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#I know I know I'm just beating a dead horse at this point
wehelddarkness · 2 years
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LMFAO what are these cable tv writers ON
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ghouljams · 10 months
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I must (politely) demand more animals for Bee - ☀️
You stare at the little yellow peepers under the warm light in the supply store. Their fluffy bodies and teeny little wings are the cutest things you've ever seen. You want one. You could handle a chicken, chickens are super easy(you think) people in the suburbs keep chickens.
But what if it gets lonely? You can't bring a little baby chicken home and leave it all by itself! Who ever heard of having one chicken? It's absurd. You'd have to get it a friend. But what if they get in a fight and stop talking? Ok three chickens...
You leave the store with five chicks peeping away in a cardboard box. You swing by the feed store and are so astonished by the price of feed that you actually ask about a discount. Which apparently was the right thing to do given how excited the owner looked. Plus there was a nice guy in line behind you who let you know haggling was kind of the thing to do in the feed store.
You get home with nothing you'd planned to purchase. You call König from the car. He doesn't answer, which is weird, but he's probably busy. A text works just as well, youll do that when you get home. You pull up to your house and find someone already parked there. Also weird.
There's a woman leaning against the cab of the beat up truck, chocolate brown hat tipped low over her eyes as she scrolls through her phone. She also has a cardboard box under one arm and a baking tray resting on the top of the cab.
She looks up when you step out of your car and gives you just about the friendliest smile you've ever seen.
-
"Wow you're really fixing this place up," the woman, Goose, she said to call her Goose, says with a low whistle. She'd pretty handily forced her way into your home, handing you a tray of brownies which you suppose are sort of a decent entry fee. They tasted good enough.
“Doing my best for it,” You say around a mouthful of brownie. You set your box of peepers on the coffee table, eyeing the box she sets on the ground. "Hey you know anything about chickens?" You ask her, nudging the box for her to peak into.
"Oh cute! You know you got five of these suckers in here right?" She asks scooping a chick out of its carrier, you nod. She shrugs and puts it back. "You got an anything with a roof on it and some chicken wire? I got some milk crates in the truck but that's about it."
"I was going to wait for my neighbor to come by and help," you tell her watching her roll her sleeves up.
"Probably not a good idea considering the cat." She nods at the box she'd brought, you stare at it.
"Who?"
"Our barn cat had kittens, thought you might need a housewarming gift." Goose crouches and tugs the cardboard open. Almost immediately you're yelled at by a very orange kitten. It's tiny meow making the chicks peep nervously. Goose scoops it up with little fanfare and deposits him in your waiting hands. You love this woman.
"I think I'm in love with you," you tell her, half joking.
"I get that a lot," she grins, "Alright you watch the cat, I'm gonna raid your shed." You nod quickly, and point her towards the back.
You stare at the kitten for a second, watching him purr up a storm and listening to him yell at you. Spot. You boop his little pink nose and settle him on your shoulder.
-
König has never felt panic like getting out of the shower to a missed call from you. No message left, no follow up text, He can't hear you over the bugs... best case you must've been in town and had a question. Worst case you're dead or dying and he missed his one chance to save you.
He does his best not to run to your house, doesn't want to spook the horses, but the extra truck in your driveway certainly makes him hurry. Then he hears you laugh and his heart nearly stops he's so relieved.
König follows the sound of your chatter around to the back of the house. You're perfect. Glowing in the sun, crouched in the grass as you play with a kitten, chatting with a woman he's never seen before. He opens his mouth to say something and- his mask.
Shit. He'd been in such a rush getting dressed he'd forgotten his bandana and thrown on his hood like he was used to from so many years with KorTac. You couldn't see him like this. Most importantly the woman you were with couldn't see him like this. He could see the gun she had tucked under her clothes, and he knew well enough how threatening he looked.
At least you were safe. And making a friend, that was good. You need friends. König rips the hood off his head and considers his options. He'll go back for his bandana, then come over and introduce himself. Or better yet maybe this new woman will be gone by the time he gets back.
You make a noise of surprise and he watches you pull your phone out, typing a quick message. His phone lights up as you put you phone back in your pocket.
From: 💕
Forgot to text you! Picked up some chicks but I'm handling it don't worry!!! Help me with names when you get a second
König smiles at his phone, he'll let you finish up your fun and swing by to check on your work. You're growing quite the little farm for yourself. Which is good, you'll need to know how to do these things once you're married. Although he isn't sure if you've quite grasped what all these animals are for yet...
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semi-sketchy · 2 months
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I know this is beating a dead horse at this point, but I just started thinking about this the other day and...
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How many people that were previously enemies has Sonic ACTUALLY befriended?
Like my knowledge of some old games and the handhelds ain't great, but...
There was Knuckles, who I think is the only one in the classic era.
He never really befriended Gamma in SA1, just left him to Amy.
Also he didn't befriend Chaos, just beat the anger out of him.
The next one was Shadow in SA2, although they're still kinda rivals?
I don't think Rouge counts in SA2 since she wasn't really an enemy of Sonic specifically, even in Heroes it's really Sonic and Shadow that start the fight.
Gemerl is a robot who was reprogrammed to be friendly, I wouldn't count that as "befriending someone".
Him and Jet are rivals in every Riders game, this never changes.
Blaze in Rush is someone that fought him and they became friends, so it's clear cut, she counts.
Silver in '06 does as well.
Do we count Shade from Chronicles? I think she had a boss fight. I know very little about that game but it's not canon, right?
Merlina is kinda a grey area? Like they were friends, he stopped her evil plans and was still nice to her. I don't know if in context that meets the criteria.
On top of that I don't think the Knights of the Round Table count. Sonic is there to take the swords and they work together at the end. I don't think there's any hard feelings, but don't know if this counts as "friends".
Sage could be the next example, but she's still loyal to Eggman. I don't think what they briefly shared was friendship as much as Sage wanting to save Eggman.
I haven't played Superstars but Trip doesn't even have a bossfight, does she? I don't think she counts.
Not looking at the method, just purely if they became friends down the line. Out of all of those, there's 4 total (if you count Shadow, which I do) with 1 it's complicated and 1 non-canon. That's very few when you consider how large the game cast is.
An overwhelming majority of his friends weren't ever hostile with him to begin with, like the Chaotix, Amy, Tails, Cream, Emerl, Big, ect. There's plenty of other cast members that are still have him on their shit list, like Eggman, Infinite (if he's alive), Fang, Metal, Eggman Nega, the Deadly Six...
Now I'm starting to wonder where this idea of it being a frequent even came from.
