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#Japanese suppliers
adreamofleaves · 7 months
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Matching souls
Vi piacerebbe entrare in un negozietto unico e magico della vostra città e poter esplorare dal vivo un angolino ADèLe? Una boutiquina dove la irresistibile sciarpetta che sognate da giorni ha già incontrato la sua `foglia gemella`?
Instagram can be a good thing. Sure, perpetual scrolling can turn into an issue, yet not if oriented by a specific query. Mine? The search for a matching soul. Vintage stores, independent clothes shops are my target. Ads are precious. I can immediately tell if the match will be a good match. And if IG fails me, I search the old way. `Unique shop (name of town)`. This is how it works. And this is…
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Premium Japanese Steel Door Frames for Your Home
When it comes to enhancing the security and aesthetics of your home, choosing the right door frames is crucial. Japanese steel door frames have earned a reputation for their premium quality, durability, and timeless design. In this blog, we will explore the many advantages of Japanese steel door frames and why they are the perfect choice for your home.
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Strength and Durability
One of the most significant advantages of Japanese steel door frames is their exceptional strength and durability. These door frames are engineered to withstand the test of time, providing long-lasting support to your doors. Whether it's the harsh elements of weather or the wear and tear of daily use, Japanese steel door frames remain sturdy and reliable.
Enhanced Security
Security is a paramount concern for any homeowner. Japanese steel door frames offer an added layer of security to your home. The robust construction and quality materials make it extremely difficult for intruders to tamper with your doors. This provides you with peace of mind, knowing that your home is well-protected.
Low Maintenance
Maintaining your home should be a joy, not a burden. Japanese steel door frames are known for their low maintenance requirements. They are resistant to rust, corrosion, and decay, reducing the need for frequent repairs. A simple wipe-down with a damp cloth is often all it takes to keep them looking pristine.
Partner with Manvik Door and Window Frame
As you explore the benefits of Japanese steel door frames for your home, it's essential to partner with a trusted manufacturer and supplier. That's where Manvik Door and Window Frame come in.
Manvik Door and Window Frame is your partner for Japanese steel door frames. We take pride in our commitment to excellence and quality craftsmanship. Our Japanese steel door frames are manufactured to the highest standards, ensuring that you receive a product that meets your expectations.
In conclusion, Japanese steel door frames offer a combination of strength, durability, aesthetics, and security that make them an excellent choice for your home. When you choose Manvik Door and Window Frame as your supplier, you're choosing a partner committed to delivering premium quality and unmatched service. Enhance your home with the timeless elegance and security of Japanese steel door frames from Manvik Door and Window Frame. Your satisfaction is our guarantee.
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jameswilly98 · 10 months
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Japanese cake Dubai:-
Tastemastersllc is a caterer that make the Korean, Japanese and Chinese food. We present the wide range of pure Japanese food in which the ingredient includes sushi, sauces, soups, rice, and noodles. We cater most of the places and supply ingredient that is imported from Japan. To know more info: https://tastemastersllc.com/product-category/japanese-food/frozen-items/icecream-cakes/
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koseme · 1 year
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Professional in Gardening Fertilizer Koseme is the professional in gardening fertilizer supplier. We are a factory direct sales company that performs product development, manufacturing, trade, and sales.
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fiverevse · 2 years
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#CCS1 Connector#150a ccs1 connector#200a ccs1 connector#electric vehicle (ev) charger manufacturers#news#marketing#advertising#electric vehicle (ev) charger suppliers#travel#business#fashion#Electric vehicles are going to be released in America by different manufacturers in the end of this year. The Chinese consumers will get su#while the charging time should be calculated in hours.#The great weight of the automotive battery makes it impossible to alter#so the hope for quick charging can be complemented only after the establishment of intelligent electric grid. The battery can be charged fo#this is not the only solution. The problem that whether the electric vehicle can be charged quickly or not has already become the question#People already have some plans to achieve the quick charging. An experimental fast charging station has been established in Dutch#which is able to provide the electricity for fifty kilometers within thirty minutes. The Japanese companies are trying to develop the more#eighty percent of the electricity will be reached. The distance between electric vehicle and traditional car will get closer by the similar#which is very realistic.#The lithium battery is used most nowadays. The compound and carbon are two sides of the battery#and numbers of electrolytes are between the two sides. The lithium is running from positive electrode plate to negative electrode plate whe#from negative electrode plate to positive electrode plate when discharging. The speed and amount of the lithium always determine both the c#using the ultra high voltage directly to charge.#Along with the development of intelligent electric grid#the competition of charging service will be fierce as well as the internet and communication industry nowadays. All these will become the f#Fiver New Energy Technology Co.#ltd Specializing in Electric Vehicle (EV) Charger and EVSE Infrastructure solution. It was established because of the growing popularity of#especially for the development of our future green city with the convenience of smart mobility. We share the vision of China Government to#interoperable and sustainable smart charger infrastructure. Browse our website for more details https://fiverevse.com/About-us.html.
