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#I don't want to negatively about myself
yardsards · 8 months
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hot take but you all NEED to stop telling people to kill themselves.
yes, even *those* people. i don't care if you're talking to some monster who puts live puppies into a wood chipper for fun, don't say that shit.
because mx. puppychipper isn't gonna be affected by your words.
but you know who might be affected? some innocent third party reading the words you said on a public website.
because telling people to kill themselves says "suicide is a punishment for being a bad person. bad people, upon realizing they're bad, should simply commit suicide instead of working to atone for their actions."
and that is NOT a message you wanna be normalizing to anyone, but ESPECIALLY people with depression (who, let's be real, make up a higher than average chunk of this site's userbase). whose mental illness is already telling them that 1: they're an inherently terrible worthless person no matter what they do 2: death is an appealing option.
is reading "kill yourself" once or twice gonna make them do it? nah, probably not. but reading it multiple times a day every day is gonna make their mental health worse. it's probably not good for your mental health to be saying that kind of thing, either.
just knock that shit off. the world is already so hostile to people with mental illness, and managing mental illness and unlearning unhealthy thought patterns is already so difficult. you don't need to be out here making it worse.
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northern-passage · 1 year
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one thing i find really difficult about navigating the IF space is the direct line of contact between readers and authors. we share the same space, and i think that plays a big part in this weird blurred line we have in this community and overall lack of boundaries.
for a lot of people this is a fun hobby and while i personally try to keep it... semi-professional most of the time, it's easy to get wrapped up in having fun on tumblr (or the forums, or reddit, wherever it is that you mainly post/interact) and have a lot of personal interactions with both readers and authors alike - which is fun! i like it more often than not, but i also think that's why a lot of comments in this space can end up being really entitled, over-familiar, and inappropriate.
it's no secret that most authors get really weird messages on here, and while this is also a problem on social media at large and not just specific to IF tumblr, it is still definitely a big problem in this community.
and to be clear i'm not saying that you can't be friendly with authors or readers (i've become friends with a handful of readers myself) and i definitely don't mean to imply that there needs to be a huge divide between us; that's silly - again, most authors are readers, most readers are authors, we’re just people on the internet sharing the same space. but all of us deserve to have our boundaries respected. this is my story, and we are strangers. as a general rule of thumb: if you wouldn't say it out loud to someone you just met, you probably shouldn't be saying it to a stranger online. especially anonymously.
#i also think this is why some criticisms get so messy in this space as well#authors should not always be in the same space as the readers/reviewers#and readers shouldnt be able to directly @ authors with their extremely negative reviews esp when it's subjective#(‘’i hate this’’ as opposed to pointing out genuinely harmful content or other criticism)#for everyone's sake#& on a kinda related note: speaking as someone who has been receiving targeted harassment for *checks watch* over two years now#some people really need to reevaluate the way they interact with certain media#i think IF feels very personal due to the interactivity and the customization of the mc#but not everything is written for you. and it's fine to just not like something#without sending weird harassing anonymous messages for 2 years straight to a stranger on the internet. lol#honestly criticism is another can of worms and that's not really what i'm talking about here#but i do think that's also part of the entitlement and overfamiliarity as well#so imo it's connected a little bit. something to think about#at the end of the day my advice to other authors about this is to know your limits and know when you need to extract yourself#and know that you don't have to respond to every ask#especially if it makes you uncomfortable#and im definitely not trying to sound like the authority here this is something i've struggled with as well#like i said it is hard to navigate#and authors can be guilty of this too. wanting to defend yourself or insert yourself into conversations where you shouldn't#i've done that myself#and i've also had other authors i dont know be way overly familiar with me in the past#all of this is just an unfortunate part of online community i think. but im trying to be more mindful about it#anyways. this post brought to you by the weird messages in my and my friends' inboxes lately#i just think you should not be telling authors about pesonal bodily functions in anonymous asks#as an example. lol#personal
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spookykestrel · 8 months
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you make plans with your friends when youre growing up that you'll move in togehter and always stay near and go to each other's weddings and always talk and always call and then you get to the age you're supposed to start doing that kind of thing and realize all the friends you had hoped would stay by you forever have gone off to do things without you and you're just in the same spot and suddenly you have to do it all on your own
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so howd you like it what are your thoughts
Anon, I hope you don't mind it but I'm going to use this ask as an excuse to do my Full On Rambling post about my honest thoughts. I'll try to keep is as coherent as possible, but I can't actually guarantee it :')
Also putting it under a cut because some of it is going to sound negative (as I said, I want to exorcise any critiques I have so I can go back to Vibing asap) and I know many people (undestandibly!!) won't want to read that, and I don't want to burst anyone's happy bubble :) . And also because of s3 spoilers. Bear in mind that it's not a rant post, I still had tons of fun with the season. But since I'm going to be talking about the things I enjoyed forevermore and gonna try to keep all my 'didn't really like this :/'s contained in this post, it may come out sounding like I enjoyed it less than I truly did. Here we go, get ready for some Thoughts
-> Content
Okay, listen. This season was fun. I had a nice time watching the newest shenanigans. New characters (with one notable exception) were a joy to watch (yes, even the thing. We're in a toxic situationship) and I was greatly amused by their adventures; most of them kept me on the edge of my seat.
