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#I don't usually write
ramblesamongstardust · 9 months
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I understand the "I will die for you" ship dynamic, but what about the "I will not let you die, I will not let myself die- we will, at any cost, survive" kind of couple?
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zosanbrainrot · 10 days
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part 2 of Zoro in WCI
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I tried to write something to sum up my thoughts on this, but then it got longer and longer and tbh I'm itching to write a fic set in this AU djjdkf I think I could develop on their inner feelings more than in the comic form
Before posting the first part I didn't realize people had such strong opinions on how this would play out lmaooo
imo, of course Zoro wants to fight Sanji, not with actual intent to harm (they threaten each other on the daily, come on), but because that's how they are together, how they communicate. He respects Luffy's decisions and their goal here, which is to learn what's really going on with Sanji, but he's gonna be pissy about it all he wants. They both have so many intense and conflicted feelings about this and neither has any idea how to resolve them. So they fight.
ofc yall are free to headcanon this interaction any other way you want <333
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inkskinned · 2 months
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crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.
i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.
in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.
i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.
i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.
plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.
the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.
we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.
i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.
a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.
today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.
loved beyond thinking.
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egophiliac · 7 months
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another one that I'm not super happy with, but continuing to mess with it isn't going to help! so here he is! 🦇 there was a lot I was trying to get across in this one, so uhhhhh hopefully it reads.
we're almost out of unique magics now...just Ace (and maybe Grim?) left!
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becca-e-barnes · 9 months
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I need more of needy Bucky who loses control from the feeling of being inside your pussy. I need him to fuck me like a rag doll and to carry me over his shoulder around the house like his personal flesh light.
Fuck, this has always been one of my very favourites to write. I really like to imagine that he struggles to last but he can keep going after he finishes 🙈 it's my lil filthy fantasy
But imagine spending the morning in bed with him. You both wake up around 6am and you spend the first little while just touching and chatting before a couple of hours of sex. Now it's maybe around 11am and after lying there together for a while, you're both in the mood for something to eat.
You pull a robe around you and that's just about as much as you manage before Bucky's scooped you up, carrying you to the kitchen.
"You don't need to carry me everywhere!" You tease, remembering that he'd carried you up the stairs to bed last night too.
"I know. But. Carrying you means. I. Can put you. Exactly. Where. I want you." He peppers kisses over your face and neck, tenderly capturing your bottom lip between his before he sets you up on the kitchen countertop.
There's no point arguing with him so you sit there quite happily. He makes up a quick pancake mix, washes some berries from the fridge, preps the coffee machine and sets the little dining table for the two of you.
Somewhere in between, you got a little distracted, perched on the counter scrolling on your phone. You hadn't noticed the way he's looking at you.
He's so caught up in the little things; the way the light hits your shoulder, the curve of your hips, the way the silhouette of your nipples are visible against the satin robe.
"Look at you, sitting there all sweet like your cunt isn't so fucking full of me."
That's got your attention.
You squirm a little, your body fluttering at how shamelessly vulgar he's being but nothing's stopping you from doing the same.
You spread your legs, exposing the slick mess coating your inner thighs. It's a mixture of your own arousal and Bucky's cum, dripping out of your sensitive cunt.
Your fingertips trail lazily over your exposed sex, your skin glistening in the natural light before you bring your fingers to your own lips, sucking them clean, giving him a little bit of a show.
"Tastes amazing, sweetheart." You groan, noticing the growing bulge in his thin pyjama bottoms. "But I lost track of how many times you came inside me this morning. You came so deep, most of your cum won't have dripped out yet. Bet I'm still totally stuffed full."
He sinks to his knees in no time, settling his head between your thighs, breathing in the faint smell of your arousal. His tongue presses flat to your sex, trailing from your hole to your clit and back, gathering as much of your combined release as possible.
He groans, low and pathetic, allowing his tongue to dip inside you as deep as he can bury it. He savours every drop of cum he earns back from your body.
When his tongue alone isn't enough, he slips a finger into you, followed quickly by a second, curling them against your sensitive inner wall.
"Bucky baby, please don't make me cum again." You groan, your fingers tangled in his dark hair but you know he's not giving you that choice. Not when his free hand is furiously stroking his own cock, desperate to ensure that when he's finished licking his cum out of you, he can flood your cunt with another load.
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morgana-ren · 7 months
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i love angst, and i love your writing, but please, PLEASE, i beg you, could you write some hope of tav ever returning now that the imbecile, has realised the error of his ways 🥺😭 (either way, thank you so much, for all your astarion writtings, it has made me feel things, the angst is real and my masochistic heart loves it🥲)
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First part of the story HERE
Common complaint I got on that one! So I fixed it just for y'all. This ending is much less sad and much more sappy, so here is the comfort you need after all that angst!
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"Darling, will you smile for me? Just once more. Please--"
He feels her cheeks in his palms, the soft skin against his battle-hardened callouses. Desperation cradles his unbeating heart, and for a moment, the emotion is far too much. A searing flame after centuries of frost. A bonfire in a blizzard. It hurts-- it burns--
"My love, I just need you to--"
"Anything my lord, anything at all for you. Simply command me and I will do anything you ask."
"No, I can't-- I-- I won't do it. I won't. I won't!"
"My lord?"
Her head cocks, turning slowly to look upon him, but her eyes-- they are empty; beetle-black and hollow. Her smile is uncanny as a painted doll, her movements disjointed and inhuman. Her teeth are stained crimson with blood, dripping, dripping, ever dripping down, never swallowed, only pooling.
She is light as a feather as she slips away from him, her skin marbling into a sickly gray before ash spreads across her body as a disease, smearing her form into nothingness. Only her face is left untouched, pretty as porcelain, unflinching and unfalling save a small crack that splinters down from her forehead down to her eyes, revealing inky black abyss beneath.
"My lord-- Oh, my tender, vicious lord. I can feel your anguish-- your hunger. Devour me to be whole once more--"
Her blood smells of rot and she--
She is too far gone to save. Too far gone to ever be saved.
"I won't!"
Whirlwind. Pain. Confusion and dread and seeping anguish. A maelstrom of rage and all-consuming despair swelling from within his soul—
—his soul?
The world around him falls away, a wicked tornado thrashing him about, his mind howling in the eternal winds--
And suddenly he is in a chair.
Not a throne. A chair— and a rather uncomfortable one at that.
"What in the hells—"
His vision spins, nausea curling his gut into a wicked tide of sickness barely restrained by his teeth. He tastes stale blood crawling up his throat, threatening to overturn onto the faded rug beneath him.
"Did you see what you wished for, little spawn?"
