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#Bexhill-on-Sea
bcqins7ag · 1 year
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frenchcurious · 5 days
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Pavillon De La Warr, Bexhill on Sea, Royaume-Uni. 1935. Architectes : Erich Mendelsohn & Serge Chermayeff. - source Eric Hamilton.
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orchardhouseuk · 2 months
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images12345 · 5 months
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CMC Barbers is the right place for you if you are looking for the Best Men's hair cuts in Bexhill-on-Sea. Visit them for more information.
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ianchisnall · 10 months
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The Illegal Migration bill focused on Bexhill in Sussex
On Wednesday a few days ago there was a session on Illegal Migration Bill for Amendment 58B being dealt in the House of Lord and some of the members who spoke referred to the Bexhill situation. Their comments below are only part of what they said but they provide the Bexhill reference. The first was Michael German who was the Member of the Welsh Assembly for South Wales East from 1999-2010 until…
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margysmusings · 11 months
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serrity · 2 years
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A still and #sunny #Sunday in #BexhillOnSea #Bexhill #BexhillBeach #beach #coast #sea #EnglishChannel #beachday #DeLaWarrPavilion #modernist #modernism #architecture #seaside #sailng (at The De La Warr Pavilion) https://www.instagram.com/p/ChQG8QlNYUr/?igshid=NGJjMDIxMWI=
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scotianostra · 3 months
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January 26th 1926 saw was the first public demonstration of live television.
The face used to demonstrate it belonged to Daisy Elizabeth Gandy, the business partner of John Logie Baird, the Scottish scientist who is regarded as the inventors of the mechanical television. The mechanical television, also known as “the televisor” worked a bit like a radio, but had a rotating mechanism attached that could generate a video to accompany the sound. It preceded the modern television, which creates images using electronic scanning.
In 1924 Baird managed to transmit a flickering image across a distance of 10 feet and the following year, he had a breakthrough when he achieved TV pictures with light and shade. Within two years this flicker was the face of a woman who was in a different room.
The historic 1926 public display took place on January 26th, in a laboratory in Soho in front of members from the Royal Institution and a journalist from the Times. Although the pictures were small, measuring just 3.5 by 2 inches, the process was revolutionary.
“The image as transmitted was faint and often blurred, but substantiated a claim that through the ‘televisor,’ as Mr Baird has named his apparatus, it is possible to transmit and reproduce instantly the details of movement, and such things as the play of expression on the face,” wrote the reporter from the Times after the demonstration.
As innovative as the demonstration had been, the journalist wasn’t convinced that it would take off. “It has yet to be seen to what extent further developments will carry Mr Baird’s system towards practical use,” they wrote.
Still, that was better than the reaction of the Daily Express newspaper who, when Baird approached them with the invention in 1925, kicked him out. The news editor at the time said:
“For God’s sake, go down to reception and get rid of a lunatic who’s down there. He says he’s got a machine for seeing by wireless!”
After the display, Baird continued to develop the mechanical TV and in 1927 he transmitted content across a 438-mile long telephone line between London and Glasgow. He went on to set up the Baird Television Development Company, which produced the first transatlantic broadcast and the first live transmission of the Epsom Derby. Baird developed colour TV and brought out the world's first mass-produced television set in 1929 and from then until 1937 the BBC used Baird’s company for its television broadcasts.
The mechanical TV didn’t last much longer, however - it was outstripped by the electronic television in the 1930s. This didn’t deter Baird, who continued to work in television innovation and eventually gave the first demonstration of a fully electronic colour TV in 1944.
Baird died after suffering a stroke on June 14th 1946 in Bexhill-on-Sea, East Sussex aged 58.
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creativespark · 11 months
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Cee Pil in Bexhill-on-Sea, UK
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De La Warr Pavilion, Bexhill on Sea
1935
Erich Mendelsohn and Serge Chermayeff
Modernism in Metroland
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orchardhouseuk · 3 months
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soapkaars · 9 months
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The seven of swords
Dit it take me two weeks to come up with a subject for this card? Maybe.