(ok, here's where the negativity begins. Please don't take me for someone who wanted everything to be done for Their Specific Standards or who thinks they know more than the professional and extremely skilled team that was behind the series. I'm just throwing around thoughts about how I feel, but in the end, the only thing that matters is that Luke Pearson and the team got to tell the story they wanted to. If that was achieved, I'm happy regardless)
However, I couldn't help but think that some of it felt... like it was "thrown" at us, in a way? To be fair, I think most of the negative points I'll discuss in this post are a consequence of this season being 6 epsidoes short of what the writers originally planned because, as I've mentioned before, I do think the show's writing is great and that the team puts their heart and soul into making this the best cartoon possible. Anyway, what I mean is that at times I thought the episodes seemed so worried with delivering all the information they could that a lot was left behind and some stuff didn't really tie together with the rest.
For example; I still cannot understand why aunt Astrid and Anders had to be these big surprises that had never been mentioned before if Hilda, the character who we see this world through, already knew about them? Don't misunderstand me, I am well aware that these nitpicks of mine are subjective and only my personal opinions that may very well simply be a consequence of not understanding what the writers were trying to achieve. I just feel like Johanna's family and Hilda's father are topics that have been discussed so at lenght in the fandom, precisely because they'd been so carefully skirted around in the previous seasons, that the reveal that nothing really dramatic had happened (between Johanna/Astrid and Johanna/Anders, at least) feels anticlimatic to me. It just feels (again, to me, personal opinion) that if this was going to be the case all along they could have mentioned these characters before, and it would have made the narrative make a little more sense.
(This is especially true to me in Anders' case. Bc it felt to me like they had been trying to highlight how irrelevant Hilda's dad was to the story in the first seasons by not bringing him up at all, by not even pointing out his abscence. But I can't really see the point in that if you're gonna bring out the man either way)
Ironically, at the same time I felt like some of the arcs were a tad overachieving, especially the Johanna's parents one. I just felt like it was Too Much Too Quickly, which once again is likely because of the season having been shortened. I feel like if they really wanted to do that arc, and that way, it would have been helpful to cut some other storylines so they could begin fleshing out this one earlier. They way it was done I just personally (can you tell I'm terrified of being taken as a hater?) felt like there was no time at all to get either used to the idea of Johanna being half faerie nor to get attatched to her parents. Like. I know the episode was the season's emotional peak, but it just didn't hit me the way I know it should.
Not sure if this was a me problem, but I felt like the audience wasn't given enough time to process what had even happened when they got stuck in the fairie island, nor to even consider that they'd truly be stuck there forever, much less to fully process the sacrifice Johanna was making when she left it with Hilda. I didn't get to get attached to Johanna's parents or to the dynamic they have with their daughter. I didn't suffer the way I wanted to when I saw them having to part ways, because I couldn't become invested in their bond when I was still trying to wrap my head around what their backstory even was and pay attention to the action heavy scenes that were to come.
What I'm gonna say here is way meaner than the people behind the show's writing deserve and I know, I can absolutely tell it isn't the case because you can see some of the foreshadowing once you have the benefit of hindsight, but it felt to me like some of Johanna's backstory was written for shock value alone. Which, considering the previous components of the season that I have already mentioned felt underwhelming, was even more jarring.
Another thing is that I feel like a lot was sacrificed in order to do these overachieving arcs. This maaay just be the side character lover and change hater in me, but I do feel like in order to present to us all these new concepts that would be necessary for the backstory to make sense, we were deprived of some elements in Hilda The Series that are arguably what the show does best. It felt like they all but scratched all of their previous stories, characters and components to switch them up for new ones. Pikablob has said it better than me, tbh.
However. I do feel like saying that none of the fears I had for the season came true. No character feels ooc, no one was left with an incomplete arc, and though I can't see how Anders contributes to the story, if he had to be there I feel like the way that was it done was the right one.
