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#Episode 4 A Star to Guide Us
gglitchshit · 5 months
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WAAHHHH BLIIIIIIISHHHHHHHHHHHHHHHHH
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pt IX good omens on livestream, i'm not ok: S1E4
You did it, Good Omens fandom, my dear maggots. You broke me in every way. Now I'm here, and where I once spent my day peacefully being sad about normal things, I'm now sad about a random fact about nightingales I learned on a British ornithology site and this is just... the brainrot. It's real. Raise brainrot awareness. Prevention is better than the nonexistent cure.
Well, I've procrastinated this post by like 48 hours by drawing fanart and being mopey over Crowley and generally being asleep because I'm still on antibiotics and ill. So let us not procrastinate further. First, episode 4. Tally, hoes!
In preparation for the stream, I gathered two emotional support oranges, only one of which was gaseous, and an apple. This was so that rather than waste an orange on being gay for Crowley I'd use the apple for that, symbolic of his temptation in the Garden of Eden etc. I didn't know how badly this plan would go.
On Discord, our collective loins girded, I noticed with no small suspicion that everyone was muttering about the bookshop and whether I'd be okay. When I demanded frantically what happened to the bookshop (I THOUGHT EVERYTHING WAS IN S2) everyone shut up and told me the bookshop was in tiptop shape and it was all tickety-boo and nothing would happen at all in episode 5.
Spoiler alert it is not all tickety-boo.
We start with Aziraphale going for a jog to keep uh fit for exercising with Crowley, and he is interrupted by Gabriel, who is not Jimbriel, and is not naked, that is, we cannot see his arse yet, but we can see that he is an arse.
We then see not-Newt the deliveryman with his wife Maude and they are the only straight couple that the people on the chat care about. Calling him not-Newt is going to pose problems for me.
Crowley is being a smart baby, and researching astronomy. Poor Crowley. I love Crowley. Do you understand? I LOVE CROWLEY.
There is a lot of talk of spoons and forks and such innuendos. I make a joke about scissors being missing. The chat does not notice. I am disappointed in the gays.
I am so engrossed in the way Death says "deeAaaAAthHHhh" that I fail to notice Not-Newt get killed delivering a message to Death. This is going to pose problems for me.
I forgot about the apocalypse plotline till the horsepeople arrive. This is understandable. I care not for this 'world' ending, my new world is Crowley. I love Crowley.
Duck aliens fucking descend. This is not a joke. There are duck aliens, and they are supportive of trans people. Newt does not count their nipples.
The Shad guy doesn't care Newt found aliens. He is upset that Newt didn't find witches. If Shad was mowing his lawn and found gold, he would toss it aside because he is focused on mowing. I can respect that. People make jokes about Newt eventually finding a witch.
It is suddenly a Christopher Nolan movie. Someone corrects me and says it's more like Jerry Bruckheimer. I do not know what that is.
Someone says Crowley destroys the Bentley but for whatever reason, like a lot of people before, makes it a black box that you have to click to read. I don't mind that, I like clicking.
Aziraphale bought out a theatre for Crowley, like a Kdrama where the rich CEO buys out an entire theatre for his working class girl.
Adam goes through what I went through with OCD. It is not fun.
It is now a horror movie. Adam floats in the air. That was not a symptom I had with OCD.
Crowley asks Aziraphale to run away with him to the stars. Aziraphale says no. Crowley is upset and my baby Azi looks so sad and confused about everything he believes in. Great. I'm totally fine, I think as I start stuffing my emotional support orange into my mouth.
It is now a Home Alone movie. Crowley in gloves is sexy. Mmmmmmm yes. Crowley does great advertising for plant spray bottles as he murders and threatens demons.
I point out that the GO book says Crowley can do "weird things with his tongue" as I learned from the GO scent guide company page. It was after all the most relevant take-away from that page.
Disco Tony arrives. This is not a safe space.
AZIRAPHALE KEEPS TRYING TO DO THE RIGHT THING AND IS FAILED BY HEAVEN LEAVE MY BABY AZI ALONE WTF GO AWAY. THE ANGELS WALL SLAM HIM TOO. THAT'S CROWLEY'S THING YOU BASTARDS.
Newt and Anathema are cute. I DON'T NOTICE BECAUSE IM SO UPSET HE'S CHEATING ON MAUDE AND WONDERING WHY THE CHAT IS OKAY WITH IT BECAUSE I AM A FOOL WHO CONTINUES TO MIX UP NEWT WITH NOT-NEWT AND THEN THE CHAT TELLS ME NOT-NEWT DIED AND I'M CONFUSED.
Newt and Anathema are having sex. As an aspec person, I am very alarmed at the visuals.
Azi is failed by heaven and the metatron. Shocker. Fucking get away from Azi. Azi is miserable and looks like he wants to cry.
AZI IS EXORCISED AND THE FUCKING FLAME CATCHES IN THE BOOKSHOP AND THE EPISODE ENDS.
TAKE MY PAIN MOTHERFUCKERS. I WILL POST THIS AND THEN WRITE THE EP5 PART.
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jo-harrington · 1 year
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jo-harrington's masterlist
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The Store Manager Verse - Complete Pairing: Eddie Munson x Store Manager!Reader
Series Masterlist
Some Unrelated SM-Verse Blurb
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Freaky Friday - A Stranger Things Story - Complete Pairing: Eddie Munson x Reader, Steve Harrington x Reader
Part 1 - Part 2 - Part 3 - Part 4 - Part 5
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As Above, So Below - In Progress (Van Helsing, 2004 x Soulmate AU) Pairing: Eddie Munson x Fem!OC
Series Masterlist
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Stranger Than (Fan)Fiction - In Progress Pairing: Eddie Munson x Fem!Reader
Series Masterlist
A Study Date - (Submission for Carol's The Boy is Mine event)
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"Luminous beings are we, not this crude matter." - Yoda, Star Wars Episode V, The Empire Strikes Back
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Eddie Munson One-Shots
Loving Eddie - Grim Reaper!EddiexReader Blurb
Magnificum et Horribilis - Angsty Older!EddiexReader Blurb
Ex Nihilo - Hurt/Comfort EddiexReader Blurb
Substratum - Romantic Cannibalism Kas!EddiexReader *Dead Dove*
Unsolved - Eddie x Supernatural!Reader
Lack of Faith - Eddie Munson x Star Wars Blurb
Eddie Universe - A Modern Steddie Story
A weird thing where we rescue Eddie. - Another theoretical story.
A thing where Eddie cheers us up at Christmas.
A thing where we meet Eddie at a funeral.
A thing where Eddie is a Cemetery Tour Guide.
Pinprick - An offshoot of Gutterballs by @dr-aculaaa
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Random Eddie Munson/Stranger Things Headcanons
Headcanons Part 1 Headcanons Part 2 Headcanons Part 3 Headcanons Part 4 Headcanons Part 5 Eddie Munson is a Libra/Scorpio Cusp
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Misc. Writing
Meg’s Bday Request - Normies Stay Out
Sequel to Meg's Bday Request - Normies Stay Out
Give and Take - Steve HarringtonxReader
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theresattrpgforthat · 2 months
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Hi! I'm looking for a game in the space opera genre, and I'd love some suggestions. More specifically, I'm trying to find something that's pretty easily customizable or setting-agnostic. Pretty soft as far as sci-fi is concerned, even science fantasy. (And my players have a very brief attention span when it comes to learning rules, so some degree of simplicity would be appreciated, too, haha!)
For context, I have a friend who loves worldbuilding and has fleshed out a whole galaxy, and I want to run a one-shot set in his world for his birthday. In the past, we've tried using a homebrew amalgamation of D&D, SW5e, and miscellaneous other bits, but I want to find a system that fits a bit better.
Thanks for the help! 😁
Theme: Simple Space Operas.
Hello friend, this sounds like such an awesome idea! I think I’ve got a few pretty good options for you to take a look at. Many of these games pull from Star Wars as their idea of what a space opera is like, but not all of them do. Also, don't forget to check the bottom of the post to see what I've recommended in the past!
