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felikatze · 5 months

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ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool

Or: How Siffrin is stuck in the endgame grind, forever

Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.

Spoilers for.... all of ISAT! Especially Act 5!

(image to show how i feel posting this and as an attention grabber over my wall of text)

To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:

Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).

It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.

So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.

Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.

Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.

To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.

Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.

Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"

Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.

Siffrin's skills are all puns.

You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.

This is only the baseline of the way the combat system feeds into the story, though.

The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).

You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).

At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.

Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.

I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.

Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.

(Is it still fun? Playing it over, and over, and over again? Is it?)

You and Siffrin are in sync, your experience making everything trivial.

As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.

It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.

(Just attack.)

No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).

Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.

Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.

The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.

The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.

I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.

What do I even need to say, really.

Your party doesn't stay static forever, though.

By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.

These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.

But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?

Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!

I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.

Siffrin also has one skill with associated art.

Yeah, you guessed it, it's (Just attack.)

At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.

Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.

As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."

The final boss just takes that one up a notch.

Spoilers for Act 5 ahead boys!

In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.

This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)

To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.

Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!

...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.

In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.

Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.

And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.

So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.

First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.

You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.

(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)

This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.

And, then, a void.

Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.

Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.

Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.

You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.

But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!

and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.

So of course this ends with Siffrin giving up. What else can you do?

And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:

A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin

B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music

C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.

It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.

At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.

Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.

Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.

Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.

Siffrin goes totally ballistic, to say the least.

As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.

Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.

Siffrin is the final boss.

In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"

This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.

You have two options for combat: Attack your friends, or attack yourself.

And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?

Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...

(Your friends don't know what to do.)

None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.

Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.

It's a happy ending. But... what does it mean?

Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?

After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.

And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.

Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.

The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.

For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.

There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?

Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.

Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.

All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.

In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.

But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.

Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.

A circle within a circle indeed.

To summarize:

The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.

Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.

Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.

#feli speaks #in stars and time #isat #isat spoilers #lays down on floor. it's done. it's done #i actually narrowed down in scope to just focus on the combat by the way. and this is like. several thousand words

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manicrouge · 4 months

Text

An Ode to Serelia

[𝟷𝟾+, 𝙼𝙳𝙽𝙸] || Part Two

[𝙰𝚕𝚝𝚎𝚛𝚗𝚊𝚝𝚎 𝚄𝚗𝚒𝚟𝚎𝚛𝚜𝚎: 𝙶𝚞𝚊𝚛𝚍!𝚂𝚒𝚖𝚘𝚗 𝚁𝚒𝚕𝚎𝚢 𝚡 𝚂𝚒𝚛𝚎𝚗!𝚁𝚎𝚊𝚍𝚎𝚛]

[𝙳𝚊𝚝𝚎 𝙿𝚘𝚜𝚝𝚎𝚍]: 01/01/24

[𝙰𝚋𝚘𝚞𝚝]: Displeased is the siren who weeps, a sister stolen leading to her finding the man who helps her to her feet.

[𝙲𝚠]: blood, graphic violence, torture, gore, body horror, violence, character death, murder, loss of a parent, angst, mention of suicidal thoughts, smut, loss of virginity, creampie, inexperienced!reader, possessive!Simon

[𝚆𝚘𝚛𝚍 𝙲𝚘𝚞𝚗𝚝]: 23,720

𝙿𝚕𝚊𝚢𝚕𝚒𝚜𝚝 If you're intrigued in the music I listened to writing, there's a link to the spotify playlist, enjoy !!

[𝙰/𝙽]: HIIII !! This is the story I mentioned the other day on my blog, it's here, it's written (hopefully to a decent standard) and it was a lot of fun to write and I hope you have fun reading it !! Also I did change up the appearences of sirens a little for the sake of being #unique and #different. Greek mythologies version would have been interesting, though I'm unsure how exactly a bird with the head of a woman would translate into a cod fanfiction so please forgive my creative liberties.

Also, there may be the possibility for a part two cause I have an idea if you would like that pls let me know!!

Comments are always appreciated, please let me know what you think... unless you think it's the worst thing you've ever read, then tell me, but in a nicer way pls, i.e. 'bless you, you tried' or 'hmmm, I've read better, good try though!'

(I'm very sensitive).

HAVE FUN!!

P.s. Rhymezone and me were besties while i was writing this. Also I figured out how to make the text tiny... I'm learning guys!!! And sorry for it being so long, tumblr was literally lagging near the end of writing this whoops.

Also!!! Share any request you have for me in my 'Ask me anything'!! I'd be happy to write more alt aus with different characters :))

Please don't post my work anywhere else without my permission !!

｡･:*:･ﾟ★,｡･:*:･ﾟ☆｡･:*:･ﾟ★,｡･:*:･ﾟ☆

Illuminated in the night, entranced by the tide, the sailors always come to you, such a mistake they make, too little too late, for they can never ever run. Foolish mortal men, sinking into the watery depths of a sirens den, for a woman in the sea is never just a friend.

｡･:*:･ﾟ★,｡･:*:･ﾟ☆｡･:*:･ﾟ★,｡･:*:･ﾟ☆

· · ─────── ·𖥸· ─────── · ·

In the dead of night, you awake to a glow. It's seemingly stretching out its arms, calling out to you.

The orange light bends and warps with the movement of the sea, the rolling waves and glaring light for the moon creating a mixture of light which creates a celestial shimmer on the scales on your tail, reflecting off of your black eyes as you turn your head up in its direction.

The muscle in your chest is pounding, muffled words running through your ears as you keep your eyes trained on the light pushing its way from the shore all to make its way to you.

A full moon is never a good thing, although, submerged in the depths of the sea, you find it difficult to make out the shape of the glowing orb in the sky.

Her light confirms your worst fear, though, your eyes struggle to make anything out.

Even at night, the coral surrounding your bed is sleeping, nature reserving its strength for another troublesome day of battling against the grubby hands of the legged folk who rule both land and sea with an iron fist.

'Don't go meddling with the folks of the land, my dear, for trouble is the only thing ye shall find.'

It's the lesson of your mother which courses through your mind, like a shock of adrenaline through the body, a dopamine which has your hands trembling while sitting in quiet contemplation.

Land folk are dangerous, maniacs who believe they can possess the land and all that walks upon it.

To own the world, you would have to be mother nature herself, even then, her presence is discounted for because one of the land folk has in abundance what she lacks: golden coins.

You're familiar with these things, these little circular items they carry on their being, sometimes in small leather pouches, recalling a few of them being in the pockets of silly sailors who though they had the right to the place you and your sisters called home.

During their time spent, they toyed with the land as though she herself can not feel, taking and taking, so much so, you feared your initial silence to their actions would have resulted in you being damned for an eternity.

They massacred most of the fish, took your food as though it was theirs to take, discounting the creatures in the surrounding water. Greedy were the city folk, both of these golden things and your food, so, you followed the rule your mother had introduced.

Holding you on her lap, she looked at you and your delicate little frame, placing her hand against the wound on your tail.

Blood drifted in the the water, swirling with the current of the water and you sniffled in your mothers lap.

How terrible the wound was, throbbing as she plucked seaweed from out of the ground, using it to cover the cut.

The wound had been the fault of the land folk; they mistook you for a fish you supposed, though your little mind really didn't care to stop and acknowledge the truth of what happened.

The hook they had caught your tail with sat beside your mother and as she picked it up, she held it before you, watching as your eyes grew wide, nearly bulging from out of your little head as you began to squirm on her lap. What a monstrous little thing that contraption was, causing such hurt when it was the size of seashell. Keeping it in your view, she shushed you, opening her mouth, showing you her pointed teeth as she cupped your face with her other hand.

'My poor Urchin,' she lamented, 'it can do no harm now; it's not in the hands of the city folk, it's in mine,' she soothed, yet, despite her words you found that your throat was clogged as you recalled the morphed faces of the men who had caught sight of you when you had been caught.

'Is it because we hurt the bad people that they're doing this to the ocean?' you quietly asked, choking out your words as the gills either side of your neck opened.

It felt as though the hook had been stuck in your throat, ripping the insides as you struggled to the words out while sitting on your mothers lap. 'Are we bad people, mama?'

'No dear, we protect the sea and do the job the Lord made for us, it is the folks on her back who are the bad people, we're submerged in her soul, you see, keeping her from harms way and the cruel games of the true beasts,' she firmly stated, 'we hide from the enemy, covered in the current of what gives life to take the lives of those who are much too greedy for this world,' she lectures, 'so you mustn't pity the land folk; if they stray too far from their home and into yours, it is your duty to keep them away.'

'Even if we hurt them?'

'A lesson taught, is a warning sent, my dear,' she sweetly said, 'for a thieves broken neck is easy to repent.'

You acted that day as your mother had intended all those years ago: cruel, brutal, and unforgiving.

By the time you had finished, the water surrounding you was branded with their blood.

You gasped and choked, spitting out chunks of sailor from out of your teeth, plucking chunks of their cotton shirt out of your mouth the remains of a fish bone; it was far too stuck for you to use your nails, no matter how sharp they are.

You cleaned your teeth, watching as the bodies with their organs descended to the bed of the ocean with their gold coins in your hands while their pockets were filled with stones.

It was payment for their crimes and in death, they paid you to keep their bodies down, away from their families, for, you thought of the children on the coast.

They very well may be human, but they are undeserving of seeing one of their own in such a way.

You felt little when as you watched them sink, and upon reflection, all you ever feel is remorse for your silence.

Had you acted sooner, well, you suppose it would have saved you a trip to the deeper part of the ocean when hunting for food.

In the midst of your exhaustion you find your thoughts again, realising in your moment of contemplation, the little light grew closer to the edge of the coast.

Placing your hands against rocks, you push yourself from out of your reserved mellow cove, cocking your head to the side as you reach your hand outwards toward an orange fleck of light which greets you with open arm.

Exiting the cave, a flurry of bubbles pour pass your lips as their chants grow louder, as though they too are underwater.

Your pointed ears twitch as you push forwards through the water.

Your eyes are heavy as you push through the water, growing closer and closer to the source of the light, the sudden shift in the brightness causing them to sting.

You keep your eyes on the mysterious glow, rubbing your face with your hand, the long nail on your pointer finger catching the edge of your lip. Hissing, you watch as a faint trail of rouge seeps from your mouth, pressing the tips of your finger into the wound. Still, your eyes are unmoving, much too interested in the glowing beyond on the water.

Then, you hear voices.

It's the voice of humans, their low grumbles, cheers and chants causing the water surrounding you to vibrate from their ferocious tongues.

'I found one papa!'

Shifting, you turn your head towards the surface.

Whatever they have found is not for their hands, you sure of that much, and your stomach grows weary.

Oh, what catastrophe are they going to muster tonight? What are they going to use for sacrifice?

Your throat begins to knot, its as though someone is pressing their hands around the gills on you neck as your mind races.

One by the ocean is one of your own. Who else would have landed up on the shore? But it can't be, no it mustn't be; they're smarter than that.

No one else is awake at this hour, you have the consciousness of only yourself and the land folk.

Why would an Urchin be so far out that the spliced fingers of man could get to her?

No, they're in their caves, keeping their ears out for the horn of a ship, or perhaps the merry song of a sailor.

As you break the surface of the water, the waves of the ocean brush against your head, rain pouring from out of the sky, The breeze against your skin rendering you breathless.

You're guilty of feeling a crude interest take hold of you as you peer towards the sure, before ultimately deciding to succumb to temptation, following through your curiosity in the hopes to find what has caused such a disturbance.

It's difficult to see, your eyes are trained for the sea, you have little experience on land and the light above is much harsher than the gentle streams beneath the surface.

As you push forward, keeping most of your body underwater, your ears are greeted with more howling.

Their's excitement seeping from off of their tongues, they're bemused with their discovery.

Perhaps it's one of their rituals; you've found, through the time you have been watching them, they're terribly fond of the sacrifice of their own. Their disregard for the very thing they grew from is disheartening, a reflection of their characters.

Their form of sacrifice is truly despicable, against the order of nature, but they do not care for their own. One could be starving at a table full of food, the very table they set, yet, forbidden from touching a single thing all because of another's self importance.

Yet, it is you and your kind who are the monsters.

It's at times like this you long for your mother.

But, with the rain battering the backs of the humans as they form a circle around their special find, you find both her absence and the shyness of the moon leaves crude goosebumps covering your body as you shift in the water.

'MONSTERS,' a silk tone calls as you grow closer and closer, yet, you are forced to stop; the tide is upset, the moon displeased at such a display of savagery.

The thing in your chest stops, your webbed hands forming fists as you crane your neck forward.

'Monsters you are! Let me go,' the voice cracks as more cheering ensues.

'Cover her mouth,' demands one, 'keep her from singing her murderous song; her voice is as sweet as honeysuckle and it is her barbed tongue which has taken our brothers from us, and we will not let it take us! This is for the men we have lost to the creatures of the sea!'

You watch as the waves grow stronger, the rain landing with a slosh against the sea.

It's difficult to keep yourself in one place, both the fire in your chest and the shoving formation of the water urging you to go forward. You know her tone, though it is shredded and brutal as she speaks, unlike the sweet songs you savour.

Serelia.

'No!' she screams, ripping her vocal cords as you see a webbed hand appear from the circle of bodies, blood dripping from down a wound you spy on her shoulder.

Gripping the sand on the shore, the waves from the water brushing against the tips of her fingers and you feel the crashing body of water forcing you forward.

'Please, we would do no harm if you did none to—'

Opening your mouth, you will a tune to escape you, to pull them away from her to give her time to return to her home. Only, your much too choked up as water floods your mouth, the foul weather proving to work in mans favour.