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spinnysocks · 2 months
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TLG Outlanders Jumanji AU that i have suddenly become obsessed with :) buckle up
i'm mainly basing this off of the 2017 movie, with elements of the 2019 one too
wema, tunu, dogo and kijana are playing when they find a hidden cave, they go in and they find lots of weird paintings on the wall and the floor. ever the inquisitive one, dogo steps into a circle in the middle and they all get sucked into... Jumanji?? or maybe in the TLG universe it's called Mchezo
the adults look for them. the leaders (plus kenge and sumu) and the idiots (plus mwoga, nne, tano and neema) go in two groups to search since the kids were missing for a while. the leaders find the hidden cave first as sumu noticed it in his small size. they get sucked in, and eventually the idiots find it after them
they turn into human versions upon entering the world. yeah they're pretty freaked out lmao
the premise is that they go through trials to "prove" themselves, at the risk of their 3 lives, to get to the final task of saving the kiddos. i'm thinking each of them get a task focused on their skills but all of them are at the will of it, aka any of them could lose a life in any trial
i think the Strengths & Weaknesses bit would be funny. kiburi has no weaknesses, he says smth like "I'm too good to be weak 😏" and then 'Pride' pops up hfgdhdh. tamka's weakness would be cake because i think it'd be funny. nduli's is picking up cool rocks. i would say goigoi's would be sleeping but he'd lose all 3 in an instant. the list goes on
reirei is mad because she gets the boring map-reader job lol, despite that she saves everyone's asses so
i imagine sumu is like Milo, he gives them the information in a really deadpan tone lmao. it's like "... Oh no..." "Spit it out, will you?!" "... Mandrills. We should go" and he just continues spilling knowledge while they're running for their lives lmao
you know how in the second movie Bethany/Milo is a horse? yeah nne and tano are straight up just themselves- they're hyenas but realistic, like they didn't change 💀 they're just there doing hyena laughs and absolutely savaging people in the fights
the ostrich scene from the second movie would be funny. maybe the hyenas are the drivers 👀 NONE of them trust their lives with janja, chungu or cheezi but somefuckinghow.. they don't die
in a trial where the leaders are really trapped, guess who sneaks in and saves them? Ushari!!! that was actually all of their reactions as soon as he spoke and they knew it was him. shupavu hugs him on impulse and then gets awkward about it lol, they're happy to see him
ushari explains how he didn't actually die when scar was destroyed but he escaped the volcano and happened across the hidden cave. he's been trapped ever since and obviously presumed dead. he's been stuck with 1 life because he needed the others to complete the rest of the trials :(
there's a dance fight where kiburi has to defeat the guards without being all guns blazing about it. literally the same as the scene with Martha. it's so funny at first bc he doesn't know what the fuck to do - i hc him as demi, he can't flirt with someone he doesn't know😭 - but when a song (prolly rap?) starts playing he beats their asses easy
little did they know the exact same thing was happening on the opposite side of the building, just with the idiots. tamka, nduli and neema also get their cool moment of beating people up, dance fight style! it's mainly tamka because he actually DOES have a strength in acting :)
the leaders and the idiots enter the building at the same time and it's an "Oh Shit!" spiderman pointing meme moment lmao. from this point on they do the trials together
the vultures fly the helicopters. you can imagine how well that goes. it's just like in the movie where something immediately breaks 😭 i think it'd be cool if kenge was the one to fix the helicopter, giving him a hero moment! imagine it
"Kenge, you did it! :D"
"Guess I did"
"Um... Oops"
"What Janja?"
"I dropped the jewel 😶"
"YOU WHAT?!?!"
janja loses a life in that scene from the rhinos 😭 do i wanna traumatise mzingo that much? idk. i just feel like that is such a janja thing to happen. fridge's character is janja-coded lmfao
"YOU PUSHED ME OUT THE HELICOPTER! >:("
that scene where fridge pushes spencer off a cliff? yeah that obviously happens. i'm thinking reirei and janja squabbling. would be funny if janja pushes reirei off impulsively and he just stands there, in shock, waiting to get yelled at when she respawns 😭
there's one of those Step On The Right Pieces trials. kiburi is being all cocky, steps on the wrong one and loses a life- bro gets absolutely humbled lmao. i think the skinks would be good at that trial for some reason
some random trial ideas: a "sleeping lions" type trial for goigoi. a "follow (copy) the leader" trial for mzingo. a food temptation one for the idiots??
jasiri definitely has a trial where she helps someone or shows that the "bad guy" NPCs can be good or somethin. that's probably the last trial before the finale
at the last trial they all work together to save the kiddos! it's really wholesome at the end because they saved the kids, they actually achieved something, they worked together, AND they got ushari back! :)
bonus:
based on the second movie, i was considering a different version of this au where janja purposefully enters the game to prove himself and it's more of a lesson of how it's not just about his strength, but the strength of all of them
janja just thinks he ain't good enough, especially not being leader of his clan anymore, but it's through working together when the others come after him that he realises that ain't true. just an extra thought i had :)
might make a follow up post because i came up with this in an afternoon just for fun 😭
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super-paper · 4 months
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so what are your thoughts about what happened to og!afo? while og!afo was able to stop pretending right before his death, i feel like it was just... not enough? do you think his character arc is not over yet and will continue with vestige!afo? because i can't stop thinking about 368 where shigaraki's face changed to afo's pre!potato face upong seeing yoichi and how in 369 afo kept saying "not yet, not yet!" and talking as if he still has some kind of a last card up his sleeve. and that trump card was mentioned again in this chapter.
If this were the actual conclusion to AFO's arc, I wouldn't feel satisfied! But like you said, Hori has already gone out of his way to include the "trump card" line and left the actual fate of AFO's vestige deliberately ambiguous (ex: using words like "suppressed/defeated" instead of "killed" to describe vestige-for-one). Like, there's a lot that points to his arc not being finished yet, imho.
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That said, I do believe AFO's "trump card" is gonna be something particularly heinous, and may involve him tipping his hand/finally revealing his involvement in the Shimura Family massacre. Like, something we have to keep in mind is that Tomura sincerely believes that he killed his family intentionally and that he """enjoyed""" killing them + enjoyed destroying his home— it’s what he considers to be his origin, and "remembering that origin" is what allowed him to take back control of his body. So in theory, all AFO has to do in order to shatter Tomura's sense of self is cast doubt on that "origin" (which in turn may create a necessity for Tomura to finally remember his *actual* origin in order to take back control of his body again).
Like, I gotta stress: AFO's villain mask/demon lord persona finally slipping off to reveal the pitiful and desperately lonely human underneath does not equal him suddenly becoming a good person, so I'm 100% expecting vestige-for-one to try and pull some truly awful bullshit at the absolute worst possible time lmfao.
----
Anyhoo, a couple more points to consider:
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I know I'm beating a dead horse at this point, but once again: names are everything in mha and Hori 100% wants his readers to pay attention to what names are being used/emphasized during key scenes-- especially when it comes to names being used to separate fantasy from reality, authentic from inauthentic, and the "actor" from the "character/role."
Chapter 393 begins with the LOV discussing the meaning behind hero and villain names and encouraging Toga to pick a villain name for herself (with Toga ultimately deciding to use "Toga Himiko" written in katakana as her villain name because she ultimately just wants to be seen as herself)-- chapter 393 then ends with Ochako referring to Toga as "Himiko-chan," in a stealth rejection of Toga's stealth villain name. Bakugo resurrects and starts proudly referring to himself as "Kacchan" instead of “Great Explosion Murder God" + starts calling Izuku by his given name in total earnest. Meanwhile, Tomura stops referring to Izuku by his given name and starts referring to him as the much colder and distant "hero." Etc etc.