This card is a sneaky one - it represents secret plans, doing something covertly, using ones wits for solving a problem rather than aggression. However it also represents an impulsive and rashly taken decision, too much planning for a bad outcome, even betrayal! So many of Peter Lorre’s films have brainy characters who plan everything meticulously only to end up in failure, but none are exactly impulsive.
Except for Paynter in Double Confession. Paynter, the American hoodlum with his undying loyalty towards Bexhill-on-Sea’s local crook Charlie Durham (played by William Hartnell). The entire film consists of blackmail, plots to murder, and every single character could be featured on this card. But Paynter is probably the best one - he is rash, impulsive, he comes up with all kinds of schemes to kill Jim Medway, and in the end he is betrayed by his own boss. It’s a messy film, but this is a messy card, so it fits. Once again I substituted the Rider-Waits’ symbolism with my own - having several of the swords hidden in the shadows of the blinds in the background (shadows being the Noir favourite for secrecy), the figures of Paynter and Hartnell plotting together, and the switchblade and the dagger-shaped tie-pin being the last two swords on the card.
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brettyimages · 1 year
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By The Sea in Bexhill-on-Sea, 25/3/23
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thoughtportal · 11 months
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Hundreds Help Restore Defaced Tschabalala Self Sculpture in the UK Vandals spray-painted the artist’s sculpture of a Black woman in white. 
https://hyperallergic.com/823737/hundreds-help-restore-defaced-tschabalala-self-sculpture-in-the-uk/
Last Monday, May 15, in a South English coastal town, vandals defaced Tschabalala Self’s “Seated” (2022), a 10-foot public installation depicting a Black woman facing the sea. In what has been characterized as an act of racism, perpetrators covered the New York artist’s bronze sculpture with spray paint, violently coating the Black woman’s skin with white.
“Painting the skin of my sculpture white is an obscene act and I feel horribly for individuals in Bexhill-on-Sea for whom this event may have shocked or frightened,” Self said in a statement.
The sculpture is currently located on the lawn outside the De La Warr Pavilion (DLWP), an arts center in Bexhill-on-Sea. The artwork is part of a temporary public art installation by the arts center with support from the Pilar Corrias Gallery in London.
With Self’s support, the arts center organized a community event on Sunday, May 21 to restore the sculpture. What followed was “an act of restoration and resistance” as over two hundred local members armed with paint solvent and scrubbing materials came together over the weekend to begin cleaning the sculpture, according to a press release from the pavilion.
Self’s artwork often includes depictions of the bodies of Black women and femme individuals, rendered in various mediums. In “Seated,” Self explores what she describes as “a universal act of leisure and calm.” Commissioned by the digital art collection platform Avant Arte, the sculpture first appeared in a mall near King’s Cross in London last year.
“I wanted to create a monumental sculpture for the public that spoke to this simple joy,” Self said in a text about the work. “The woman is strong, beautiful, and self-possessed. She represents all individuals, but women in particular, who understand the power and importance of simple gestures that assert their right to take up space.”
The sculpture was later unveiled in the seaside town, on the lawn outside the DLWP, on April 19.
Sussex Police did not respond to Hyperallergic‘s request for information regarding the investigation. In October 2022, the UK Home Office, responsible for policing in England and Wales, released a report that indicated a 26% rise in recorded hate crimes.
The community restoration event began at 11am and ran until 1pm. “We hope that the peaceful community clean-up event of last Sunday — and its far-reaching impact and support — will show the perpetrators that the majority of our community will not tolerate any future acts of this kind,” a DLWP spokesperson told Hyperallergic.
“Although certain measures were already in place, we have now improved the intensity and reach of our security measures, including refreshed signage next to the sculpture to deter further acts of vandalism, which is an ongoing problem on our seafront,” the spokesperson added.
“Seated” is set to re-open to the public on June 3. For the event, the arts center is celebrating with a community picnic in commemoration of “the power of art to galvanise and connect people and communities.” The sculpture will be on view until October 29.
“Despite my disappointment, I am not surprised as Black and Female — and especially because Black Female bodies are often targets for abuse,” Self said in her statement about the recent vandalism. “‘Seated’ proudly represents the beauty of both blackness and femininity, and for these very reasons she has been harmed: covered by her assailant with white spray paint in a futile attempt to erase her colour and, in my mind, her strength.”
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