The voice takes him by surprise. It is not hers, but another, less familiar voice. The wailing animal in his head retreats to a dull roar as his memory creeps back. A brightly colored tent assaults his vision, piecemeal rugs and odd, foreign trinkets abound on makeshift shelves, and before him sits a strange old woman, hood pulled heavy over her straggling gray hair.
"I-- What was that?"
He sees her cracked, aging lips upturn, gnarled hands placed protectively over a strange orb on the table touching his knees. "I have shown you your future, vampling. Was it to your liking?" Panic rises within his stomach again, and though he does not breathe, he clutches his chest. The smell of incense clogs his nostrils and again, the wave of sick threatens to spill forth. Wretched taste of metallic, aged blood sits heavy on his tongue, all sensation too much-- all of it too much.
"No-- No, that cannot be it!"
"This is your path, Pale Elf. The road you walk. The power you seek is well within your grasp, but as I told you before, it will cost you everything."
He vehemently shakes his head, denying it. Denying it before her and all the Gods.
"You told me upon entry that no price was too great for your reward. Do you still agree with this sentiment?"
"No! Not-- not her. Not her. Not that! I couldn't--"
"You can and you shall, sure as the moon follows the sun. You will have everything you ever wanted, but cost of this ritual is plain before you. You cared not for the many souls left to your mercy that are crushed beneath your tyrannical fist in your ascension, but what of the sole one that resides in your heart?"
Her. The light of his life. The air he breathes. The sun on his frigid flesh, the warmth that melts his icy heart.
"No," He hisses, trying to stand, but ultimately unable to muster the strength. "I won't! There-- There must be another way. Show me!"
"There is no other way," She says, solemnly. "It is inevitable."
He swallows down the information like a boulder lodged in his gullet. Her words echo endlessly in his mind, bouncing off the walls and lodging shards of ice directly in his soul.
"What if I-- What if I don't ascend? Tell me, what if I don't?"
She smiles again, teeth flashing through her thin lips. "That is another path, little elf." "I need to know. I-- I need certainty. I won't do this to her, but I--" He pauses, grappling with everything in his mind, desperately flitting about to absorb it all. "If I am going to forgo this, I need to be certain. I need to know that I can protect her, that she will be safe--"
But the woman simply shakes her head.
"Everyone must choose. For some, the path is dark, but for you, you see more than most will ever have the comfort of knowing. I can offer you nothing more. Should you initiate the Rite, you know this will come to pass. I can tell you nothing more if you choose to not. The future is yet unwritten, and the quill resides in your hands." "Then why can I not have both!" He slams a fist on the table, clawing at the soft wood. For the first time in ages, tears prick at his pale lashes and frustration wells a knot in his throat. "Why--" "Because one path is wholly your own, while the other is a tangled web, such is the nature of deals with the Hells. You will get everything you ever wanted and lose everything that made it worth having."
His head slumps, defeated and miserable. Silvery tears slide down the curves of his cheeks, even as he attempts to bite them back. He thought he would find comfort in knowing the future, but all it has given him is utter horror.
"Despair not," She continues. "Yes, you will wither under the sun, an eternally cursed dweller of the night, but all is not lost, is it? The one you love, will she stray from your side?" "I wanted her to have better than that," He sniffles, needling his lip with a fang. "I cannot brave the sun, but her-- She deserves better than that-- better than me."
"And what of what she feels?"
His brows furrow, and he peers up at the woman from tear-beaded lashes.
"You are a night walker; it is in your nature to be selfish. But love is not selfish, little vampling. You must fight your nature, your inherent self-loathing, or your love will always find the fire. What of what she desires?"
"She loves me," He says with absolute certainty. "And I--" "Do you love her?"
"Yes," He hisses, almost insulted that she would ask. "More than anything. I'm here, aren't I?"
"Then the rest matters naught. If you love her, you will allow her the agency to choose-- something you deny her as an ascendent. You must grow past your own follies. To love is to be vulnerable, and you must allow both yourself and her this freedom."
They are hard words to swallow, and yet, he feels the truth resound in them. She would not leave his side, even as he tried to force her to understand. Even as an instrument of his manipulation and schemes came to light, she stood steadfast with him, hand entwined in his, ready to face the fire together.
"I-- I need to know she will be safe."
Again, the woman shakes her head. "You cannot. You must fight fate if you wish to overturn it. You face dire odds, though throwing the dice in your favor now will doom you later should this outcome be the confirmation of your fears."
He sighs, face crinkling as he sniffs once more, summoning the willpower to swallow down the agony of his choice. He finds the strength in his legs to push himself upward from the chair, weak and shaking as a newborn fawn as he does so. "I will do whatever I need to. Anything."
"Then you may yet see this through."
He can hear the fanfare of the circus outside, the bawdy bards strumming away on their lutes and banging on drums, the elated screams of the children and their parents. Facing the light now seems impossible, but he must find his way home to her-- he has to be with her now now now--
"The coin first, boy."
He snaps out of his delirium only long enough to fish his hands into one of his pockets, bringing out a coin. Aged and neglected, the sinister engraving of a skull peers up at him from his palm, ruby eyes gleaming in the light as he tosses it into the woman's knobbily-jointed hands.
"Best of luck to you, night-child," She tucks it away. "We may yet meet again." "No offense, but I hope not."
"Me too, Little Star."
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He pays little mind to the bustling streets and bursting taverns of Baldur's Gate, his feet carrying him back to camp as swiftly as his body will allow. It takes him until sundown even as he damn near jobs, ripping through the tree line and into the ruins with the intensity of a man starved.
"Astarion!" Karlach greets him, trying to wave him over. "I've got a bet with Gale about--" "Where is she?" Astarion immediately cuts her off, looking around frantically.
"Who?" Karlach raises a brow.
"Who else?" Wyll crosses his arms, looking intrigued at Astarion's intensity.
"Oh! In her tent, I think. Why? Gotcha a special something' in town for her, eh?" Karlach tries to rib at him, but he pushes past her without a second glance.
"Bet it's a fancy new dress he needs to tear off of her immediately," Karlach rolls her eyes before returning to her business.
He bursts into her tent to find her hunched over a book, tongue poking from between her teeth, as she scans over the page. This only lasts a few seconds before he scrambles onto the bed, squeezing her as tightly as he can manage, burying his nose into her hair, tears brimming in his eyes once more.
"Woah, hey!" She laughs, carefully setting her book aside, trying to discern what in the hells he is mumbling endlessly into her neck.
Need you-- need you-- love you-- can't lose you-- don't ever--
She hushes him, realizing something has gone terribly, terribly wrong, kissing his head and tugging him close. "Hey, what's wrong?"
She tries to cup his cheeks and bring his face up but he adamantly refuses, hard-swallowing the urge to bawl into her shoulder with every ounce of willpower he has. All he can manage is to cling to her, half sobbing, visions of that terrible future swimming in his head. He cannot let it come to pass, he will not--
And she holds him, cradling him in her arms, hushing him gently. Her face creases with worry, running her hands through his silvery hair as he pulls him into her lap.
