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#Dreams of william
thecollectibles · 2 months
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A Midsummer Night's Dream by Anastasia Shutova
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iwantmygun · 2 months
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Pterodactyl sounds
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alifeoffairytales · 8 months
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Details from Arthur Rackham’s illustration "And now they never meet in grove or green," (1908) from A Midsummer Night’s Dream by William Shakespeare
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horang-07 · 6 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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bodhrancomedy · 11 months
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I forgot that I have 12 years of having to analyse Shakespeare’s language, so here is Puck’s speech about the backstory to Midsummer Night’s Dream spoken as modern gossip.
(This was way harder to perform than the Shakespeare version. Also Titania is 100% in the right here. The Prince is the half-orphaned son of one of her friends and followers whom she promised to look after if something happened)
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sparknoteslitmemes · 7 months
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diioonysus · 5 months
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sleep + art
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glfry · 6 months
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Can we agree that the "Thats two things" line from Mike was autistic as shit
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one-time-i-dreamt · 2 months
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They were making a movie on the fairy and walrus discussion, Robin Williams was playing both.
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saintxgerard · 1 year
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I’m feeling really normal about this
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RIP William Shakespeare, you would have loved neopronouns
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frogfrogfrogfrogoose · 6 months
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JUST SAW THE FNAF MOVIE
NO SPOILER REVIEW
FNDGSHSYSIDKNDJSLWHZTXGSBJSJDBBSKSHDXGYDHCYHSBSBDKDJDVZHYCSBKSKFJDBDHDVYCUDJSKSNDBJSYXXGGSHSKODOSHSVGDHWKDICYSBKWOCBDKSKHDBSBSVXGUSJSJDNXBKDKSHSHSJJSJWBSJEJJEHEBDIFIJDJ
TDNHSHSHSHAJSIFYSUWJKSKSJDBSJSJDHGSGWHDJJCJFJDJJDNDVEHJSJDNDJSJSJWJWJJWJSJSJSJSJSHHSHWYTXYDUSIWJW
FSGSUDUCUSKJSNDJFUDHWVSHJCJSHSBDJJDJDHSNDNJSJSBEBJDHCYCUIDISSBJWIDUDKSJ
you should watch it
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royalmessofdenmark · 6 months
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do you think Shakespeare lived with his characters dancing around his head rent free
do you think Shakespeare heard a new tune while listening to his church’s choir and went ‘oh my god that would be perfect for hamlet’ and reimagine hamlets death scene to it or something
or saw a love poem and went ‘Romeo and Juliet core’ before getting inspired to add another addition to his play that has practically nothing to do with the poem but couldn’t have happened without it
or saw idk a sword or something I’m running out of options here and was like ‘THATS MACBETHS NOW. HE OWNS THAT. IN MY HEART.’
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enchanted-keys · 3 months
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Akane Takada as Titania in The Dream (Royal Ballet 2017)
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beaulesbian · 2 years
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“Note, by the way, that all the Shakespeare and Marlowe dialogue is in iambic pentameter.” - Neil Gaiman in The Sandman episode 6 watch party. (x)
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he also mentions that again when Dream and Shakespeare were talking, at the end of the 1589 scene.
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(and Ferdinand Kingsley’s response: “Do you know, Neil, it took me only 15 years to realize that, which is weird considering I’m from Stratford-upon-Avon and I only speak in iambic pentameter.” lol)
also found an ask where Neil said “It's easier to hear than it is to see on the page.”
I just love these details!
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writing-for-life · 23 days
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Morpheus—J.H. Williams III
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