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silencedrowns · 10 months
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hi I’m a very long time cosplayer (20+ years experience) who has chronic headache and migraine problems and this is a post about how to prevent your cosplay wigs from giving you painful headaches! Nobody likes wandering around the con in blinding pain and so hopefully this post will help you reduce the chances of this happening.
1. If your wig is way too tight, don’t use it. Get something with a bigger cap. tbh I often wear slightly too big wigs to reduce the pressure! Find out what brands and sellers sell wigs that are comfy on your head and prioritize buying wigs from them! I made a big master list of cosplay wig sellers a while back so here’s a few you might not have known about. Arda (and its Canadian and European sites) sells by far the biggest wigs, but I personally find Classe the most comfortable for my specific head. It’s all very YMMV and it’s totally possible for a wig to not actually be too small but fit your head in an uncomfortable way (Blue Beard on taobao does this to me every time), so just don’t buy from suppliers that do that. Also consider resizing wigs to be larger! For wig clients with extra large heads I like to nip the edge of the wig right behind the ear where your ear and hair from above will cover it and add in a little godet of elastic.
2. Reduce weight! A heavy wig will make head pain much more likely, so here’s a few tips on wig weight reduction!
A) if your wig doesn’t need a ton of volume and is already very dense, rip out some wefts in the bottom half. Anything on the part of your head from the ridge where your head starts going in towards your neck won’t really show unless your wig is very short and it’ll obviously reduce weight instantly! You can replace any missing volume with light crimping or light heat and tease, or leave the wig as is for a natural and silky look without the unnatural volume of a cosplay wig.
B) if you need more volume in your wig, instead of going straight to adding wefts for more volume, see first if combining crimping with heat and tease at the roots will give you the extra volume you need! Crimping or heat and tease adds volume and if you straight up destroy the fiber in the first two inches from the scalp by doing both repeatedly, it’ll add huge volume without you needing to add extra hair! When I do this I like to heat the fiber near the roots, tease it, let it cool, crimp the teased part, let THAT cool, and then brush it out. You can flat out double the perceived volume in the back of the wig this way!
C) if your character has a high ponytail or high pigtails, consider using clip on ponytails that you can easily remove if you need the weight off your head right the fuck now. here’s two tutorials I swear by for making a short wig + clip on combination look more natural! They’re in Japanese but easily comprehensible if you use machine translation thanks to the clear photography. They also help with spreading out the weight on the wig itself, and if your hair is long enough, using a clip on with a fishnet wig cap and clipping through the wig and into your real hair will also he lp make it more secure and distribute weight more evenly.
if your character has high pigtails
if your character has a high ponytail
D) when you need extra wefts, opt for sewing in wefts rather than gluing whenever possible. Glue doesn’t seem heavy but enough of it can make a wig get real heavy REAL fast.
E) redirecting the weight to your entire head and not just the front hairline will feel lighter and give you less forehead tension, which is one of the biggest causes of wig headache. Toupee clips sewn evenly around the edges and a Wig Fix https://therenatural.com (the name brand one, the knockoffs genuinely don’t work half as well) can help with doing this. A Wig Fix will also let you use fewer pins to keep your wig on, which is another cause of wig headache. Can’t suggest trying those enough. There are also some velvet wig grips out there but I find those don’t work quite as well, but they’re by far better than nothing.
3) make sure your wig is easy to remove. A lot of characters have horns or veils or other head things on top of the wig so make sure those can easily come off if you need a wig break! I’m a big proponent of using wig glue or double stick tape to glue strands (face framing layers etc) to your face for a more natural and more flattering look, but if you get headaches from wigs, keep that glue or tape in your bag so if you have to de-wig for a bit, you can get it back on!