-> Pacing
Frenetic. Run for the hills kind of thing sometimes. Which, once again, I can't bring myself to believe was the writers' fault, not when they had other 6 episodes planned that they didn't get to do. I absolutely understand that they had to condense everything they wanted to show us into half the runtime. But it did become an issue (to me) when instead of the trademark Hilda Idyllic Tranquility I usually feel while watching (even plot and action heavy content like TMK), I felt like I was watching a completely different cartoon. Carmen Sandiego, or something like that (please note that I do also love Carmen Sandiego). Many times it just felt like there was no breathing space, which isn't necessarily bad when done well, but I hadn't gone into the season prepared for that.
It wasn't a problem that was all around present, though. I do want to point out that imo "The Giant Slayer", "The Laughing Merman", "Strange Frequencies" and even "The Forgotten Lake" still felt like Hilda to me. Which is where I realize what the main issue I had with the season was. That a lot of it just felt like a different show.
-> ~ vibes ~
I am bringing back the disclaimer that if the team told the story they wanted to, then good for them, I'm pleased as can be. I do enjoy that the series played with some different concepts. The musicality and colours in The Laughing Merman, for example, were absolutely delightful to me. Seriously, I want an entire Hilda musical now.
But some things I just couldn't help but feel were so disconnected from the previous feel of the show that it felt to me like they didn't belong. You can sum the rest of this post up by saying that season 3 would have been one of my favourite ever cartoons if it had been its own thing. But it's not, so I can't help but compare it and try to understand how all of the installments work when together.
The faeries, for example. I was so excited when I saw the trailer and knew it was going to be one of the plots, because I thought it was going to be another adventure of the day type of thing that would span over three episodes max. And listen, I've talked about how much I love Celtic folklore, and maybe this is just my consistency loving brain being annoying, but it felt a bit... clashing? that this season was based on tales and creatures and treaditions that weren't the scandinavian ones that inspired the rest of the series. It just felt like a major shift in tone that I don't really understand (once again, me problem, may very well be a skill issue on my part & I'm not saying they shouldn't have ventured so far just bc I didn't quite vibe with it). It just feels a bit off to me, knowing that Johanna's backstory was likely planned from the start, that there wasn't any celtic lore at all in previous seasons to make this sudden detachment from nordic folklore feel less out of the blue.
You know that joke that Disney movies like Aladdin and Raya take concepts from different cultures and smash them together like they're not completely different? I felt to some extent (bc OF COURSE Hilda is much better researched and has a lot better quality than that /gen) like they did that this season. But with white people. Which, fair, I can appreciate the irony.
Back to the topic of bold storylines, I understand what the Hilda team did with all the Johanna backstory. I understand that it's something that everyone wanted to see soo bad and they wanted it to be great (and it was). The thing I got stuck on is just that it ended up changing the vibe of the show to me. Whereas previous seasons feel like "slice of life in a magical place", I felt like this time I was watching a magic centered fantasy. Especially when they got into trying to explain the origin of magic and everything. Which is ironic, because I enjoyed the concept a lot and will explore it in the future, but it still felt like something that I wouldn't have expected Hilda the Series to tackle. Like there was a giant shift from folkloric to fantastic that isn't bad, but it is different and I hadn't been prepared for that lol.
God, I feel like I just wrote all of that and just to be A Bitch. I just wanted to get these thoughts out but I don't expect you guys to agree or anything. I genuinely liked watching this season, and I will continue to reiterate this in the future. And even if it doesn't beat s1 or s2 in my heart, I'm still grateful we got a final season at all, and everyone who was involved in it deserves all the praise <3
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anyone else ever get struck with a sudden feeling of distaste or being tired of someone who you usually really like/are friends with for literally no reason whatsoever? or is that just me
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niishi · 6 days
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when it comes to mental illness, you can never please anyone. you're either mentally ill and do your best to not be a victim and to cope and grow, and then ppl act like you're not mentally ill and dismiss your genuine issues, or you make a big deal of it and harm ppl and yourself with it and then you're too much to handle. like what's gonna make ppl happy? what will make them validate your position in life? literally nothing.
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dyed-red · 2 years
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there was a post on my dash a few days ago about an interview with jensen about the prequel. he talks about casting, and about how the actor they hired for john had both sam (1) and dean (1) in him, and the actress they hired for mary had dean (2) energy (that none of the other actresses were serving, apparently). and the post rightfully pointed out that dean himself is there (3). so three deans to one sam, they noticed.