Pushing yourself further up, you open your mouth, letting out a ghastly wrench as a sudden flood of coldness fills your veins, pulling at your tongue, keeping it pressed against the bottom of your mouth. Your lips quiver from the temperature as you attempt to pry a tune from out of your clogged up mouth.

'I- Illuminated—' you swallow another mouthful of water.

Her hand disappears.

You watch as a hand grabs her wrist, hearing her squeal and scream.

The circle of bodies disperses as you see the ends of her tail held in the forearms of a man.

There's a fire in your eyes, a fire enough to leave the sea bloody as your scaled skin and blackened eyes catch a patch of red staining the sand.

The sea betrays you as it sweeps up, carrying away grains of the red sand as the land folk hold their torches up in celebration as blood drips down onto the sand, the ruined blue scales of your sister turning purple in the light of the moon with the mixture of blood which pours from her wounds.

You watch in horror, hands slapping against the water as you look towards the moon nestled in the sky, peering down at you.

In the light of Luna, you recall her face.

Her innocent little face, doe eyes, cheery grin, how her nose would crinkle at the slightest accusation whenever she had done something particularly troublesome. The colour of her tail, how she looked when she sat upon the rocks singing her merry songs for the passersby to listen to.

A gift for the men she was, a gift spoiled by their grubby, wretched hands.

A sister as such spoke with a silk tongue, cohesive, one of your most prized possessions. A chest of jewels from horrid humans simply never compared to the life of one of your own, nothing.

Not even their dastardly golden coins.

Your head grows light as you keep your eyes trained on the humans marching forward, the light from the sticks they carry in their hands growing weary in the distance as the wind grows stronger. It's all too much, the sight of one of your own, the knot in your throat keeps you from gulping down necessary gulps of air. You feel nauseous, an icy chill freezing the blood in your veins.

Sinking back to the depths, your hand is forced and you're kept away from the dreary sight as the current drags you back under.

In the warped complexion of the surface, you see the moon still staring at you and you bark out in fury, 'you backstabber,' you roar, 'I saw my mother in you and you have betrayed our own for keeping you safe,' you continue onwards in your fury, your face contorting as you point up towards the surface.

'She has done nothing, as innocent as an Urchin can be, and you take her? Why not me?'

The current grows displeased.

'We give our lives, all our lives... my mothers,' you heave, placing a hand against your chest, 'I know not the secrets of the land, I don't possess the means to go upon the surface, how- how do we get her back? Why? Why would you take her and not me?' you choke out.

She shifts in colour, you spy her eyes growing red as you look upwards at her. 'She does not deserve to be a part of their game, neither did my mother,' you cry, 'take me, I'm offering myself up, leave her—'

There's a pull in the current, the rolling waves above the surface plunging downwards with a spiralling head.

You meet the eye of the storm, bubbles escaping your mouth as you bring your hands to cover your face. It hooks you, pulling you into as a ton of water comes crashing down into the small pocket of air you have become trapped in.

The last thing you catch before you're senses are flooded with darkness is the red glint in Luna's eye before you descend into the abyss.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

It's with the crude calls of village folk that he leaves his post.

There have been some form of disturbance for the past couple of nights, and after the first ending him standing on the shore of the town, his eyes being battered with the wind and sea, he found he has little interest in part-taking in the games of the fools. Fortunately, as he raises from his post, peering from out the window, he hears a shift behind him.

His eyes are unmoved by the chaos beyond the warning, his lids only lifting when he catches a child rushing ahead of the crowd of people.

His words are lost in the hollers of the crowd, though, he bounces with such excitement, the type that can only be likened to when a child gets money for chocolate, or even a new toy.

Only, he's acting as though he has won the biggest and best chocolate bar, his little head bobbing as he bounds down the cobble streets, his hand wrapping firmly around an elder mans wrist, tugging him along eagerly.

From behind him, he hears the scrape of a chair and a weary sigh. 'Another call for me? Swear, they cause mischief in the dark they do,' he comments with a hearty chuckle.

Turning away from the window, the red glow from the fire on the end of their torches lights emits an orange light in the room, though, the man before him is covered as stray arms of light stretch beyond his bulky frame, merely able to catch even the side of the man with a mohawk's face.

'Has Price told y' what they're up to? It's been every fuckin' night for weeks straight,' he asks, tugging down the edge of his mask, tilting his neck either side, a crude snap emitting as he does so.

The man standing in front of him offers him a toothy grin, crossing his arms over his chest with a short nod. Muscles bulge against the white cotton clinging to his frame and he readies himself by undoing the buttons on the cuffs of his shirt, pushing the sleeves to the crease of his forearms.

'Apparently, they're lookin' for merfolk or somethin', y'know what Captains like, doesn't 'ave the time for stupid shit like this,' he explains, 'read too many fuckin' fairytales if y' ask me. Couple ships disappear off of the coast and they believe a fuckin' fish did it?' He breaks out into a spell of roaring laughter. 'They call 'em sirens.'

'Sirens?'

'Aye,' nods the slightly shorter man, rubbing the stubble on his face with his hand. 'Sirens,' he adds, 'lore men to their deaths with their songs they do, supposedly, prettier than any lass on the land... sounds like a story written by a man, eh? Beautiful bonnie's with a good throat on em', paradise if y' ask me,' he proceeds to laugh even harder at his own joke, kneeling over as he does so.

It takes a brief moment for him to realise the masked man standing before him is unmoved by his comments.

Awkwardly, he comes to a sudden stop as he peers up at the man, slowly adjusting his posture, using his hands against his knees to steady himself as he notes the red lights behind him have disappeared.

'Suppose I should go and fetch them back,' he quietly grumbles, 'keep an ear out though, won't ya, Ghostie? Needa make sure they don't try n' sacrifice me to the sirens!'

'Affirmative,' he says briefly, turning his attention away from him, listening to his footsteps against the floorboards as he tucks his gloved hands into his pockets. 'Johnny,' he calls out.

The footsteps stop.

'Doesn't count if I find out y' went into the water to find them yourself,' he warns, looking over as the man nods his head, 'I'll drag you back in and sacrifice y' myself.'

'Gonna take more to get rid of me than that, Lt,' he answers, pushing the door open, 'throw a pint of ale in the sea, an' maybe, just maybe you'd get what y' want,' he laughs, walking out of the door with his hand pressing on the handle of the sword sitting at his waist.

The taller man stands and watches as he disappears into the dead of night, shaking his head in his direction.

'Fuckin' hell,' he grumbles to himself before turning his attention back to the chair he'd perched himself upon, grabbing the dagger he had set down onto the table, grabbing the cloth sitting beside it before kicking his feet back up onto the table, watching as Johnny disappears past the window, heading towards the crowd of chaos.

Turning his attention back to the dagger, he eyes himself in the refection, noting the redness of his eyes before rubbing the cloth over its smudge surface. 'Lost their fuckin' mind, can never excuse shit in a reasonable,' he grumbles to himself, 'better chance of Price quitin' smoking than there is the chance of fuckin' sirens,' he continues on, lifting his head when the candle perched on his desk flickers.

'Bloody lunatics.'

As he sat in the silence of the station, he finds his mind wandering. It's unusual for his mind to ever really escape him, although, with the sight of that little boy jumping up and down in such a manner he finds it difficult to shake a niggling feeling which is poking and prodding at his temple.

His excitement was evident, that much was obvious the longer he focuses on the memory.

If such is the case, if there is truly something behind the little boys excitement, he's there, sitting on his ass, doing absolutely nothing while the man is left to deal with everything to come from whatever has been found. There's something different about the tone of the people, he sees it well.

Terror trickles in, one head at a time, passing by the window in a manic flurry.

At first, he doesn't notice, far too interested in the blade he'd pulled from the sheathe resting on his belt to see the chaos unfolding beyond the window of the station. Their words a muffled, and they seem distant as he eyes the popped blood vessels in the white of his eyes. Moving the metal closer to his masked face, he narrows his eyes, rubbing the cloth over the blade again.

The door bursts open, and while unnerved, outwardly he remains still, snapping his head around.

The man who had left no more than fifteen minutes ago is back, his face wind swept and pale as he heaves out heavy breaths, keeping his arm firmly against the door.

His white shirt is soaked through to the skin, the pinkness of his flesh peeking out from under the fabric, his calf high boots marked with wet sand, crunching as he steps a single foot into the Station, not daring to take one more.

It's easy to read his face, though he finds his brow creasing as he realises that the very look on his face is fear.

Immediately he stands up from his seat, the flame of the candle beside him flickering as he does so. Tossing the cloth onto the table, he sheathes his knife, grabbing his coat from off of the back of his chair, throwing it over his shoulders.

'What?' he asks, 'a fight break out or somethin'? Look like you've seen a ghost,' he breaths.

Johnny doesn't offer him a response for a moment, only looking up towards him with wide eyes, unable to pick his jaw up from off of the ground.

'Fucks sake, Johnny, what—'

'Siren,' he says quietly.

It's difficult to catch what he says with the rain hitting the window and street beyond the office. His lips curve into a crooked smile beneath his mask as he shakes his head.

Sirens? Is he fucking stupid?

The expression on his face doesn't change, even when he hears the small laugh escaping the confines of his mask.

'A lass was on the shore n' she has a fuckin' tail!' he exclaims, pushing himself up after catching his breath, 'tail blue as the sea, eyes black as the void... they bloody exist.'

'And where is she now? She go back into the water to swim off with her friends, hm?' he asks, 'ride away on the back of a horse with a horn on its forehead and wings too?' he scoffs, shrugging his jacket off, only for a hand to reach out, grabbing his forearm.

'Still on the beach.'

'The beach?'

'Aye.' he says, 'ran as fast as I could, woke Price 'n Kyle up, 'told them they had to get to the beach quick. If they keep hold of her, they're gonna kill her- she's a bloody mess, cryin' and screamin'.'

He pinches himself to make sure he's still awake while staring at the soaked man. In no way can he find a single thought in his mind at this moment to make anything make sense.

In fact, he feels a prickling heat flooding his flesh the longer he stands and processes what has just been relayed to him.

They're real, they're real and they have found one.

Despite the implications, it's difficult for him to miss the worry in his tone, and while what they deem to be a monster has just appeared off the coast of Lakekeep, he's still worrying about its safety.

'We have to go, they're gonna kill 'er, Ghost.'

Fixing his coat, he looks down at the dagger resting at his hip, giving a short nod as the man lets go of his arm.

'Price and Gaz followin' along?' he asks.

'Aye, didn't believe me at first,' confesses the man with a short laugh, 'still can't believe it meself and I've seen it with my own eyes,' he says, stepping back out into the rain.

Ghost follows after him, slamming the door of the Station shut as the head down the cobbled path, their boots splashing in the puddles forming in the tight streets as the rain hits the ground harder.

Their chants carry through the village, washing over the usual silence like a tidal wave, flooding his senses with cries and pleads.

As they edge closer, he can hardly believe it as a woman's voice bellows out, 'MONSTERS!'

It's brittle and broken the way she cries, and oddly, he feels that the voice tugs at his heartstrings.

'Mustn't listen to her speak, Lt,' he says, 'what they said is true, apparently the boy found her on the shore and when he approached her, he heard her hummin' a tune- said it had him in a trance,' Johnny says, looking to him.

'Monsters you are! Let me go!'

Stepping down off of the stone steps, the pair of the pursued the scene, hearing stray voices fall from out of the crowd, demanding that her mouth be covered in order for them to fulfil some form of revenge. Watching on, he catches the appearance of a bloody webbed hand poking out from the crowd, landing against the shore with a wet slap.

It's as though she's reaching out for something.

Following the line of her forearm, he watches as the sea climbs up the shore, touching the tips of her fingers as she continues to scream and cry.

Moving his attention from off of the beach, he looks to the water, eyeing the crashing waves as the wind sweeps the fabric of his long black coat to the side. The water is restless, and with the rain pouring from the black sky, it's difficult to make much out that isn't just raging water.

Although, in the glow of the torches which whip and wind in the wind, the light covers a fair distance beyond land, and he spots something in the water. In the darkness, it's difficult to make out more than a silhouette of what appears to be a human head. Only, after another crashing wave, he catches sight of pointed ears either side of the head.

Something is watching them, yet no one sees it.

'No!'

The scream from the centre of the crowd rips him out from his trance as he turns his head, following after Johnny.

'Please, we would do no harm if you did none to us. Please, let me go!' she screams with all her might, her voice piercing to the ears of everyone in the surrounding area.

The crowd dips as they shift, covering their ears with a harsh wince.

Finally, she's unveiled to him.

A gash in her head is pouring blood down her bare breasts as she fights and writhes against the hold of the hold of the men who keep her captive. Her ginger hair is matted and covered with the blood and sand, as is the rest of her body.

The slits on the side of her neck, similar to the ones on a fishes body open and close as she lets out muffled cries.

His eyes trail further down her battered body, the sight of a blue tail stained with blood greeting his gaze. In the light, it appears almost purple as the blood mixes with the shimmer of her scales.

Screwing her eyes shut, she fights with all the fury in her being, and as he watches her, he feels the same heat he felt at the station creeping back onto him, and despite the harshness of the weather, the warmth beaming from his skin is enough to keep him from shivering.

'Alright, move out of the fuckin' way!'

It's the voice of his Captain bursting through the chaos of the surrounding area.

Turning to look over his shoulders, he catches sight of Price and Gaz walking down the beach, and with ease, Price holds his hands up, his words catching the attention of the the booming crowd.

Silence falls upon them, the sirens cries mixing with the crashing sound of the ocean. The man moves past both himself and Johnny, Gaz standing between the pair of them as he parts the crowd with an astonishing ease.