With this in mind, AFO still not having a name reveal-- not even during his own damn flashback/origin chapter-- is something that sticks out like a sore thumb.
This chapter was (appropriately titled) our farewell to "All For One: The Demon Lord/The Villain King/The Shameless LARPer" It's not necessarily our farewell to "*insert name here*: The Cataclysmic Mess Of A Person" yet. Yoichi and Tomura are the only ones who can properly say farewell to that side of AFO, because despite everything, they're the only ones who have some semblance of pity/"affection" for AFO as an actual human person (not as a god, or an object of worship, or a villain king, or a "role").
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Death and Rebirth continues to be one of the big (and criminally underrated) themes of the series-- MHA frequently plays with the idea that part of a character's identity/alter-ego can "die" while their body lives on (or conversely, that a person's will can take on a life of its own and live on even if their body dies. which. y'know.)
All Might """dies,""" but Yagi Toshinori lives. Touya """dies""" and Dabi is born. Tenko """dies""" and is "reborn" as Shigaraki Tomura. Endeavor """dies""" during the PLW, leaving the world's ugliest crier Todoroki Enji behind. The representation of Keigo's hero identity (the fierce wings vestige) """dies""". Bakugo switches it up by dying for real, but upon resurrection, sheds his conceit and discards the "mask" he used to conceal his insecurities. Etc etc.
AFO himself has always been born (and reborn) from death. He takes his very first breaths while next to the corpse of his mother and half-dead brother. He died once, but was brought back to life by someone that society rejected and AFO ""accepted"". He has now died a second time, triggering a subtle change in Tomura that has made him even more dangerous (i.e. Tomura has started using the AFO quirk again, and more specifically, is now using the AFO quirk to whittle away at the collective "will" of OFA by stealing the vestiges one by one. This Action Will Have Consequences.jpg)
Killing AFO does not actually solve the root problems of this story, nor does it fix the longstanding problems of heroaca society (which all precede the advent of quirks and the creation of the hero/villain system)-- or rather, it might be better to say that AFO will never *truly* die as long as the world remains fundamentally unchanged. AFO is enabled by the status quo! He is allowed to keep existing and able to continuously resurrect himself over and over and over again as the ultimate villain specifically because of it.
My theory right now is that AFO will only die permanently when A) He is finally acknowledged as a human individual and given a name, and B) when Izuku finally takes Tomura's hand + Tomura is "finally taken out of the garden and back into the house," symbolizing the radical shift in the status quo that empowered (read: created) AFO in the first place.
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Also worth mentioning: body!AFO and vestige!AFO are heavily implied to have some sort of "shared" awareness with each other-- we even see body!AFO flashing back to the UA cage match during his mental breakdown. This means there's a chance what body!AFO was feeling at the moment of his death might spill over to vestige!AFO, allowing for his arc to continue seamlessly from where it apparently "left off" during this chapter.
Which is good! Because this chapter has AFO finally admitting that "nothing is good" without Yoichi while also indirectly confirming that yes, the various traumas from his childhood DID in fact play a major role in his development into a villain-- AFO and Yoichi growing up in a society that ignored them is basically what fuels AFO's ridiculously self-detrimental attention seeking behaviors (like the AFOmight fight becomes retroactively hilarious when u realize AFO was trying to get as much attention out of mangling Toshi as possible and that his obsessive need to kill Toshi in front of an audience is what ultimately led to his downfall 💀It's, uh, marginally less hilarious when u also realize that he impulsively killed Yoichi bc Yochi had stopped looking at him. 😬)
Anyway....!! AFO and Yoichi are both the "source" and the representation of the main conflict in this series-- og!AFO fizzling out without any fanfare is admittedly an appropriate narrative punishment for someone who wanted to be the eternal star of the show, but it doesn't offer a proper resolution to the actual conflict of the series: the cycle of irrational fear and insecurity leading to a lack of understanding, lack of understanding leading to rejection, rejection leading to the creation of villains, villains creating more fear in civilians and leading to the necessity of heroes, which inevitably leads to even more rejection, and so on and so forth, etc etc etc. Yoichi and AFO exist at the center of this cycle, representing it in its purest form-- and Tomura is the ultimate consequence of this cycle.
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Ultimately, I feel like vestige for one’s death may be….. gentler, for lack of a better word. Less focused on karmic punishment and more focused on giving Yoichi and Tomura a sense of closure. Like, it's honestly not about what AFO "deserves," but what Yoichi needs in order to finally pass on and what Tomura needs to finally detangle himself from AFO (although in the spirit of keeping it completely real, all three of them need to detangle themselves from each other lmfao💀💀💀). Neither Yoichi or Tomura have ever been granted a chance to truly grieve the loss of themselves or their families, and AFO is at the root of that as someone who is both "family" and as someone who also took everything away from them.
tl;dr Hori can eat his cake (punish AFO for his hubris by having him fight, lose, and die against versions of himself that *chose* to be better or regret how they treated their own "Yoichis"-- i.e. Toshinori, Endeavor, Bkgo) and have it too (finally resolve the ShigaBros century long conflict and the complicated feelings AFO-Yoichi-Tomura all have for each other, giving everyone the closure they desperately need) thanks to the presence of the vestige world.
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I also think it'd be cool to get some sort of resolution re: the captain hero comics, since they were the "trigger" that started it all-- perhaps in the form of a dying dream sequence, where we get Yoichi and AFO as children again-- but this time Yoichi basically forces AFO to sit his ass down and finally read volume 4 of captain hero lmfao.
Like, a lot of AFO's actions/beliefs stem from his insistence that he ~already knew~ how the story was gonna end, and he built his life and plans around "rejecting" that ending-- I feel like a scenario where it turns out the ending WASN'T what he expected (like, say it was an ending where Captain Hero does defeat the Demon Lord, but ultimately chooses to save him rather than kill him-- something that mirrors Tomura's ultimate fate, rather than AFO's) would be a neat way to wrap up his and Yoichi's arcs from a metafiction perspective, since he and Yoichi both represent "different types of readers."
It would also be bittersweet, with the implication that things could have been different if AFO had just stopped being reddit pilled for five seconds and just read to the end with Yoichi in the first place-- the blueprint for an ending where the hero is no longer all alone and where the "demon lord" doesn't have to die/vanish at the end of the story was there all along, he just refused to see it.
tl;dr 2.0: AFO's ultimate punishment should involve him getting slapped in the face by tiny yoichi with his little comics over and over and over again until he develops an actual sense of media literacy.
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missycolorful · 10 months
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q!Phil will never accept q!Forever's love as it is now (and that's good for many reasons)
so, like, I totally understand why people are upset with Philza's rejection. Especially with how he kept repeating it over and over to Forever. A beating the dead horse kinda situation, it seems, yeah? Unforunately, this has to happen, with how Forever is acting.