(edit: here is the link for anyone interested)
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and looking at the reviews about how bland the pilot is, i can’t help but think that’s part of why? 
the thing that is magic about supernatural is the gravitational push and pull between sam and dean and the forces that are so much bigger than them.
you could have that in the prequel. the gravitational push and pull between john and mary and the forces that are so much bigger than them. 
it’s literally the canon backstory! 
the first time they met, they bumped into each other and (presumably on trained instincts) mary laid john on his ass then apologized, and he was smitten. but he was only smitten because of cupid’s arrow. the cupid we meet in canon tells sam and dean that their parents weren’t a good match, that they didn’t (wouldn’t?) get along, and that their relationship was ordained and the love was manufactured.
so you have the gravity, right there. the push and the pull. the fighting and the mismatch despite the passion and the love they literally cannot help but feel. and it lends itself so well to telling an unhinged story where two people meet and fall in some kind of love at first sight and are weird about each other! 
(in the way that sam and dean are weird about each other. breaking in in the middle of the night and fighting your brother is weird! disappearing out the door with someone you haven’t seen in two years while lying to your partner about why is weird! it’s all unhinged and so it compels the audience!)
to make that work on screen, you need to set up opposing dynamics so you get the push and pull, and you need chemistry. like, a lot of chemistry. the other magic of spn is the insane off the charts on screen chemistry that J2 have. lightning in a bottle, right?
the thing that made me ultimately decide not to watch the prequel was mary’s casting and character styling. despite being one of the few people actually excited about the story conceit (i love john and mary as characters!! i’m genuinely interested to see how the lying and hunting and vietnam trauma and the personality clash all played out!!), as soon as i saw the first promotional photos, the tentative hope i’d been harbouring for the show died a quiet death.
not only did this version not look much like either of the other two marys we had met in terms of face and height, but she had thick eyeliner and straight hair and a black leather jacket and a hard look and scowl. none of that jives at all with the mary we know and not just because she was sanctified in the memory of winchester men. we met young mary and she was dressed in bright tones with bright eyes! she was full of smiles (and lies), full of dreams for her own future, with bouncy curly hair and emotional frustrations and vulnerabilities. 
she was bringing sam, not dean. 
mary campbell is a rebel. she is like both her sons in different ways, much the same as john. there are parallels on both sides and i think it’s fruitless to say who is paralleled more to whom in the (main) show, who has more of who’s personality. but in that arc, in her youth, mary campbell wanting to leave the hunting life and have a civilian life with her partner john winchester was absolutely a parallel to sam’s similar yearning for freedom, for safety and simplicity. 
so we know already -- mary’s rebellion looks like sam’s rebellion. it’s not the devil may care attitude of dean, it’s a more serious and anxious rebellion against her upbringing. she’s tense but soft. easily annoyed but not sarcastic, possibly too earnest (in itself a perfect lie, something that makes her interesting because she’s anything but honest with john). doe-eyed so that when she drops you on your ass, you’re shocked. this small woman with her sweet smile is kicking your ass? what in the - ? 
casting a mary that is bringing forward features of dean, styling her in such a way as to look harsh and ‘badass’ instead of downright preppy, giving her that look and attitude and all of it? misses the point. 
there is no dean without sam. or at least no story about dean worth watching. because there is no gravitational push-pull between dean and ... dean. meaning that if both the prequel leads are bringing dean’s energy to their role, there is no chemistry. 
electricity isn’t formed without opposing charged ions. there’s no lightning in a bottle when everything is the same.
(there is no sense of pull between them to prompt a push. and when it comes time to write the push in anyway, without the pull? it will feel discordant and unconvincing to the audience’s eye. it will rankle.)
this issue sits as central, to me, even before any retconning of the original story. before the complete lack of 1970s vibe, and before what i’ve seen about them possibly(idk???) getting mary’s age wrong, and what i’ve heard about them making john bumbling or boring despite being a literal marine (who are...extreme) who quite literally just came back from vietnam, likely traumatized and intense. before the fact that they literally copy+pasted the plot of spn to the prequel with mary’s dad going missing. 
all of these features, alongside the casting issues, the styling issues, all of it right down to the original prequelgate itself, speak to the same fundamental issue - 
the prequel is missing heart. 
the lack of sam (not even in presence so much as in essence) functions like a hole in the heart of the show from which it is bleeding inward. the lack of love letter to time era, to the stylings and setting reads like a lack of love to the story itself. the lack of care put in to re-introducing us to the version of mary that we knew, those changes to her style and personality and story, read like an insult to those of us who loved her already, as if she was not worthy of a place in the heart of the creators as she already was.
i wanted to love this show. desperately, i really did. the day it leaked, before i’d heard about the rest of the ensuing prequelgate nonsense, i wrote a post in defense of the concept (since deleted). i wanted so badly to love it. i can’t. because i feel like the people creating it don’t love it. 
many will take this as a critique of jensen ackles and to some extent, it is, but mostly just a critique of trying to create a new show half-cocked while splitting his time acting on a handful of other projects instead of dedicating himself to the time and energy this show needed in order to be a success. i have no idea what his vision was for this story, and i’m not convinced he had a core vision. 