The gasp that passes his lips when making it to the centre is enough to make even his blood run cold.

There's a moment of silence, the sound of the torches whipping against the wind as he keeps his eyes trained on the back of his Captains head.

Clearly, the cogs are turning, expecting what Johnny had told him to be that of a stupid joke, only, it isn't.

It's real and it's squirming around on the ground, staring Price right in the eyes.

'She's a murderer!' a voice shouts from the crowd, 'her and her people, she said it herself,' the continue on, fury carrying their tone past the cries of the woman on the ground.

Price continues to look at her, and as he looks over his shoulder, catching his eye, he turns back to the woman on the ground.

'Take her in,' he says with a firm nod, 'we'll put her in a cell in the Station for now, figure out what to do with her later,' he continues, looking at the two men who held her arms, 'carry her back to the Station,' he rules, resting his hands on his hips as he observes all the other faces in the crowd, 'as for the rest of y', funs over for tonight, get back home,' he demands.

'We'll take it from here. '

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

You awake with a brittle moan.

Your mouth is full of send, a dull ache radiating from your chin as your forehead creases when you look ahead of yourself. You teeth bite down on the sand in your mouth, a disgusting crunch causing you to wince.

Memories are stubborn, not wanting to come back to you, only allowing you to recall the sight of blood on the beach and the crashing waves around you.

With a grunt, you attempt to push yourself up off of the ground, a grunt escaping you as your breasts push against the sand. Tearing your eyes from off of the beach in front of you, you shiver as you feel the water wash up, brushing against your limbs.

Looking to your hands, a startled gasp escapes you as you hold one out in front of your face. No longer are they webbed, no, instead, your fingers are separated. Curling your hand around the dark sand before you, you clench it in your fists, watching as it poured past it. Your hips ache as you shift, placing your cheek back against the sand.

Your head is spinning, you can't think of a single thing aside from the fact that your mouth is dry, horrifically dry.

You muster up what little spit you can, expelling grains of sand as the spit clings the your bottom lip, dribbling down the side of your mouth.

The water moves further up, and as you go to move your tail, you're startled by the sound of footsteps on the beach beside you, only, you're too tired to even check who it is.

I've failed as a sister, so if I must go out like this, then I will.

'Ma'am! Oh fuck, ma'am, are you okay?'

The tone is light, different to what you expected to hear counting you have washed up onto the very same coast you had seen Serelia on the night before... if it was even the same day as her disappearance, that is.

The sand crunches beside you as a shadow looms over you, keeping you from the brutal beams of the sun, a hand pressing against your shoulder.

Picking your head up, you muster out a pained whimper as you look at the man in front of you. Concern is etched on his brow as he stares down at you, shrugging off a piece of clothing, resting it against your shoulders.

Your eyes are narrow as you keep your eyes trained on him, unable to look anywhere else as he carefully places his hand against your cheek.

'Can you tell me your name?' he gently asks.

You swallow hard, your chapped and cracked lips pressing together.

Your eyes grow heavy.

You hear another curse under his breath as exhaustion rattles your body. Your head falls heavy and his hold on you slips away, gently placing your head back against the ground. You hope he leaves you be, allows the sea to swallow you whole so you can be with your own once again.

Two firm hands press against your shoulders, gently guiding so you're lying on your back.

His shadow keeps the sun from you once again as he scoops you up into his arms, keeping a firm grip around your shoulders and tail. his hand slips slightly as he uses his jacket to cover your breasts, and you shift when you feel his hand move lower, being extra cautious to cover up your tail.

His breathing is rough as he rushes up the beach with you in his arms, every step causing you to shift or hiss.

'Sorry, love,' he softly apologises, pulling you closer. You note how his pace slows upon him noticing the pain he's causing you by running, 'do you know where we are?' he asks, looking down at you.

Cracking your eyes open, the back of your neck burns as you attempt to look back at him. Poking your tongue past your lips, sand scrapes against the back of your throat as you open your mouth, all for a hoarse croak to escape your lips.

'Have to get you somethin' to drink,' he says firmly, 'you're okay now, love, I promise,' he reassures, pulling you closer to him.

You muster up a short 'hm', resting your head against his chest, listening to the little muscle in it thumping as he heads up the stairs, taking your further away from the beach.

The pair of you remain in silence and you hear the passing giggles and whispers of passersby as he keeps you against him.

You're unsure of what they're saying, though you're sure they're most likely laughing at your tail.

It's surprising hearing such a humorous reaction from them, figuring they would respond in a similar manner to how they did when you had heard Serelia screaming on the shore.

Mustering up a grunt, you flinch as your body is lightly pressed into a door. It squeals as it opens, and the very first thing you hear is a booming voice. It causes the dull ache in your head to worsen as you flinch.

'Am tellin' ye, it's straight out of a fuckin' fairytale it is,' booms the voice, 'can y'—'

There's silence.

Your eyes crack open as you observe the room you're in.

It's different to home, there's a rich smell, similar to the smoke from the lights on the beach.

'Found her on the beach,' confesses the man holding you, 'Johnny, go get some water, please,' he asks, 'she's got a mouthful of sand, she can hardly speak.'

There's a short answer, you can't quite hear it, as he moves you further into the room, setting you down.

Your damp hair hits the plush fabric of a pillow and something is pulled over your body. It's light, harmless.

'Where was she?' asks an unfamiliar voice. It's low, his accent is thick and as you turn your head to the side, you note the man has a thick brown beard, his hair quite short. Stepping towards you, he rests his large hand on your forehead. 'She's burning up.'

'She was near the same spot as last night where that... siren was,' he says.

It's as though life is breathed into you as you quickly sit up, ignoring the dizziness wrecking your mind. The man quickly pulls his hand from off of your forehead, moving it to your shoulder. 'Calm down, love,' he gently instructs, looking to the man standing beside you, 'you reckon she was attacked by it?'

'Could have been; she seems shaken,' he confirms.

Confusion hits you as you lift your tail, only to find that is has vanished.

As you lift your legs, a distraught gasp escapes you as you catch sight of legs.

Two legs- the same as the three men in the room have.

Quickly, you slap your hands to the side of your ears, your chest heaving as you realise your ears have shrunk, resembling that of the legged folk. Everything seems to come tumbling down in front of you, your head pounding as your eyes begin to sting.

'Hey, hey, you're fine,' hushes the man who found you on the beach. The door opens again and a cup of water is handed to him. Taking a seat beside on the bed beside you, he brings to the cup to your mouth. 'Have a drink,' he instructs.

You want to tell him no, to demand to know what they have done to her, yet, you know you can't do anything until you have something to drink.

So, you press your dry lips against the rim of the cup, allowing him to pour it into your mouth. The feeling is euphoric, unlike any sensation you've ever dreamt of, and you eagerly swallow down mouthful after mouthful of water, taking the cup in your own hands.

You're aware of the eyes on you, but you don't care, drinking from the cup until it is empty. With heaving breaths, your wipe your mouth with the back of your hand, keeping tight hold of the cup.

A hand settles against your knee, and as you look back up, the man who was sitting in the corner is now standing behind the two closest to the bed. You note the man who brought you water has an odd haircut, while the much taller man's face is completely covered aside from his eyes.

It's strange, the fabric of a thick hood pulled over is head, his eyes peering through the holes of a skull.

Is that real?

'Sorry, sweetheart, I didn't mean to upset you,' says the brown-haired man, squeezing your bare shoulder.

You look at him with your lips pressed together, bringing the cup closer to you as you swallow hard.

Despite his caring words, you find yourself unable to open your mouth- unable to trust him. He's going to hurt you if he finds out what you are, then what? You're forever bound to their land?

'What's the last thing you can remember before you washed up on shore?' he asks.

You look at him with beady eyes, and the man with his hand on your knee pats you gently, 'you're safe here, we're not gonna hurt you,' he reassures. 'You seemed panicked when we mentioned the mermaid, does it have something to do with her- or more of them?'

Your mind is racing trying to piece together a narrative.

Confirmation that she was the thing that put you in such danger will surely be a death sentence- if she isn't already dead. Living with that on your consciousness is a horrid thought to even think of, so, you distance yourself away from creating an accusation, though you find yourself in trouble as you realise how you reacted to the mention of her.

Essentially, you've acted on impulse and no matter the response, you're unsure if it's going to suffice.

'I- I...' you begin, your throat burning as you bring your hand up to clasp it, 'I was on a ship,' you answer, 'I remember it in water- b- but then there was a storm,' you explain, your voice choppy and broken as you rub your hand up and down your throat finding that even your gills have disappeared. 'The siren,' you begin, clearing your throat, 'she tried to help me.'

'Help you?' mutters the one with a strange haircut. 'How'd she do that, lass?'

'I- I was stuck,' you say, 'I couldn't get out an' she tried to, uh, pull me out,' you explain, 'but she got hurt- it might not even be the same one but... there was one, a good one,' you explain, gulping hard as the masked man standing beside the man with his hand on your shoulder shifts on his feet, his eyes burning into your flesh, the sunken eyes behind the skill mask leaving goosebumps on your flesh.

He's harsher than last nights current.

Keeping your eyes trained on the man, you observe him as he peers down at you, his built frame making you feel small. Most definitely, you do not want to get on his bad side; he could probably crush you with one hand.

'Couldn't have been the same mermaid,' he answers, his tone causing your chest to almost rattle, 'took an entire night for you to even wash up here, you wouldn't have survived if it was her,' he notes, the others around you shaking their heads in a collective agreement.

Your heartbeat is pounding in your ears, you feel blood coursing through your veins as you look up at him with teary eyes.

Your bottom lip protrudes as water begins to pour from your eyes. It's unlike anything you've ever felt, and, despite your burning eyes, you find the sensation oddly relieving.

You throat grows tight as you sharply inhale, allowing the cup to rest against the covers as you press the tips of your fingers into your cheeks.

A hiccup escapes your lips as your mouth trembles, all the misery of being lost and having lost escaping you in a cathartic sob that causes your entire body to shake.

'I- I don't know where I am, I- I'm scared,' you confess as more water clings to your eyelashes in little droplets, clinging on, only for their grip to fall loose as you blink, releasing more fresh streams onto your flesh.

Releasing a hand off of your shoulder, the man stationed beside you looks to the man who has his hand on you knee, 'you think you can go and get her some clothes? Poor things on show for the entire village to see,' he says. The man purses his lips for a moment, 'she's gotta have something that she doesn't want.'

'Has so many fuckin' dresses she won't even notice one has gone missing,' he says, standing up from off of the bed, 'I'll go and try and find something, as long as I don't take her cyan one I don't think she'll be too bothered,' he shrugs, 'keep an eye on her for me, won't you?' he asks, looking at the three.

The man with the peculiar haircut places his hand against his shoulder, patting it, 'she's in the best hands of the entire village,' he reassures, 'go an' find the lass some clothes, Gaz, we'll kep 'er safe,' he promises.

Gaz. What an odd name.

The rest of their conversation is lost on you as you're far too caught up in the tightness in your chest and the sounds of the screams you heard on the beach the night before to even think about anything else.

Only, when the door shuts, you startle at the sound of the slam, snapping your head up.

'MacTavish, I need you on patrol today,' says the brown-haired man. The disappointment on his face is notable as his eyebrows curl, 'everyone's on edge with the entire mermaid incident, the last thing I need I people trying to cause more trouble or almost drownin' going to find one of their own,' he says, 'speaking 'f which, need to go and check on her myself, make sure the head wound isn't goin' green,' he huffs, turning to the masked man standing behind him. 'Keep an eye out on her,' he states, turning his attention back to you.

Inwardly, you breathe a sigh of relief, allowing yourself to bathe in your emotion as you come to terms with the fact that she's alive.

Your eyes meet with his, your heart burning at the sight of pity burning in his gaze.

If things were any different, you very well would have wiped the soft smile off of his face, but you look at your options and his uniform, likening it to one your mother had described to you in the past.

'They like to think they have control, dress up in clothes just to make the isolation of their species more capable,' she explained while sitting in upon one a rock. You accompanied her, looking at her. She had such knowledge of the world beyond the water that you were simply awestruck with every story she told you. 'Fabric makes people listen, they're scared of the people with the golden buttons and sharp metal swords.'

'If you need anything, ask him and he'll get it for you,' he asks, looking over his shoulder at the man.

His tone grows harsher upon the mention of him doing his duty, your eyes falling to the man.

'Won't you, Ghost?

The masked man grabs the chair he was sitting on when you first entered the room, moving it as the brown-haired man and MacTavish move in the direction of the door. The chair settles at the side of your bed, as the pair move towards the door.

'Affirmative,' he grunts, taking a seat beside you while the two leave the Station, leaving you alone with the masked man called Ghost.

You look at him briefly, swallowing hard.

It's difficult to sit in silence, your stammering breath a reminder of all you've lost.

Beady eyes look at the masked man as you attempt to choke up the courage to say something to him. Despite sitting, his frame is much bigger than anyone else's you have ever seen, and as he leans forward, resting his forearms on his thighs, you flinch.

'Where's the mermaid?' you ask.

You watch his eyes scan the area surrounding you.

The fabric of his black mask moves as he sucks in a breath, 'can't say,' he confesses, 'confidential; unsure if anyone is listening out to try an' find her. If word gets out where she is, she'd be dead by tonight- if not sooner,' he explains.

'Why do they want her dead? Has she done something to you?'

You want to scream.

The man beside you is short with his responses, speaking of her as though he understands the whole picture, when in reality, their confinement of her is a crime punishable by death.