4) take the ibuprofen or whatever BEFORE you put the wig on, and not when your wig is already making your head miserable! It’s like taking the ibuprofen before you wear the horrible shoes for a special event; it’s more effective in advance.
5) what are your normal headache triggers? Make sure you’re doing the work to EXTRA avoid them before wearing a cosplay wig. Stay hydrated. Keep up with your electrolytes. If you have any food triggers, make sure you’re managing them properly.
6) try multiple types of wig cap before deciding which ones to use! I’m a big fan of the fishnet kind because I’m in agony every time I try to use the stocking kind. Some people find relief in doing pin curls under their cap, and @/battleangelgif on twitter suggested doing this with damp hair the night before you wear the wig. There are tons of methods! Stretching out fishnet caps can be done more effectively when they’re slightly damp and that’ll make them pinch less. Experiment with what you like best to keep your irl hair in place and once you find a method you like, go for it! Make that your go-to!
7) always remember: wearing a short wig is less miserable than wearing a wig to your ankles. consider very carefully whether or not you can actually handle that wig that’s as long as you are tall. sometimes you just can’t and that’s okay! reduce the length of any super long haired character to hip length and it’ll be FINE. I swear. It’ll still read as super long and it won’t be as terrible.
8) always remember you can just. take the entire wig and cosplay off if you’re in agony. it’s not worth it. don’t do that to yourself. If the migraine hits anyway, just take it off.
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Hope some of this might help you out! Focusing on reducing and redistributing weight is what helps me out the most 😌 feel free to reply or reblog or message with questions and I’ll try and get back to you ASAP!
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bobemajses · 7 months
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The Litvin family - Jewish farmers from Hailar, Manchuria, Chinese Inner Mongolia region
The Litvin family was originally from Irkutsk, Siberia. Life for Jews became increasingly harder there during WWI, so the family moved to Inner Mongolia where the existence of the Chinese Eastern Railway made the pastoral area promising. The family patriarch, Simeon Litvin, was a very skilled farmer. He could accurately determine the age of a horse by its teeth and learned to speak the Mongolian and Tungus languages when communicating with Buryat and Tungus people. So when the family settled in the small town of Hailar on the CER, Simeon quickly made himself at home and gained friends among his suppliers, while still observing Jewish holidays, not working on Saturdays and regularly visiting the Hailar synagogue.
The situation changed dramatically when the Japanese occupied Manchuria in the early 1930s and established the puppet state of Manchukuo, after the Soviet Union sold its part of the railroad to the them. Japanese troops and police became increasingly aggressive, attacking, insulting, and even raping private citizens. They ruthlessly beheaded captives without trials and put their heads on public display. Chaim Litvin, the son of Simeon, had to endure brutal torture and years of imprisonment in a labor camp. After the prison was liberated, Chaim hurried home to Harbin, covering 700 kilometers in only three days. There, he began to breed cattle, got married and built a large farm together with his wife. Chaim worked until in 1959, in the People’s Republic of China, everything was confiscated. With the threat of being arrested by the Communist regime, he went with his family to Israel in 1962.
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tokidokitokyo · 2 months
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埼玉県
Japanese Prefectures: Kantō - Saitama
都道府県 (とどうふけん) - Prefectures of Japan
Learning the kanji and a little bit about each of Japan’s 47 prefectures!
Kanji・漢字
埼 さき、さい、みさき、キ cape, spit, promontory
玉 たま、~だま、ギョク jewel, jade; ball
県 ケン prefecture
関東 かんとう Kanto, region consisting of Tokyo and surrounding prefectures
Prefectural Capital (県庁���在地) : Saitama City (さいたま市)
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Saitama is Tokyo's neighbor to the north. Much of southeastern Saitama is considered a suburb of Tokyo, but the western parts are mostly rural with mountainous forested areas, and include a castle town and the Chichibu-Tama-Kai National Park. Saitama has historically been a fertile agricultural region and is currently the major food supplier for the metropolitan area of Greater Tokyo. Some of the first currency in Japan came from copper discovered in the Chichibu area in the 8th century. Saitama's central location has made it a historical hub for transportation to all parts of Eastern Japan, and the modern radial roads and railroad system are designed for ease of transportation to all parts of Japan. Saitama is also the backdrop to the famous Miyazaki Hayao (Studio Ghibli) film "My Neighbor Totoro."