(for whatever else you might critique about kripke’s era of spn, it had a vision and it knew what it was. that vision was central to its resonance.)
more than that though, it’s a critique of all the producers and creators involved who thought that they could build off of what we already loved while gutting the core pieces we loved in the first place, while replacing these elements with their own versions instead, versions seemingly uninterested in the emotional foundations on which they were building. 
i can’t help but feel they were arrogant enough to think that making us love it would be as simple as checking boxes on a list and slapping a shine over it, thinking we’d be satisfied with the empty shell they deigned to put together. that they didn’t need to push each other, challenge the story, question the character favoritism or biases the team members were bringing to the table.
it’s the dean story with dean producers and writers and no one thought to question if they needed more balance? if the story needed more heart? if john was intense enough, if mary was sweet enough, if the characters had dimensions? 
was it ignorance? arrogance? were they all too up their own asses that they dismissed legitimate concerns as fandom wank because of prequelgate and fandom bullshit until it was too late? 
i’m sorry, that got more charged than i intended. bottom line, this isn’t a love letter to supernatural or its fans. love takes effort and dedication and care and heart. i’m not convinced the prequel has any.
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tommyssupercoolblog · 12 hours
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It's so interesting knowing how common it is to jokingly flirt or to platonically kiss or say "I love you" to someone when I can't relate at all. I am in full support of it!! Be friends with benefits!! Be in queerplatonic relationships!! Express affection in the ways that feel natural to you!!! Hit on someone as silly banter that doesn't mean anything!!! I'm 100% serious about that, it's wonderful and beautiful and valid.
But If anyone hits on me who isn't Seán I'll literally die
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min-kit · 6 days
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"why are you dropping e**ie for to**y? you just want to see bvck with a man, it's not about him having a good relationship!"
btch i could give you a 100 reasons why T0mmy is a good relationship for Bvck (not that any of you would listen) & that there's nothing wrong with enjoying the actual canon queer couple on my screen over a fanon one just cuz YOU think the story is heading in a direction that has never been promised to you and you can't let go of your fandom ideals.
in the mean time i'll be over here cheering on Bvck's canon happiness with his possible soon-to-be future canon boyfriend.
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kkujo · 8 months
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something i don't see people talking about is the way hyperfixations come in like stages and cycles like it's not just "i'm obsessed with this thing" it's like. euphoria from finding something new and it brings you so much joy and then as that initial dopamine rush wears off you start to get more and more down and feel isolated as you start to realise that no one else cares about it as much as you do and you feel silly for being so into it and the thoughts become repetitive and boring so you get more and more depressed and lonely and then you inevitably lose the hyperfix which leaves you drifting feeling miserable and hopeless until you start the cycle again. idk if i explained this well or if other people will understand but it brings genuine phases of euphoria and straight up depression and this is why i get annoyed when neurotypicals use words like hyperfixation to describe like, an interest. bc it's not. just an interest it becomes who you are and when you lose it it's like losing yourself and you spend so much energy thinking about it that it interrupts your daily life and it's so fucking draining 👍
#like if i see one more nt being like hyperfixation this hyperfixation that SHUT UP!! YOU HAVE AN INTEREST#talk to me when you stay up until 6am every night bc you can't fucking sleep bc ur thinking about it.#talk to me when you can't process emotions in a normal healthy way because you can only relate it back to your hyperfix#paired w madd especially it's IMPOSSIBLE to be normal about shit i swear 2 god because the second i'm upset or lonely it's straight back to#immersing myself in another world and being someone else and not facing my emotions instead letting 'someone else' deal with them#not just negative emotions yk it's anything it's fully immersive to the point i end up not knowing exactly who i am myself bc i'm rarely#myself in my head yk#and it's so isolating#and this is why i get mad when people use these terms lightly bc they don't fucking get it#oh you're hyperfixated? oh you're delusional? you're delulu? watch this#< guy who has delusions that all of his friends secretly hate him bc he's too insane abt xyz media and who feels alone bc no one else is as#into it even though it wouldn't be reasonable to expect them to be#like i'm constantly questioning whether all my friends are secretly against me & finding me annoying anytime i talk about it but it's fine#it's so fucking isolating#i'm not losing my hyperfix yet thank god but i am in the stage of like realisation where the initial euphoria has worn off and i'm like#fuck no one else gets it. no one else is thinking about it like i am. and it's so lonely#< like not to sound like 'i'm 14 and no one gets me' or i'm not like other girls or whatever 😭#it's not me being dramatic i genuinely. know that no one else is spending every waking moment thinking about the things i am the way i do#and it's so incredibly depressing i can't even explain it in a way that will make sense#because i want to talk about it so fucking bad and i can't. even to my friends and gf who always listen i end up feeling annoying#and then i get genuinely delusional not like tiktok girl voice delulu like i genuinely start questioning my entire reality#just if i talk about something a little too much#bc i'm convinced i'm fucking annoying and no one gets it and they're thinking bad things about me#but i know they wouldn't. but it feels like they are#idk#anyways !