'She said somethin' she should've have,' he answers simply.

His words drag against his throat as he speaks to you.

'Oh,' you muster, resting your back against the wall behind you.

'Where were you goin'?' he asks.

You raise an eyebrow in his direction, tilting your head as you attempt to process what exactly he means by his statement.

'You said you were on a boat and you were rescued by one of the sirens,' he reminds you, your face flushing with colour as you realise you have already forgotten the tale you were twisting.

'I was with my sister,' you say, 'the memory is quite fuzzy,' you confess, knowing your knowledge of the surrounding land is limited to a map of the sea, not what is beyond it. 'It was for one of her trips, she was travelling to see her husband and then the storm hit.'

'The sea isn't too fond of forgiveness,' he remarks.

'Neither is the land,' you say, falling back into the security of the covers over you, allowing your back to slip from off of the wall, lying down.

Pushing himself up, he looks down at you, mustering a small hug as you sleeping exhale.

All the emotion and crying has your eyes drooping, disregarding your conversation. The man doesn't judge you for that, however, as you watch him looking over you with gentle eyes behind the mask.

'Get some sleep,' he says.

You expect him to say more to that, yet, instead, he pulls his chair from beside you, moving to it back to the corner he was sitting in before.

You keep your eyes on his broad back, watching as he sits down, kicking his feet up on to the desk, keeping his eyes out of the window.

Your eyes stay there as you drift off to sleep.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

When the door eventually bursts open, he's quick to send his eyes in the direction of Gaz as he walks through it with a bundle of garments. His mouth is open as he goes to speak, only to quickly shut his mouth when he is eyes falls to you, sleeping in the cot.

Holding the handle of the door, he pushes it shut so the lock clicks as quietly as possible, even going as far as to wince while doing so.

'I managed to find some clothes for her,' he says, 'not sure if I'm going to be a single man when she gets home, but I'll cross that bridge when I come to it.'

Setting the clothes down on the desk, Ghost stands up, picking the green cotton frock up from off of the table holding it out.

'I've never seen her in it,' Kyle says, 'don't even think she remembers having the thing, so she can't be upset about it if she completely forgot it existed, right?'

'Affirmative,' Ghost responds, 'wouldn't be too sure about it, though. She has an eye for the strangest things,' he warns, to which he laughs.

'You're right with that,' he says, 'I saw the Captain while I was out, he was comin' back from checking on the siren, told me to ask you if you're alright taking the girl in until she can remember what day it is; we can't leave her alone.'

He feels his chest tighten as he looks to you, seeing you peaceful sleep as you turn under the covers, your bare arm over your covered torso. 'You're the only one without someone... not too sure how—'

'I'll do it,' he says keeping his eyes trained on you.

Kyle looks at him with wide eyes.

'Well, she has no money does she? Not like an inn keeper is gonna give up a room for her, and I don't want to pay out of pocket to house her when she can just stay at my place.'

The man in front of him grins brightly.

'She'll hardly be any trouble, I'm sure of it,' he reassures, leaning against the desk, 'did she say anything else to you after I left?'

'She was with her sister on a ship heading somewhere to meet her sisters husband and that's then a storm hit and the ship was swallowed by the sea,' he says, 'she didn't say much, too out of it to really make much sense of the world around her.'

'Poor thing,' Gaz sighs, looking at Ghost, 'be nice to her, hey?'

'Wasn't planning on bein' cruel to her.'

'Good, good,' Kyle nods, 'Price told me to tell you that y' can have the rest of the day off if you get her out of the station, by the way. Take her home, get her something proper to eat and see if she wants to talk about it- he's sending something out to other villages to see if they have anyone who fits her description.'

'Doubt there'll be any news back for a while,' he says, approaching you, 'they don't care much for their own.'

His hand rests upon your shoulder and you grunt.

'I'll leave you to it,' Gaz calls from behind Ghost, 'gonna go and try and catch up with Johnny on patrols, doubt my lady would be too pleased with seein' another girl naked,' he chuckles, heading towards the door.

Waiting until the door is closed, Ghost proceeds to crouch down in front of you, rough hand nudging you again.

Your eyes crack open, a startled gasp escaping as you're greeted with the sight of his bone mask right in front of your face.

He feels you tense in his hands.

'Didn't mean to scare you,' he says, 'got you some clothes to keep people from starin' at you love, and then you're coming back to my place,' he explains.

His voice is softer than the tone he held with you prior and you swallow hard.

'Your place,' you croak, your face burning red from the sudden scare from your sleep.

'Yeah; until you're back on your feet and until that head of yours start workin' you're gonna have to stay here,' he explains, 'Price has sent messages out to local villages, see if any family members pick it up.'

Your face falters.

You're going to be here a while.

'Gaz got you some clothes,' he says, motioning over to the table.

Pushing yourself up, you manage to move your legs so your feet are planted against the floor. Ghost averts his eyes away from you, turning away. Sinking your teeth into your bottom lip, you look at the ground at your feet.

Surely it's not that difficult.

Pushing your self up off of the bed, you take a short breath, your legs wobbling as you land back onto the bed.

Despite being gifted the ability of legs, you find it quite pointless that you cannot use them. The water is much easier to navigate than the land is, that much you're sure of.

Looking up at the man in front of you, you let out a small breath.

'Can you help me?' you ask.

He doesn't bother saying anything to you, simply walking over to the table with the dress on it, it's an ugly green colour and you catch yourself grimacing at the fabric. Though, as soon as his eyes are on you, the sneer on your face fades away.

He's rough in the way he pulls the dress over your head, though you manage to get your arms through the sleeves with ease. It's an odd feeling, feeling the fabric against your skin, the elastic cuffs of the sleeves clinging to your arms.

Helping you to your feet, you stagger forward, your face growing red as you grab his arms for some form of support. Yet, he doesn't move, he doesn't even flinch, busying himself with pulling the skirt down, it stopping mid-thigh.

Your legs tremble as you wince, you grip growing tighter on him as you fight to stay on your feet.

'Guess I haven't quite found my footing after the accident,' you awkwardly laugh, wishing to be relieved of this torture.

Your face is beat red as you continue to curse the moon for putting you in such a position, cursing the your words during that night.

Leading you back down onto the bed, you're quick to let go of his arms as he looks at you. He knows you're not going to be able to walk to his house, and he fights off the urge to huff.

There's something so simple yet so difficult about the task... he's a fucking lieutenant in the village guard and he's been put on babysitting duties.

Be nice to her, hey?

Kyle's voice is like a dagger through his skull, and even though you can't see his face under the mask, he musters up a tight-lipped smile, swallowing all his pride for himself and his position.

'I'll carry you.'

Neither of you are happy about this, though a tight-lipped smile of your own appears on your face.

'Great... thanks.'

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

His home is humble, quaint, tucked away in a quiet pocket of town.

Pushing open the door, he tilts his head towards the entrance of the house. With uneasy feet, you wobble as you take a step up into his house, his hand grabbing your forearm when you nearly loose balance.

During the course of your travels, you had fought against him, insisting after catching people staring at you for him to put you down and let you walk freely.

At first, he doesn't listen, keeping his eyes trained on the path in front of him, though, fortunately, he relented after you started to squirm in his arms.

It was difficult at first, but you got the hang of it... as long as his arm was around your waist.

It finds its way back around your waist for a short moment as he helps you up the steps.

'Careful,' he utters.

'Thanks,' you respond, holding the sides of the doorframes as you walk into the living room.

It's a quaint and simple little space, although, your cove is much better than this place. Yet, you suppose you cannot be picky while undercover, his hospitality rendering you speechless.

The mystery of the red moon and her tide is still very much fresh and new, you know you must not do something to compromise your safety or your chances of finding Serelia.

Even if it is resulting in you finding shelter in a man with a skull masks home.

Pulling his hood from off of his head head, he shrugged his cloak from off of his shoulders, hanging it up on a wooden stand placed beside the door.

You stand and watch, your arms pressed to your side, still trying to understand how exactly humans manage to stand so straight on their legs.

He turns to look at you, you see his eyes shift under his mask, 'it's not much, and you're going to have to be okay with sleeping on the couch.'

'Much more than what I have right now,' you respond with a soft smile on your face.

'Thank you, Ghost,' you say

'Of course,' he says with a short nod, 'you can help yourself to whatever you want, all I ask from you is to keep out of my room.'

'I can do that,' you reassure, nodding your head.

He doubts you'll even be able to climb the stairs as he can only liken the way you're walking to that of a baby deer learning how to walk for the first time.

He can't complain however; it's entertaining to watch you, and he does so as you make your way over to your new bed, holding your arms out either side to balance yourself before toppling onto the couch with a large exhale.

Sometimes his limited compassion still manages to get him into terrible situations, and as he looks at you, he can't help but worry about what he has gotten himself in for.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

After spending some necessary time in his home, you eventually find your feet... both literally and figuratively.

It's difficult for you to stay confined to the four walls of his house, granted, you don't really do much and find joy during your first day there reading through an old shabby collection of books on his shelf.

There's nothing interesting, and you're unsure as to whether or not he himself has read any of them as when you open one, you sneeze from the amount of dust covering it.

It's a fun past time you find, especially during the few attempts of being more steady on your feet. The moon must have heard your complaints as, during the second day, you're nearly unstoppable, aside from the burning in your calves each time you take a step forward.

By the third day, you're almost sprinting out of the house into the village.

It's difficult to adjust to first.

The land is unknown to you, yet, you don't threat.

Instead, you search the village high and low, walking into every store, listening to every conversation of the locals in the village. You feel your skin crawl whenever you hear their laughter, though, it's as though talk of the siren has disappeared completely.

From spending time reading in the library to simply perusing the streets, you're wounded by the lack of information.

Why isn't anyone talking about her? Surely they know where she is; humans hate us and they'll want us gone for the issues we've caused.

The question follows you for a while, only stopping when you see the door open during your fifth night of staying inside Ghost's home.

He appears tired and as his hand moves to his cloak, he quickly stops himself from pulling it down when he sees you in front of him.

It's an odd thing, you've observed him over the past few days, and not once has he shown his face.

Still, you don't care for his habits as you open your mouth over dinner after swallowing a mouthful of food. Your hands is grabbing for the water next to your plate as you state, 'how come no one in town is mentioning the siren anymore?'

He looks at you, chewing under his mask which he holds up after each bite. 'Price has made it a rule,' he states, 'Lords out of town right now on business, until he comes back, we have to hold her per his request,' he explains, 'we've gotta keep her safe and if anyone is heard discussin' her, he's treating it as though it's treason.'

You offer a short nod, going back to eating your food.

'Why?' he eventually asks.

'I just thought, with something as big as this discovery, it would be the talk of the town for years,' you say, 'I thought it was strange, that's all.'

The look he gives you makes you think that he doesn't quite believe what you're saying to him, though, he doesn't press on the matter, going back to eating his dinner.

It's strange to spend time with a human, especially living with them.

He doesn't speak much, only really talking to you at dinner time or greeting you after returning from his shifts around the village to make sure everything is in check.

'You can take the mask off, you know,' you say, observing his discomfort, 'your identity doesn't make a difference to me, besides... this is your home,' you say softy.

Truthfully, the mask is just as much as an annoyance to him as it is to you.

Surprisingly, he listens to your words, pulling the mask tied around the back of his head off of his face allowing you to see his mouth.

Really, he does even know why he committed so long to wearing the stupid thing, growing especially frustrated as dinner grew to be more of a chore than something of enjoyment.

Old habits die hard, he supposes, and the habit of wearing around you died that night thanks to your comment.

While eating, he attempts to ignore your eyes on him, though he is far too aware that you're staring at him, not missing the way your cheeks have a light tinge of red to them.

Grinning to himself, he shakes his head at a crude thought that suddenly pops into his mind, narrowing his eyes as he lifts his head to look at you.

You drop your head immediately, focusing much more on your food than on him, though your embarrassment is difficult to miss.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

Simon seems warmer to you after you've been at his house for a little longer. The longer time passes by, the more trips you're taking to the ocean.

It started with one in the early morning, although, you find yourself walking there at the beginning of every day all to talk to the waves, hoping you'll see the familiar face of one of your sisters in the water. Yet, you don't.

Part of you is happy with this fact, not wanting them to see you in such a state wearing the ugly green frock, the only thing you own aside from a pair of sandals which Ghost brought with him upon returning from a shift.

On occasion, you bump into one of the men you saw when you first stop at the station. You learn that MacTavish's name is actually Johnny, and Gaz, the man who found you on the beach, is named Kyle.

They stop to talk to you for a while, sometimes walking with you to the beach where they speak with you.

Nothing interesting really comes from the conversations until, a month into your stay in the village, Johnny blabbers a little too much.

'He enjoys your company, bonnie,' he confesses after complimenting your new pink dress Simon bought you, 'was telling me that he's enjoying giving you little gifts and having you with him for dinner. I'm tellin' you, he like you more than you think.'

'How can he like me when I don't do anything but steal his food and sleep on his couch?'

'Couldn't tell ya, lass, strange man is our Simon.'

You hold your breath.

'Simon?' you ask slowly, a smile creeping on your face.

He slaps a hand over his mouth, his face growing red.

'His names Simon?' you ask, craning your neck forward to look at the blushing mans face.

'Forget I said anything,' he demands, rubbing his face with his hand. 'Please,' he almost begs. 'What I mean to say, lass, is that he does like you, and if you haven't thought of doing something for him, maybe consider it.'

His words follow you into the nighttime as you're helping Simon cook.

It's been something you've been doing for a while, intrigue taking you down the strangest path.