He had made this very clear with BadBoyhalo the other day. When Bad asked "You don't like Philza for Philza?". Forever says "No, I never have."
Never, he said. Even if he might be lying a bit (like maybe he's saying this to ease BBH's feelings), for him to say that is... ouch.
And no, Phil wasn't there for that moment, but Phil seems to be aware of this, regardless. And Forever's heart is set on Brunim, not Philza. The references, the requests to imitate Brunim, et cetra. Right from the start, Forever only pursued Philza because of Brunim (that, and he gave him things, but that's still a plastic reason to have affection toward someone).
And Phil knows not to enable that. Imagining looking at someone, and realizing that they see someone else in your eyes. Imagine having moments that are probably genuine, but you can never be quite sure if you're both sharing a moment, because he's probably pretending he's sitting by someone else as the sun sets. That seems like such a shitty feeling, no wonder Philza keeps pushing him away.
Yes, he complimented Philza during the wedding, complimented stuff about Philza specifically (like his laugh), but that doesn't take away the feeling that you're basically just leftovers. Like "is he really saying this about me? or is he saying this so he can pretend I'm him when he has the chance?" Feeling like a replacement creates so much uncertainty, even if Forever acts genuine toward him.
And here's the thing: if Forever stopped obsessing over Brunim, if he accepted Philza fully as his own person, if he were to seek out Philza for Philza, Philza might give him a chance.
I don't know how likely in canon this is, tbh, because Philza, the content creator, has never really done gay rp, and it's clear he's a bit awkward and hesitant about it. Like, at most he'd probably just "give Forever a chance" by doing the whole flirting bit a la Fit. However, there's still some things that make me think that this idea isn't impossible.
For example, even when he rejects him, Phil emphasizes that he cares about Forever as a person; there's a connection there. Most of all, he keeps telling him it's because Forever is only thinking about someone else.
Look at any clip where he's pushing against Forever's advancements. That is pretty much the only thing he ever mentions when rejecting him. That's the huge obstacle here. It's about being projecting onto, and not feeling like you're valued for being you. If Forever were to treat him like his own person entirely, maybe they can have something.
(That, and I believe that q!Phil likes the attention Forever gives him, but this one I also can't be certain as to whether Philza intends it. It doesn't even in a romantic way, just, hey, he likes having someone to flirt around with cause it's fun. Because, like... Philza, why did you take a picture of Forever and then place your hand over your heart right after during Festa Junina? Motherfucker you literally let Forever (and others, granted) sit in your lap while saying "yeah this works" during Tallulah's birthday. You chased after him during the wedding to further rub in the "I'm not him" rejection.)
I'm... I'm just saying.
But overall, I really don't think this 'ship' is dead like others might. If anything I feel like this dynamic might be going in the direction it needs to develop and thrive. Like maybe we'll reach the point of "I like you for you. This is genuine. This is real. Let's have a healthy, balanced relationship." There's just no way they can get there until Brunim isn't a lingering presence.
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p0ssywhippedcream · 10 months
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hey girlypop!! glad you're better now!!!! could you pretty please write a percy jackson angst where he keeps choosing annabeth over the reader (she's his ex) and at one point he calls you pathetic and a bitch when you're arguing over her so you just run away crying?? not like a toxic relationship, just that he's in love with her while being with you! ty my love xox
baby love, I hate to break this to you but this is toxic. if you've ever been through this irl or are going through it, get the fuck out of that situation because you deserve so much better. I'm gonna change a few things cause it seems a little OOC but I will write it, just like promise me you understand that this is fictional and if somebody ever does this to you, you block them, call a friend and cry until you don't need to.
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"Percy, just listen to me!"
He whirls around, his frustrated pacing bringing him close enough you can smell saltwater. "I am! It's ridiculous! You expect me to just be over her?"
"Yes!' You cry, throwing your hands down, "Because you're with me now and it's not fair that you're just now telling me that maybe you still have feelings for her!"
"I was with her for three years, y/n! You know what we went through together, she was my whole life."
Your energy is draining fast, you've been going in circles for hours now. "Perce, it's been a year. I understand that she meant a lot to you but romantically, that's over and I'm supposed to be the one you feel this way for!"
"Well how can I, y/n? You're not her." His face is flushed, eyes frantic and lips trembling with a rage that shakes the pipes of his apartment.
The air is electric, emotions bouncing around like molecules fighting for space. Like you, fighting for a space that's not yours, never yours. A space with someone else's name on it.
"And I thought that was okay." So many things want to come out of you, you want to beat on his chest with closed fists until he understands the pain beating inside yours. " I thought that I could mean to you what she did."
Percy rolls his eyes and huffs, turning his back on you as he resumes pacing. "You could never take what she means to me."
You wanted to say that's not what you were trying to do but really, how can you. You wanted to be a part of his life the way Annabeth was, you wanted to paint your name on her place and be what he needed, what keeps him going. You wanted to compare to the girl he went to hell and back for, you wanted to matter just barely a fraction what she did.
"I can never matter to you the way she does, can I?" Your voice is horse and tired and you just need one last confirmation. One last chance is handed his way, thrown into crashing waves like a prayer on a dead man's tongue.
The ocean swallows your hope, the storm is silent as the anger rages on around you. You stand in the eye, driftwood raft held together with half-baked compliments and forgotten I love yous.
"You're just not Annabeth." And it's the way he says her name that splits your makeshift boat straight in two. He says it like she carried each bucket of water from heaven and filled the sea, pouring every pinch of salt herself. She created the marine life from kisses and stars and designed them to make him happiest, she mans the lighthouse for lost sailors. She floats on a yacht in calmer waters as you go under, wondering why you left shore for an empty promise.
"Okay." You're drowning, the current much too strong. No matter how hard you fight, the sea was never going to forgive you for the sin of trusting it.
You're gone, fish food to him. You've left and you've walked and you're never going back to the apartment you loved in. He's sat down, head in his hands thinking of the one girl who survived his hurricane. He picks up the phone and she picks up on the second ring.
"Annabeth, hey."
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batmanisagatewaydrug · 4 months
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Just read your free-access Patreon article about Taylor Swift and the Time person of the year piece. I love your journalistic voice, the whole thing was a really engaging read.
As someone who has actual family members with mismanaged NPD/BPD/Bipolar, I hard agree on how vacuous and performative songs like Anti Hero feel if you're actually in touch with those issues. I remember the first time I heard the lyric "my covert narcissism might disguise as altruism" over the radio while driving and nearly had an out-of-body experience from sheer bafflement. That "heehee I'm mentally ill and make problems because of it" tone struck me as either someone profoundly out of touch appropriating the language of a genuine issue to lend their middle-of-the-road pop a veener of depth (which is lowkey shitty and a vibe I previously kinda clocked in You Need to Calm Down) or someone who is actually lowkey toxic using "heehee I'm mentally ill so I can't help myself" as a defence (which would be highkey shitty since like, girl, if you know it's a problem then maybe do something about it???? You have private-jet money, you have the capacity to find a therapist).