"Little Star, what's wrong? You seem so upset. What can I do to make you happy, my love?"
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"Is it done?" Ulma leans down as she enters the tent, carefully dodging the intricate tassels of the blanket strewn over the entryway.
"It is," The strange old woman replies, still rubbing the coin with her worn thumb.
"And?"
"I showed him nothing but truth," She says quietly. "I did not manipulate his vision. Only channeled it."
"That tells me nothing. I need to know if our children are safe."
"I cannot tell you this, Ulma. You know of the ways of our tribe; our relationship with these magics." Ulma's lips purse, her exasperation evident in her humorless expression. "I need to know--"
"His reaction was genuine. That was not my doing. He knows the price of power. I cannot tell you if he will pay it regardless," The old woman's head lifts, a slight mischievous smile playing on her lips. "But I can tell you what I think."
"And what do you think?"
"I have seen his soul-- the heart of it. I believe you will see our children yet. He will spare our heart to spare his own in kind. It beats in that woman," Her eyes twinkle in the low candlelight, a genuine smile widening across her cheeks. "I believe he can find redemption yet."
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theminecraftbee · 7 months
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if you'll forgive the rare mention of shipping from me. okay. so my brain LOVES generating weird, slightly fucked-up aus. and so. okay. sometimes i think about the joke that jimmy is the oblivious protagonist to a harem anime or a dating game in most of his smps. which is obviously a fandom joke more than anything else but like, he DOES have a bunch of these ships. and then i ALSO think about the sometimes-valid, sometimes-invalid way people complain about shipping warping his and other people's characters. (for the record that's just how fandom works shipping or not shipping i take a neutral stance on this, it's just important for the au idea.)
so my brain came up with: the jimmy dating sim au. in which jimmy suddenly wakes up and his life is a dating sim. and at first he's... very very jimmy about it. he preens. he LOVES the fact the world suddenly seems to revolve around him. it's GREAT. he can see dialogue options and he still somehow sounds like an idiot when he talks to people but that's fine because he still chooses the BEST OPTIONS. he's doing GREAT. this is the BEST THING THAT'S EVER--
although. hm. it's... a little weird the world is revolving around him? grian and joel aren't being mean enough actually, which seems like a silly thing to complain about, but like, look, he likes it when people are mean. and tango is silly and sweet but he's--he's not normally that focused on jimmy. he's a project guy. and scott is--look, it's weird he's not flirting with anyone else, right? like, that's weird? and, and okay, he's... not sure how to name what's going on with fwhip but there's not enough animosity, and whatever martyn is doing is like, look, jimmy's used to being shot down more on this one, and--
and once jimmy starts seeing it he can't stop seeing it. the world's warped around him. he's the main character in a dating game. every time he picks an option that makes one of his friends (his friends!) like him more, it's like another little piece of their personality is chipped off of them. and as much as he loves being the center of attention, he misses being mocked. he misses people paying attention to other things. he misses the bits that are being sanded off. he doesn't want to be the one to break his friends. he misses the relationships they had, sharp edges and all, because goddammit, he likes that kind of relationship.
but he doesn't know how to stop it.
he doesn't know how long he can go down someone's route before the changes get irreversible.
and so jimmy sets out on a journey to figure out how to break the dating simulator he seems to have gotten stuck in and get his friends back to normal. before it's too late.
ANYWAY IF I HAD TIME AND/OR MORE EXPERIENCE WITH VISUAL NOVEL GAME ENGINES IMAGINE--
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eyrieofsynapses · 3 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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hona-hona · 4 months
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HELLO HEARTSTOPPER FANDOM HOW ARE WE FEELING
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shimmershy · 10 months
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Just two siblings back from the dead, hanging out, totally not using this opportunity to torment one another for the rest of time! <3
Chara Week Day 4: Flowers
[Image Description: A digital drawing of Chara and Flowey from Undertale. They're on the Surface, with grass and trees and mountains stretching out behind them. Chara has golden flowers clustered around their left eye and speckled in their hair and on their hands. They're kneeling on the ground and smiling wide, holding Flowey's flower pot in one arm. Their other hand is outstretched in front of them and holding a camera. Flowey has a red bow wrapped around his stem and stickers in the shape of hearts, stars, and smiley faces decorating his pot. He looks annoyed as Chara leans their face in close to his to take a photo. /End ID]
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coquelicoq · 6 months
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what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.
#just kidding i don't know what linguists call that tenor. or any tenors. i'm not totally positive what a tenor even is#but i can't let that stop me from writing a jokey post on tumblr dot com#register is a very interesting area of linguistics that i know very little about#so i'm probably revealing the depths of my vast ignorance here to all the sociolinguists who surely hang on my every word#but i've always thought of the formal/informal pronoun thing as being about two things: intimacy-distance & rudeness-politeness#and of course you can usually tell from context whether a formal pronoun is meant to indicate distance or politeness#(plus distance and politeness are related to each other (to various degrees depending on culture))#but it seems like it would be cool to have a built-in alignment chart of sorts just for pronoun combos#instead of prep jock nerd goth...why not try intimate self-effacing polite superior?#the goblin emperor#pronouns#register#sociolinguistics#my posts#f#anyway i know i said i wasn't going to reread the goblin emperor...but guess what. lol#and i edited my tags on that earlier post but fyi the language DOES distinguish between plural and formal singular pronouns#i had said i thought it used the same pronouns for plural and formal but i just wasn't paying close enough attention#so anyway i just reread the part where maia is talking to setheris in formal first and informal second#and you can see setheris going ohhh shit. oh shit oh shit oh shit#i'm in biiiiiig trouble#you sure are dude. that's the Time to Grovel signal#it's interesting because at the very beginning of the book when i first saw the formal first used i just thought it was the royal we#because i knew the main character was supposed to be royalty#but then EVERYONE was doing it. so it's not the royal we it's just the formal we#however. this does make me realize that the way the royal we would function in a language that retains the t-v distinction#is the same way i'm describing here. it's just reserving that particular tone (i'm better than you and am displeased with you)#for royalty only. which makes sense given royalty's whole deal
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metalhoops · 1 year
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The place was Chicago. The year was 1990. 
It was early enough into the year that the term ‘1990′ still sounded space aged. It’d been the 80s for as long as Eddie cared to remember. It was late enough in the year that everyone kept telling him winter was over. Nevertheless, he wore the leather jacket he’d ‘borrowed’ from his ex-boyfriend. Spring in Chicago was worse than a million L.A. winters. 
Eddie hated California on principle, but his record label was in Burbank. Despite the band being one of the biggest rising stars in the metal scene, he didn’t have room to get cocky. He’d spent the break between tours last year with his aforementioned ex-boyfriend in his New York apartment. 