'My mum used to make this soup,' he explains, 'the recipe for it is somewhere, I don't know where it's gone though. It was great for nights like there.'

You hear a bell chime in your ears, thinking back to Johnny's words. Simon doesn't miss the smile on your face.

'What? What did I say?'

'Nothing, Sim-'

You freeze.

The pair of you stare at each other.

'Ghost, I mean Ghost!' you exclaim, holding your hands up, realising that you have most definitely gotten poor Johnny in a hell of a lot of trouble.

'Johnny told you didn't he?'

'He slipped up while he was talking to me today, he didn't mean it and I'm sorry if-'

'Say my name,' he cuts you off quickly and your eyebrows furrow.

'Simon?'

He grins to himself, turning his head away acting as though you have just done him the greatest act of service. 'I like how it sounds when you say it,' he says, going back to chopping up the vegetables, 'much better than Ghost.'

Redness spreads to your cheeks as you admire the look of joy on his face, finding that you want to do that more in order to see that look on his face.

So, as you're eating dinner that night, and even when you're lying on the sofa, you scheme like a criminal.

You toss and turn before you eventually get up and begin your search. Holding a lit candle, your eyes scan through his shelves looking high and low.

You spend what must be hours flicking through books, moving things, looking under the sofa, attempting to squint your eyes to look through floorboard before you find it tucked between the countertop and stove in the kitchen.

Only then can you rest easy, your eyes closing as you think about the mission you have got to complete tomorrow.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

Walking through the bustling village main street, you listen to the bright tunes of the surrounding marketplaces, small stalls on either corner of the street, pushing everyone on the main road closer together.

You brush shoulders with a few people, keeping your arms out in front of you as you walk with a basket in front of you, the gold coins Simon has given you per your request rattling in your other hand.

It's rare you're outside as you spend most of your times in the library or back at Simon's home. Though nothing is going to stop you from making Simon the soup he mentioned last night.

Your heart flutters at the thought of how much he has done for you, and as a form of a thank you, you're going through the crumpled up recipe you stole from out of his kitchen, going to different stalls to get the things you need for the recipe.

The trip renders you exhausted, and by the time you're back at his house, you're fighting against sleep as you chop up the vegetable, putting them into the pot. You're unsure if you're doing it right, although, the longer you leave it to simmer, the more it takes the shape of something edible... you suppose.

You keep it on the stove until you hear the door open, and whether or not it tastes good, you're fine enough with the delightful smell that is exuding from the pot on the stove, looking in the direction of the door as it opens and Simon steps into the room.

'You're back,' you cheer, dropping the wooden spoon in the pot, approaching him.

The door shuts and he pulls his takes his hat from off of his head, pulling off his mask.

A crooked smile greets your eyes.

'What's all this?' he asks, his arms resting on your shoulders. It's common now, him touching you, and you sink into his hold on you with a sigh.

'Well, I thought you'd appreciate me making dinner for you,' you say sweetly, grabbing his hands, pulling him through into the kitchen, motioning to the table set. 'Also, you mentioned the old recipe your mum used to make for you, so, I thought I'd try my hand at it, see if I'm a good cook or not.'

He lets out a small ‘hm' as he grabs two bowls from out of the cupboards, placing them down on the countertop beside the stove. His hand hand is touching the small of your back as he grabs hold of the wooden spoon you left in the pot, tugging down the black mask covering his nose and mouth.

You watch, holding your breath as you await his reaction.

'Is it terrible?' you quietly as, looking on his face for any form of reaction, yet, he's unmoved. 'We can get something else to eat if it's really terrible,' you offer, pushing down the cuticles on your nails as you keep your eyes on him.

Setting the spoon back into the pot, he exhales. 'Needs a tad bit more salt, sweetheart,' he gently says, 'but considering this is your first time making it, I think you've done a pretty good job, hey?'

You can't stop yourself from smiling at his gentle words, feeling the warmth of his large hand pressing against your back as he reaches beside the stove, grabbing a salt shaker. 'A little more practice and I think I'm going to have my own personal chef,' he comments, adding some more salt into the soup.

Grabbing the spoon, you stir the mixture, scooping up another spoonful, holding it out to him with your hand underneath it, 'how's it now?'

His eyes are on you as he places his mouth against the spoon.

'Much better,' he says with a smile, 'go sit down, I'll do this.'

'Are you sure?' you ask, feeling him move his hand from off of your back. He gives you a short nod.

'Don't want you to burn yourself, go sit down.'

Over dinner, you share brief words, but it is in the silence and the company of him that you find you're most at peace.

There's nothing from either of you, and you take time to eat the soup you have been working on all day. It's okay, a little on the watery side, and you do think that Simon is still definitely a much better cook that you.

He thinks the soup tastes a tad funny, but he doesn't say it to you.

Such thoughts leave the pair of you to sit together, silently thinking about each other, yet not having the heart to disrupt the peaceful silence.

After dinner, you attempt to help him clean up, only, he refuses your help, requesting you stay in the living room.

'Simon you always do stuff for me,' you whine with a huff, 'let me help you- washing a dish isn't gonna kill me, y'know?

'I have a surprise for you and you're not going to get it if you keep going against what I've asked of you,' he warns, 'be a good girl for me, yeah? Go sit down, I'll be right through and you can have your gift.'

Suddenly, it's like your legs don't work anymore.

Knees almost buckling at his words, you gulp hard, managing out a short breath as you nod your head, not saying another word to him as you approach the living room, taking a seat on the plush sofa, sinking into one of the many black cushions.

Pressing your face into your cupped hands, you fight off the urge to scream at the very fact he only has to speak to you and you melt like butter in a pan.

Death would be easier than this.

Eventually, he reappears holding a box in his hands. Setting it down on your lap, you smile at the sight of a white ribbon tied into a bow. It's a charming sight, and you fight off the urge to rest your head on his shoulder as he sits next to you.

'You didn't have to,' you whisper.

'Well, you don't have many dresses, sweetheart,' he comments, 'my mum would have my head if she found out you only had two dresses,' he said with a short chuckle, his eyes narrowing as he sighs, 'I saw it the other day, been trying think of a good time to give it to you.'

Carefully, you untie the ribbon, pulling the top of the box off, setting it aside.

Peering up at you is a white cotton frock. Small flowers stitched into the open neck of the dress.

Pulling it out, you hold it out in front of you, letting out a squeal as you see the fabric touching all the way to the ground.

You jump into his lap, pressing a firm kiss onto his cheek.

'I love it!' you exclaim, holding the dress to your chest, before quickly pushing yourself off of him, shrugging off the sleeves of the green frock you've had since arriving in the village. 'I don't even wanna wait to try it,' you say brightly.

He watches amused as the fabric falls from off of your body, pooling around your feet. You're unapologetic of your appearance, tits on full show without a single care in the world.

Pulling the white dress over your head, you wiggle your hips as it hugs your waist, covering your legs.

He watches you, his hands on his thighs as you clumsily spin around in a circle, your skirt raising as you do so. 'What do you think?' you ask, 'does it look nice?'

He exhales deeply.

'Was made for you, sweetheart,' he replies with a bright grin on his face, 'gimme another spin.'

Your cheeks flush red, though you comply, your heart swelling at the request.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

In the midst of the night is where you roam free, walking through the streets of the village, treading down to the shore all to sit by the water. You watch as the waves roll in with a joyous glint in your eye, knowing home is right at your fingertips.

But oddly, you find home is also on land in the form of your sister and the tall man with a strange mask.

The very thought of him makes you feel nauseous, the thought of him washing all your sentence just as the waves do the shore.

Dinner tonight was almost too much for you to handle, to have someone so close to you, to feel his hand on your back and to hear the humans terms of affection leave his mouth with the intent of the meeting your ears... everything.

You blame the dress you're wearing too.

You feel like you're betraying the words of your dear mother.

She has warned you time and time again of the dangers of the human folk, and here you are, wearing their legs, missing your tail and your vibrant scales, yet, prepared to throw it all away all to hear him utter your name and call you sweetheart just one more time.

All that for a human who doesn't even know the truth of who you are.

'I thought you were here,' you hear a voice call from behind you, almost submerged in the crashing waves.

Turning your head, you see Simon approaching you, his boots leaving prints in the sand.

Stopping beside you, you turn your head as he sits beside you. 'Why 'ave you come all the way out here at this time?'

'Needed some fresh air,' you mumble, resting your chin against your knees, hugging your legs.

'You'll find her again,' he says.

Your blood runs cold.

'Sure that siren saved her just as she saved you, yeah? You'll be with her again some day soon, and who knows, maybe she's become one of them herself.'

'She'd like that,' you whisper, looking at the tide.

I'd like that too.

'Until you know where she is or receive a letter from home, you're stuck with me,' he says, 'sorry.'

You laugh.

'You've been the thing to keep me sane through all this, Si',' you reassure, 'without you I would've lost my mind. I need you, and what you've done for me means more than anything any else has ever done for me.'

'Thank you,' he speaks with his chest, you can hear the smile on his face as he speaks. 'I've enjoyed the company, it's nice to have someone to come home to, makes a change from the constant silence, gets me down sometimes.'

You will die before he is ever alone again, you're convinced.

Letting go of your legs, you pull away from the shore, moving towards him.

The light of the moon bouncing off of the water illuminates his features deliciously and you can't help but think of how he would look beneath the water where the pair of you could live out your days together.

Placing his hand on your knee, you rest your head against his firm shoulder, letting out a small breath as you look out onto the sea.

'Do you want to go back home to your village?' he asks.

'I don't have attachments to places, only people,' you respond, 'doesn't matter where I am as long as I have the people I care about with me- and if they wish to go somewhere else, then I'll will let them to do so.'

'So, when your sister finds you, you're gonna go back home?' he quietly asks, looking at the calm water.

'I don't know,' you say, 'so used to having you with me, and she's found her love now, she doesn't need me anymore. If she even is still alive that is.'

Leaning into the narrative is bruising, and in his silence you sit and think about whether or not you would return to the sea once you finally know that Serelia is safe.

These are the people who have hurt her, the man beside you is keeping her from you, yet, there you are in his arms, seeking comfort in the idea of living out the rest of your life at his side.

Really, you should want to put the entirety of the village under water.

'I want you to stay,' he quietly confesses, 'too used to y' now,' don't think I could go back to normal if you left.'

The feeling of nausea hits you again.

'I wouldn't know what to do with myself,' you say, feeling his grip on your knee tighten.

He holds his breath and you turn to look at him. Half lidded eyes stare back at you, and you find your hand reaching out to slip beneath the mask of the skull on his face, hooking your fingers beneath the fabric of the mask.

'Can I?'

He looks at you, though says nothing.

As you pull your hand away from his face, he pulls the hood down off of his head, undoing the tie around the skull mask on his face, allowing it to fall onto his lap.

Pulling the mask down, allowing it to pool around his neck, he looks you in the eyes. You stare back, settling your hand against his cheek. As you listen to the calmness of the water and under the watching eyes of the moon, you have little issue in leaning in closer.

His hand finds the back of your head as your lips ghost each others and you can feel hit hot breath fanning against your mouth.

'Am I gonna regret this?' you asks.

'You might,' he replies, 'but I won't judge you for it if y' do.'

Your breaths mingle as your lips finally meet, a soft and hesitant connection which sends shivers down your spine. Its delicate, the feeling of his mouth against yours as he holds you as though you're seconds away from turning to ash, leaving him forever.

And while your lips were against his, the thought of doing such doesn't cross your mind.

Not even once.

Upon returning to his house, you walk past the couch you have been lying on, his hand on the small of your back pulling you past, guiding you up the stairs to his bedroom.

Nothing like what you have read happens, instead, he helps you out of your dress, leaving you in your panties. You ask for nothing from him as you climb into his bed as he undresses.

It's intimate, the feeling of his hot flesh against yours setting a light afire in your stomach as you curl into his side, just as you curled into your cove hidden within the depths of the sea.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

Days progress and your search for Serelia quells as you keep an open ear on the talks of the city folk.

You could have ended all of this a lot sooner with a song, louring all of them into the water to give you an ample opportunity, but you haven't.

Some other time you would have, though, you've heard your voice while humming a song as you clean your flesh in the mornings, and it's devoid of the deepness to travel as far as it did while sitting upon the rocks on the sea.

She is still alive and well wherever she is, and you're quite sure she has been moved around quite a bit as a safety precaution, and with Price's willingness to keep her from the wrath of the village folk, you know that at least some of the men in the village are good.

The more days roll on, the softer the touches from Simon grow, and as you're sitting in the village library again, holding a book in your lap, your fingers trace over the words written, leaving your words caught in your throat.

Reading has been the one thing to keep you from the curse of whatever has happened to you, and you find the stories written by humans to be quite amusing.

Perilous speculation at it's finest! Your favourite.

Though, you find it's difficult to breathe as you progress further and further through the books in the library until you were greeted with one covered in dust.

The lady didn't see you pull it off of the shelf when you did, and as the sky grows orange before eventually fading to darkness, you're unaware of the change in workers as you press your thighs together, hot breath fanning against the pages of the book.

Only, it's not the story that has you blushing.

Rather, your own thoughts as you replace the characters in your head, seeing the same set of eyes that have been greeting you for the past week while waking up.

It's wrong and it's dirty, but you can't help but think of him.

Perhaps this is simply how humans show affection, and it's not like you haven't been close to doing it; your bare breasts have been pushed against his chest when the pair of you wake in the dawn, and neither of you have moved an inch during the closeness, relishing in the closeness.

'I've got work, love.'

'I don't care, too comfy for you to leave me.'

Your mouth grows dry as you contemplate whether or not he has thought of you in a similar manner, if the thoughts carry onwards to his mind from your own, or if he sees you in a different manner.