Recommended Tourist Spot・おすすめ観光スポット Kawagoe - 川越
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Kawagoe
The Edo-period castle town of Kawagoe is also known as Ko-edo (小江戸 or "Little Edo") because of its many traditional buildings dating from the Edo period. The streets have been maintained as-is since the Edo period (1603-1867). The weekends are the most popular times for visitors to gather here and experience the atmosphere, shops, and popular seasonal events. In the third week of October, the Kawagoe Festival is held with a parade of traditional ornate floats and a musical competition.
The Warehouse District is lined with old earthen storehouses, which are unique two-story buildings that have remained unchanged since the days when the city was a major transportation and commerce hub for Eastern Japan. The Toki no Kane, or "Bell of Time," has marked time for the town for centuries, and continues to ring four times daily. Candy Street is a street lined with stores where traditional Japanese sweets are made in the old-fashioned way.
For more recent history, the Taisho-Roman Street has old, retro western-style buildings from the Taisho and Showa areas. There are also no overhead power lines, which makes this a popular spot to shoot many Japanese period films set in these eras.
There are severable notable temples and shrines in Kawagoe, especially Kitain Temple, which was built over 1,000 years ago. This temple has 538 stone statues of Buddha, each with its own face and unique posture. No two statues look alike, and the popular belief is that there is a statue to resemble any visitor to the temple. Kawagoe Hikawa-jinja Shrine is a Shinto shrine dating back to the 6th century that boasts a torii shrine gate that is 15 metres tall. Kawagoe Kumano-jinja Shrine has fortunes, lucky charms, and also boasts the "stepping health road," which is a path to walk barefoot to stimulate the acupuncture points on the soles of your feet for health benefits.
Regional Cuisine - 郷土料理 Miso Potato - 味噌ポテト
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Miso Potato (source)
Famous in the Chichibu region of Saitama, miso potatoes are a well-known winter treat in the area. This dish is similar to a baked potato covered in sweet miso sauce and is traditionally from the rural areas in the mountainous part of the prefecture. It is now a popular street stall snack that combines the sweet and savoury miso flavours with the earthy baked potato texture.
Saitama Dialect・Saitama-ben・埼玉弁
1. むじっけー mujikkee cute
むじっけー猫だね。 (mujikkee neko da ne)
Standard Japanese: かわいい猫だね。 (kawaii neko da ne)
English: What a cute cat.
2. ああみぃ aahmii no good, can't do it (also, ああみ, aahmi)
ごめん、明日ああみぃ。 (gomen, ashita aahmii)
Standard Japanese: ごめん、明日行けない。 (gomen, ashita ikenai) or ごめん、明日はダメ。 (gomen, ashita wa dame)
English: Sorry, I can't go tomorrow. or Sorry, tomorrow is no good.
3. かみぎっちょ gamigiccho lizard
庭のすみっこにかまぎっちょがいたで。 (niwa no sumikko ni kamagiccho ga itade)
Standard Japanese: 庭の隅にとかげがいたよ。 (niwa no sumi ni tokage ga ita yo)
English: There was a lizard in the corner of the garden.
4. うちゃる ucharu to throw away
そこにうちゃるなよ。 (soko ni ucharu na yo)
Standard Japanese: そこに捨てるなよ。 (soko ni suteru na yo)
English: Don't throw that away there.
5. こわい ~kowai hard
このおせんべいこわい。 (kono osenbei kowai)
Standard Japanese: このおせんべい硬い。 (kono senbei katai)
English: This senbei is hard.
*Note: senbei is a Japanese rice cracker
6. えらい erai a lot
今日はえらい食べるな。 (kyou wa erai taberu na)
Standard Japanese: 今日はたくさん食べるな。 (kyou wa takusan taberu na)
English: Don't eat a lot today.