The place had been small enough that smoking with the windows open felt like a hotbox session. There was one window in the apartment. It was in the bathroom and only opened an inch if you could get it to open at all. It wasn’t the rockstar life he’d fantasised about back in high school, but he was getting by. 
So how the hell did he end up in Chicago? He was getting there. 
As the filmmaker he’d slept with in Toronto had told him, opening in media res was the best way to hold an audience's attention. Was that what Eddie was doing? Trying to retell the shitshow of his life back to himself? Trying to make sense of it all, make it climax to something meaningful? Maybe. 
Eddie had gotten into the habit of keeping a journal, mostly for lyrics. The band was meant to be recording their third full-length studio album in a matter of months and Eddie only had three songs that were worth anything. To make matters worse, the other two had been concept albums. 
Corroded Coffin’s first and sophomore albums had been different enough that the band hadn’t been boxed into anything. Yes, they were a metal band, but they got their fair share of punks, goths and even a handful of yuppies that’d shown up to their gigs in the past. Hell, their opening act had been a grunge band. It sounded pretentious as fuck, but Eddie wasn’t afraid to transcend genres. The metal scene was changing. They had to learn to change with it.
The nail in his goddamn Corroded Coffin was that the band were known for their concept albums. Their first album Knightmare was a D&D-inspired thrash, metal album. Think Ritchie Blackmore's Rainbow, with a few more homoerotic undertones. Their next album, Dream Dimension was more sci-fi leaning. It told the story of an unnamed group of kids who’d stumbled into another dimension. It was a little more glam metal. Some of the B-sides like ‘My Year’ and ‘Lakeside Interlude’ had been downright shoegaze. One magazine had likened the story to Dream Warriors, which Eddie thought was fitting. 
It wasn’t like Eddie didn’t have ideas for the next album. That was the problem. Eddie did have an idea. He just couldn’t write the damn thing. It was meant to be his magnum opus, the third album that’d stand on its own but also interconnect with the other two. 
He’d call it Daydream. It followed the story of a white-collar guy living the perfect nuclear family life, complete with a white picket fence and a Malibu Barbie, dream house. The thing was, the dude was miserable. He’d spend all his free time daydreaming about adventure and forgotten realms. 
The kicker was halfway through the album the listener would realise the guy was the titular knight from Knightmare. His perfect suburban life was turned upside down when his kid disappeared à la portal to another dimension. It’d be perfect. All Eddie had to do is write it, and that was the damn thing. He couldn’t.  
All his albums were about something. There was always a meaning beneath the meaning. Knightmare? Easy, that was about escapism. Dream Dimension? It was about growing up too fast. Daydream? That was more complicated. 
Daydream was why Eddie needed to write in his journal. It was why he needed to remember that the year was 1990 and that he was in Chicago. 
The thing was, Eddie didn’t remember writing Dream Dimension. There was a 1988 sized hole in his memory between their first and second US tours. He wasn’t an idiot. He knew exactly what caused it. In their early days, they were practically paid in 8 Balls and party favours. Eddie always had an addictive personality and getting into anything stronger than weed had been a bad idea.
It wasn’t until his bandmates had an intervention that he’d been able to see the forest through the trees. Realising there was a whole chunk of his life he’d missed out on was petrifying. So, Eddie kept a journal. 
He’d been sober for almost a year. He was practically fucking straight-edge without all the pretentiousness that came with it, but he knew one slip-up was enough to send him spiralling. That was how he ended up in Chicago.
It was the last show of their Dream Dimension tour, and they were in Chicago. Eddie was always lively on stage. Gareth had abandoned one of his drumsticks during a solo only for Eddie to run across the stage, slip and bite the dust with his ankle going one way and the rest of him going another. 
He’d woken up in a hospital with a lump on his ankle the size of a baseball and the uncomfortably familiar feeling of being high off his face on painkillers. 
To answer the question, Daydream was about getting older. It was about being okay with getting older. It was about doing it your own way. Back in the thick of it all, it’d looked like Eddie wasn’t going to make it to thirty. He was trying to be okay with the idea that he might. 
Last year, Jeff got married to a nice girl who’d been their costume designer for their first music video. It’d shaken him in a way he didn’t know how to explain. He was in his mid-twenties, yet suddenly he felt old. Wayne had retired and with Eddie’s help brought a Winnebago. He was probably fishing in Nebraska right now. 
See, the thing about the titular character in Daydream, was that he’d conformed to what life was supposed to be. By the end of the album, he’d have left that life behind for another, one of action and adventure, because Eddie could never understand why Dorothy wanted to leave Oz for fucking Kansas. Fuck Kansas, on principal.
Something about the album wasn’t clicking. Knightmare was leaving his boring life but ultimately, he was alone. Was that what getting older was all about? Being okay with being alone? When you were gay in 1990, it might be. 
After the tour ended he hadn’t wanted to go back to his apartment in Burbank. He hated it there. He’d entertained the idea of heading back to New York but it was depressing. It reminded him of Jack, and how so many of their friends weren’t around anymore. 
When all was said and done, he and Gareth decided to stay in Chicago. He never said it out loud, but Eddie was sure his friend had stuck around to keep an eye on him. 
Sometimes, Eddie just wanted someone to come home to. Maybe that was why he’d had a string of shit boyfriends. If you weren’t picky, people would walk all over you. 
Jack had been the one that’d made Eddie swear off dating. It wasn’t worth the trouble. He’d rather die alone. His name wasn’t even Jack, it was Corey, but everyone called him Jack. Short for Jacket. Eddie wished he was joking. That should’ve been the first red flag. 
The thing about Corey was he always wore the same goddamn custom-made, leather jacket, all year round. He’d liked having sex in front of his full-length mirror with Eddie always on his knees, which should’ve been at least a yellow flag. He never liked anything gentle. Corey liked the idea of having a rockstar boyfriend more than he actually liked Eddie or monogamy. That was why when Eddie left, he took his jacket. 
He didn’t know why he was still wearing it, but he was. He pulled it on as he hobbled in his moon boot across the street from his and Gareth’s rented apartment to the record store. He hadn’t gone outside in a week, and he was about to start climbing up the goddamn walls. He just needed to go somewhere, and Eddie loved record stores, especially little indie ones. 
Once inside, Eddie noticed the place was practically empty save for the guy behind the counter. They had an eclectic mix of records and zines lining the shelves. Eddie was glad the place was quiet. He didn’t have to worry about being spotted. It wasn’t like they were The Beatles. They could go places but in a big enough crowd, he was sure to turn a few heads. Some days, Eddie just wanted to disappear. 