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Laser-Ritter, by Bad Quail Games.
Laser-Ritter is an analog adventure game about swashbuckling heroes journeying among endless stars to embrace their destiny. There are rendezvous in hazy tap rooms, chases across distant moons, and showdowns with the forces of galactic evil. We play to find out how our Laser-Ritters follow their passions and face their pasts to triumph over adversity.
Laser-Ritter gives space for you to create your own saga. There's no burdensome timeline of canon events or overwhelming lists of characters, spaceships, and alien species to be contradicted. Every group begins their saga by creating their own dramatic title crawl to establish what's happening when the adventure begins!
This is a game all about embracing your destiny, with plenty of space to build your own universe. The game can be played episodically, or cover a long-spanning story over a series of sessions. This means that if you just want to run a one-shot, it can be pretty easily self-contained, but there’s also room to expand the game.
Players in this game have 4 stats and a health track labelled Vitality. You also have something called a Pathos track, which represents how attrition and trauma affect your character. If you fill your Pathos track, your character becomes vulnerable to dying. If you want a game with dramatic action and tragic scenes, Laser-Ritter might be for you.
Galaxy Goons and A Goons’ Guide to the Galaxy, by John Erwin.
Galaxy Goons is a space fantasy adventure hack of the Ennies-award winning Tunnel Goons. If you want a light-hearted game about rascals just trying to make their way in the universe, this is worth checking out. Tunnel Goons is known for being pretty light-weight, and Galaxy Goons is true to this legacy. Your characters are rolled randomly, with stats used to add onto dice rolls to try and beat a difficulty level.
A Goon’s Guide to the Galaxy is made for the same kind of setting, but uses a different set of rules, namely the 24XX SRD. This means that instead of just rolling d6’s, your characters will have a few things that they have a d8 or d10 for, and there might even be a few skills that only allow you to roll a d4. 24XX games also tend to carry roll tables to help the GM come up with obstacles and goals, so that might help the GM decide what about this homemade galaxy might be interesting to follow.
Rebel Scum, by 9th Level Games.
REBEL SCUM tells the story of how scrappy, anti-fascist heroes can fight back against a government with unlimited power (including giant lasers and space magic). Inspired by a love for a certain line of 3 and 3/4 inch action figures, this is a fast paced, feel good, space opera of rebellion and adventure.
In this TTRPG, characters are all expressed as action figures, with their pertinent stats and abilities "on the back of the card." Choose your toy and get out into battle!
So Rebel Scum borrows very obviously from Star Wars, but of course the book can’t just put the game in the Star Wars setting, so they create their own. What this means is you can pretty easily throw out that lore and build your own world, although the expectation in this game is that your characters will be working to overthrow some sort of galaxy-wide power. The rules are very simple to learn - in fact the booklet is under 100 pages, and that’s including art, setting, and example characters. If you have a standard set of polyhedral dice (and I’m assuming you do, if you’ve played D&D) then you’ll be able to play this game.
Save the Universe, by Don Bisdorf.
Tyranny and cruelty have spread across the galaxy, and only you can stop it!
Save the Universe is a sci-fi adventure roleplaying game in which the players create their own great galactic menace and then portray the brave heroes battling against it.
I think the biggest pull for this game is that it encourages you to build your own galaxy. The game even comes with a number of questions for you to answer, and if you already have a world decided, you can slot in the answers according to your friend’s world. In fact, assigning world creation to one player is actually a recommended option in the game!
Even though this game is pretty open in terms of the details of your galaxy, there’s still an overarching theme of an Empire or large enemy that your characters will be resisting. Then again, I have a feeling that’s a common theme in space operas.
Plerion: Space Opera Adventure Game, by Zotiquest Games.
Intrepid spacers ply the vastness of the Five Galaxies in search of fortune and glory.
This is Plerion, a sci-fi hack from Cairn designed to play radiant space opera. Inspired by classic science fiction and the RPGs that emulate it, but with a more modern twist, winking at transhumanism and cyberpunk.
Plerion is an adventure game for one referee and at least one other player. Players act as hardened spacers exploring, exploiting and commerce through the vastness of space in the far future.
The author of this game cites Mass Effect, the Traveller roleplaying game and the Wayfarer series by Becky Chambers. Cairn, the game that inspired this one, is a game that makes survival difficult and daunting for the players, and asks them to put the fiction first. This means that combat shouldn’t always be the answer. Instead, players are encouraged to find ways to solve problems using their tools at hand, which is a common trend in many of the games that inspired this rule system.
What’s So Cool About Outer Space, by Jared Sinclair.
WSCAOS is a tiny little system for going to space no matter where you are! 
This is an incredibly tiny game, with just two pages to print out and use as a rules reference in any galaxy you like. It’s also the parent of a number of “What’s So Cool About" games that use the same philosophy - minimal rules, and plenty of agency left up to the group in terms of what possible backstories you might have, as well as what might be considered an advantage and what might not.
No-one Owns The Sky, by Free Radicals Press.
A band of misfits lives aboard a rundown starship, traveling from one frontier world to the next, hoping to make a name and a living for themselves. Along the way, things always seem to go sideways, but the crew holds on, no matter what.
NO ONE OWNS THE SKY is a sci-fi roleplaying game that is rules-light and relies on players to craft and flesh out the universe of the setting as a collective. This game was designed for two or more players. One player is always the referee (REF), a neutral arbiter and guiding force for the game. The others act and play as player characters (PCs). These players, with their REF and their PCs, will tell amazing, collective (and interactive) stories with the help of imagination, dice, roleplaying, critical thinking, and problem-solving.
This game uses a staggered success layout, which means that you could roll a failure, a success, or a mixed success during any given roll. Anything above a 5 is a success! It looks like the game uses more than just d6’s though, so the larger dice you roll, the higher your chances of succeeding. The setting is also up to the players, pretty good for folks who want to build their own galaxy.
Games I’ve Recommended in the Past
Space Fantasy Rec Post
Impulse Drive, by Adrian Thorn.
Syzygy, by Ostrichmonkey Games.
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jedimandalorian · 7 months
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Ahsoka Episode 8 “The Jedi, the Witch, and the Warlord”: The Story, the Symbolism, and the Score Part Two
If you missed Part One of this analysis, it can be found here:
After Enoch gives his report on the failed TIE fighter attack, Thrawn tells him to prepare for a ground assault. Sinister drumming accompanies Thrawn’s exit.
The scene changes to Ahsoka, riding Baylan’s howler, and Ezra and Sabine riding double on her mount, Tota.
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“May the Force be with you,” says Huyang as he stays behind with the Noti to repair the ship.
Back at the henge atop the tower, Morgan addresses the stormtroopers who volunteered to stay on Peridea to fight the Jedi.
Ahsoka, Ezra, and Sabine arrive to see that the Chimaera is ready to dock with the Eye of Sion. Courageous sounding music plays as Ahsoka says, “Let’s try the front door.”
Thrawn, who has been tracking them, commands his men to “Rain hellfire on them.” He believes that there will be no negotiating with the apprentice of Anakin Skywalker.
Ahsoka’s Theme plays as the heroes ride toward the confrontation. They guide their mounts to dodge laser blasts from the belly of the Chimaera in a scene that reminded me of the orbital bombardment of Lothal’s capitol city in the series finale of Rebels.
Thrawn’s ship itself is a mythological reference, being named after the legendary Greek chimaera, a terrifying fire-breathing monster that is part lion, part goat, and part snake.
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The Chimaera, with its enhanced firepower, rains hellfire upon the heroes who race towards the tower’s triangular gate. Ezra and Sabine are shown to be using the Force in tandem push open the gate with Ahsoka. It opens just wide enough for them to ride through before it slams shut again.
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The three heroes engage in battle with the Nighttroopers, using lightsabers to deflect the blasts. Sabine uses her blasters to go on the offensive, doing the classic “sword and shield” maneuver from the Clone Wars, providing firepower against the enemy as Ahsoka deflects the blasts. The trio defeats all of their opponents.