Also agree that "sometimes I feel like everybody is a Sexy Baby" is a very unhinged lyric.
Anyway, thanks for so well-articulating a lot of the things I also feel about Taylor. She's not bad per se but I don't understand this mythologising of her as some visionary artiste when her career has increasingly become just standard consumer-pop. She may have "set the standard" for this era (pun intended) but most of the time her work is standard at best.
thank you! that means a lot, and I appreciate you taking the time to say you enjoyed it :)
man, I didn't even have time to get into this lyric and how weird and bad it is but it is. rough.
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in line with my article and my theory that Swift just wants to beat the dead horse of perpetual victimhood for as long as it will keep making her money, I'd actually add a third option to your proposal: this is just Swift doing what everyone on tumblr did back in, like, 2012, ie, making glib little jokes about our mental illness and poor self esteem because it was #relatable. the difference being that people doing that were overwhelmingly very young and very much without autonomy in their lives, whereas Swift is a woman in her 30s who is, as you pointed out, more than capable of affording a good therapist. it's not cute, it's just a hackneyed ploy to always be the underdog despite staying perpetually on top.
which isn't to say it can't be all three; you'll never catch me arguing that Taylor Swift isn't out of touch.
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AITA for distancing myself from my partner?
I, (17NB) and my partner (17NB) had a rough year. Thier family is super religious, and so is the place we live in, and we've had many fears about being outed. My family is less religious and I mostly raise myself so admittedly he's a lot more paranoid, and rightfully so I'd say. But ever since we've started dating I've had to ask them multiple times to improve thier communication.
To start off, I wish they were upfront, or atleast more firm about us breaking up, atleast in the first year. That wouldve solved a lot of heartbreak if they didn't want to be with me.
They dodged the question of physical intimacy of literally anything more than holding hands or cuddling multiple times, and yet mentioned they were ace offhandedly to a friend instead of giving me a straight answer (which I wouldve been fine with, I just wish they told me.) They tend to get angry quite easily and resort to snappish/ short answers, and, especially since them having a conversation with thier mom questioning thier sexuality, tend to abhor the smallest inkling of physical contact or sign that we're together, even if we're around friends who know, or alone.
After the conversation with thier mom, they asked to break up, but i basically pleaded for another chance and they agreed. I know it's my own fault at some point for beating a dead horse, but I recently had a conversation that kind of snapped the rose-tinted glasses right off.
We were discussing our futures, and there's a somber agreement neither of us will see each other again after school. Thats not what I'm upset about. They described having kids in a hetero marriage and joking to thier kids about the "wild" stuff they got up to in highschool like experimenting in a queer relationship, basically saying our entire 3 years of dating was a fluke or joke or experiment.
I realised this was the straw that broke the camel's back, they didn't really initiate or seem as eager as me about the sparse times we could go out alone together, they gave me a half finished craft I had to sew myself while I gave a painting for valentine's day, and various examples of bad communication. They're a good friend, I'm not so sure about partner.
So, I'm kinda trying to stop this year. I stopped frantically calling in school and rearranging lessons to be with them, I didnt spam text or think about making any gifts so far, I asked to have a..spicy experience with a friend or two (that my partner agreed with me doing). In my head I guess I told myself that we might call ourselves partners but the word just lost its meaning for us both.
So far, it's okay. It hurts, because it seems more like we're just friends instead of dating, but I want to focus on myself and my studies to get out of our really conservative area. Still, I feel guilty and a little resentful. I know I should've just accepted breaking up, but we're kinda codependant. They and I both know we can't be without each other.
They love me so much, I know that. They've done so so much for me and dragged me out of a horrible place pretty much single-handedly, they're just not great at communicating or emotional maturity. Also, they seem to think queer people go to hell in some self-imposed notion of religious guilt, and when I express resentment towards religions that push homophobia on thier followers they seem weirdly defensive of it.
For context, I have BPD (my partner has, for a long time being my 'favourite person') and what I'm reluctant to call "severe" trauma but it's been described as that. I'm genuinly curious to know if this is a result of some upbringing-induced overreaction or if its okay to just kinda give up on my own relationship. Yes, I'm aware that the best thing would be to break up but I dont think I could ever leave them, for some stupid reason.
What are these acronyms?
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starrclown · 4 months
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☆ Have Tea With Me: Hazbin Hotel's trailer ☆
Welcome Matey's to my new series:
Have tea with me. 🫖🍵
Fancy ain't it? Matey's it's time we talk about the Hazbin Hotel trailer. I watched it recently and it has... problems. Look, Vivziepop dickriders stans if you have a problem with this post then kindly leave because I will be complaining quiet a bit. Okay at first let's get my complains across and how I would modify it.
☆PROBLEMS:
Alastors broadcast. Why the hell did THE RADIO DEMON make a TV commercial? Wouldn't that be a Vox type thing? Shouldn't he be making ya know, a radio commercial? Isn't his whole thing that he doesn't know modern day technology? Also, what the hell was the porn studio thing? Like that was part of the commercial. Was Alastor just looming over Angel while he was at work? Did Angel send in that footage? Why is Travis there? That commercial is so confusing and it's only 30 seconds.
The voices. Look I'm not gonna beat a dead horse, some of the voices are bad. I only really liked Charlie's and Vaggies. Vox's voice is just bad for his character. Alastor's sounds odd. What was so cool about Alastors voice is the radio type voice filter and the personality Bosco put in the character. Now the filter is weaker and he just sounds weaker. Angel's voice actually makes me wanna tear my ears off. Cherrie, (wiki confirmed by the way.) was made Australian after the pilot and was supposed to have a Australian accent. Maybe I'm just stupid but I did NOT hear a Australian accent. (This is NOT a dis at the voice actors. God damn they are trying their best.)
The Pride City is too purple. You can tell on multiple occasions that Vivziepop is trying to respond to criticism. If you don't know Pride's original color is purple so they turned up the purple in the city. Ya they did that to much.
The Angel's. Bro Adam and Lute are so fucking ugly. Why spoil the main antagonist of the series early? Like that's if Centerword (bomb show by the way) had The Nowhere King playing in the background for the trailer. (We will TALK about The Nowhere King when I talk about rewrite Alastor.) It makes no sense to show the bad guys NOW.
The animation. Oh my GOD. Dude at some points the animation is so fucking bad. The anatomy is odd and the values make me upset. My most hated scene is where that green skinned demon is being chased by the exterminator. The animation is so off and I can't explain it. The line art looks thinner. (Speaking of which why do both Angel and Andrelphus have diffrent outlines? It looks off.)
The premise changed. WHY DID YOU CHANGE THE PREMISE?? WHY ARE WE FIST FIGHTING HEAVEN NOW??? I will talk about this in a diffrent post cause it bothers me SO bad.