They had Corroded Coffin records on the display shelf and a couple of magazines with his band's name on the cover, which made pride swell in Eddie’s chest, but he wasn’t here for stroking his ego. He wanted to know what other people were doing and get back in touch with the scene. 
He was busy sifting through the bargain bin when he felt someone slide in beside him. He cringed, almost expecting it to be some over-enthused metal head with a pen and a Corroded Coffin tee shirt, but it was just the dude behind the counter.  
“Sorry, can I squeeze past?” the guy mumbled, a crate of records awkwardly tucked beneath his shoulder.
Eddie did his best to make himself small, his dumbass ankle making a simple task seem like an effort. He didn’t miss the way the man’s free hand brushed over his side as he passed, as though trying to assure Eddie stayed stable. 
“Place sure is quiet,” Eddie observed glancing over at the man.
His jeans were fitted, tight in all the right places. He’d rolled up the cuffs of his shirt to reveal more of his bicep than Eddie deemed necessary and god his hair. There was something about his hair. Something about him seemed familiar. Eddie really hoped they hadn’t hooked up once. That’d be awkward as hell. 
“Yeah, we usually close around five,” The man replied putting an album on the shelf. 
It was almost six. Shit. 
Eddie hated when people did that. They treated him differently because his name was in the papers. Everyone wanted something from him, and they thought doing favours was a good way to win him over. It wasn’t. The guy could clearly see something shift in Eddie. 
“It’s no big deal. I have to stay an hour late to replace the stock, plus my roommate has a girl over, so I’d rather be here,” The boy laughed, shooting a look at Eddie over his shoulder, a stray strand of his perfect goddamn hair falling in his face. 
The boy paused, teeth worrying away at his lower lip, his hand falling to his hip as his eyes searched Eddie's face. 
“Do I know you from somewhere?” He asked. 
And there it was. Sometimes people did that. They played dumb about who he was before making a big goddamn deal out of it. Eddie suddenly wanted to crawl back to his apartment and spend another month in isolation. 
The boy snapped his fingers in triumph.
“Munson,” He practically shouted and holy fucking shit, that wasn’t what Eddie expected. 
No one knew his last name, not his real one. Everyone changed their names when they got famous. He’d gone for something simple, Eddie Emerson, it had some alliteration, just like Corroded Coffin. It wasn’t too far from his real name but not even the die-hards knew him as Munson. 
Then Eddie remembered. 
This guy was Steve goddamn Harrington. He didn’t remember many people from high school, but he remembered Steve. 
“Harrington,” Eddie breathed in disbelief. To his surprise, Steve screwed up his nose. 
“Unfortunately,” He admitted and stuck out a hand expectantly. Eddie leaned down and clasped Steve’s hand. From what he remembered of Steve, the guy had never been this friendly. 
“Nice to re-meet you I guess. I’d like to think I’ve changed a little in over five years.” He had, Eddie didn’t know how to explain how he knew, he just did. It was something about the way the boy held himself. 
“What brings you to Chicago?” He asked, seemingly oblivious to the fact that one of Eddie’s records was sitting on the shelf beside him. Honestly, it was a breath of fresh air to find someone who didn’t know who he was. He could keep the charade up a little bit longer. 
“Oh you know, work stuff,” Eddie answered vaguely, toying with his hair. 
That was something he did when he was flirting and holy shit, he needed to squash that right goddamn now. He wasn’t looking to date anybody, and he remembered Steve being very straight in high school. He needed to save himself from another heartbreak. 
“You live in Chicago now?” Eddie asked. The‘ because you didn’t seem like the type to ever leave’ was implied. 
“Yeah. Rob, my roommate, she practically dragged me here. We’ve been attached at the hip since I graduated. It wasn’t like there was anywhere else I wanted to be,” Steve answered. 
A little detail about the statement screamed for Eddie’s attention. 
“The same roommate that has a girl over?” He pressed and watch Steve fold his arms over his chest, all huffy indignation locked and loaded, begging for Eddie to choose his next words wisely. 
“The same,” he confirmed. Now that Eddie knew, he noticed they were selling a couple of queer zines. It didn’t necessarily mean anything. Steve might just be progressive. 
“I thought you were meant to be the lady's man, Steve,” Eddie tried hoping that was enough to make Steve’s defences fall. To his surprise, Steve snorted and shook his head. 
“Like I said, lots changed since high school. My luck in the dating department couldn’t be worse,” he admitted as he returned to stacking the shelves. 
Eddie watched the planes of his back move beneath his shirt, wanting to push himself against him, to feel what it was like for Steve to move beneath him.
He really needed to get a hold of himself. 
“Couldn’t be worse than my luck,” Eddie rebutted offhandedly. 
Steve shook his head and shot Eddie another glance over his shoulder. He inhaled deeply as though preparing to tell a long story. Eddie leaned against the shelf to show Steve he was all ears. 
“Last month, I went on a date with a girl and she asked me if she could call me by her ex-boyfriend’s name,” Steve began. 
Eddie screwed up his nose in response. 
“Worse still, I was so shocked she’d asked, I just agreed to it.” It was Eddie’s turn to snort. 
“Stevie, you didn’t.” 
Stevie. Goddamn Stevie. Don’t do this to yourself, Munson. Pet names are one step away from a full-blown crush. 
“I did. Do I look like a ‘Juan’ to you?” Steve asked honestly. The question had Eddie doubled over in stitches. 
“Alright, alright. That’s pretty bad, but that’s one bad date,” Eddie reasoned. 
“Dude, I wasn’t finished. The girl before that realised she was a lesbian, while on a date with me. Which is like... the third time that’s happened,” Steve admitted.
Eddie’s hand had betrayed him and returned to toy with a strand of his hair. He hid behind it as he tried to mask a laugh. This guy did have shit luck. 
“You’re a lesbian magnet,” Eddie reasoned watching as Steve hid behind his hands. 
“And the time before that, I thought I was getting somewhere with a guy. We’d been on three dates before he told me he had a wife.” 
Steve made the next confession a little quieter than the others, a little more reserved. Eddie felt the hairs on his arm stand on end. Steve had changed since high school.
“Once I hooked up with a guy who’d only give me head if I sang to him while he did it,” Eddie admitted, feeling the need to get Steve off the defensive and add to the pity party. He watched the boy’s features shift.
“Oh wow, that’s bad. You should’ve pretended to be tone-deaf,” Steve reasoned, once more proving he had no idea what Eddie did for a living. 
“See I was torn between that and singing La Cucaracha at the top of my lungs.” Steve snorted, honest to god snorted.  
The two lapsed into silence but it was a comfortable one. Steve smoothed down his hair five times within the space of a minute before taking a deep breath. 
Eddie knew what was coming. He wasn’t dumb, but a part of him would always be trapped back in high school. It kept screaming there was no way a popular kid like Steve would talk to a loser like him. He thought he’d buried that part of himself, yet here it was, rising from the dead. 