In another callback to The Clone Wars animated series, the Nightmothers recite the resurrection chant from Season 4, episode 19, “Massacre,” which was written by Katie Lucas (George’s daughter). This is a clue to what the secret cargo aboard Thrawn’s ship might be: dead Nightsisters who will be returned to Dathomir for resurrection. The chant revives the dead troopers, who rise to continue their assault on our heroes. The creepy violin music that is heard during this scene sounds as if it was inspired by Danse Macabre, a popular orchestral work composed by Camille Saint-Saëns in 1874.
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Here’s a recording of Danse Macabre (Dance of Death) being used to accompany a very spooky animated short that terrified me as a child. (I became a classical musician anyway.) Listen to the violin about 0:20 into the video and compare it to the music for the resurrection of the Nighttroopers scene.
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Intense music plays as the zombie troopers assault the trio of protagonists. Sabine saves Ezra from a trooper who sneaks up on him.
“Nice moves,” Ezra says with genuine admiration.
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“She’s been training,” Ahsoka explains.
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“What’s your excuse?” Sabine asks, not missing an opportunity to tease Ezra.
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“I missed you,” Ezra replies in a hoarse whisper, uttering that heartfelt admission like a spontaneous love confession.
*******
End of Part 2.
To be continued.
What are your thoughts? Please leave a comment
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thenightling · 2 years
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What do Morpheus’s tools do?
I am seeing a lot of posts trying to compare Morpheus’s tools to the infinity stones from Marvel.   The sand doesn't merely enable him to travel.  It’s not the space stone. And he can travel without it. How do you think he gout to Earth to ask Johanna for help?
Are you not familiar with the folkloric Sandman? He creates dreams with sand. It's why he was making dreams and nightmares on the shore because there’s a lot of easy-access sand there.   He doesn’t even really need the pouch.  But it is convenient because it is a permanent easy access to sand, the substance from which he molds dream entities, cast spells, and puts people to sleep. 
The pouch is infinitely full (Something not said in the Netflix show.  It’s never empty. 
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He conjures things with the sand (that's how he brought Choronzon to him).  In the comics it guided him to Choronzon.  He uses it to cast spells.
The helm does not, as far as I can tell, really make him more powerful. It actually does... pretty much nothing.   He uses it as his sigil (The magical symbol representing himself) and it wasn’t even his first sigil (I have a theory that the first sigil was actually a star but it’s unconfirmed).  The helm is mostly symbolic, like a crown. H e wears it into battle but there's never a physical battle.  It’s almost like a running gag. He puts it on for battle. The battle doesn’t happen.  A short story in The Book of Dreams suggests it protects against psychic assault but that’s about it.   Guiding him to the ruby is a new invention for the show. The helm was made from the skull and spine of dead Old Gods (Lovecraftian) that invaded his kingdom thousands of years ago. The ruby can alter reality, yes, but it does much more than that. He uses it like a wand. He can communicate with other supernatural entities with it. In The Sandman: Overture he contacts Glory of the first circle with it. He can use it to cast spells. The ruby and his sand do similar things. The ruby is made from a fragment of his own soul and works like a wizard's wand. It's not the source of his power. It's the conduit, the thing from which his power travels through and a portion of his power can be stored in it like an emergency reserve or battery.
Listen to what Lucifer says about tools in episode 4 of the show.  He doesn’t need them so much as he is used to them and relies on them like a crutch.  
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floridaboiler · 1 year
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52 years ago today, April 4, 1971, the final episode of Hogan's Heroes aired. It ran for 168 episodes from September 17, 1965, to April 4, 1971, on the CBS network. Bob Crane starred as Colonel Robert E. Hogan, coordinating an international crew of Allied prisoners running a Special Operations group from the camp. Werner Klemperer played Colonel Wilhelm Klink, the incompetent commandant of the camp, and John Banner was the inept sergeant-of-the-guard, Hans Schultz.
Hogan's Heroes won two Emmy Awards out of twelve nominations. Both wins were for Werner Klemperer as Outstanding Performance by an Actor in a Supporting Role in a Comedy, in 1968 and 1969. Klemperer received nominations in the same category in 1966, 1967 and 1970. The series' other nominations were for Outstanding Comedy Series in 1966, 1967 and 1968; Bob Crane for Outstanding Continued Performance by an Actor in a Leading Role in a Comedy Series in 1966 and 1967; Nita Talbot for Outstanding Performance by an Actress in a Supporting Role in a Comedy in 1968; and Gordon Avil for cinematography in 1968.In December 2005, the series was listed at number 100 as part of the "Top 100 Most Unexpected Moments in TV History" by TV Guide and TV Land. The show was described as an "unlikely POW camp comedy.
Hogan's Heroes was filmed in two locations. Indoor sets were housed at Desilu Studios, later renamed as Paramount Studios for Season Four and then Cinema General Studios for Seasons Five and Six. Outdoor scenes were filmed on the 40 Acres Backlot. 40 Acres was in Culver City, in the Los Angeles metropolitan area. The studios for indoor scenes were both located in Hollywood, CA. Undoubtedly, one of the most original and curious aspects was to create the effect that there was always a snowy winter, something unusual in warm Southern California, but normal in the German winter. The actors had to wear warm clothes and frequently act like they were cold, even though it was warm for much of the year and usually hot during summer.
Although it was never snowing on the film set and the weather was apparently sunny, there was snow on the ground and building roofs, and frost on the windows. The set designers created the illusion of snow two ways: the snow during the first several seasons was made out of salt. By the fourth season, the show’s producers found a more permanent solution and lower cost, using white paint to give the illusion of snow. By the sixth and final season – with a smaller budget – most of the snow shown on the set was made out of paint.
After the series ended in 1971, the set remained standing until it was destroyed in 1974 while the final scene of Ilsa, She Wolf of the SS was filmed
The actors who played the four major German roles—Werner Klemperer (Klink), John Banner (Schultz), Leon Askin (General Burkhalter), and Howard Caine (Major Hochstetter)—were all Jewish. Furthermore, Klemperer, Banner, and Askin had all fled the Nazis during World War II (Caine, whose birth name was Cohen, was an American). Further, Robert Clary, a French Jew who played LeBeau, spent three years in a concentration camp (with an identity tattoo from the camp on his arm, "A-5714"); his parents and other family members were killed there. Likewise, Banner had been held in a (pre-war) concentration camp and his family was killed during the war. Askin was also in a pre-war French internment camp and his parents were killed at Treblinka. Other Jewish actors, including Harold Gould and Harold J. Stone, made multiple appearances playing German generals.
As a teenager, Klemperer, the son of conductor Otto Klemperer, fled Hitler's Germany with his family in 1933. During the show's production, he insisted that Hogan always win against his Nazi captors, or else he would not take the part of Klink. He defended his role by claiming, "I am an actor. If I can play Richard III, I can play a Nazi." Banner attempted to sum up the paradox of his role by saying, "Who can play Nazis better than us Jews?" Klemperer, Banner, Caine, Gould, and Askin had all spent the real Second World War serving in the U.S. Armed Forces—Banner and Askin in the U.S. Army Air Corps, Caine in the U.S. Navy, Gould with the U.S. Army, and Klemperer in a U.S. Army Entertainment Unit. But the sitcom was not the first time Klemperer had played a Nazi: in 1961, he starred as the title character in the serious drama Operation Eichmann, which also featured Banner in a supporting role. Ruta Lee, Theodore Marcuse, and Oscar Beregi, Jr. also appeared in the film, each of whom went on to make several guest appearances on Hogan’s Heroes.
https://www.facebook.com/Retrovision
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hawkeyejrhuntress · 7 months
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BISHOVA HOLLIDAY CHALLENGE 2023
Prompts & Rules
On November 24 it will be two years since Marvel brought the Hawkeye series to the little screen. 6 episodes and 5 weeks of getting to know Kate Bishop and watching her annoy Clint. Although watching Kate and Clint interact was fun nothing compares to when Kate met Yelena the younger sister of Natasha the OG Black Widow. (RIP). Despite having less then 45 minutes of screen time their chemistry was unforgettable. Thus, Bishova was born and all the amazing fanfiction writers around the world created amazing stories about these two. So, with the anniversary of the show coming up, I decided to create a Bishova Holiday Challenge.