Huskerdust is cannon. Look, I LOVE Huskerdust but they should have waited man. I feel like they will be rushed and I'm scared for how they'll handle them. I also want to make a post about them cause I love this ship and I wanna explain their dynamic in my rewrite.
Both Charlie's and Alastors "demon" forms are so fucking weak now. Always so cool in the comic, now he just has black eyes. Wow, so scary, don't let the tenticals get me.
Luicifers wings. Two things. 1. They should have waited. Having the Lucifers wings being shown should have been a bigger deal. 2. HUSK HAS MORE DETAILS ON HIS WINGS. Husk has more details on his wings then the King of Hell, fallen angel. Just maul that over.
☆TOUCH UP? I DON'T KNOW:
Make Alastor technologically dumb. Have him make a radio broadcast and not a TV commercial.
Let the voice actors do their own thing. I think the issue is that the actors have to live up to who used to play the characters. Let them be fun! Let them be their own thing!
Spread colors around. Make diffrent building different colors to show different demons own the buildings.
DO NOT SHOW THE ANGELS. Make them ominous and something that should be feared. If ya wanna make some Angel's bad fine, but keep them ominous. Like instead of showing the extermination, show the bodies and destruction of Hell. Show small scenes of demons hiding, show Chalie crying over bodies, show businesses destroyed. Make it seem like a problem needing solved.
Okay I don't own a animation studio yet so I can't say much. Maybe donate some of the money for Broadway actors to the animation? Just a tea time thought.
KEEP THE PREMISE. YOU CAN MAKE A GOOD SHOW ABOUT BAD PEOPLE GETTING BETTER I SWEAR. KEEP MAKING THE SINNERS GET TO HEAVEN THE PREMISE VIVIANE PLEASE-
Keep Huskerdust. Just slow down. Oh my God make it seme like it would be a actual relationship. Like make them warm up to each other, talk about their both human and demon lives. (Fun fact: Husk is from Vegas and worked in a Casino. Mafia's actually messed around with Casino's back in the day. I know this cause one of my stories has a mafia member and a La gambler fall in love.) Have them help each other with their addictions. Just slow down.
This go for all tye characters. MAKE THEM LOOK LIKE DEMONS. (Wonderful advice I know. Just you get the general idea.)
Make Lucifers wings bat like. Biblically they became bat like. If ya don't wanna go down that route then make them more royal like. Just make them prettier.
I know this advice is messy but this was basically just touch ups and the potential for this show. This trailer is disappointing :/
Well Matey's tea time is over. Come back next tike and bring your own delicate little pastries.
1. I only came up with Have Tea With Me because if anyone ever asks a question I just wanna draw a scene of us having Tea.
2. I GOT MY AO3 ACCOUNT!!! I'm writing my first fan fiction!! Will post when it's out. My account is StarrClown 😘🫶
- ⭐️StarClown⭐️
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bingbongsupremacy · 4 months
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Don't Let Me Go
Pairing: Ellie Williams x reader
Warnings: I can't think of any, lmk if I missed one.
Summary: After a near death experience, you're afraid for Ellie to leave you alone.
*Not Proof Read*
Kinda short
ABC List TLOU Masterlist
*****
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" Drink so water, please, Y/N. " Ellie's voice is laced with concern.
" I'm okay. " I mutter, burrowing further into Ellie's sheets. The familiar scent of her fills my nostrils, calming me slightly.
I hear Ellie sigh behind me. She gently sets the cup down on the night stand. I feel her warm hand gently brush a strand of hair out of my face. " I'm leaving it here, alright? You need to drink and eat something before I come back. Please, Y/N. I left you some food on the desk. "
My eyes widen, a burst of fear pounding in my heart. I sit up, grabbing onto her wrist. " Don't leave me, please, Ellie. Please don't. " Tears sting the back of my eyes. My throat is hoarse form lack of water.
I just don't want her to leave. What if something happens? What if they break into here...We have no idea where those thieves ended up...
Flashes of yesterday play through my mind. The guns pointed directly at our faces, sinister grins playing on the mens' faces.
We had no idea they were waiting for us, that they had been watching us for days. It was just supposed to be another day on patrol. No one was supposed to get hurt.
My first memories came from inside Jackson. My parents did their best to shield me from the horrors of the outside world. Working on patrol opened my eyes to so many horrors. So many dangers.
I'd heard of clickers before going on patrol, but I'd never seen them before. Only sketches.
I'd heard of bandits and thieves wandering across our land. None of them have ever made it into Jackson before. They're usually pretty well taken care of and not much is mentioned about them after. I'd never delt with one in person before, let alone 5.
Honestly, I have no idea how Ellie and I made it out alive yesterday. They were so ready to shoot us, their fingers centimeters away from the triggers.
They already killed Robbie.
All they wanted was our supplies, thankfully. That doesn't do much to ease the fear in my stomach. What if they had wanted more? What if they had hurt us?
If Joel and Tommy hadn't come out looking for us we would've been dead, no doubt about it. The small town surrounding the barn the thieves held us hostage in was infested with clickers. There was no way we could've made it out without weapons or a horse.
" Y/N, I have patrol..." Ellie says with sympathy.
How is she so unbothered by what happened yesterday? It's as if our lives weren't at stake. Like nothing really happened.
Quiet tears slip out of my eyes. " Ellie...I'm scared. " I reply honestly. " What if, what if they're still out there? Waiting for you. What if you don't make it home tonight? "
The thought absolutely terrifies me.
Ellie pulls me into her warm embrace. " Joel and Tommy will find them. I swear to god, if they don't, I will. I'm going to be okay. I promise. I'll have Jesse and Dina with me the entire time. "
" Please Ellie. Don't leave me. I don't want to be alone. " I mumble into her shoulder, my grip on her tight.
Ellie is quiet for a second. " I'll stay. "
Relief floods my body.
" I have to go tell Jesse and Dina I'm staying today. " Ellie draws soothing circles on my back. " It's going to be okay, baby. I will never let anything like that happen again. "
I sink into her arms, my heart beat beginning to calm down.
I don't know what I'd do without her.
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total-drama-brainrot · 5 months
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Deep diving into Alejandro's ethnicity and family because the show is vague with how both are portrayed, and I'm pedantic:
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Off the bat, we know that he was born in 🇪🇸 Spain. Or at least, that's what his wiki page says, so I'm sure it's mentioned in some kind of canon content (the show, the character interviews, the creators' stating it, ect). He often times speaks en español, either by replacing words and phrases in otherwise English sentences or cussing out his team in an entirely spanish confession. His name is also rooted in Spanish origin; 'Alejandro' is the Spanish equivalent of Alexander, and his surname 'Burromuerto' literally translates to "Dead Donkey", likely a combination of the idioms "beating a dead horse" and "no ver tres en un burro", translation: can't see three on a donkey; akin to 'blind as a bat'.
I could go on about the symbolism of his name(s) and how it relates to his performance on Total Drama, but that's not essential to the topic at hand so I'll go over it later.*
With this in mind, the show really wants us to believe that he's Spanish, or at the very least Hispanic.