“Do you want to get a drink?” 
And there it was. Eddie didn’t mean to cringe, but Steve caught it, his hands stuffed themselves into the too-tight back pockets of his jeans. 
“Or not,” He muttered averting his gaze. 
“No. It’s not that. I... I don’t drink.” 
There you go Gareth. He was responsible enough to look after himself. 
“I could do dinner though,” Eddie tried to throw Steve a bone. 
Eddie waited for Steve to throw up one of the red flags he’d gotten used to seeing with all the men he’d dated or hooked up with. Eddie would say he didn’t drink, and they’d give him a funny look or mutter something about him being a killjoy. 
“There’s a place that does a wicked deep-dish pizza not far from here. You said you weren’t from Chicago, right? You’ve gotta have the pizza, it’s a rite of passage,” Steve ploughed on.
“Sure,” He muttered trying not to look as surprised as he felt. 
He watched Steve buzz around the record store, shutting up shop and then extending a hand shyly to Eddie. Right, his stupid goddamn leg. At least it gave him an excuse to get up close and personal with Steve in the street and not draw too much attention. 
The two made the short walk to the pizzeria at a plodding pace, talking about nothing in particular. 
“What happened to your leg?” Steve asked as they slid into the booth. 
“Slid on a drumstick and took a nosedive off a stage,” Eddie admitted. He wasn’t going to outright lie to Steve. 
“Ouch,” Steve mumbled, passing the menu over to Eddie. 
“So, you still do band stuff? I remember that high school talent show,” Steve noted, and Eddie cringed, letting his head drop to the table. 
“I really wish you didn’t,” He chuckled before confirming,
“Yeah, I still do band stuff,” as he raised his head and chanced a glance at Steve. 
“Cool,” was all he said before they shifted the subject. 
They were swapping stories about best friends, roommates, shared high-school trauma and generally flirting when a figure approached their booth. It was a kid, who couldn’t be older than fifteen with a shaved head and a battle jacket. He reminded Eddie of himself at that age. He knew what was coming.
“You’re Eddie Emerson, right? From Corroded Coffin,” the kid asked, his hands shaking. He watched as a furrow appeared on Steve’s brow before his jaw dropped. So Steve wasn’t totally clueless. 
“One and only. You want me to sign something for you?” Eddie asked, having gone through this song and dance a million times before. He tried to be nice, after all, it was a kid, but sometimes he got tired of always having to be on. 
To make matters worse it happened in front of Steve. Something about people coming up to him always sat wrong with other guys he’d been with. He wasn’t sure if it was jealousy or ego that did it, but he knew if he ran into a fan on a date, the rest of the night typically went sideways. 
He signed the back of a napkin as he listened to the kid rattle off praise for their music. He talked about his favourite songs and lyrics. Eddie wished he knew what to say, wished he knew how to take a compliment but he didn’t. To his surprise, he heard Steve speak. 
“Hey, did you make this?” Steve asked indicating the kid's battle jacket, forcing him to come up for air.
“Yeah, all on my own.”
The kid blinked and ran his hand over a couple of the hand-sewn patches. Steve obviously knew nothing about the scene because if you didn’t make your own jacket people would call you a poser. It was a nice shout though because he watched the kid light up. 
“Even the safety pins?” Steve asked curiously.
Eddie watched as the kid launched into a story of every little pin and stitch in the jacket, turning his attention away from Eddie, and giving him space to catch his breath. It was nice. He felt like Steve had seen him.
After another few minutes, the kid’s dad came to collect him and Eddie felt his body sag against the diner booth. 
“You get that all the time?” Steve asked, his foot nudging Eddie’s under the table. 
“You wouldn’t believe it,” He grumbled scrubbing his face. Steve nudged his foot again, giving him a goofy grin. 
“At least he liked your stuff,” He proposed. 
“I’m guessing it’s not your thing,” Eddie reasoned. He wasn’t one for stereotypes, but he really didn’t look like the typical Corroded Coffin fan. 
“I’m not too picky when it comes to music. I just listen to top forty stuff.” Eddie shot him a disbelieving look.  
“Dude you work in a record store,” he laughed and Steve shrugged.
“Among other things. I just got the job to hang out with Robin. She works there too. She only took the job to try and peddle her girlfriend Nancy’s zines. Sometimes I write the sports section because Nancy, Robin and Jonathan don’t know anything about sports.” Eddie rested his head in the palm of his hand, listening attentively. 
“Wait, is that the same Nancy that you dated back in high school?” He asked, trying to sound scandalised, glad to have a break from the rock star bullshit. 
“Like you said, lesbian magnet,” Steve grumbled, mirroring Eddie’s gesture, resting his head in his hand. 
“What are you actually doing in town?” Steve asked, more curious than nosy. 
“Trying to run away from writing our third album,” Eddie spoke. 
It’d been the first time he admitted it out loud. He didn’t talk about his music until he thought it was worth something, but Steve was a good listener. To Eddie’s surprise, he found himself spilling his guts to Steve. He told him all about the third album, about the goddamn symbolism, and the way things just weren’t clicking. 
“Why don’t you give him a reason to stay?” Steve asked when Eddie finished his monologue, as though it was the simplest solution in the world. 
“I mean, Dorothy doesn’t go back to Kansas because she doesn’t like Oz, she misses home. She misses her family. You want your knight guy to stay in fantasy land? Give him someone to stay for,” Steve proposed, and it was like the final puzzle piece sliding into place. It was brilliant.
“Stevie, I could kiss you,” Eddie spoke.
“Is that a promise?” Steve asked with a cheeky grin.
“Let’s get out of here and find out.”
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inkskinned · 8 months
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you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.
you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.
he says i don't like small talk. and then he smiles again, watching you.
a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.
he doesn't like small talk, figure out something to say.
you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.
people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.
wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.
also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.
he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."
you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.
"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."
he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.
you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.
is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?
you look down to your hand, clutching the knife.