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kokoch4n3l · 6 days
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˗ˏˋ ve kamleya ࿐ྂ "if you want to do something, go fall in love. fulfill your stubborn wish for once"
summary: in which during a deal with overseas businessmen, bonten finds out about your shitty ex from high school
pairing(s): slight bonten x poc!oc, implied mikey x poc!oc
notes: oc is punjabi cuz I said so and this is also kind of a self-insert so... title from my fav hindi song ve kamleya, the video has eng subs btw. dividers by cafekitsune
warnings: dark content 18+, canon typical violence, drug-related business(opium), drug trafficking, slight misogyny, implied/referenced ptsd, past abusive relationship, mean!manjiro, slight insensitivity, blood and gore, implied torture, implied murder, suggestive themes
word count: 3770
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The smoky haze of the dimly lit room hung heavy, casting shadows that danced across the faces of the assembled men. Sano Manjiro, the imposing leader of the Bonten gang, sat at the head of the table, his steely gaze surveying the room with a mixture of authority and calm. Around him sat his trusted lieutenants, each one a force to be reckoned with in their own right. The only woman among them, commanded the attention of the room as she rose to address their guests once again after hours of debate. After all, Sano Manjiro trusted no one else to get this deal done. “I understand the… demand, for opium up in the north of India but you should also know we aren’t lowering our price either” She says in English, tone gentle yet somehow firm at the same time 
Her words hung in the air, a subtle reminder of the strength of their position in the negotiations. The guests shifted uncomfortably, keenly aware of the delicate balance of power at play. "We are prepared to meet your needs," she continued in the same language, her gaze steady. "But it must be on terms that are mutually beneficial."
One man clears his throat and speaks up finally. “You must understand Miss, we have no deficiency of suppliers, especially for opium,” The man says in English with a slight accent behind it as he casually adjusts his gold rings “The stuff from Japan is a lot higher in quality which is why we’re here doing this deal anyway. But we—”
“Because it is a lot higher in quality we cannot lower our price” She interjects with a calm smile “You know, labour costs and all” 
The man's expression tightened, his gaze flickering between her and Sano Manjiro as if weighing his options. Behind him, his companions exchanged cautious glances, sensing the tension in the air. "We understand your position," the man replied finally, his tone conceding to the reality of the situation. "But surely there's room for negotiation."
Her smile remained fixed, though her eyes betrayed no hint of compromise. "Of course, negotiations are always possible," she conceded her voice like velvet over steel. "But we must be clear on one thing: our price reflects not just the quality of our product, but the risks we undertake to supply it."
Akashi Takeomi, silent until now, leaned forward slightly. "Our operations are not without their challenges," he added, his voice low back in the same language, his accent a lot thicker than hers "But for the right partners, we are willing to mitigate those risks."
The men turn to each other and start conversing in another language and at the same time, she quietly translates to Takeomi exactly what they’re saying back in Japanese. She eyes Manjiro who’s standing in front of the large floor-to-ceiling windows of the meeting room. It looked like he was zoned out, staring at the skyline of Tokyo but she and the rest of Bonten knew better than to think that. He was listening alright, even when it didn’t look like he was. The rest were just leaning back in their chairs, bored from the constant debate. “Say, Miss…” One of the men, probably the youngest, says in English with a prominent American accent “I hear you’re from India too. What state?”
She raises her brow at the question but responds anyway. “Punjab”
The other men seem to get excited at her answer. Of course, they would. After all, what language were they speaking this entire time to each other? “Really? I knew I recognized that nose from somewhere” One man switches to Punjabi when addressing her “Women from the north are known for being beautiful. I should have known you were from there”
His change of tone catches Manjiro’s attention and he finally, since the beginning of this meeting, turns to look at the businessmen. He obviously didn’t understand what they said but his instincts were something even the executives were afraid of so she won’t doubt that he had gotten the gist of what had been said. She shifts in her seat, Takeomi and the rest of Bonten looking at her curiously. “As much as I appreciate the flattery, we still aren’t lowering our price” She replies calmly in English, knowing replying back in Punjabi would no doubt make Manjiro aggravated as he liked to know what she was saying at all times
The businessmen exchanged uneasy glances, sensing the shift in the atmosphere. Behind them, Sano Manjiro remained silent, his gaze now fixed on her with an intensity that sent a shiver down her spine. She knew that he was listening, that every word spoken in his presence was carefully scrutinized for any hint of deception or weakness. The youngest of the group seemed unfazed by her response, pressing on with his attempts at charm. "Come on, sweetheart," he said, an American accent thick even when speaking in Punjabi, with arrogance. "Surely we can come to some sort of arrangement."