In Chinese Fake-Out, we learn that he won a gold medal at the South American Skate Olympics, so he presumably lived somewhere in South America in his childhood. On the wiki, it claims that he moved to Latin America soon after he was born. His comment in the same episode about eating barbequed guinea pigs where he grew up had a lot of people deducing that he lived in 🇵🇪 Peru since guinea pig is famously a delicacy there. The question begs, why would Alejandro and the rest of the Burromuertos move to Peru from Spain?
We know that Alejandro's father is a diplomat, so uprooting the family to a new country could be related to his work, but I doubt a diplomat would settle down and start a family just to go through the hassle of moving them halfway across the world to a random country, regardless of his salary.
What other reason would anyone have for dragging their brood across the sea? To see their extended family.
Family is a big character motivation for Alejandro: he has a lot of pride in being a Burromuerto and often times complains about disappointing his family or being susceptible to José's teasing when his plans don't work out. Pride is a staple of the Burromuertos; they even have a family code they abide by. That kind of mindset is usually generational, implying that his parents place the same emphasis on the presentation and opinions of their family.
The most glaring example of this mindset is the hate fuelled rivalry between Alejandro and José, which was sparked by their desperate need to be the "better son". The main goal of the Burromuerto brothers is familial recognition. Understandable, when your parents are too successful to raise you themselves, any kid would be desperate for their attention. Since their competition was allowed to escalate to the point of mutual loathing, their parents probably encouraged their behaviour; when you value familial reputation over everything of course you want your children to continuously prove themselves. (Poor Al is just full of complex familial trauma, from his parents' neglect to his brothers' bullying to the incredible pressure he's put under to succeed. No wonder he's like that.)
After seeing how the brothers are willing to go to extremes for the sake of family, it's reasonable that parents sharing that mindset would move across an ocean just to see their relatives (and likely compete with them, after all even a younger Alejandro was showing up everyone in South America's skateboarding scene).
Suggesting that either one or both of his parents, or grandparents, are Latin American. For simplicities sake, we'll say that Alejandro's dad is Spanish (as he carries the surname), and his mother is Peruvian (since Peru is the assumed country they moved to).
That means that the brothers qualify as both Hispanic and Latino. Alejandro's latin blood really is canon, and the stereotypical 'Latin Lover' archetype he fills (alongside the "Archvillain" he's titled as) is all the more accurate. He's evidently very proud of both heritages.
To clarify, the Burromuertos moved to Peru when Alejandro was young to be with his Mother's side of the family.
If we want to really wade into the theoretical waters, I'd like to suggest that Alejandro's father left Spain because he disgraced himself/his family in some way, and that's why he's so insistent on his sons restoring the family pride and prestige.
So, I've established Alejandro's ethnicity and touched on the bare-bones basics of his home life. But what about his other brother, or his uncle? You know, the characters that were mentioned once and never expanded upon. Don't worry, I've got notes on them too.
Carlos: The eldest child and a professional soccer player. Alejandro doesn't mention anything about a rivalry with Carlos. Instead, he suggests the two share a healthier bond as Carlos taught him soccer skills. 'Carlos' the name is a Spanish variant of Charles, meaning "free man". Fitting, since it's widely assumed that Carlos escaped from the Burromuerto home's harmful environment at his first opportunity and 'freed himself' from their high expectations/standards, hence why he doesn't engage in the family-typical hypercompetitive bullying. A somewhat common fandom troupe I've seen is Carlos being disowned by the Burromuertos, and post-World Tour/All-Stars Alejandro reconnecting with him after he too is disowned.
Uncle Julio: The hypnotist. All we really know about Julio is his name and occupation, but it's enough to pin him down as Alejandro's maternal uncle. Alejandro states that he learned hypnosis from Julio in The EX-Files; as he grew up in Peru, the only family he reasonably could have interacted with outside of the nuclear unit would be his mother's relatives. His comment "manipulation runs in the family" is never ascribed to the Burromuertos by name, which adds to the implication that Julio isn't his father's brother, as any skill as useful as hypnosis would definitely be branded under his surname otherwise. Additionally, 'Julio' as a name is derivative of the Latin Julius or Julianus (meaning "Devoted to Jove/Jupiter", the Roman incarnation of Zeus, though I can't find any meaning in this applicable to his character), and not a strictly Spanish name like those of Alejandro and his brothers. Instead, it's common in most Hispanic and Latin American countries.
José: The middle child and Alejandro's source of his lingering childhood trauma, if the aversion to the nickname "Al" is anything to go by, I've already written about their relationship. The name 'José' is a Spanish variant of Joseph, which means "to add/give" in it's simplest interpretation. He sure does give Alejandro a tonne of issues, so I suppose it tracks.
*And finally, analysing the symbolism of Alejandro's name.
Alejandro, derived from Alexander, meaning "warrior" and "man's defender". Though in Al's case, it's likely a reference to Alexander the Great as opposed to the name's literal meaning/origins- Alejandro conquered the competition like Alexander conquered his empire.
Burromuerto's double idioms combine "beating a dead horse donkey" with "blind as a bat", likely as a convoluted way to say he's blinding the dead donkey; in this case, the beaten dead horse donkey is the OG cast of Total Drama who have already been milked for two seasons of content and have little left to offer (therefore, the third season is the beating of the dead horse, as its' an attempt to force content out of a resource with nothing left to give. that's why they added two more competitors, if that makes any sense? I'm not sure if I'm explaining this well enough,) and Alejandro is deceiving or 'blinding' them through his manipulations.
Obviously, this is all speculation written by someone with too much free time and no expertise. All of my knowledge/facts come from google searches and connecting dots that likely have no real links to each other. I'm not an authority on any subject. Keep that in mind, please.
Feel free to add your own opinions/thoughts! Or correct things that are be wrong!
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lockandkeycake · 7 months
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HoTD moots I'm sorry again. This isn't my last pjo rant.
I'm continuing the deep dive into the Did Leo Bully Frank allegations, moving into House of Hades, where things get a bit more murky.
I'm not going to fully recap MoA read my other insane nerdy rant, but basically. Last we left them, Frank had disliked Leo, been antagonistic towards Leo, Leo was nervous around him and teased him a few times, they finally talk and become friends. But, everything is kicking off on a sour note. No one is happy.
Right at the beginning of HoH, we don't actually get much interactions between Leo and Frank until these scenes.
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I'd like to note here that Leo's birthday is July 7th. so that's fun. He's not feeling too great about all the ghost talk. I didn't include it, but there's a scene of Hazel talking about Leo being angrier and more serious early on as well. Leo is thinking about loss and death quite a lot in this novel.
Then we get to Frank's pov and Boy Is It Different.
First, I'll also point out Frank remembers the whole his clothes getting sent out and destroyed on Buford but very clearly doesn't characterize it as Leo 'throwing his clothes overboard'. Even in the state Frank is in, he knows Leo didn't purposely destroy his clothes.
But Frank still has issues.