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eggy-the-boy · 1 year
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*poking my blorbos with a stick* 
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turbo-tsundere · 11 months
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Let’s disturb da balance of the universe
#gonta gokuhara#gokuhara gonta#kokichi ouma#ouma kokichi#danganronpa#v3#ndrv3#pregame#ougoku#if you squint at the second pic#my art#tbh I don't really subscribe to the fanon that the pregame personalities are the exact opposities of ingame ones#(but then does anyone really?)#with v3 writing being overall more nuanced and usually going the 'yes but no but maybe except it's complicated' route#personally I like to imagine that even if they act differently at their core they aren't that different#and their in-game personalities are actually their repressed/subconsciouss true selves - or perhaps their ideal versions of themselves#that they couldn't reach due to being cynical/jaded and disillusioned with society#(nevermind what they wished for comes with its own set of grievances and pitfalls ;p)#that's just my impression given the audition tapes and what-not#BUT for the purpose of entertaiment let's imagine how much of an absolute menace the first combination would be XD#(whether it's a menace for Kokichi or they're a menace to everyone else is an entirely different matter ;p)#side note but drawing this made me realise and appreciate smth - Kokichi's gakuran is dark contrasting his in-game outfit#but Gonta also has his own contrast - the blue/indigo color historically associated with royalty#vs the brown of his in-game suit - color more associated with commoners and plainness but also symbolising being down to earth and friendly#that's really neat actually#esp considering he's from high-status family
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morgana-ren · 8 months
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Bit the bullet and did the power-hungry ending on my exploratory playthrough to get it over with. I always love my boy, but he does very much turn into a bastard. Wrote this very quickly as a quick exercise because I hated that I had no dialogue that felt right. Anyway, enjoy the trash. Nothing explicit happens but a lot of dubious, awful shit is implied so please read at your own risk. Spoilers, obviously.
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“And of course, I couldn’t have accomplished all this without you, and one wicked turn deserves another,” His eyes flash crimson beneath his pale lashes, glowing ominously in the firelight. “So tell me, my love, what is it that you desire?” 
He expects her glossy elevator eyes and a seductive smile. For her to reach for him with her soft, little hands and pull him close, aching to feel him– to taste him in all of his newfound resplendent glory. To offer her neck in submission, pleading for him to change her, to become like him, to sit at his side eternally as he rules from his throne on high as his most beloved spawn. His first and most revered creature of the night. His queen.
But she doesn’t.
Her brows furrow, the corner of her lips tugging inward as she purses them. It’s not the reaction he was expecting, to say the least. He frowns as he inspects her expression, trying to suss out exactly what it is that plagues her. She looks worried– anxious, even. She pulls her gaze away from him, stepping back away from him ever so slightly, staring at the dirt for a moment before speaking. 
“I just wanted you to be happy, Astarion. You were always so afraid, so paranoid that something or someone was going to come for you in the night. I never wanted you to have to worry about that ever again.” “And now I don’t,” He arches a pale brow. “Isn’t this what you wanted, my love? We’ll never fear anything ever again.” He feels her uncertainty vibrate the air around him, a sense of unease that permeates through her pores. It is not love and adoration and undying loyalty that she offers, but trepidation. 
“I know. I know it’s everything you ever wanted, and I’m happy for you, but it just seems like–” “Just seems like what?” He cocks his head, narrowing his eyes at her. 
“It seems like it’s changed you somehow. You’re– you’re different,” She reaches a tender hand up to caress his cheek, and he fights the instinct to lean into her touch. 
“I am different,” He insists, his voice raising slightly. “Power beyond imagining. There has never been a vampire such as I am now. I feel it coursing through my veins, practically bursting at the seams with it–” That familiar habit crawls up his tongue, and he slips the words before he even thinks them over. “And we did it together. I’m untouchable now, and thus, so are you. It’s our world to take, darling. I love you. Isn’t that what you wanted so desperately?”
There’s a twinge of something he doesn’t quite recognize from her. Hurt, or perhaps… disappointment?
“Asto, I never wanted to strongarm or manipulate you into loving me. I care deeply for you, but that’s my burden to bear. I never wanted more from you than you wanted to give.” 
“Then what did you want?” His lips curl downward into a frown, and he closes the gap between them that she created, stepping close enough to her to have her shifting.
“I just–” She pauses, her words hanging heavy in the air and on her mind as she says them. “--I had hoped you would have let go after killing Cazador. Realized that you don’t need power everlasting to be happy. I guess I thought you would have learned something from all of this–”
“Learn what, exactly?” His tone shifts, his words pointed and cruel as he spits them out, fists furling at his sides. “You naive, silly little girl. You’ve no idea what it’s like– what the world is truly like. You dare to condemn me after what I’ve seen? You’d judge me for taking strength where I find it? Strength that I use to protect both of us? To save your pretty little neck from all those creatures who seek to spill your blood? You dare pretend to understand?
He feels it through the tadpole— The whip and lash of barbed grief against her heart, ripping through her chest like a fanged maw. It's enough to almost bring him to his knees, but if it wasn't for their bond, he wouldn't have the slightest idea. Her face hardens and she betrays nothing at all: a slow blink in his direction, emotionless face creaseless as porcelain, not a thing betrayed—
—Save her eyes. There's something in her eyes that tears at him. Panics him. He cannot place it but fear creeps up his spine, taking hold in his brain. Something disappears from them as he speaks and they glaze over, empty and melancholic. As if she is letting go. 
She shakes her head, the column of her throat twitching ever so slightly as she hard-swallows. "You're right. I— I don't. I'm sorry," She turns her eyes from him, and her expression hardens into something unreadable entirely. "I'll leave it then. I don’t want anything from you. Enjoy your power, Astarion.  You’ve– you’ve earned it." 
There is something unspoken in her words that batters at his brain, panicked and flapping about as a freshly caged bird. He prods at their connection and feels her recoil from him— feels her retreat into the recesses of her mind, severing their connection where she can, and blanking him out where she cannot. She is locking him out— and he realizes that it is perhaps for good. 
His lip curls as she turns from him without another word, walking away, abandoning the conversation— abandoning him. There's a flash of sanguine rage and a pulse of power not entirely his own yet and his hand extends of its own will, fingers grasping at her throat and drawing her again, nails digging into the same flesh he'd once caressed so tenderly. 
"Don't you walk away from me! Don't you ever turn your back on me again! Do you understand?"
Fear. That's what's in her eyes now. Not fear of him, but fear of what he has done. Of what she has allowed him to become. She searches him for a trace of the man she'd cared for, the man she shed blood for— both hers and countless others— to save. All she finds is a twisted mockery of it. The man she has helped him become— if a man is what you can call him. 
She has created a monster, and now he has turned his blood-red gaze on her. 
"Astarion—" 
He feels her pulse in his palm, rabbiting away in her ribs, the scent of her rushing blood palpable in his lungs. The very same scent as when she stares down a pack of howling gnolls or a murderous cultist with a knife to her belly. It is a scent that so often fades when he is near enough to her for comfort, but it is more powerful than ever as he bears down on her now. 
"That's not how this is going to work, darling," He hisses, yanking her so close he can see himself in the whites of her wide eyes. "You are never to walk away from me again. Am I clear?"
The force of her rage hits him, edged with red, raw disgust. Her lip twitches, eyes narrowing on him as the malaise of her mourning is devoured by a tidal wave of both her pride and her indignant anger. "I am not your servant. You do not command me." 
