two brothers, as Mario tries to keep Dario out of trouble. It's a fairly simple film without any bells and whistles, but does what it does well thanks to some good acting, writing, and accompanying musical score. The different lives of the brothers provides enough conflict to provide both drama and humour, and although the film ties all the little things together nicely, the ambiguity of the ending might be a little unsatisfying, and some things are left a mystery (such as the identity of the two men following Dario, the "creepy" guy at the store).
Overall, I don't think there's too much to say about this film: I could probably sum it up as "charming." There is a familiarity in it that feels like you're watching a story you've seen plenty of times before, but it's always a comfortable watch every time you see it. There's no big "funny" moments, but the ending is heartwarming, and the film as a whole flows nicely; it just doesn't deliver a stand-out moment to make it memorable.
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madebypointlesswords · 4 months
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So
since it's holiday season, I have a film I think everyone, and I mean absolutely everyone needs to watch
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I'm dead serious.
Watch it. Now.
It's hilarious, it's heartwarming and the most comforting and sweet film I've ever seen.
Basically, it's a brilliant take on the origin story of Santa Claus and how writing letters is totes important and we should all write letters and do kind things for one another.
As Klaus said: "One true, selfless act always sparks another."
I watch this film every holiday season with my family and I cannot get tired of it. Every time it brings me to tears. Happy comfort tears, of course.
It's on Netflix. Do yourself a favour, please.
Watch this adorable silly film
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starxcxboy · 1 month
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— Portrait of a Lady on Fire (2019), written and directed by Céline Sciamma.
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