How it will work:
These prompts will have mini-ideas attach to them but you do not have to follow to the tea just think to the general theme. The stories must be posted on A03.
You can prewrite your stories and co-write them with others. But they cannot be published before the challenge. It is encouraged that you participate in all 5 weeks but if you can it’s all good.
Challenge Weeks:
Week 1: Nov 19th – Nov 25th
Week 2: Nov 26th – Dec 2nd
Week 3: Dec 3rd – Dec 9th
Week 4: Dec 10th – Dec 16th
Week 5: Dec 17th – Dec 23rd
There will be 5 weekly winners and one Grand winner. After each week I will create a poll with the stories that qualified, and readers can pick the winner. To qualify as the Grand Winner, you must write a story for all 5 weeks.
If I can find an artist to work with me the Grand Winner will get a custom art piece to go with their story of their pick for the challenge.
Rules:
Start Date will be Nov 19th and End Dec 23rd.
Each story can only be a one shot or a mini story with no more than 3 chapters.
When posting the stories use the tag BishovaHolidayChallenge23.
If you want to challenge yourself following the recommended rating guide/ but it will not be required. (Rating G-E) * The recommended guide will be listed with the prompts.
You cannot post all 5 stories at once. If you are doing the week one prompt is has to be posted with week one.
Have Fun and Be Creative!
Prompts/Themes
Week 1: Prompt: Traditions – (potential Idea: Kate and Yelena’s Christmas traditions from childhood to present time. From youngsters, single ladies, friends and as a couple.) Recommended Rating (G)
Week 2: Prompt: All I want for Christmas is You! Recommended Rating (T)
Week 3: Prompt: Mistletoe – (potential idea – Yelena and Kate meet as teens. Yelena Nat’s sister and Kate is the adopted daughter of Clint. Explore how these two women grow from awkward enemies to falling in love under the watching eyes of the OG Avengers and having their first kiss under the stars and a mistletoe. Recommended Rating (M)
Week 4: Prompt - OMG it’s Santa- (potential Idea- Kate takes Yelena to meet Santa Clause. Yelena is not impressed. Santa tells Kate she been a good girl. Yelena disagrees and reminds Kate how naughty she has been.) Recommended Rating (E)
Week 5: A Supernatural Christmas – (ABO or any supernatural Kate and Yelena but Holiday Theme) Recommended Rating (E)
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dazed--xx · 1 year
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One More Time Masterlist
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Post date: April 7, 2023
Member: Felix x reader
Trigger warnings: toxic relationships, ANGST, break up, death in many forms, suicide attempts, Groundhog Day effect, smut, strong language, mentions of vocal nodules, grim reaper, etc(more will be added as the story progresses)
A/N: so I absolutely love the Kdrama One More Time and this is 100% based on that. It’s also called the day after we broke up. Please watch the show it’s really great honestly it’s like really raw and angsty and just my cup of tea anyway I hope you guys anticipate this coming out soon. Also it’s not my line divider I did not make it and I reblogged the creators post with the one I used so please like their post please.
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What happens when you fall out of love with the one you loved the most? Lee Felix’s star is rising, but his love for his band is fading. He’s growing more and more tired of his girlfriend, and is excitedly prepared to breakup with her when something happens that changes their fate. As Felix wakes up the next day things begin to seem oddly familiar, from the telemarketer call to the slight run-in with his landlords thugs, He quickly realizes that October 4th is happening all over again. Using the opportunity to his advantage Felix spends his repeating day, basking in the glory soon he misses the band he once found happiness with and wonders what becomes of his girlfriend he continuously broken up with during his time warp. When Felix soon discovers his girlfriend’s fate at the end of each day, his world shifts and the once happy free memory of the time warp becomes a slow personal hell for him. As the torturous day continues to repeat itself all Felix can wonder is will he ever get to see October 5th?
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Episode Guide
Character list
Episode 1: Lee Felix, vocalist of the band, One More Time, prepares to confess his love to his girlfriend Y/N. Seven years later, he’s bored, broke, and annoyed by it all; luckily, he’s found a way to get everything he’s ever wanted
Episode 2: From the spam phone call to the meeting with an entertainment company representative, everything seems to be an odd repeat of yesterday for Felix.
Episode 3: After countless days of excessive spending, partying and gambling, Felix finally begins to wonder how his other band members and Y/N are doing.
Episode 4: Determined to change how the day ends, Felix tries to avoid anything that could go wrong and decides it’s a perfect time to take Y/N on an sporadic adventure
Episode 5: Seven Years Ago, Felix and his band have their first public performance when Y/N becomes their first audience member. Meanwhile, Y/N contemplates her relationship with Felix.
Episode 6: Y/N makes a deal with the grim reaper, Felix continues to try to change how the day ends to no avail, leaving him defeated and devastated
Episode 7: Y/N grows ever more tired of Felix’s stoic unloving attitude toward her and walking on eggshells until he eventually breaks up with her. Felix decides he’d rather die than watching Y/N suffer once more. The grim reaper tells Felix how he can stop the time warp.
Episode 8: Again and Again Y/Ns heart gets broken, while Felix continues to work on his surprise to make Y/N happy once more.
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theomnicode · 2 years
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Saitama and Genos are just hopelessly baffling to me
As someone who has had a Significant other for 12+ years going or longer now, it is absolutely baffling to me how Saitama and Genos are somehow MORE involved than WE ARE in this intimate way that they're always joined at the hip, yet not physically or romantically involved somehow. And just as domestic and domestically intimate as actually involved, married couples.
Genos literally fetches Saitama's heart underwear boxers and puts them outside the bathroom so he can dress up after a bath. Genos would probably jump into the bath if it had room in it. Genos legit stared at Saitama wearing a tiny towel getting a massage from massage chair.
Genos has expressed in meta that he 100% thinks Saitama's consciousness and his body are beautiful, ergo he's about as attracted as cyborg who thinks his sensei is not interested and who's still figuring out his own emotions can be.
The only problem seems to be that Saitama and his emotions need a light switch put into ON position.
I can also count like minimum 4 dick jokes made about Saitama eating phallus shaped food objects and awakening libido joke in which Genos gut headbutts to boot, from the top of my head. Fucking bananas and popsicles man, one being anime-only addition. I can't believe it took me this long. Screw Metal bat making dick jokes, Saitama eating them is where it's at.
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And the longest fry too. Saitama, not inside a family restaurant damnit!
Oh wait, Genos stole the fry, I guess he's the inside joke. The latex glove examination on the fry does not escape me either. Nor does the OVA episode theme.
And how come Saitama is comfortable lounging around in pyjama bottoms 5 days after Genos moved in when Genos is obviously drawing him reading manga? He's self-conscious about his bald head and self-image otherwise but not this?
Something shifted though, because Saitama actually held Genos physically close for the majority of 169.
Progress!
ONE is writing the slowest of slow burns in all of fiction. Within the time duration of mere 6 months in universe. It's gonna take another 7 years isn't it?
Come on man.
I can't make this shit up even if I tried.
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How obvious can a parallel get?
Like how the other brown bear protects the smaller, white coloured and more vulnerable bear from the rain. Like how Genos rushed to Saitama's aid and protects his vulnerable emotions, his love for other beings (like his love for pets) from melancholy.
To his beloved's aid.
And he will find him before the stars do. Stars is the universe, ergo it's OPM God, who is also trying to prey on his emotional vulnerabilities. Long as Saitama only shows his emotional weakness to him and comes back home to him, his safe haven, he'll be fine.
It's not a coincidence that in the OVA, Bang had been thinking about 200 different ways how to take down Saitama when his guard was down. When Bang is one of the identities God has assumed to lure in emotionally vulnerable Garou.