A voice calls out your name, the flame of the candle on the table beside you causing you to jump, and as you look up, you're quick to slam the book shut, clearing your throat as you tightly smile at the man standing in front of you.

'Scared me,' he says to you, 'I thought you were home.'

'I got bored,' you shakily say, gripping the book in your hand tightly, holding it as you push your chair in, 'I got caught up reading.'

Even though you try to keep the book out of his view, you find he doesn't care about the stupid collection of pages, his eyes dragging down your body as though they're scanning for any source of possible harm.

'I'm fine, Si',' you whisper.

He nods shortly, 'c'mon, it's late and you need to eat,' he says, stepping to the side, allowing you past.

Keeping hold of the book, you walk along side the man and out of the library.

'You didn't have to drag me out, y'know?' you ask, walking alongside him.

His eyes fall on you, you know it without even looking at him, your eyes scanning over the words in the book, 'could've left me in the library to live with the books, let the pots of colours ink stain my skin and cover me up. Wouldn't have bothered you every again.'

The book is ripped from your hands, slamming shut as the man standing beside you takes it off of you.

'Strange woman,' he remarks, keeping the book in his right hand as you proceed to walk through the town.

Your frustration is obvious but he clearly doesn't care, you see the way his face settles beneath the mask.

'Strange man,' you remark, 'walking around the village with a skull mask on, especially in the dark.'

He only grunts in response to your words, pulling your book in front of him, looking at the title with a raised brow. 'Saccharine?'

He looks at you with a look telling that he knows what's beyond the pages, the possibility of such making your cheeks flare red as he flicks through the pages.

'What's it about?'

'Uhm,' you look at him with weary eyes, 'it's an... adventure.'

He nods his head.

'An adventure,' he says, eyes scrolling down the page he lands on, reading aloud, ''use that pretty mouth of yours for me, sweetheart, tell me what y' want,' he grunts, watching her squirm below him.''

Your face is bright red.

'Something fuckin' adventure that is, huh?' he barks out a laugh, as you elbow him in the side, snatching the book out of his hands. 'You dirty thing reading that out in public,' he mocks, your throat growing dry as you look at him.

'Shut up,' you grumble, slamming the book shut.

His laughter doesn't cease as you head towards his home, 'maybe I should have left you in the library by yourself.'

You wish for the ground to swallow you whole, longing for the cold ocean to reach right into the village and pluck you right from his side, placing you right back into the ocean.

Grabbing his key from out of his pocket, he heads up the steps to his house. You don't miss the glance he gives you.

'Who says I can't sort it out here?' you ask.

The keys fall from out of his hand.

Reaching down, you snag them before he can even muster the strength to breathe after the comment you've just made.

'You'd have an audience,' he says, grabbing your waist as you put his key into the door, turning it.

'I don't care,' you whisper, placing your hand against his cheek, 'especially if it's you.'

You don't quite process what happens until his lips are pressed against yours, the pair of you clumsily stumbling into his house, a giggle escaping you as he keeps you pressed against him.

The next couple of minutes are lost to clumsy steps, giggles and kisses as the pair of you waste no time rushing towards his bedroom.

Somewhere along the line, your dress is discarded, as is his shirt, all for it to be put on you as you sit in his lap clumsily doing up the buttons as the cuffs fall past your hands.

It's an alien feeling, the feeling on someone's lips against yours despite all the chaste kisses you have shared during sleepy mornings, and as he grabs you with greedy hands, you feel yourself melting into his hold, pressing your chest against his as you stifle out a short sound in delight.

You're unsure what exactly the sound was as it's muffled by your lips pressing against one another's, your hands clutching at his shoulders as his hand holds the small of your waist.

You feel the little muscle in your chest flutter as he tilts your head slightly with his other hand, deepening the kiss.

Keeping your eyes close, you feel as though you are one with the tide of the ocean, your limbs become that of liquid, flowing with whatever he wills as you fall apart in his arms.

Your firm grasp against his shoulders melts away as you loosely wrap your arms around his neck, your chest growing tighter as it grows harder to find gasps to take a breath from the kiss.

Placing another kiss against your plush lips, he pulls away, placing his hand against your cheek, rubbing the pad of his thumb against your cheekbone, letting out a gentle sigh as he looks at you.

Such gentleness is unheard of, no man should be so kind, yet, here he is, holding you as though you're the most fragile seashell on the seashore, intending to hold you close to keep you as a memory.

There's an odd heat flooding your stomach when he pulls away, a pulsing in the area you're somewhat familiar with. It's a dull ache, a bruising urge and you began to squirm in his lap in an attempt to chase the feeling away.

The feeling of his pants against you brings a satisfying wave over your body, willing to continue squirming in his lap in the hopes to find some form of quick fix. A breathy whimper escapes you as you continue to grind hopelessly in his lap, chasing after the release you so crave.

Only, your his are grabbed by his hands, as he holds you in place, grunting.

'Hurts,' you grumble, your hands falling to grab his wrists in an attempt to pull them away. Yet, his hold on you persists, keeping you firmly in place.

'Please,' it escapes your lips before you even understand what it is that you're begging for, though there's something that you can only describe as longing to extinguish the fiery blaze in the pit of your stomach.

You continue to fight against his hold on your hips, you lips pressing together in an unhappy manner.

There's a glint you spy as desire in his eyes, though, much to your displeasure, he keeps himself from acting on whatever that particular desire is, leaving you teary eyed in his lap.

'Sweetheart,' Simon breathes, shaking his head, 'hey, hey, it's alright, what are you getting teary eyed f'r? Haven't hurt you, have I?' he asks as your try to blink back the tears forming in your eyes. You're frustrated, unable to tell him what exactly you want because, truthfully, you've only read about such in the books in the library during the times he was busy with work.

All of it is new, and you wish for the blessing of experience you wash over you as you look at him with a lingering frustration.

'No,' you say, 'it's not that, it's that I...' you're unsure what to say, so, you let go of his wrist, lifting your hips as you look him in the eyes, placing a hand against your core.

He looks at you with a crooked smile when he finally catches onto what exactly it is, and all you can muster, in pathetic whisper is, 'need you.'

Sinking your teeth into your bottom lip, you're relieved when one of his hands is pulled from off of your hip as he gently moves his hand against you, cupping your cunt, pressing his thumb up in a particular spot.

You let out a whimper at the strange, yet welcome sensation, noting how his hand is far better than your own.

There should be something shameful about this, only you push into his hold, hoping he returns your enthusiasm.

It's in his arms you feel the most safe you have ever felt, even the tide of the ocean cannot compare to him in this moment as he pulls you loser, looking upon you with moons for eyes, conveying the idea that, maybe, he does think you're the prettiest thing he has ever set his eyes on.

Your back is pressed against the bed, the absence of his touch like a dagger through your heart. He looms over you, arms either side of your head. The lack of light, the flickering flame of the candle and the beams of light from moon shooting through the window render you speechless as you look at him.

'My pretty girl,' he utters underneath his breath, his hand brushing under the cotton shirt, moving further up your skin. Goosebumps form on your flesh as he does so, cheeks red the longer he keeps his eyes on you. 'Made with wind an' sea, you are,' he says, brushing his hand down your stomach, resting it against your pubic bone as he looks you. 'Tell me what you want, sweetheart.'

Opening your legs for him, you muster up a small whimper, looking him in the eyes, 'want you to touch me,' you quietly say, 'please, Si', need you to make me feel better,' you beg, feeling as though you're seconds away from collapsing.

A breath escapes you as he pushes your panties to the side, trailing his fingers up and down your folds with a groan.

There's a distinctive wet noise as he does so, spreading your cunt open with two fingers. Looking down between the valley between your breasts, you swallow hard at the sight of him touching you, jolting when his fingers brush against your clit.

It's unlike anything you've ever experienced.

Continuing in a fluid motion, your back arches as pretty moans escape your mouth, writhing beneath him. The heat in your stomach only grows as he does so.

'That's it, sweetheart,' he utters, sliding his fingers downwards, pressing one digit against your hole. 'Gonna be good for me an' take my fingers?' he asks, to which you eagerly nod your head.

'Y- Yes, please,' you respond, your back arching against the bed as he pushes a finger into you.

An odd stinging sensation causes a tear to slip past your eye as you fist the sheets below you, letting out a small sob. He pauses, you catch the orange light from the candle in his eyes as his mouth falls.

Then, you begin to feel him pull away.

'No,' you quickly exclaim, 'no, no, don't pull away, it's just...' you sink your teeth into your bottom lip, 'I've never done this before.'

He looks at you with wild eyes as he expression softens. Leaning forward, he places his lips against your and you cup his face with both of your hands, your mouth falling open as he begins to thrust his finger in and out of you.

Pressing his forehead against yours, he sighs, 'I didn't know, love,' he confesses under his breath, 'I shouldn't have made assumptions—'

'It's not your fault, Si', you didn't know,' you reassures, 'but I don't want you to stop,' you say, toes curling as his finger presses against a spot which almost has you seeing colour.

The air in the room is hot, only growing when you see a crooked smirk on his face as a crude squelch sounds.

You feel another finger against you.

'Gonna make sure your pretty cunt is taken care of,' he says, 'won't want anyone else after you've had me,' he utters, pushing another finger into you.

It burns for a moment, the stretch aching, yet working to contribute to the cord tightening in your stomach.

You're unsure as to what to expect as a delicious heat envelopes yous body, clumsy hands letting go of his face, moving to his shoulders. More tears slip down your cheeks, a loud moan escaping you as both his finger brush against a spot which has you falling apart in his hold.

You expect him to relent, though, he positions his fingers to proceed to hit that spot. By now you're a babbling mess under him, all the while he's grinning at the pretty mess you're becoming, soaking his fingers as you edge closer and closer to the edge.

You're not going to last much longer, he knows such as you clench around his fingers, his cock hardening at the very thought of having that pretty pussy around him.

There's a panic in your eyes as you edge closer to the edge, so he presses a chaste kiss against your lips, 'you're okay, princess,' you gently says, let go, cum for me, cum around my fingers, let me see how pretty you look,' he says, cautious not to make a demand as he continues to work his fingers into you, stretching you out.

Your chest heaves as you screw your eyes shut, your muscles tensing as you find yourself bracing for the coil in your stomach to snap.

It's odd to be scared of something that is making you feel so good, and you relax realising you're in his arms.

Your thighs begin to tremble as you let out small moans, drool trailing down your chin as you press your head back into his pillow, the heat in your stomach dispersing, crashing down into a pleasurable wave which has you almost sobbing.

Your hole clenches around Simon's finger, your entire body turning stiff as you stifle out a crude gasp, your orgasm washing over you. You watches as you completely fall apart, your juices flooding his fingers as you cum. 'That's it, you're okay,' he breathes, 'I got you, you're okay,' he reassures, his fingers fucking you through your orgasm.

Your raging breath steadily quells as he pulls his fingers out of you, sitting back on his thighs. Your hair is sticking your back as sweat soaks into the shirt you're working.

Whimpering, you watch as he presses the two digits he used to fuck you between his mouth, cleaning the mess you made of his hands with his tongue, letting out a short moan as he pulls his fingers out of his mouth, 'as sweet as honey,' he remarks, taking a moment to admire your glistening cunt.

Instinctively, you close your legs, all for him to tut, placing his hands on your knees, pulling them open again.

'Prettiest cunt I've ever seen sweetheart,' he say, 'don't try and keep it from me, yeah? You're not gonna be cumming around anyone else's cock aside from mine; gonna ruing you, shape that pretty hole for my cock and my cock only,' he gruffly speaks.

You hear the shift of fabric.

Pulling his underwear off, he tosses it somewhere into the room, sifting upwards, a crude wet slap filling the room as he slaps his cock against your clit.

You let out a small yelp as the sensation, your cunt still marked with sensitivity from your orgasm. Though, as you feel the blunt head of his leaking cock between your folds, you find the heat returns with a vengeance, leaving your mouth dry as he presses himself against your hole.

'It's gonna hurt for a second,' he warns, grabbing your hip with his hand, 'just keep breathing for me, let that pretty pussy stretch around me- I'll give y' all the time you need, just tell me,' he utters.

His tone is much darker than any you've ever heard, and as he begins to push himself into you, your mouth closes as you sink your teeth into your bottom lip so hard that you're quite sure you're going to draw blood.

A filthy moan escapes your lovers lips as he pushes into, the heat around his cock making it hard to keep a clear mind as the longing to fuck you until you're sobbing possesses him.

It won't take much, he knows that, counting on the fact that he's not even half way in and tears are already pouring down your cheeks.

Gripping your hips, he eases himself in to the hilt, moaning as you clench around his cock.

'Good fuckin' girl,' he curses, his nails digging into your skin as you wince. Never have you felt so full, feeling his cock pulsing in your core as you squirm beneath him.

Without even moving, you're sure he's pressing against that spot that brought you to your release just moments prior, you stomach twisting.

I'm not going to last.

Your legs merely wrap around his waist as he looks to you, and with a trembling mouth, you nod your head, 'y- you can move,' you say with a small nod, hissing as he pulls out, only to thrust back in.

Your skin is hot as sweat drips down your silky flesh, pushing downwards to meet his thrusts as he picks up the pace. The sound of you skin slapping together is vulgar, though neither of you care as you burble out weak 'ahs' under your breath as he drives his cock into you. Simon isn't quiet either, vocal grunts through gritted teeth as his bruising grip on you maintains a steady pace.