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izzyspussy · 2 months
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tfw u kinda wanna make a post about how frustrating it is to try to find racial identity and the pressure of not really having a good answer to "what are you?" because 75% of your ethnicity is stuff that is sometimes considered white or sometimes considered something else or sometimes considered its own race and you've got pale skin and only speak english but you've been discriminated against for your cultural values and facial features but only some of the time in some places and you demonstrably have white privilege in most contexts but not all the time and how much white privilege equals whiteness and on the other hand isn't that awfully similar the concept of racial dilution which is just pc genocide anyway and if you self determine as white is that the right thing to do or is it just assimilation but if you self determine as not white is that respecting and claiming your heritage or is it appropriation/brownface and also what do you do if you self determine one way and then get treated the other way and you know based on the reality that race is socially constructed it can be true that the same person can sometimes be white and sometimes be not white but if you actually say that out loud to people they think you're trying to be a snowflake for woke points based on a technicality-
but also u don't wanna post about that because. if you actually say that out loud to people,
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deathdxnces · 7 months
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full disclosure, writing is probably gonna be a bit sporadic because the demons are winning and my mental health is absolutely horrific right now, and that has been the case for days. i probably won't disappear or stop the hc posts because they're one of the few things i can do easily and give me joy, but until i'm better ic replies will take extra long. i am very much open to plotting or discussing dynamics or yelling about our muses together though, so feel free to jump in my dms or discord any time.
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intuitive-revelations · 4 months
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Ok so... that episode. Mixed thoughts. First half I felt was really strong. The second half...well.
As usual I'm going to kind of vomit my thoughts out as bullet points. It'll be quite rough though, as I'm way too tired to break these down more carefully right now, and just want to say my piece before I go to bed:
LOL at UNIT being so out in the open now. Couldn't help but think of all the big bold 'secret' signs from the classic series when I saw that.
The Vlinx is a really odd addition... did anyone else think about Splinx (from the Mines of Terror game) when they heard the name?
MEL! I did find it curious that some of the reporting on her appearance was ambiguous about when it would be, so I guess that explains that. Kind of an odd choice for a UNIT / Toymaker story, but establishing her as a character at UNIT works fine.
Now that I think about it, wasn't POTD specifically written with awareness of who / what RTD would be using in the specials? If so, I guess that explains why Mel didn't play a part in the plot.
Speaking of which, they're definitely going for this UNIT spin-off aren't they? I mean... makes sense. It seems they're building off what we saw in POTD anyway.
Trinity Wells coming back was a fun surprise, given how long it's been since we've seen her.
The political commentary of 'being right' is kind of perfect. Between this and the trans representation in The Star Beast, it kind of feels like RTD is laying out this thesis for the next few years.
I kind of like how they did the Toymaker in this one? Though he's perhaps a little too flamboyant and 'Master'-y for me, I do think the stuff with his accents etc was quite clever. I also think there was clearly some thought about the more dated racial stuff with the character, which that line about the weather kinda felt like it was hinting at?
I liked all the little ways they hinted at the Toymaker's "crystal guardian" backstory, with him sitting outside of "Chaos and Order".
Speaking of which... did he imply he beat the the Black and White Guardians? Cause if so...
Not gonna lie, when the Doctor started talking about a mistake he made when he was young, a part of me really genuinely thought they were about to mention Divided Loyalties. The line about the 'face' the Toymaker wore didn't help.
I'm also glad we got the Celestial Toyroom stuff, as I wasn't sure how much we were going to get in this episode? I think the creepiness with modern effects was great. I kind of wish we got to spend more time there though, ala the original story.
