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#Avey Tare
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puppetdaily · 9 months
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Little Fang from the music video for Little Fang by Avey Tare's Slasher Flicks
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anseltv · 9 months
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DAILY : ANCO
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Animal Collective is one of my favorite bands, and they don’t really believe in “branding,” but I’ve always liked these little faces that appear on myanimalhome.net.
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spongebobsquarepusher · 5 months
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listening to stgstv for the first time be like
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diskhat · 2 months
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hello. my name is evvy or evren!
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i will be the beautiful creature from the cosmos that you don’t quite understand yet you still enjoy my presence because i will bring you a childlike joy that only that of a worm could offer . 🐛
i am sixteen years old
she he pronouns please + thank you 🐊
i quite like silly cats . i also draw sometimes .
be my friend !
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deakwithit · 2 months
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imagine finding anco and loving their music then googling them only to see 4 mid white dudes LMAOO 💀
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prungojumpty · 3 months
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my big challenges/down there tattoo :-)
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allyourkayfabefriends · 4 months
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Top Albums of 2023
Hello everyone!
It's that time of year again! For me personally, it's been a hectic year, but an exciting one too. I did my best to keep up with new music, and listened to new albums with pretty good regularity, however I didn't find myself revisiting a lot of new records, at least not yet. In the list to come, I definitely see most of them as growers, records I'll fall in love with in the years to come, that already have left a strong impression on me. Just this year alone I spent a lot of time with 2022 releases I adored like Alvvays' Blue Rev and Panda Bear & Sonic Boom's Reset, and another record I'll give special mention to in a minute. I'm hoping to fall more in love with these records, and all the records I missed this year! Let's dive in
My Favorite Record from 2022 That I Listened to For the First Time in 2023: MJ Lenderman - Boat Songs
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Ripping off this gimmick from Steven Hyden, who actually put this record tied for the #1 spot last year (with Big Thief's fantastic double album that was in my own top 10). I really became enamored with the alt-country sound this year, and this record was just the perfect scratch for that itch. The songs veer from aching to rocking, sometimes in the same track. My absolute favorite song of the year was "You Are Every Girl to Me" on this album, which evokes such strong feelings in me it's hard to describe. MJ had a big year being part of Wednesday, but I'm excited to see where he goes next as a solo artist!
Honorable Mentions: The Replacements - Tim (Let It Bleed Edition) M83 - Fantasy Alan Palomo - World of Hassle Greg Mendez - Greg Mendez Olivia Rodrigo - GUTS
10. Sufjan Stevens - Javelin
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I've been a Sufjan fan for a long time now, probably around 8 years or so. I've always admired his ability to capture such intimate feelings with such sweeping and varied instrumentations. His last full length under his own name, The Ascension, came out in 2020, when a lot of new music wasn't really sticking with me. The Ascension had the same vastness that I came to know in Sufjan's work, but it felt slightly distant. Javelin closes that gap. From social media posts, it seems like Sufjan has had a tough year, and this record is about grappling with pain and loss. Removed from that narrative, the songs here build and grow with such beauty that although I've only listened in full once, I'm almost saving myself from the full wallop I know this record will give me once I really dive in. Thank you Sufjan, for everything.
Crucial track: "Shit Talk"
9. Squid - O Monolith
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Squid are an exciting band to come out of the vibrant post-post(-post?)-punk scene in England. I really liked their 2021 debut, Bright Green Field, but it was sprawling and epic, and it could feel tough to revisit. O Monolith takes everything that was great about BGF and builds on it, while also focusing in a bit more. With 8 songs at about 40 minutes, this record experiments with post-rock-esque tension builds, vocoders, and engaged, involved guitar work. I feel like these songs will work well live as well. Excited to see how this band continues to grow!
Crucial track: "Siphon Song"
8. Wednesday - Rat Saw God
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I know, I know, how surprising. I am not immune to Wednesday's Rat Saw God being on my year end list. Despite not having listened to this record a ton, I can definitely already feel like this is going to go down as a critical cornerstone of where alternative/guitar-oriented rock music will go for maybe the rest of the decade. As I fell in love with MJ Lenderman's Boat Songs, I grew to appreciate this record more and more. With huge, crushing fuzzed-out electric guitars mixed with beautiful pedal steel, it's really hard to resist this record's charms. Even revisiting their 2021 record, Twin Plagues, was a delight. Can't wait to listen to it more!
Crucial track: "Chosen to Deserve"
7. JPEGMAFIA & Danny Brown - SCARING THE HOES
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Another hyped up album I couldn't help but put on my list. While not being super long to begin with, this record flies by, and it can be hard to miss everything. I've been a fan of Danny Brown for awhile, and have skirted around JPEGMAFIA's work, so this was a good introduction to hear them work so well together. JPEG's production here is insane, and both are firing at full mischievous speed. Just check out that sample at the end of "Fentanyl Tester".
Crucial track: "Fentanyl Tester"
6. Mitski - The Land is Inhospitable and So Are We
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Yay! Mitski! After the kind of underwhelming Laurel Hell from last year, this record finds Mitski back at nearly full strength. Again, my weakness for pedal steel bleeds through, and I love Mitski experimenting with a new, more acoustic and natural sound. This is another record I haven't listened to more than once or twice yet, but I'm still excited to fall more in love with it. She's back!!