'Fuuuckkk,' he moans, grabbing the bottom of his shirt, ripping it open. You offer him as startled look as he drags his blunt nails up your stomach, grabbing your tits, rolling your nipple between his fingers. 'Prettiest fuckin' girl to ever walk the land,' he claims, 'made for me and my cock, and it's all mine, isn't it?'

'A- All yours,' you confirm, unable to keep a sane mind about you as he's fucking you dumb.

All your mind is sticking to is the thickness off his cock as it's hitting all the right spots. You're sure you're drooling from the sensation, your eyes falling back into your head as you babble out nonsense.

'No one else's,' you manage to get out before you're completely at his disposal, the feel of your next orgasm creeping up on you.

'You gonna cum for me again, princess?' Simon asks, greedily sucking in air as he looks at you, feeling your cunt clenching around him. He himself is edging closer to the edge, the tightness of you around his thick cock simply being too much to bear.

'Yes, 'm so close... so fucking close, please, please let me cum,' you dumbly beg, not able to keep the words from flowing past your lips.

'Go on, sweetheart, cum around my cock, make it yours,' he demands, his thrust growing much more sporadic as he chases after his own release.

A moan escapes your lips as you arch you back off of the bed, your entire body spasming as you allow yourself to fall into the pleasure of your orgasm as the cord in your stomach snaps, forcing a gasp out of you.

Squeezing your eyes shut, you let out a brittle sob, tightening around his cock as you cum. The sound of your skin connecting is wet as Simon fucks you through your orgasm, his curses and grunts filling your ears.

'Fuck, fuck, fuck, that's right sweetheart,' he moans, 'gonna make you mine, fill you up with my cum, no one else is having you, you're mine,' he grunts out, pressing into your, your cunt against his pubic bone as his hands tremble.

He lets out a moan as he fills you up.

It's a filthy feeling, but you love it terribly, your hole twitching as you feel his pulsing cock empty his load inside of you.

A short breath escapes him, and you moan feeling him push deeper inside of you, thrusting and out of you to ensure you're not missing a drop of it.

Remaining inside of you, he moves to lay beside you, keeping bodies pressed against you, the smell of sex and sweat in the clammy air of the room, but he doesn't even think of pulling out, let alone pulling away. Instead he settles with his cock inside out you, pressing another kiss against you.

Your eyes feel heavy, your entire body sluggish as you press your face into the crook of his neck.

'Good girl,' he utters against your skin.

You lay together for a short while before he eventually pulls his softening cock from out of you, you whimpering from oversensitivity as he does so. Your inner thighs are wet, and as your hole clenches around nothing, you're face grows red as you feel his cum dripping out of you.

He leaves you alone for a short while and you lay, your body blanketed in the moonlight. Beyond the window in his room, you spy the ocean in the distances, seeing the rolling waves, your throat tightening are your eyes move around the room, spying his side of the bed, then lifting back to the water.

You can't possibly stay here forever? Can you?

You have people, you have your sister still to find, getting no closer to having Simon confess to you where she is being kept.

When you uncover it eventually, what are you going to do? Free her and stay here? Will the even want you back when you return with the marks of a human all over you?

Your eyes water when he comes back into the room with a cup of water and a damp cloth in his hands, approaching you.

He sees the furrow of your brow and the discontent on your face, taking a seat beside you, pressing his hand against your face.

'I haven't hurt you have—'

'No, no,' you quietly state, sniffling, 'just...' you look at him, holding his wrist. 'I like you,' you whisper, his eyes growing wide at your confession, 'I- I know it's soon but—'

'I like you too, sweetheart,' he reassures, setting the cup of water down on the nightstand.

You rejoice in the outcome of your diversion, noting it works well as he looks at you with all the adoration the human heart can muster. 'Let's get you cleaned up, yeah? Can't leave you like this,' he utters, to which you nod in appreciation.

The night is sleepless for the most part as you're in his arms. It's difficult to confess to yourself, but you're aware of the lies you have told and of the possible consequences to come from it.

Even if he isn't fearful of what you are, there's still the fact that the betrayal will be too great as, essentially, everything you have together is built on a lie, and you're only encouraging it through playing the role of human.

A part of you wishes to wake him from his current sleeping state and tell him, yet, you cower in the thought of conflict destroying the night the pair of you have shared.

So, you tell yourself that you'll tell him tomorrow instead before falling into the heat of his body, closing your eyes.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

In the morning you wake with a dull ache between your thighs, looking to the side of your bed.

Simon isn't there and you sit up quickly, eyes scanning around the room, a panicked breath squeezing out of your lung as you search for him.

Has he left for work already?

You feel an odd sense of betrayal well in your breast as you shuffle from under the sheets, stopping in your tracks when you hear the creak of the staircase leading into his room. His head appears first and you quickly fall back onto the bed, eying him.

'I thought you left for work,' you confess as he climbs the final step. He shakes his head, looking out of the window to the early morning sun. It covers his frame in a delicious light and you take a moment to admire him. How his white shirt settles against his chest, the mask on his face right back where it usually it.

It's a shame though; you want to see his blond hair in the light of the sun.

'I'm not that cruel, sweetheart,' he reassures, 'want you to come with me today; I'm sitting in the Station by myself while the other three do whatever, want some company with me,' he says, we'll stop by the library and bakery before we go there, I'll get you that pastry you like,' he offers, fixing the buckle of his belt, 'what do you think?'

Propping your head up with your hand, you look as hm with rosy cheeks and a bright grin on your face. 'Make me a cup of tea when we're in the station too?' you ask.

'If I must,' he says, laughing, moving towards one of the drawers in his bedroom, pulling it open.

Grabbing a dress and panties, walking up to you. Shifting in the bed, you push the sheets back, standing up, taking the panties from his hands.

Stepping into them, you look up to see him holding your dress, the skirt bunched up. 'Hold your arms up,' he instructs, to which you giggle at, but comply, holding your arms up.

Placing the fabric of the dress over your head, you slip your arms inside of the sleeves, as he kneels down in front of you, pushing his mask up slightly so he can press kisses onto your stomach as he lowers the skirt of the dress further and further down.

More laughter spills past you as you watch him with do so. The skirt reaches your ankles and he stands up, grasping your waist. 'Happy I got this dress for you,' he comments.

You quirk an eyebrow.

'I thought you said it was plain.'

'Nothing's plain when you're wearing it, sweetheart,' he responds, pressing a kiss onto your lips. You roll your eyes at his sappiness despite melting into his hold.

'You're an idiot,' you say.

'And you're slow,' he retorts, letting go of your waist, 'finish up getting ready and meet me downstairs, don't take too long; don't wanna be stuck in a queue at the bakery.'

'You're the reason—'

'Don't wanna hear it, princess,' he calls as he walks down the the stairs, leaving you alone in his bedroom, crossing your arms over yourself as you watch him disappear.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

He cannot take his eyes off of you as you sit in the station, stray crumbs of the pastry around your mouth as you babble on about one of the books you found in the library.

It never occurred to him until now that it's very much possible to be a love drunk fool, and he feels himself grinning under his mask as you speak with such passion, it's making him lightheaded. He has little understanding of what you're talking about, but that doesn't matter.

He sits and listens to you, only stopping you when he reaches out his hand, brushing away the clumsy flakes of pastry from around your mouth. You stare at him, eyes panning down to your skirt as you blush at the sight of golden flecks on the white fabric.

Brushing your hands over your covered thighs, you brush them away, looking back at him. Opening your mouth, you go to speak, all for your moment to come crashing down as Kyle barges into the Station.

Taking one look at the pair of you, he lets out a comically loud wretch, 'save it for the bedroom, please,' he breathes, closing the door behind him.

'What are you doin' back?' Simon asks, checking your face for any more crumbs, letting a small grunt when he's satisfied there are none, pulling his hand away from you. 'Thought you were going to be out all day.'

'I've been looking for Rhys,' he says, 'he's supposed to be keeping an eye on her and I haven't seen her, when I went to the cabin the door was locked, all the curtains were drawn too,' he explains, rubbing his head.

Your ears perk up with the mention of a cabin, glancing at Simon before back at Gaz.

She's in a cabin somewhere nearby and she's still alive.

Your heart settles with the thought.

'He couldn't have gone far,' Simon says, 'might've slept in or something- if something was wrong, he wouldn't disappear on us.'

'You're right,' Kyle says, closing the door behind him, 'he's a good kid, shouldn't be thinking badly of him in the first place, just difficult not to worry when he's usually there at the crack of dawn, you know?'

'Are people still demanding a trial?' you ask.

'Yeah,' Kyle responds, approaching the fireplace to the right of the bed you're sitting on, pulling the lid off of the kettle. Fortunately, Simon replenished it after making you both a mug of tea. 'We're trying to push it back; she's a nice girl from what I can tell, doesn't speak much though- to me at least,' he explains.

'Why don't you just let her go?'

'Letters from the Lords telling us we can't act until he's back home,' he says, 'unfortunately, we work for him. If it was up to me, she'd be back in the water; I think everything people are saying about her is nothing more than fairytales.'

You smile at his words; he's right, in terms of her, they are all fairytales.

If he's looking for the sirens from fairytales, he's already eyeing her as he talks to you.

'Do you want another cup of tea?' Kyle asks, looking at the pair of you. Simon shakes his head but you nod, though, before you can reach for your mug, it's taken from out of your reach as Simon holds it out for Kyle.

You give him a short look which he returns after handing your cup to to Kyle who busies himself with minding his business.

'You my servant now?' you ask.

'Can be if you want me to be,' he answers.

You roll your eyes, leaning your back against the wall, dusting the remnants of your breakfast off of your hands.

'You're sweet talk is making me sick,' Kyle calls, approaching you, carefully handing you your mug of tea, 'need some lessons in it, Simon,' he adds.

'Fuck off,' barks the man.

'I've got nothing to do so you're not getting rid of me for a while,' he says, 'I'm gonna stay here for a while before heading back up to the cabin, haven't had a moment to relax this morning,' he scoffs, 'could do with a moment of rest.'

Sitting forward, you move your legs off of the bed, allowing Kyle to take a seat beside you, sipping from your mug, 'there's always something to be doing,' he begins to complain, 'never a fuckin' quiet moment in this—'

The door to the station bursts open, slamming against the wall opposite.

'She's dead!'

The cup in your hand drops as you jolt from the sudden noise, the hot liquid merely missing your thighs as you shift out of the way, hearing the tea cup shattering as it meet with the stone floor.

You curse under your breath, looking at the mess you have made as you go to drop to the ground to clean it up, all for Kyle to shake it head while Simon stands up to address the man at the door.

'It's fine love,' reassures the man sweetly, 'you'll end up cuttin' your fingers, I'll clean it up,' he says, looking down at the shattered tea cup on the ground.

Frankly, you appreciate his kindness as you raise to your feet, looking around Simon's bulky frame to the man who scared you.

He's shaking as he speaks looking at Simon, his eyes blown wide, reflective of the surface of the moon as he tugs at his fingers while attempting to express the horrors of which he has witnessed.

'I left for the night, an' when I returned she was dead,' he says, 'bloody and beaten, whoever it was took all her scales, left them around the room like it's some sort of fuckin' confetti.'

Scales.

You're sure you hear Kyle yell, but you're unsure what he actually says.

There's anger in the young man's eyes, genuine emotion as he details every single gruesome detail of the scene.

Serelia.

The siren.

'W- Where?' you manage to get out, not caring if Simon is about to say something in response. 'Where is she?' you roughly demand.

The young man standing in front of you looks at you with wide eyes as you move in front of Simon.

Your lover doesn't say anything.

'Tell me!' you demand, grabbing his shirt.

'T- The cabin just beyond the Lords house,' he stutters.

Without much thought, you're rushing out of the station without any hesitation, rushing through the streets as your heart rages in your chest.

Your mind is racing with his confession, shoving past and barging shoulders with everyone as you push through the busy town square, staggering up the steps towards the direction of the Lords house.

You're aware of the man behind you; Simon never really did let you out of his sights, after all.

Everything seems so much smaller in your eyes as you stumble further and further up, tears flowing freely down your cheeks.

Perhaps it's some form of sick joke- she's okay, she's just playing dead; she's a smart girl, even having tricked you a few times.

She's okay- she's got to be okay.

You're in a fit of hysterics as you pull the door open to the small, reserved cabin.

There are footsteps behind you, a distant call for your name, only, when you pull the door open, you seek the sister you had lost that night on the shore. Still bleeding as she was when she had been taken despite her pleads for freedom, only, she isn't moving.

She lays on the wooden ground of the room, her hand open in your direction, as stray tear slipping down her face as her open, bruised eyes stare into nothingness.

You stand at the door, your bottom lip trembling as you scream out, 'SERELIA.'

Rushing up to her side, you collapse onto your knees, trembling hands hovering over her swollen body, blood seeping into your white frock as you simply sit and stare in horror.

Placing your hand against her cheek, you flinch at the icy feeling of her skin, trailing the tips of your fingers over her soft flesh. Stray scales sit on the ground from around you, plucked like petals from a daisy.

Her body is destroyed, pretty face so swollen, you hardly know who you're looking at.

Nausea hits you, though you fight against the urge to vomit up your breakfast, lunging forward, slipping your hand beneath the bleeding body of your sister, resting your forehead against her shoulder as you pull her close, her body falling over your lap as you sob, brushing your hair through her dirty ginger locks as your body shakes against her still one.

This all feels like a bad dream that you wish to wake from, only, you cannot.

'I- I'm sorry, my urchin,' you manage to get out between spouts of hyperventilation and nausea, your nails digging into her flesh as your arm settles in her blood.

'My beauty, they have destroyed you,' you mumble under your breath, unmoved by the stench in room as your chest swells.