Even without a map to the place where I'll return The heat of your heartbeat is guiding me The arrow of that thought is flying straight ahead Even if it's far away.. When we reach our hands out, the bond teaches us that kindness is strength That is what's important to have for living That's why I'll be back I'll be back to right here
Saitama: That’s not the point... I have the feeling that things like a heart to heart interaction, sharing an umbrella, warmth, are all things broken away in my life. Other people can have things like big events and circumstances happening, romances and such bringing happiness in their daily lives. I have the feeling something broke and that sweet-like fluffy, nice stuff just fell right off from me. That's what I meant.
Saitama: Genos, look, have you ever seen a hero anime without a love interest in it? Genos: I don't remember watching a lot of anime in the past.. Why do you ask? Saitama: Well, we're heroes, right? We're working and living as such. And yet, why are we indifferent towards things like love interests or girlfriends? In some way it seems obvious and logical, but is it really ok? Are you ok with reality being so much harder than fiction?
I can't make this shit up man.
I will be forever malding if ONE is writing some kind of unrequited love scenario. That would just be cruel. I just want them to be wholesome together like fate intended. ;_;
(Genos gets so jealous on the cd drama lmao)
(awakening libido is from rush of hormones and neurotransmitters like dopamine and his instinctive drives and desires jumpstarting on his younger body when his future self regained homestasis and connected the psyche)
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pixiedane · 1 year
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Star Trek Picard and Trauma
I want to preface this by saying I am thoroughly enjoying S3. I've noticed a marked improvement in storycraft and pacing, the characters and relationships are lived in but not stagnant, and thus far the treatment of trauma has been respectful and moving. However, I've noticed some trends wrt whose traumas are centered and how they are presented.
Content warning for: childhood and generational trauma, loss, death, and spoilers for Star Trek: Picard through episode four.
Picard: This series is and always has been about Picard's trauma. He is also the only one who was allowed to have a traumatic arc in TNG and the films so the writers have a long history to work with. The story should and does center his trauma and the wild thing is he actually is better at interpersonal communication post S2! In S3 Eps 3 and 4 he uses actual words to describe his emotions and his needs to Beverly and to Jack. He diffuses the Shaw situation with a little smile that tells Shaw he understands and a request to work together. He allows himself to be vulnerable in small moments. It's growth.
Picard's main trauma response is fight. He's known as a diplomat but in times of danger or fear he fights. He spent all of Ep3 seeking a fight. Heroes fight so it's the easiest trauma response to write for/most common to see in a positive light.
Riker: Will's trauma was revealed in S1 but it was a plot point and character beat, we didn't see him dealing with it. Now we see the profound impact losing his son had on him, we see why he gave up his command, and why his family is fractured. Riker's trauma is painful to witness and Frakes is incredible in the role.
Riker's trauma response, now, is freeze. He's lost too much already to risk losing more. He's stuck in the trauma. That's why he prioritizes keeping the ship intact. That's why he can't record a goodbye message to Deanna. It's the opposite response to Picard's, which sets up a great conflict and then coming together.
Beverly: Like Dahj and Yvette before her, Beverly's trauma guides the narrative. Unlike Dahj and Yvette, Beverly has a point of view and is an active participant in the story. It's a huge step up from S1&2, and from TNG, and should be celebrated. That said, Beverly's trauma, and Beverly's story, is entirely related to men. Mainly to Jean-Luc, but also to Jack I, Wesley, and Jack II. "I lost my parents" including her mother as well as her father is the only nod to a woman. Beverly was raised by a single (grand)mom and became a single mom twice and none of that ends up in the story. Beverly's motherhood is all about Jean-Luc's fatherhood and that is a missed opportunity.
Beverly's main trauma response is flight. She literally fled the legacy of Picard. And that's been true all along, she's run away from relationships and emotional entanglements and regulations she doesn't agree with. But backed into a corner she fights. Sometimes with a phaser rifle, sometimes with a surgical implement, sometimes with her brain.
Shaw: I clocked Shaw's abrasive personality as a trauma response from the beginning and I guessed it was Borg related (to be clear that indicates good storytelling). He's now begun his atonement arc and has already won over the characters and audience.
Shaw's trauma response is "asshole" aka fight. He's a specific type of character that Hollywood loves to write.
Seven: I have so much to say about Seven. Seven's entire arc, since Voyager, is based in trauma. In Picard S1, Seven exhibited a fight trauma response. She was in a bad place emotionally and she responded by shooting, shouting, and drinking. She was alone, which is especially terrible for someone who grew up in the collective. But by the end she'd integrated into Picard's band of misfits. Then in S2, Seven exhibited a fawn trauma response. She was afforded respect and affection that she'd been starved for her whole life and she'd do whatever it took to keep it, even give up her own identity. And that, too, is related to her childhood, in which she wasn't allowed to have her own identity. Now in S3, she's exhibiting both fight and fawn. She's playing a part, a part she hates!, by putting up with Shaw's abuse because she doesn't want to lose her new Starfleet position and community (collective). But she's also fighting it, and she's spent every single episode so far stomping around the halls in a tear going after various bad guys. S3 Seven is closest to Voyager Seven because she was absolutely walking the line between fight and fawn throughout Voyager. It made her super complex then and it makes her super complex now. But Picard Seven is a Strong Female Character™ and I miss the vulnerability of Voyager Seven. Jeri Ryan is absolutely playing it, but I don't see it in the writing, the way it is for Picard, Riker, Shaw.
Worf: Worf is "working on himself" and I love that for him! It's not clear what prompted his zen makeover or what the end goal is. It is, perhaps paradoxically, still a fight trauma response. He's in the zone. I love his interactions with Raffi, but I also have concerns. I think she needs validation more than tough love and tea.
Raffi: Raffi wears her trauma like a cozy sweater and she is constantly and openly punished for it. Every single person she talks to in the first three episodes berates her for choices: the Orion drug dealer, her anonymous handler, her horrible ex Jae, her son by proxy, Sneed the Ferengi gangster, and no longer anonymous Worf. Raffi explicitly asks for support and the answer is always no! Finally, in Ep 3, Worf accepts her as his partner in crime, but he is so condescending about it! I love that he calls her by her full name but it does come across as judgement: no one will take you seriously if you are angry and sarcastic and go by a cute nickname. Raffi deserves so much better than this show ever gives her.
Like Shaw, Raffi's trauma response is to make her trauma everybody else's problem. Unlike Shaw, she gets absolutely no respect from the writers or the audience for it.
Deanna: We haven't seen Deanna's trauma onscreen in S3 (unlike Will, we did see some of it in S1) but we've heard about it. Unfortunately, it was described as literally mirroring Will's emotions which, YIKES.
Jack: My precious boy is truly his parents' son. Beverly's and Jean-Luc's childhood traumas created the circumstances of Jack's childhood trauma. Like Beverly he was raised by an older single mom to doctor the needy and marginalized. Like Jean-Luc, he was raised by a loving, frightened mother and an absent, distant father. Jack grew up to be precocious, independent, brave, and compassionate — and yearning for but equally afraid of commitment and connection. Beverly and Jack read codependent to me, but the ease with which they are integrating Jean-Luc back into their life (which, again, I see as due to his growth since S2 even if that's an accident) is promising. I'm excited for their circle to widen even more when they meet up with Deanna, Worf, Geordi. It won't be easy, Beverly's flight burned bridges, but I'm excited. I also demand more of the Jack and Seven dynamic. I half hope he tells her about his visions before he does his parents (tell someone Jack, I beg you). Seven is outside the TNG family, but connected to it through Picard, and that's what Jack needs. She will protect his identity separate from his status as Jean-Luc's and Beverly's son. And Seven totally needs a little brother so it's win win.