Her smile tightened, a glimmer of steel beneath her gentle facade. "I'm afraid not," she replied in English, her tone cool and final. "Our price is non-negotiable."
The tension in the room was palpable, the air heavy with the weight of unspoken threats. It’s just then the door of the meeting room opens revealing a new face. “Sorry I’m late, traffic in Tokyo is—”
Manjiro waves the newcomer off. He was obviously with the other businessmen. The other executives are annoyed as hell with the lateness, after all the meeting had been going on for hours already, but don’t mention it as they’re tired. But that’s when Manjiro notices his only female executive has gone still. She’s frozen which is extremely uncharacteristic of her and it worries him. So he does the first thing that comes to mind. “How about we take a break.” He says, voice low and everyone knows it’s not an offer but a command
Manjiro headed for the door of the meeting room and his executives followed behind, Takeomi having to literally drag her to stand at one point. They’re in the elevator. Manjiro eyes her as she removes her red-bottomed heels from her feet, sighing in relief. The elevator is going up to the top floor. “Any weaknesses so far?” Kakucho asks, his voice breaking the silence
“Punctuality apparently” Ran mutters in annoyance 
They all look toward her, wondering what she had to say but instead, she’s silent, holding her heels in one hand, leaning against the elevator wall looking very out of breath. Rindo snaps his fingers in front of her face. “Dude” he says
“Hm?” she looks up at him, uncharacteristically dazed
Usually, she would have snapped at him, kicked Rindo in the shin or threatened to stab him with her heels but no, she didn’t. It was… concerning. Her uncharacteristic behaviour caught everyone’s attention. She isn’t usually like this— quiet, dazed and unconfident. No one is sure what to say, not even Kakucho who was Bonten’s collective impulse control and unlicenced and unpaid therapist. The elevator reaches the top floor and they file out of the elevator, into the private lounge. They watch in silence as she sits on the long circular-shaped couch, her heels dropped carelessly to the floor as she puts her hair up, revealing the hanafuda full moon tattoo on the back of her neck— on the same location as Manjiro has his. Manjiro takes a seat next to her and the rest sit on the couch too, staring. She looks at them, narrowing her eyes a bit. “What?”
“We should be asking you that” Mochi says as he lights himself a cigarette 
Her gaze lingered on each member of Bonten in turn, her expression inscrutable, as if weighing her words carefully before speaking. The tension in the room tightened like a taut wire, anticipation thrumming through the air. "I'm fine," she finally replied, her tone clipped, though the strain in her voice was evident to those who knew her well. "Too many languages just making my head hurt"
The response did little to ease the unease that had settled over the group like a heavy fog. They had seen her weather countless storms with unyielding resolve, her strength a pillar upon which they had come to rely. But now, faced with her uncharacteristic vulnerability, they found themselves at a loss for how to proceed. Manjiro studied her carefully, his keen eyes searching for any sign of deception or weakness. He knew her better than anyone and understood the walls she erected to shield herself from the world. But beneath the facade of stoicism, he sensed a flicker of genuine concern, a vulnerability she had never shown before. “Nah uh,” Sanzu says rolling his eyes “You started being all weird when the motherfucker who doesn’t know how to be on time showed up”
She shifts uncomfortably. It seems Sanzu’s observation was a hit. Her discomfort was palpable, her usual confidence shaken by the blunt observation. She shifted in her seat, a flicker of uncertainty betraying her stoic facade. The others watched her closely, their expressions a mix of concern and curiosity, unsure of how to proceed. Sanzu's words hung in the air, a stark reminder of the tension that had simmered beneath the surface since the newcomer's arrival. She felt the weight of their expectations bearing down on her, the pressure to maintain her composure in the face of mounting scrutiny. "I..." She began, her voice trailing off as she struggled to find the right words. 
She couldn’t find an excuse. But even as she stayed silent, she could feel the disapproving stares of her companions, their silent judgment weighing heavily upon her. Manjiro, ever the astute leader, sensed her distress and moved to intervene. "Enough," he declared, his voice cutting through the tension like a knife. "This conversation is over."