Crucial Track: "Bug Like an Angel"
5. The Tubs - Dead Meat
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As a huge fan of bands such as Los Campesinos! and Martha, I've always had a soft spot for British rock bands with heart. The Tubs are no different, and in my year-end revisit, this record really stood out to me. It has the jangle of old British folk and early R.E.M. with the propulsion of Joyce Manor, not forsaking sweet melodies and harmonies along the way. At 28 minutes long, I insist you give this a spin!
Crucial track: "That's Fine"
4. Yo La Tengo - This Stupid World
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For a long time, Yo La Tengo admittedly did not click with me that much. I'm not sure what changed, but their ability to vary between raucous, distorted shoegaze to calm, reflective instrumentals really stuck with me. On This Stupid World, they've once again found that sweet balance. Bolstered by arguably one of the best concerts I went to this year, I've really come to love this record a lot.
Crucial Track: "This Stupid World"
3. Avey Tare - 7s
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Avey Tare has always been my favorite member of Animal Collective. His 2019 record, Cows on Hourglass Pond, is my favorite solo release from anyone in the group. Avey has apparently been sitting on 7s for a little bit now, and I'm so glad it's in the world. Avey continues his unique blend of experimentation with profound moments of beauty, melody and depth. He's also been working more with the bass guitar on his and AnCo's latest albums, and it really works well on tracks like "Invisible Darlings" and "The Musical". Hey Bog is an epic in a year full of Animal Collective epics. Very happy with this one!
Crucial Track: "Lips at Night"
2. Animal Collective - Isn't It Now?
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Animal Collective have always inspired a dedicated, eager fanbase. After a few years doing their own things, the four core members of the group have reunited to make an ultimate "for the heads" record, with Isn't It Now. Last year's Time Skiffs built on a lot of things the band as a four-piece did well, and made it more melodic and accessible (again, Avey's bass playing and Panda Bear sitting behind a proper drum kit have changed their sound in a way you wouldn't expect), however this record takes it one step deeper. As typical with Animal Collective records, the band often plays songs that will appear on the *next* record on tour for the one they just put out. As a result, when I saw Animal Collective twice last year, they played most of the songs that ended up on this record. However, I did not fall victim to demoitis, and these songs sound magnificent. Definitely their densest record, but full of rich sounds, melodies and just the right amount of melancholy. Really really love this one.
Crucial Track: "Genie's Open"
1.Jeff Rosenstock - HELLMODE
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Jeff Rosenstock is my favorite musical artist. For nearly 20 years, everything he has put out, whether under his own name with his backing "Death Rosenstock" group, Bomb the Music Industry!, or Antarctigo Vespucci, has been great to amazing punk music. On HELLMODE, his first full-length since moving to California in early 2020, has Jeff more level-headed and reflective than ever, but also bursting with the sheer kinetic energy that has made his work a joy to listen to and experience since i became a fan in early college (seriously, go see Jeff live if you can!). There's a maturation here that doesn't sacrifice his passion in the slightest. This feels like a big budget record, but in all the right ways. Songs like I WANNA BE WRONG, 3 SUMMERS, and LIFE ADMIN capture the feelings of trying to work through your own life with so much crashing down around us. This has been the most in-love I've been with a new record in a long time, where I could really not get enough of it in the first month when it was released.
Thanks for reading if you made it this far! Here's hoping to a peaceful, loving and fulfilling 2024. Much love to all!
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imagineancoremastered · 6 months
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IMAGINE: Meeting the boys after a concert, and you tell them that you have a crush on all of them. Avey offers to have an 5some and then looks away shyly, then, Geologist starts making out with him. You look down and they're all hard. WOAH!
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hunklet · 1 year
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The Musical - Avey Tare - 7s (2023)
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synesthesia 1
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This is the first of a series curated back in 2020. I had just moved back to El Paso, TX from Rhode Island with nothing but a backpack of clothes and my mixer + laptop.
It was the start of the pandemic so DJing wasn’t an option. I was also unemployed, not-in-school and staying on my brother’s couch. Making playlists just made sense.
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endyark · 5 months
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me and who
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im in my animal collective era atm if you couldn't tell
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altamontpt · 5 months
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Animal Collective reeditam Spirit They're Gone, Spirit They've Vanished
Novamente remasterizado, o primeiro disco dos Animal Collective tem agora outra oportunidade de ser reconhecido como um dos melhores discos do grupo
Novamente remasterizado, o primeiro disco dos Animal Collective tem agora outra oportunidade de ser reconhecido como um dos melhores discos do grupo. Apesar de ser mais subtil hoje em dia, no meio das suas extravagâncias em technicolor e letras cada vez mais abstratas, a imagética dos Animal Collective também é povoada de referências ao mundo natural e às dores de crescimento. Spirit They’re��
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beginningspod · 1 year
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It's time for Beginnings, the podcast where writer and performer Andy Beckerman talks to the comedians, writers, filmmakers and musicians he admires about their earliest creative experiences and the numerous ways in which a creative life can unfold.
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On today's episode, I talk to musician Dave Portner AKA Avey Tare of Animal Collective. Originally from Baltimore County, Dave met his future bandmates Josh, Brian and Noah in high school where they played music together, but it wasn't until they all found themselves in New York in the early-aughts that they officially became Animal Collective. The first album as Avey Tare, Spirit They've Gone, Spirit They've Vanished, also doubles as the first Animal Collective album, and since its release on FatCat in 2000, they've written 10 more albums, the latest of which, Time Skiffs was released on Domino last year. On his own, Dave has written and collaborated on over half a dozen albums and EPs, and his latest, 7s, came out just last week, also on Domino!
I'm on Twitter here and you can get the show with:
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diskhat · 7 days
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avey tare sunday night
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