Conclusions so far: Obviously, we're only 4 episodes in, but they've laid the groundwork. I think it's safe to say the writers find it easier to write men's trauma with respect than they do women's. Again, Beverly's treatment is a gigantic improvement from Yvette's. But it's still centered on men (and the frank discussion of the personal trauma that led to her decisions was notably written by two women). And Raffi's treatment hasn't improved yet (I do have hopes! please don't dash them!). I'm most worried about Deanna. I hope she turns back into a person when we see her irl instead of on a screen.
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encyclopediacr · 1 year
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Last month year at the wiki — 2022
Happy New Year! Today, as we all begin 2023, our editing community at Encyclopedia Exandria take the time to look back at the year we just left. Here is a special edition of our still-new monthly retrospectives: last year at the wiki.
2022 has been an exciting year for us as a fan community. The Legend of Vox Machina premiered, Tal'Dorei Campaign Setting Reborn, Call of the Netherdeep, and The Nine Eyes of Lucien were published, 4-Sided Dive began, ExU Kymal and Calamity aired, Vox Machina Origins: Series III and Tales of Exandria: The Bright Queen concluded, Mighty Nein Origins: Caleb, Yasha, and Fjord released.
It's been a busy time, especially for us at the Encyclopedia Exandria. The Critical Role wiki at Miraheze was opened to the public on June 9 as a fork from the original Fandom wiki.
In acknowledgement of the hard and exciting work our editors have accomplished over the past year, here is a selection of projects that our community is especially proud to have created or significantly improved (or is excited to have seen others work on) in 2022.
But first, to say: we are grateful for and excited about all work that was contributed to Encyclopedia Exandria, ranging from hefty content updates to spelling and typing error corrections. All of this together makes the wiki the resource that it is, and all contributions made over the past year by our editors—whether they be veteran, new, anonymous, or just passing by—is immensely valued.
Because many of our editors are veterans from Fandom and because this project is a fork, thus is based off the Fandom wiki as it existed in late May and inherited any contributions previously made there, the following projects include those editors of Encyclopedia Exandria completed while at the Fandom wiki. We are proud of that work as well, and they are included in keeping with the spirit of highlighting accomplishments and contributions to our wiki over the past year that our editors are proud of, regardless of where they first made these edits.
A family of articles covering the Tide of Retribution adventure from Explorer's Guide to Wildemount was added to the wiki. "Three Earrings" is a particular highlight.
With new access to the first two Chronicles of Exandria artbooks as a resource, we could make some significant updates. Most excitingly, "Ulugrah" was created, and "Melanie de Rolo" and "Grand Purveyor of the Grey Hunt" were greatly expanded.
Speaking of improvements in Campaign 1 coverage, "Vord" saw much-needed and long-overdue improvements, and the creation of "githyanki skull" covered an old gap of a very interesting item from the campaign. Other notable overhauls include "The Calamity" and "Star Razor".
Some more conceptual articles have also been reorganized and created. Perhaps not as exciting as other content updates, but it has been a boon for readability and information seeking. "Resurrection, "media chronology", and "magic" come to mind.
We revisited the historical decision not to properly cover the verboten Wendy's one-shot. "Feast of Legends" (formerly "Special 48") now treats the one-shot as any other.
We as a community are very proud of our coverage of Exandria Unlimited: Calamity. The topic is vast, and we love many aspects of it, but we are especially proud of "Astral Leywright", "Eyes of Avalir", "Tempus" and, of course, "Bolo Maximus".
All of our Talks Machina articles were renamed and given new episode codes to make them easier to identify and reference. For example, the article for the Talks Machina for 2x26: Found & Lost used to be simply "Talks Machina 74" with a code of "TMx74". It is now titled "Talks Machina 74: Found & Lost" and has a code of "TM2x26". That's not all for Talks Machina! These articles have long stood empty, but headway this year as seen all of them filled with at least the topics covered, and some Talks articles even now contain the cast's answers and discussion.
The family of articles for the Arms of the Betrayers were created early in the year, filling in a large gap in coverage for lore introduced in Explorer's Guide to Wildemount. The work was rewarded when "Mace of the Black Crown" became an important article for Calamity viewers.
Increased coverage of the smaller but unique elements of Exandria has been a joy to see. "Tree of the sun", "Trost", and "candlerock" are but a handful of the new articles on plants, animals, foods, and other small bits of the world.
We've also been very excited about work that is very hard to link to here, such as steadily removing rampant plagiarism, the development of clearer wiki policies, improvements to category structure, updates and re-structuring of infoboxes, separation of the "specials" episode category into one-shots and miscellaneous filmed content, and the creation of a script that near-instantly updates articles when the VOD is released on YouTube. These projects work mostly in the background and are harder to notice, but we feel they've improved the wiki just like any content update.
It's been a very busy 2022, and this is just a small selection of the amazing work our editing community has accomplished. We are proud of all the work that we've seen in the six months since Encyclopedia Exandria was created, and the work in the six months before that that we inherited.
We look forward to 2023 and to the exciting work that year will bring.
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New SpaceTime out Monday....
SpaceTime 20240108 Series 27 Episode 4
Astronomers study the earliest Milky Way type galaxy ever seen 
A new snapshot of an ancient, far-off galaxy could help scientists understand the origins of our own Milky Way.
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What lies in the exotic heart of a neutron star
New theoretical analysis is showing further support for the hypothesis that the cores of neutron stars are composed of deconfined quark matter.
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Vulcan Centaur launch delayed until today
The United Launch Alliance has delayed the maiden flight of its new Vulcan Centaur rocket until today.
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The Science Report
A major breakthrough in diabetes research
Juvenile T-Rex fossils reclassified into a separate and distinct species of small tyrannosaur.
Why we love horror movies.
Skeptics guide to ghosts vs physics
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SpaceTime covers the latest news in astronomy & space sciences.
The show is available every Monday, Wednesday and Friday through Apple Podcasts (itunes), Stitcher, Google Podcast, Pocketcasts, SoundCloud, Bitez.com, YouTube, your favourite podcast download provider, and from www.spacetimewithstuartgary.com
SpaceTime is also broadcast through the National Science Foundation on Science Zone Radio and on both i-heart Radio and Tune-In Radio.
SpaceTime daily news blog: http://spacetimewithstuartgary.tumblr.com/
SpaceTime facebook: www.facebook.com/spacetimewithstuartgary
SpaceTime Instagram @spacetimewithstuartgary
SpaceTime twitter feed @stuartgary
SpaceTime YouTube: @SpaceTimewithStuartGary
SpaceTime -- A brief history
SpaceTime is Australia’s most popular and respected astronomy and space science news program – averaging over two million downloads every year. We’re also number five in the United States.  The show reports on the latest stories and discoveries making news in astronomy, space flight, and science.  SpaceTime features weekly interviews with leading Australian scientists about their research.  The show began life in 1995 as ‘StarStuff’ on the Australian Broadcasting Corporation’s (ABC) NewsRadio network.  Award winning investigative reporter Stuart Gary created the program during more than fifteen years as NewsRadio’s evening anchor and Science Editor.  Gary’s always loved science. He studied astronomy at university and was invited to undertake a PHD in astrophysics, but instead focused on his career in journalism and radio broadcasting. He worked as an announcer and music DJ in commercial radio, before becoming a journalist and eventually joining ABC News and Current Affairs. Later, Gary became part of the team that set up ABC NewsRadio and was one of its first presenters. When asked to put his science background to use, Gary developed StarStuff which he wrote, produced and hosted, consistently achieving 9 per cent of the national Australian radio audience based on the ABC’s Nielsen ratings survey figures for the five major Australian metro markets: Sydney, Melbourne, Brisbane, Adelaide, and Perth.  The StarStuff podcast was published on line by ABC Science -- achieving over 1.3 million downloads annually.  However, after some 20 years, the show finally wrapped up in December 2015 following ABC funding cuts, and a redirection of available finances to increase sports and horse racing coverage.  Rather than continue with the ABC, Gary resigned so that he could keep the show going independently.  StarStuff was rebranded as “SpaceTime”, with the first episode being broadcast in February 2016.  Over the years, SpaceTime has grown, more than doubling its former ABC audience numbers and expanding to include new segments such as the Science Report -- which provides a wrap of general science news, weekly skeptical science features, special reports looking at the latest computer and technology news, and Skywatch – which provides a monthly guide to the night skies. The show is published three times weekly (every Monday, Wednesday and Friday) and available from the United States National Science Foundation on Science Zone Radio, and through both i-heart Radio and Tune-In Radio.