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You can note that Frank actually starts off this thought process by essentially complementing Leo, but then Mars and Ares pop in - suddenly, Frank is now saying how Leo constantly teased him.
This is one of those things I think people are going to interpret differently depending on your bias. I have a Leo bias, and having shown that Leo was NOT constantly teasing him in MoA, at least from what is written, I think this is mostly influence from Mars/Ares. Leo does tease, he teases Jason in this book I think more than he does Frank, so I wouldn't ever say Leo doesn't tease people, he absolutely can be a little shit; but the difference is that it's rarely maliciously done on Leo's part. When Leo noticed Frank was embarrassed at the end of the last book, he stopped himself from making comments. We've also seen that Leo is also not great at realizing if his comments are being taken negatively, even if he doesn't mean them in that manner.
However, like I said, Hazel noted Leo's been stressed, not sleeping, and angrier than usual at the beginning of HoH. Leo blames himself for what happened to Annabeth and Percy. Leo is starting to think he'll probably die, and he's horribly lonely. Maybe he has been razzing Frank more offpage, and we just don't see it written. But because we do not see Leo explicitly dig at Frank's weight or looks or intelligence, I am personally still more of the opinion that it's the product of Mars/Ares.
We then get this scene
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Frank says Leo had stopped making jokes at his expense here, but again, not trying to beat a dead horse at this point, we've not really seen Leo do that at all this book. Frank now has more confidence and feels more worthwhile in his place on the Argo after his Venice battle- I think Frank is now less insecure and those voices are piping in less. Again, I could be wrong, but this seems very similar to last book. Frank spent the majority of the book being very antagonist, then wonders why on earth Leo would be nervous around him. There's things clouding Frank's judgement that clear up, and suddenly, he's getting on with Leo much better. Shocker.
(that being said Frank does suggest leaving Leo in Croatia just for making a pun not even at his expense, so make of that what you will lmao)
Reaching the Calypso chapters, there's a lot I could get into. I'll eventually do a break down on just them and why I don't love caleo, but I'll save that for another day. Still - Frank is someone Leo actually makes a point of trying to help once he finds out Calypso has fireproof fabric.
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Frank is his friend in Leo's mind, someone he wants to save too. Leo is big on trying to save people. I wonder why, definitely didn't come from childhood trauma or watching his mom burn to death or anything. Moving on.
Finally, Leo returns from Ogygia, Frank is said to have patted him so hard on the back it made Leo wince. Clearly he hates him.
But in all seriousness I think the slow progression of Leo and Frank's relationship is one of the better done character developments in HoO. It's slow, it's subtle it culminates in Frank hugging him next book, and Frank using Leo and Jason as inspiration for using up his wood piece.
The big scene to finish off this book are these pages. If Frank hated Leo, if he felt like Leo was only ever mocking him, trying to hurt his feelings, this would not have happened.
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Frank trusts Leo.
Leo trusts Frank.
They're not afraid of each other anymore, they're not scared. They mutually trust one another and know they'll have each other's backs.
That is why Leo trusts only Frank and Hazel with his plan in the next book.
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socialistexan · 10 months
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I don't want to beat a dead horse on conservatives are fully lifting TERF talking points because it's just a known thing now, but I do want to point out how what she's saying here is just a blatant ripoff of the rhetoric these same assholes used in the run up of marriage equality.
I'm old enough to remember when the conservative talking points was that gay marriage was "trying to erase traditional marriage" and try to "elevate homosexuals rights above everyone else."
And it's not just that, I remember being a queer teen and told I was too young to know I was queer and I'd grow out of it and regret those "choices," and that LGB people existing was a threat to women and children, and that men would pretend to be gay to get into women's bathrooms and lockerrooms (which yes absolutely is a talking point they used that I feel was forgotten even by progressives).
The really did just ran a find and replace in their talking points from 2004-2015. It's maddening that they still get away with it. It's like some many voters have the political memory of a piece of cardboard, and I say this as someone who has actual memory problems.
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broodingheroine · 3 months
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tmagp thoughts (this will be pure nonsense I just need to write it down)
alice is so tim coded
obviously there's a connection anyone can make to the multiple statements abt urban exploration/spelunking in tma and the redcanary forum thread.... it invites the horrors (connection to danny?)
gwen is a ✨️bouchard✨️ (implication that while its a parallel universe the same ppl still exist? supports possibility of spelunking forum thread connecting to danny somehow (not actually super sold on that but seen a lot of ppl mention it so))
colin is definitely going to succumb to the horrors :/ (either first to die OR..... this universes version of an avatar?)
CHESTER AND NORRIS!!!
I'm of the firm opinion that they're jmart BUT! but but but! I do believe they're echoes of who they were, this just so happens to be Somewhere Else.
also! yes I understand that we most likely will Not get any tma characters in any meaningful way in tmagp, however I also believe that alex and jonny couldve very easily.... not...... voiced the text to speeches....... like yeah I dont think we're getting jmart as we knew them but..... come on
also also. the text to speeches got less robot sounding the longer they were reading and it really reminded me of how ppl reading statements would slowly get invested as they were reading and emote as if it were happening to them.
sam is on the archivist (or tmagp equivalent) pipeline already yikes
the turpentine line was raw as fuck. so was the canary one obviously. don't want to beat a dead horse by talking abt that bc so many others have already said it. but! the institute is deadly stay away!!
the sound engineering is god tier I love all the bleeps and bloops
colin knows smth is Watching. inadvertently feeding the eye by being paranoid? does the eye even exist the same way it did in tma?
theres definitely smth to be said abt whether or not robert smirke did his thing the way he did in tma and if anyone in the know uses the same classification or if the oiar is the only group categorizing. the fears always kind of blurred together at certain points so maybe without the human interpretation of it being 14 distinct entities it's more of an..... amalgam?
magnus institute is in a different place which is interesting. if it was built for the same reasons (outside of just research) is there another panopticon esque structure underneath? (brings us back to if smirke was doing his thing)
very curious to see if theres gonna be a leitner books equivalent.
I deeply deeply deeply desire a michaela salesa cameo at some point. he's one of my fav side characters.
sam and gwen using classic horror characters to help him try and memorize the classification categories was very cute
another thing I'm sure everyone has talked abt already but the whole world wide WEB thing and possible jmart in the computers and omg they're in the web and the oiar is part of the web and blah blah blah u get the image.
lena is intriguing to me. my guess is she's going to be a gertrude esque character who knows at least the basics of what's really happening and is trying to put a stop to it.
I havent seen anyone talk abt like...... what IS the magnus protocol. like tma was the archives in the magnus institute. the magnus archives. self explanatory from like ep 1. what the hell is the magnus protocol. is it smth fr3-d1 will run? or the text to speeches? is it tmagp's version of a ritual? using protocol to reference the updated tech from tma? is it smth the actual organization has to run in the event of Something Happening? WHAT THE PROTOCOL WHATS IT FORRRRR
I know nothing abt the ARG shit, just to note that
okay I think that's it for now..... feel free to discuss in the notes lol
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