"Is that so? Isn't that what you wanted? Hmm? To lose yourself in me like you told me once upon a time? You wanted me to care for you– to love you– and I’ve told you that I do. You sought something from me and now you dare to turn your back on me?"
"I wanted to be with you! I cared about you! You're not some toy to be played with or some vessel for pleasure! I never wanted anything from you that you didn’t willingly give!" She stumbles over the words, shame seeping through her like a thick, viscous ink. "I didn't know what it meant. I didn't know what he had done to you—" 
"And it doesn't matter," He sneers, sharp eyes locked on hers. "You gave yourself to me that night, did you not? You saw me through everything standing at my side, cut down as many bodies as I, handed me the knife I used to carve Cazador's skin, gave me your eyes so that I might sign the contract that pledged my soul and countless others to the hells, and now you dare to pretend your hands are clean as you point a finger at me?" 
"I wanted you to feel safe! To never have to look over your shoulder in fear ever again! To never again have to sleep with one eye open like we do now, just waiting for the creatures that stalk the shadows to swoop down upon us! For the first time in your life, I wanted you to know for certain that you could kill anything that threatened you or your freedom! I never wanted to tear down Cazador's tyrannical throne only to place you upon it— but it seems that's exactly what I've done!" 
Something in his body snaps, and his reaction is a visceral, violent scarlet slash of fury. He squeezes her neck, baring ivory fanged teeth down on her as he would a prey. "Do not ever compare me to him!"
Her eyes are wide with fear– with disgust– as she croaks out the words from beneath his palm.
“Look at yourself, Astarion. Am I wrong?” 
He looks down at her, at the woman he claims to love as he chokes her and she suffocates on his power, her bruising throat flexing in strain beneath his steely fingertips. He can just barely make himself out in the dewy sheen of her eyes as they begin to water, and what stares back at him isn’t a man– it is a monster. 
Something in him shatters like glass, the last threads of his sanity slipping away through his fingertips. He is too far gone now to turn back, too lost in the red mist to find the light. 
But he will not wander it alone. He will never be alone again.
"I am whatever I say I am, and you are what I say you are, and you will do as I command. Your place is at my side, now and forever," He challenges her, fingers squeezing tighter on her throat as he breathes in the sweet, saccharine scent of her terror; the palpating, rocketing pulse of her thrumming heart. "And you will acquiesce to me. It’s not a request."
"Don't you dare presume to order me about like I'm your slave!" She claws at his wrist, trying to wrench free of his grip. “I never agreed to that!” 
“You don’t have to, my love,” He leans down further, pressing his forehead to hers. “Because I have decided for you.” 
“You do not get that right!” She snarls, baring her own teeth back at him. 
“Oh, but I do, darling. But I do. You don’t seem to grasp how this is going to work, so allow me to explain it to you.” 
He shoves her hard to the ground, releasing her throat only to leer over her from above, stepping on either side of her body. Her will is iron, but the flash of fear across her face is unmistakable. 
“You gave yourself to me, and I intend to keep what is mine. Your body is so fragile– so frail– You’d never survive without me, and I have no intentions of letting you go now that I have you. So you will stay by my side always. It’s what’s best for you, my little love, and you belong to me.”
“I don’t belong to anyone.” 
“Yes,” He says firmly, as if scolding a small child. “You do.” 
“I don’t have to obey you!” She hisses. 
“Not yet, perhaps.” 
Horror grips her and realization takes hold. “You wouldn’t, Astarion. You can’t do this–” 
“I didn’t want it to be like this,” He bends his knees, leaning down as he brushes the hair from her neck, thumb stroking tauntingly over her pulse point. “I wanted you to come willingly. I wanted you to ask for it, accept my gift of your own volition. But you’re a foolish, willful girl. You don’t know what’s good for you, do you? So I will show you.” 
“After everything? After everything you’ve been through? After everything we have been through?” Her voice breaks, and with it, her heart. Her strength slips away, and he can feel it swallow his senses in a wretched black void, sending him drowning him in her abyssal anguish– her betrayal at his hands– but he shoves it down and locks it away. Something he cannot place claws and tears at his own heart with a need so violent it almost sends him reeling, something begging him to stop, that this isn’t right– to her of all people– but he silences it. He will not lose her. He will not. 
Even if he must place a collar around her neck to keep her and keep her leash pulled taut.
And what she has to say about it is of little consequence. 
“This doesn’t have to hurt, my sweet girl,” He says softly, flicking his tongue over a fang. “But I know you like when it does.” 
“Astarion, please! I don’t want to have to hurt you–” He laughs, vicious and cruel, cackling like a hyena over carrion. “As if you could! I’m untouchable. The very power of the night bends to my commands, and so too shall you. Even your blood sings for me, eager and ready and willing. Begging for me,” He places his hand softly on her chest, just above her rips, feeling the gentle pump beneath. “You want this, even as you play coy. You want to belong to me. So I will give it to you what you desire.”
“Is that what you’re telling yourself?” A single silver tear slips down the gentle curve of her cheek. 
He blinks at her, and for a moment, he freezes upon seeing her tears and she can see a glimpse of him in there. Somewhere deep and far, screaming and thrashing and desperate against his own might, fighting a war against his very nature. He looks at her with the same eyes that revere her, crave her, love her– but above all, honor her. 
For a fleeting moment, he is the Astarion she loves. His lip trembles and quakes and the urge to hold her is overwhelming. To comfort her. To hold her close and keep her safe and protect her, to strike down all her fears with his bare hands. To love her. 
And yet he is the source of her pain. 
“Yes.” 
And then he is gone again. The light goes out and his eyes become inky black pits, nothing in them but her own miserable reflection as he leans down ever further, his warm breath against her neck as he teases her throat with a fang. 
“Give yourself to me, now and always,” He whispers, blasphemous and terrible as it runs a shiver down her spine. “By my side now and forever. It’s all ours, my love. Everything we lay eyes upon. We can have it all. Wealth, power– each other. Centuries upon centuries stretching into the endless horizon of eternity. I want it all, and I want to share it with you.”
She could raise a hand to him. She could try and fight him off with tooth and nail and flame. She could kick and crawl, scramble away back to the safety of camp. She could–
But she doesn’t. 
“I don’t want this, Astarion. A beloved slave is still a slave. A diamond collar is still a collar. A leash held by someone you love is still a leash. I love you, but you can’t force this. Please–” She exhorts, trying to swallow back a bout of fresh tears. “Please don’t do this. Not to me. Not to you.” 
He inhales raggedly, hand slipping up to her cheek to cup it, savoring her warmth one last time. 
“I have to. I won’t lose you. Not now, not ever. Not to age or blight or foolish notions. I cherish you, and I’d see you safe.” 
“A gilded cage is still a cage.” She closes her eyes, hand furled in his doublet. 
“And I will carry it with me. Always.”
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