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digimon02countdown · 10 months
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Note: These prompts are merely guides. You can use them however you want, or you can use every day as a free day. You don't have to make something every day. Please take care of yourself!
Day 1:
DAISUKE & V-MON: - What’s your favorite Daisuke moment? Favorite V-mon moment? - What do you like about their partnership? - Favorite Daisuke things: ex. ramen, soccer, courage, friendship, miracles
DIGIMENTALS/DIGI-EGGS: - What is your favorite armor evolution? - Digimentals were linked to character growth and development in 02. What is your favorite character growth moment or arc? - Do you have your own original Digimental?
Day 2:
MIYAKO & HAWKMON: - What’s your favorite Miyako moment? Favorite Hawkmon moment? - What do you like about their partnership? - Favorite Miyako things: ex. technology/programming, traveling, iMart, passion, love, sincerity/purity
JOGRESS/DNA-DIGIVOLUTION: - What is your favorite jogress pair and evolution? - The concept of bonds was an important theme in 02. What is your favorite bonding moment between humans and their Digimon partners? - What is your favorite bonding moment between human characters? - Do you have a jogress headcanon between other characters?
Day 3:
IORI & ARMADIMON: - What’s your favorite Iori moment? Favorite Armadimon moment - What do you like about their partnership? - Favorite Iori things: ex. law, kendo, understanding, reliability/honesty/sincerity, knowledge 
VILLAINS: - Who is your favorite 02 villain/antagonist? - What makes the villains of 02 stand out to you? Do you have a favorite villain arc? - Do you have any favorite/headcanon redemption moments for an 02 antagonists?
Day 4:
KEN & WORMMON: - What’s your favorite Ken moment? Favorite Wormmon moment? - What do you like about their partnership? - Favorite Ken things: ex. Crime and detective work, kindness, soccer, the Digimon Kaiser 
THE DIGITAL WORLD: - The laws and boundaries of the Digital World were tested in 02. Do you have any headcanons about the Digital World based on what the 02 children learned? - What is your favorite area of the Digital World that was shown in 02?
Day 5:
TAKERU & PATAMON: - What’s your favorite Takeru moment in 02? Favorite Patamon moment in 02? - What do you like about their partnership? - Favorite Takeru things: ex. writing/literature, hope, headwear, family dynamics 
THE DARK SEED/SPORE CHILDREN: - Do you have any headcanons about what the Dark Seed children did post-series? - Who is your favorite Dark Seed chosen child? - Do you have an original Dark Seed chosen child character?
INTERNATIONAL CHOSEN CHILDREN: - Do you have any headcanons about what the international chosen children did post-series? - Who is your favorite international chosen child or episode? - Do you have an original chosen child character from outside Japan?
ADVENTURE CHOSEN (Taichi/Yamato/Sora/Koushiro/Mimi/Jou): - What is your favorite “senpai-kohai” relationship or moment between the 02 chosen and the adventure chosen?
Day 6:
HIKARI & TAILMON: - What’s your favorite Hikari moment in 02? Favorite Tailmon moment in 02? - What do you like about their partnership? - Favorite Hikari things: ex. child development/teaching, light, photography, ties to the dark world/ocean, coexistence with Digimon
HURRICANE TOUCHDOWN/REVENGE OF DIABOROMON: - What is your favorite film moment starring the 02 kids? - Favorite Wallace moment?
Day 7:
THE 02 GANG AS A UNIT: - How well do the 02 children work together as a unit? - Do you have a favorite moment that involved all or most of the group? - What does the 02 group mean to you as a whole? What makes you care about them?
DREAMS & FUTURE: - The final few episodes of 02 focused on the dreams, desires, aspirations, and future challenges of the 02 kids, as well as the future of the Digital and human worlds. Do you have a character moment that spoke to you in the last few episodes of 02? - What are your own hopes for the future regarding the 02 characters and Digimon?
FAVORITE EPISODE/SCENE/LINE OF DIALOGUE: - What is your absolute favorite moment in all of 02?
FREE DAY: - Why do you love Digimon Adventure 02? What makes you care about the series? - What are the themes that resonate with you in the series? - When you picture yourself as a Chosen Child, are you an 02 kid at heart?
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yellowocaballero · 1 year
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i need seasons 2-4 of kyle rayners reworked adventures i am OBSESSED :o
OH BABY BABY ME TOO ME TOO OKAY. Believe it or not I'm trying to keep all of this as short as possible so the random little HCs are being left out, I might add some extra later.
So again this is a single season haha. Because a) it did not actually end up that short, I got a bit #poetic there, and b) Season 3&4 are a bit vaguer in my head and aren't as entertaining to tell! If/when I wrangle them into something much more interesting I'll share them. I know that there's probably a 1-2 year timeskip to Season 3 and a much, much longer timeskip to Season 4 AKA Green Lantern: Shippuden, which would have a different protagonist. Milagro Reyes, Blue Beetle's sister. Alright, that one I DEFINITELY have to elaborate on later...
TL;DR
Avatar: The Last Airbender Season 1 combo with Star Trek The Original Series but also the moral of the story is ACAB.
The moral of like this entire children's cartoon is ACAB, by the way, in case I was remotely subtle about that.
GREEN LANTERN SEASON 2: SOMEHOW THIS WAS RENEWED BY CARTOON NETWORK
(By the way, I'm super embarrassed to say this, but I love thinking of stories hyper-specifically styled after kid's cartoons. In case you were wondering: New Wave airs on Kid's WB between Pokemon and Jackie Chan Adventures on Saturday mornings. Green Lantern airs on Cartoon Network, it's ridiculously over promoted because the network doesn't realize how ACAB it is. That one Legion of Superheroes Zoboomafoo show is on PBS. You get the idea. Stories ought to have clarity of purpose.)
Think the first season of Avatar: The Last Airbender, when Aang is searching for any remaining airbenders or a firebending teacher. Same energy.
The episodes are formulaic. Kyle's on a space road trip, searching for signs and survivors of a lost culture. Each episode Kyle lands on a new planet, digs up some rumor or trail to surviving Green Lantern rings, journals, records - anything that could prove what happened to Hal Jordan. Sometimes he finds a trail to an abandoned Green Lantern outpost. Other times he's fortunate enough to actually meet an ex-Green Lantern, usually while fishing them out of some trouble. Other times he's just landing for a pit stop and finds himself wrapped up in alien trouble. Kyle's lost as hell, in over his head, and has no idea where to even begin on this ridiculously ambitious journey. Kyle's always thrown himself into new situations and new places and trusted everything would work out, but space is a little bigger than America. He just has to trust that the answer's out there. He can't go home without it. He can't look Guy, John, and the Justice League in the eyes and lie to them. Even for BTS.
He has one guide in this journey: Kilowog's ring! It serves as his personal trainer on how to use the ring, advisor, teacher, and educator on alien species. It's gruff, pretty silly, but Kyle is depressed to learn that his ring is his closest friend now. It is the sole teacher Kyle has into the actual Green Lantern Corp - it always advises him on their creed, their views, and how a real Lantern would solve a problem. It is remarkably unhelpful on finding a damn Lantern.
Instead, all Kyle finds are problems. Every planet has a problem he needs solving, a person he needs to help, or a disaster to avert. Sure, none of it's Kyle's business - but hey, he's a superhero. Not a cop. You can barely even call him a Green Lantern. Everywhere he goes, citizens of the galaxy tell him about the GLs they met and used to know - how they hurt, how they helped, how they should have done better - and who they wished the GLs would have been. They wished that the GLs actually helped instead of enforced.
They don't have an actual GL. But they do have Kyle. So Kyle says - show me where to help.