Conversely, I also feel like we could have gotten a bit more out of the idea of the Toymaker escaping into the universe? We got a glimpse of that in 'realistic' terms with the outer world, and a more campy fun vibe inside UNIT, but I would equally love much more focus on the world going mad, both mentally, but also physically. I dunno, it feels like there's two ambitious stories you could have gone with, but the episode kind of half-and-halfed it.
The stuff with Amy, Clara, Bill and the Flux. I needed that. Seriously. As someone whose literally spent all last week thinking about how it's all been one line of tragedies for the Doctor, connected from one to the other, getting that acknowledged in text was great.
The twist with the Master getting trapped too was a bizarre addtion, and honestly unnecessary. It felt like that story (I can't remember which, sorry EU fans, an EDA I think) which offhandedly implies both the Master and Rani are dead. I feel it could have worked a bit better if it was another major character we haven't heard of in some time, like Rassilon or someone, instead of someone we saw just a few episodes ago.
I will say the games were disappointing. I get there's only so much you can do with recognisable simple games, but I definitely wish we got something a bit more complex than "biggest number wins" and "catch". This is a story that really needed a good resolution, ideally based on the Doctor outwitting the Toymaker, and we didn't really get that. I'm not upset about it, just felt weak.
That being said, the focus on rules with regards to 'best of three' was perfect. Exactly what I wanted more of tbh.
I'm surprised by the "One Who Waits", after being teased in marketing as referring to the Toymaker, actually being someone else. RTD's been doing a surprising amount of sequel hooking actually...
I'll get more into the mechanics in a second, but I do like the resolution being about the Doctor's own mental health? It feels like the right conclusion, not just based on the past couple episodes, but also based on Thirteen's character arc, as well as everything that happened before her. I'm sure fans will (rightfully) eat that up and talk about it a lot.
Ok, so let's seperate out the BIG thing, and my thoughts on it. Warning: I'm about to get uncharacteristically negative for me:
I had seen the leaks about the bigeneration, and am really disappointed at how accurate they were, though I had kind of accepted it based on the accuracy of The Star Beast's leaks.
Funny enough, I genuinely do quite like ideas of weird stuff to do with regenerations in terms of splitting etc. I genuinely have had some thought before about the idea of it from an assimilation kind of view, merging together, kind of a more horror-y take on the Master's plan in POTD.
But... did we have to do this with Tennant? I mean, don't get me wrong I love him and have genuinely loved what he brought to Fourteen, distinguishing him from Ten and giving him the feel of that extra history since then... but did he really need to be the Doctor to get a life after regeneration? After all, Ten is the one who 'didn't want to go'. Granted him such a thing really feels like it's going against not just the 'embrace change' message of DW in general, but even Ten's own arc specifically?
(This is a thought I had after writing everything else here, but it's also kind of messed up that he's the one to get this conclusion, when we literally just had a whole arc about 13 and Yaz not having enough time together because of 13's incoming regeneration...?)
I don't think I need to spell out the issues of having two 'current' Doctors, not just in-universe, but also out of universe, and the shadow that now hangs over Ncuti's series, whether or not we get more with 14. The TARDIS splitting was really bad too.
That being said, there is one saving grace, in that it's seemingly implied that the rest of 14's life still comes before 15, somehow, based on what the latter said about being better because 14 will take the time to rest, recover and reflect on everything that's happened?
This is the one thing that doesn't make me want to throw the resolution away, as it does seemingly provide some clarity. If RTD sticks by that line, it would suggest it's less that there's two whole new Doctors, and more that 14 has been given some grace of having a bit more time before he turns into 15. That there's still technically a linear progression of Doctors, it's just one gets to hang around a little while to give the new one a cleaner mental slate. How on earth that would work however, is a whole other question...
I mean... couldn't we have just done this by time travel instead? Rather than introduce this whole new, kinda show-breaking concept? You could still get your hypothetical Tennant and past companions miniseries (which seems like it'll be a thing) or whatever alongside 15's own debut. Just let it be non-linear, and let us meet and travel with 15 before we get a peaceful, recovered 14 regeneration?
Also... if we ARE going play fast and loose with the ideas of regeneration... why didn't Tennant's face coming back play into this? Like... what a weird choice to make that the 'mystery' of the specials, throw in a crazy regeneration sequence... then just suggest it's a bit of a subconscious message. If we are going to get crazy with what regeneration can do, why not go all in with stuff like the Guardians of the Edge, or the Valeyard or something? Have fun with the internal identities lore of regeneration?
So yeah, to summarise my thoughts on the bigeneration... I really think RTD might have gone a step too far this time. I spent a little time after the last episode talking about how the lack of resolution on the Flux was one of my bigger complaints about the Chibnall era, but this writing decision feels even more baffling. If Doctor Who is going to have a 'jumping the shark' moment, we might have just witnessed it.