Pulling your head off of the corpses shoulder, you press your hand firmly against her rotten cheek, observing the countless amount of cuts.

You feel the room spinning as you observe the true brutality of mankind, how they are so careless towards the rest of natures creations and you feel like a fool.

A fury burns within you, your tongue ceasing as two hands are placed on your shoulders, attempting to move you away from Serelia. Looking up over your shoulders, you spy the bewildered eyes of your lover.

'Let go of me, Simon,' you demand, turning your head back to the woman on the ground.

His hands stay firmly on your shoulders.

You wish for him to relent, but that's not in his nature. No, he wishes to keep you from all danger, and with the mess you have made of yourself and the crime scene, somewhere deep inside, you understand that you cannot have the very thing you desire.

You're pulled to your feet, crying as you kick and scream in his arms, the bloody skirt of your dress sticking to your legs as you fight against him.

'Let me go!' you cry, turning in his hold, bringing your hands to his chest, weakly hitting him as though it is he who caused the bloody slaughter. 'Let me go,' you hiccup as you're pulled out the door, away from the sight that is sure to haunt you for the rest of your life.

Pushing your hands against his chest, you shove him with all you might, though he does not move.

Placing you against a tree, he gently guides you to the ground as your legs give, kneeling on the ground before you as you chase after your breath, your legs laid out in front of you, your hands resting flat against your thighs.

Looking up towards the sky, you spy the moon staring down upon you despite the morning sky, proceeding to cry as you recall the lights on the shore the night Serelia was taken.

Your throat burns with the desire to scream and scream until you have torn the very vocal cords nature gifted to you, seeing no use in them as you come to realise that you will never call her name and get a response ever again.

'You were never on our side,' you sniffle harshly, hot tears flowing free as Simon simply stares at you. 'I see their torches in the light of your stars. You make us the villains, fool us into doing your dirty work, and then leave us stranded when you want no more to do with us,' you seethe, turning your head to the side as you continue to sob.

Simon's hand presses against your flushed face, pushing your head up from off of your shoulder, 'love, you need to calm down,' he utters gently. 'You're gonna make yourself sick if you keep on like this,' he warns.

He means well, you love him enough to acknowledge that in the midst of your fury.

Yet, your punishment leaves you weak and weary, missing the water you grew up in, missing life prior to that night.

'I already am sick,' you retort in a broken tone, 'infected with the parasite that makes me you, that separates me from her,' you cry, 'no longer a siren, only human.'

You don't care what happens, and, if you do, your emotions keep you from logic.

'W- What?' the man beside you chokes out.

You don't miss the way his hold on your face tightens, yet, you do not flinch, permitting his harsh hold as you look him in the eyes, swallowing harshly.

'I'm not a human,' you whisper, 'I don't know what I am anymore... I never had a sister, I was never in a wreckage, I was looking for her, my Urchin,' you admit, turning your head in the direction of the cabin. 'And now she's gone.'

Your sobs fill the void of silence, only, nothing fills the void of warmth against your face as he pulls his hand away from your face. Looking at him, your bottom lip wobbles.

Every lesson your mother has ever taught you is urging you to hate him, telling you that it is his fault that there she's lying there alone in a puddle of her own blood, unrecognisable.

However, no matter how much you wish to lunge forward and claw his eyes from out of his head, you find heart and mind conflict easily.

'Please say something,' you beg, caving to the gaping hole in your chest, longing for the return of his touch for, what is left after him? An outcast? Nowhere to return, even the ocean doesn't want you, and your bleak reality begins to settle in as his eyes do not change. 'Please, please talk to me, I- I've already lost her—'

He's unsure how to tread, you see the weariness in his eyes. 'What part of you is real?' he asks, 'or are you just a liar?'

'My love for you is real,' you blurt out, 'I cherish you, all of you for caring for me and for taking care of me when I needed it the most,' you continue, 'but I couldn't tell you, Si'- I- I've been trying to think of a way to tell you the truth and I was gonna do it today- I swear to you.'

'Why?' he lowly asks, 'are you afraid of me?'

'Are you afraid of me?' you question, looking him in the eyes as a stray tear falls past your eye.

He pauses.

'Your people murdered one of my own, Si',' you choke out, a flurry of emotion blowing over you as your face and skin prickle with an insatiable heat. 'We act accordingly, you treat us violently, we react with violence, but she...' your words trail, 'she did nothing to anyone, Simon. Had a voice as sweet as honey, charming, loving to the creatures of the sea, and look at what happened.'

'What's stoppin' you from hurting me?'

His voice and tone are raw as you look at him.

Truthfully, in the midst of your misery, you're unable to see the reason which keeps your fury at bay, though, when you look into his eyes, you understand for a moment long enough to form a response.

'You tried to keep her safe,' you whisper, 'keeping her from everyone, keeping her out of the way. They got to her, you didn't.'

And I can't let myself get to you for something you haven't done.

He exhales, looking towards you with bleary eyes.

Always, the desire to push him away is going to nestle within after the events of today, but nothing stops you from lunging into his arms, wrapping your arms around his neck with as you sob.

His large hand presses against your head as he pulls you close, his hold on you almost crushing as you cry into the nape of his neck. If he is hushing you, you can't hear him.

You're in his arms and he's got you.

His hold feels the same as the one you have became accustomed with during your time on land, nothing has changed.

Feeling him tug at his mask, you settle when you feel his lips press against your forehead, and with a small voice he utters, 'I love you,' he says, 'human, siren, sea monster, sea urchin, I don't fuckin' care,' he states firmly, placing another kiss on your forehead.

'I love you too,' you tightly say, feeling the urge to smile at his words, but you don't, simply remaining in his arms.

'I'm sorry, love,' he utters. 'She didn't deserve any of this, neither did you.'

With your face buried into his neck, you nod your head.

'I know.'

You lay in his arms for what seems like an eternity, holding his bloody shirt as he rubs your back.

There's nothing that can be said, you know that.

Both of you do.

A man of few words can hardly be expected to become a flowing fountain of knowledge in the span of an hour.

Anyone else would curse him for not trying to make you feel better, maybe even say he doesn't care about you. But his rough touch turns gentle with you. His boisterous manner is reserved to calmness.

Oddly enough, it's in the most violent man that you find your faith in humanity is kept from drifting off of the cliff, toppling over into the ocean.

Eventually, you feel him shift beside you and you're moved as though your a doll in a child's arms. Looking down at you, he brushes his hand against your face, wiping away the tears that have flooded your face. You place your hands over his much larger ones, looking him in the eyes as you sniffle.

'We can't leave her there like this,' he utters, 'they'll wanna burn her body, 'not gonna let that happen.'

You mouth grows dry.

'We'll bury her up here, there's a clearing near the cliff, overlooking the water so she's not too far from home.'

No words leave your mouth so you simply nod your head in agreement as the pair of you raise from the floor.

Her helps you up and keeps you steady, not daring to let go of you, seemingly fearful that, if you fell, you would shatter and leave him forever.

He does all the work, leaving you to sit and watch as he carefully raps the girl in a sheet, lifting her into his arms with ease.

You standby and watch idly, holding a shovel in one hand and a lantern in the other, unable to look the dismal sight in the eye.

As, you step outside of the cabin, keeping your head bowed as you follow after him, heading towards the burial sight he mentioned.

It's hidden, private, and you stand near the edge of the cliff, looking down into the darkened abyss of water below you as you hear the occasional grunt from behind you as Simon busies himself with digging the gave.

At this moment you're resentful, wishing for some form of blow to the head to send you over the cliff, rejoicing in the short fall before you're able to escape from the consequences of your failure.

Only, you cannot will yourself to go over the cliff on your own accord, knowing if you did, Simon would most likely blame himself- if not follow right after you.

Living in the idea is enough to keep the action at bay, the resounding guilt and regret you imagine you would feel after taking the leap filling you with dread.

So, you turn yourself around and sit next to the woman wrapped in white while Simon makes a grave for her to finally rest her weary head.

It's difficult to say goodbye.

It was difficult when you said goodbye to your mother, a bitter pill to swallow when old age claimed the crazed woman on the seas, though, the guilt stabbing into your heart like a dagger proves to make this send off much worse.

Never did you dream of doing something so horrible, yet, here you are, unable to escape reality.

It's the dead of night by the time the grave is ready, the lantern in your hand flickers as Simon holds the body of Serelia in his arms, lowering her into the grave he constructed using a shovel.

The sheet she's wrapped in is stain red, marked with her blood, and while your chest grows heavy at the sight you find solace hiding in the shadows away from the moonlight.

Kneeling to the ground beside him, you tear the edge of your skirt, placing it onto her body with a shaky sigh.

He looks at you.

'When someone passes, we pull one of own scales and lay it with them to rest so they always have a piece of us with them,' you explain, 'I can't do that for her, but I'm not going to leave her with nothing,' you state.

Grabbing the edge of his shirt, you watch with a sunken smile as he rips a piece of his shirt of, laying it beside the piece of your dress you laid upon her.

'It's an apology,' mumbles the man, 'couldn't be there to keep her from harms way in this life, but she'll have me in the next. She'll have the both of us, yeah?'

'Forever and always.'

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

You return to his home covered in blood.

He helps you wash, rubbing a sponge around your back as you lean forward, chin resting against your knees with void eyes. You say nothing to him, only listening to his gentle requests.

While doing so, he feels a heat growing his stomach. It had been set alight from the very second he heard you screaming and crying, and the longer he focuses, the more he finds his blood boils. Someone in the village knew where she was and they killed her- perhaps even multiple people.

A poor young girl was murdered, and in the process they murdered your spirit.

And now he is scared as he looks at you.

There's nothing to tie you to the land anymore, he understands that as he wraps you in a towel, carrying you up the steps to his bedroom in a woeful silence.

There's nothing to tie you to him and he wishes to paint the town red for the crime committed against you, swearing to himself that he will find the perpetrator.

The next time he's cleaning blood from under his fingernails will be the time he has avenged you.

Until then, however, he's committed to being beside you until you no longer want him there as he looks onto you after helping you get ready for bed, lying on his back beside you.

Nothing is left in you, your soul devoid of anything as your mind wanders to her body wrapped in that white sheet, and as you look to the dress discarded on the floor, you find you're not too far off her fate.

Laying your head upon his head, you listen to his heartbeat to make sure he's alive, fearful that he will leave you before you get the opportunity to leave him first.

'I love you,' you croak.

'I love you too, sweetheart.'

After a while he his breathing calms, soothing and melting as a wave on the beach did.

Your mind has been made up since he placed his shirt beside yours, and as you watched him cover her with dirt, you stood with crossed arms and contemplated for a while. The crashing of the waves over the cliff edge called for you as you stood there.

You cannot stay here.

For the good of yourself and the good of him.

Too much is at risk now, and too much has been lost.

Too many thoughts fill your head, bad thoughts. Bringing him to the water all to sing a song to pull him into it.

You'll watch as he fights for air, trying to break the surface of the water once more, but you will not care, simply watching him fight and fight until all life leaves him and his soul has left you.

Foolish mortal men.

You hear your mothers voice ringing in your ears as you look at his sleeping eyes, then to the blood beneath your nails.

Sinking into the watery depths of a sirens den.

Crawling from beside him, you offer him one final look at you lean over the sleeping man, pressing a kiss onto his temple, watching as his hand curls around the pillow on your side of the bed.

Misery strikes you as you look at the empty spot, something within you urging to you to crawl back into bed beside him, only, you're reminded of the celebrations litter through the town, the festering buzzing of the flies in the cabin, and the swollen face of Serelia.

How is one to move past such when they lack the very emotion of remorse?

And how are you supposed to keep your emotions at bay when you feel an unquenchable urge to bring the village into the water?

Both are impossible to solve, and somethings are better off left broken, for, if you act on your anger, you betray the man you love with all your being.

But, if you act on love, you betray the women in the sea who are most likely worried sick with your disappearance. So, you take hold of the first dress he bought you, pulling it over your head, eyes teary as you look at him sleeping.

You're making the right choice in leaving, you say that to yourself when you place another chaste kiss against his cheek, allowing the thought to follow you as you push the door of his house open, stepping onto the pavement.

It follows you down the twists and turns of the street, leading you from place you have both loved and lost back to the ocean where you have only ever know strength and family.

The land is cruel, harsher than the sea.

Even during a violent storm you find you prefer the sea for the land houses people capable of despicable things, maintaining the ability of hurting you, not only on the outside, but also on the inside. You long for normality, for a sense of belonging again, and while you know you will always have a place in his bed and arms, you have a duty to fill elsewhere, an anger to keep at bay, people to keep safe.

You have to go, and you hope he understands.

A man of few words yet the only man who could ever hold your heart and not shatter it, and as you're walking on the sand, stumbling towards the water, you allow yourself to cry an ugly and loud cry as you fist at the fabric of the dress he gifted you, pulling the skirt to your mouth, pressing your lips against the fabric. Your legs carry as you remain with the skirt bundled in your arms, inhaling the scent of the place you have grown to know as home.

But it's never going to be home again.

The water greets your feet as you allow your arms to drop to your side, walking into the sea.

The waves crash down, soaking the bottom of the pink fabric and you continue to sob as you edge further and further into the water, cupping your face in your hands as you stiffly wade through the waves.

Wiping under your eyes with your fingers, you raise your head in the direction of the sky, seeing the moon sitting above the sea. You keep your eyes trained on the red moon, unmoved by the winking stars in the night sky as you turn your back to her.

Observing the land one last time, you fall backwards into the water, whispering an ode to Serelia under your breath as the ocean swallows you whole.