He helps wherever he can. He sees everything and learns everything. He meets heroes, villains, and ordinary people just trying to get by. He meets heroes from all walks of life, sees every kind of civilization and culture and found the good and bad in each one. He talks to everybody, from the kings to the peasants, and learns from them all. He learns about the thousand systems of government in the galaxy, and learns about where they succeed and where they fail.
He makes friends. Brave people who fish his fat from the fire. Regretful ex-Lanterns who threw themselves back into being a warrior even without their rings - and embittered ex-Lanterns who resented the loss of their power and authority. He meets a princess who spent her entire life figuring out how to govern well, and the leader of a rebel cell who specializes in freedom. He meets people who are very good at explosives and people who have sworn never to throw a punch. They all have something to teach him.
Not even the ex-Lanterns know what happened on Oa. Kilowog's ring can't show the black box to anybody but its wielder. So Kyle keeps travelling. The ring picked up an unusual energy signal in the next system over - maybe there's an outpost there!
(The unusual energy signal was space vampires. That's how Kyle saved a space Transylvanian town from intergalactic vampire pirates.)
Kyle saves people, but he has to make decisions too. He solves problems. Kilowog's Ring tells him how the GLC would have solved the problem, and he usually takes it into consideration, but usually the episode is about Kyle learning how to solve the problems his own way. He learns how to judge the values of the GLC critically and think for himself, and how to admire not the institution but the good people inside of it like Kilowog. How to fight to promote equity and justice, instead of just fighting to maintain pre-existing systems of power.
Six months later, Kyle has finally defeated whatever (Zuko/Zhao/whatever) villain has been chasing him around (they join his space found family) and makes it to the (North Pole) Green Lantern Outpost At The Edge Of The Universe. This was it. He's spent a month following this trail, and he's risked everything. He's turned over every intergalactic stone, taken every risk. If there's anything, it has to be here.
But all he sees is an empty tower surveying an empty kingdom. And Kyle looks around and he sees nothing. Not the last guru he was promised, or a mythical member of the Guardian species. There's no heroes or warriors. Nobody helpful. Nobody to fix anything. Nothing that will help the people he's met who need help, nobody who will use the GL powers for good. Nobody can restart the Corp as it deserves to be restarted, nobody to turn it around and use their immense power as it was meant to be used. Nobody to avenge Kilowog and expose Hal Jordan for who he really was. The real Green Lantern isn't here.
Kilowog!Ring: "What are ya talking about, kid? The guy's right here." Kyle, dirty with sticks in his hair, has not slept in thirty six hours, going insane: "IS HE FUCKING INVISIBLE" Kilowog!Ring: "That guy is you, kid :)" Kyle:
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Well, Kyle feels like a fucking idiot. F to his hopes and dreams. But at least he's not scared anymore.
Kyle goes home.
Earth is different. Or maybe it's just Kyle that's different. Everything feels so much smaller but so much bigger, and when Kyle stands in the middle of L.A. he's captured by the beauty of the universe - the beauty of humanity as part of that universe, how humans are just another mundane strand in the great web of the universe, and how special they are for it. How he's not special, how he will always be a face in a crowd, just one insignificant person in a world of seven billion - but how amazing that is, to be among a proud seven billion! How improbable, to be the only Kyle Rayner! There are trillions of unique people in this universe, people who all have lives and stories and hopes and dreams, and there's no such thing as an insignificant soul. In an city where everybody has to be special, where everybody has to make it big and stand out and yell their names - none of them realize how special they all are just for living. Special just for being their fleshy, insane, amazing selves.
Kyle flies to the Watchtower and walks into the middle of a Justice League meeting. And he looks Superman in the eyes and says, "Hal Jordan killed the Green Lanterns."
….
Aaaand then he posts a video on his YouTube channel titled "coming clean" and the thumbnail is him sitting on a couch in his house.
Surprise bitch, he's pulling a Tati. Kyle spills EVERYTHING. He tells the whole truth and nothing but the truth. What the Earth's hero did, why he killed himself, and why it happened.
Kyle explains that the Corp was not destroyed by Hal Jordan - it was destroyed by its own greed and vanity. Its black-and-white and justice-above-all ethos took a grieving man and warped him into a mass murderer. A power such as the Green Lanterns should be used to help people, not control them. It should protect people, not impose law. So uhhh end video, I'm fucking off to space agan, Kyle out!
A year ago, a funky little blue man told Kyle "Help them." He could have warned Kyle about Rayner, told him what a Lantern was, but that was what he chose to say. Kyle never really understood what he meant. Superheroes helped people, right? That's what Kyle figured at first. Six months later, after learning the truth, Kyle believes that he must have been asking Kyle to help the GLC - find the surviving GLs, save the organization, help Jordan himself. But he never really understood until now. It took life on Earth and life in space to really get it.
The Guardian understood that the Corp failed because it cared more about fighting evil than doing good. Yes, it kept people safe, but it never helped them. The Corp was light and goodness in the galaxy, but it never put helping people first. And Kyle finally realizies that this is what the last Guardian wanted for him, and what he wanted for the Corp. This was the future the Guardian wanted. And that's what he's going to do. That'll be Kyle's ethos.
He'll help people. Nothing more, nothing less.
It doesn't matter if people believe him. It doesn't matter if the League believes him. He doesn't stick around to find out. Kyle returns to Oa and finds the ruined power battery, the same battery Hal Jordan used up in his own selfishness and grief and destroyed.
And, with the implacable will of somebody who's always known what he's wanted, who has seen how to create it and what must be created, who travelled the galaxy and back and helped people at every stop of the way, who knows exactly what he wants the GLC to become, he remakes Oa.
He reaches inside the battery and pulls out a handful of rings. Kyle is instantly convinced he's fucked up the whole thing already, because they're all different colors?! Orange ring, Black ring, what the hell? Why is Kyle so bad at this?! But he releases them, and they go zooming off. Somewhere, Guy and John get their rings back. Not the rings they wanted.
Kyle finally makes some normal-ass rings and gives them to his found family/supporting cast from the season (Gaang…Kyle Krew…we'll workshop it), people who all have different perspectives and methods and ways of problem solving but who are all equally dedicated to helping people. They will be the first vanguard of the new Green Lantern Corp.
If Kyle wants it hard enough, it can happen. And all Kyle wants to do now is become a good man, who leaves the right legacy. Season 3 is him running around like a chicken with his head cut off trying to run a gigantic space organization by himself but you know what he's doing his best.
Kyle, who has been writing space emails to Alex this entire time as a framing device: "Hey, honey, so I've been worldbuilding." Alex: "Cool, for the webtoon? Or for your next DND campaign?" Kyle: "No I mean I've been building a world. Should it have volcanoes? I want a volcano." Alex: "Kyle I cannot put you in charge of dishes much less a world what the FUCK are you doing." Kyle, crying: "I have no idea honey can you come here please I suck at this."
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findthenorthstar · 3 months
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A Follow up to the last post
An actual full list of projects and their progress
Dnd hombrew setting guide book (50 pages in mostly formating, few rule sets fully added in.)
2. Slice of life book The stars are made for us (11,000 words, chapters and story fully planned out. Just need to write it all.) 3. Horror fantasy story podcast "Agerath's log" (two episodes fully written, 20 fully thought out, main story arcs noted.) 4. Short story Spirit above the world (2,000 words so far, Good writing done) 5. A Full Billy Joel Musical (song order and changes added, characters and story complete, need to add dialogue next) 6. Music or... something. My artist tag. (some songs fully written, need to be recorded) 7. 3 dnd games Ocultus fallus (Story fully written) Eather Engine (Story somewhat written) Circle of Old King (main arcs written)
This is the full list of projects at this time however I will mention a few wants I want to do. 1. An arg (I have had an idea for one for two years) 2. Want to write new stand up comedy (I used to do some) 3. An actual ongoing blog. 4. A dnd podcast called homebrew and moutain dew. In which each episode we talk about homebrew while reviewing a diffrent flavor of mt dew.
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