That being said, as someone who hates being too negative, I did find a silver lining in that the dialogue implies he's planned ahead how to get out of some of these issues, with regards to two concurrent Doctors etc. It just doesn't feel good being in this situation at all, when it wasn't needed in the first place.
Overall thoughts
I didn't hate the episode. In fact I was very much in to most of it! There were a lot of good ideas, across the Toymaker, the Giggle etc. although I do feel some were woefully underused within the episode. It's just that they're all kind of marred by that one big bad idea at the end.
Like I said, the stuff focusing on the Toymaker and the Doctor's history, plus his time since he travelled with Donna was great. The Giggle was a fun satirical concept, if again underused, and the Toymaker's argument for targetting Earth was pretty great. The resolution of forcing the Doctor to settle down, for a little while, and be with friends is decent too, and a nice conclusion to come to, even if the way it came about was a mess.
I suspect, and hope, we might get some more details not just about how this will all work (or maybe just opening up the question without getting too specific), but also about any possible plans for spin-offs and whether or not they will overlap with the stuff in this episode, which may or may not alleviate my worries.
But for now.... yeah, I'm concerned, sorry.
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shesalewa · 3 months
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My Roman Empire is 14yro me joking about committing suicide before my mom died because I was too scared to hear or learn about her death, and my mother's response to that was
"Stop saying that. You know the only worst thing that can happen to a parent is their children dying before them."
I still think about that whenever I joke about killing myself.
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I am just so tired of everything but I can't do anything about it
#I can change this situation if I work hard and sincerely....but I just.... can't?#I just feel more physically tired day by day and it feels like I am being lazy and not trying hard enough#But I just. Can't.#Like one surface level I do understand it's just that I am not in a really good place mentally but sometimes it just feels so...bad#I don't know. I have been feeling a lot of unpleasant feelings towards people I though I loved and cared about and it is really troubling m#And then there's this situation of me just not being good enough. And it's so frustrating#I just. There's this person who I have been really envying for a while. I felt very guilty to admit it but I don't know man. Especially whe#I can't bring myself to completely envy and dislike them out of pettiness....it just feels so Wrong And Bad#But I don't know....why do I feel like I can't do anything about this when I can if I try#Why can't I just try to change this. Change myself#I am surrounded by people who support me always....yet I can't do better and I can't do ENOUGH#It just.I don't know. On one hand I wish I was better because I do have a bit of an ego and I want to relish that feeling of winning#On the other hand....I want people who I love to be proud of me.#But I can't because I am too lazy for this can I#It's like I've hit this slump and I can't get out of it#I've tried so much to get out of it....everyone around me tells me not to let myself get too deep into whining and negative emotions and#give up...but man is it so fucking hard not to. It makes me loathe myself that#I feel like running away from my responsibilities when I don't even carry them out. I haven't done shit to feel like I need a break#I don't know I just really am dissatisfied and disappointed with my current self now.#N rambles
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darkfires · 2 months
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you guys just don't know how to write angst anymore. putting people who say they like "toxic yaoi" in my dni cause they have no idea how to actually write toxicity
#I feel like a lot of this toxic blah blah stuff is fancy internet lingo to avoid accusations that you just enjoy abusive dynamics#without actually developing them or doing anything interesting. like if you're gonna say you love toxicity and codependency#and then just make fluff and smut about it without actually taking the time to explore and deconstruct it#then you're romanticizing it. are you not?#especially when the pairing in question has had extremely negative (beyond the scope of basic enemies to lovers) encounters in canon#just because you're using cutesy tumblr.com lingo doesn't mean you're absolved of actual development#and I'm saying this as someone who really likes this kind of trope because it gives room for monumental character exploration#and as a victim of abuse myself. I'm not saying write an essay I'm just saying why hype up how toxic and shitty they are for each other#just to turn it into fluff/a meme. like the actual negative parts of the dynamic don't matter? I though you guys condemned romanticization.#it's genuinely fascinating how the internet will deem one pairing abusive and bad but another with the same dynamic is just toxic yaoi?#I'm not sure where the line is drawn but you can't have your cake and eat it too.#and if you're going to try tackling a dynamic that's heavily abusive (“toxic”) then you can at least try to#justify it in a way that isn't just 'um well funny fandom meme ☝️'#you just want to skip all the development and get straight to the gushy parts? fine. not saying you can't. I can't tell you what to do.#but it does massively cheapen the dynamic and make it seem like you don't actually care about the characters you just want to ship somethin#I HATE CANON X CANON!!#slash nobody here#decrees
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