His authoritative tone brooked no argument, and the others fell silent, their eyes darting between her and their leader. “Go back to the meeting the rest of you”
Rest of you meaning, everyone leave and Manjiro and her stay. Without a word, the others rose from their seats, casting one last glance at her before filing out of the room. As the door closed behind them, a heavy silence descended, leaving only Manjiro and her alone in the private lounge. Manjiro looks at her, black eyes a bottomless pit of nothing. “What’s wrong?” He asks
There was no room for reflecting on his question. Manjiro was direct and needed answers as to why his best negotiator had suddenly frozen up in the midst of a deal. “You know him” It wasn’t a question this time but an observation
Manjiro understood the intricacies of their world better than anyone, and he knew the dangers that lurked beneath the surface of even the most seemingly innocuous interactions. The newcomer's presence had disrupted the delicate balance of power, setting off alarm bells in her mind that she couldn't ignore. “I um… I…” She isn’t able to get her words out
He gives her a look. “Tell me” It’s a command
She shifts uncomfortably. She fiddles with her white gold rings, they glimmer under the artificial lighting. “That’s my ex…”
Manjiro raises a brow. Her admission hung heavy in the air, the weight of her revelation settling like a leaden cloak upon them both. Manjiro's expression remained unreadable, though a flicker of concern danced in the depths of his obsidian eyes. "Your ex…" he repeated, his voice betraying no emotion.
She nodded, her throat constricting with the weight of unspoken memories and unresolved emotions. She had hoped to keep her past firmly buried in the depths of her mind, but now, confronted with Manjiro's unwavering gaze, she found herself unable to hide the truth any longer. "He... he wasn't supposed to be here," she stammered, her voice barely above a whisper. "I thought... I thought I could handle it, but..."
Her words trailed off, lost in the suffocating silence that enveloped them. She could feel the weight of Manjiro's scrutiny bearing down upon her, his gaze penetrating as he searched for some semblance of understanding in her haunted eyes. “And what did he do for my best negotiator to react like a psychiatric patient just at the sight of him?”
She shifts again but this time he holds her thigh to stop her from moving. There was no getting out of this conversation. Manjiro always got what he wanted and right now he wanted answers. “I… I dated him in high school”
It’s been years. She knows Manjiro is gonna belittle her for being this way over something that ended years ago but… She spills. She tries her best to tell him vaguely what happened— trying to be as vague as possible but Manjiro just keeps asking for more details. He wanted to know everything and once he was satisfied he pulled out his phone and typed something then threw it carelessly on the table. “Is that why you don’t date or sleep around like the others do?” He asks bluntly “Because of what he did?”
Manjiro looked angry. It was odd seeing an actual emotion in his eyes for once even if it was anger. She gulps. Oh man did she hate her stupid ex right now. It had been years since they broke up or well, since she forced the break up because he refused to let her leave. That stupid asshole traumatized her so badly that now even though she was an executive for Japan’s most ruthless and dangerous gang, he made her want to throw up from fear. “I’m sorry—”
“Shut up” Manjiro says lowly but she keeps going
“No, it was extremely unprofessional and I shouldn’t let my personal feelings come in the middle of work—”
He cuts her off again, grabbing her face and squeezing her cheeks together. Her lips jut out a bit from the action. The tips of Manjiro’s fingers dig into her cheeks and her skin warms under his touch, turning the most endearing shade of pink he’s ever seen. “And what exactly are you apologizing for?” Manjiro mutters looking annoyed
She thinks he might just shoot her, empty his Glock out in her head and get Sanzu or Koko to call the cleaners to get rid of her body and turn her into fishbait. “F-For fucking up the deal…” She tries saying as he squeezes her face tighter with the tips of his fingers
Manjiro chuckles and it has to be one of the scariest things she’s heard in her life. “Wrong. Apologize for dating such an ugly little bitch”
“... huh?”
She thinks she’s hearing things. “You heard me,” Manjiro says nonchalantly “apologize” 
Her heart pounded in her chest as she struggled to comprehend the meaning behind his words. Was this some twisted form of punishment? Or was there something else, something more insidious, at play here? With a sinking feeling in the pit of her stomach, She realized that she was treading dangerous waters, her every move scrutinized by the man before her. And as she searched his eyes for some semblance of understanding, she couldn't shake the feeling that there was more to his demand than met the eye. Sanzu and Rindo often joked that she got away with a lot of things and Manjiro was the most lenient with her. Was Manjiro finally giving her the punishment she deserved for all the other times she fucked up? Oh man, no way she was going to die because of her stupid bitch ass ex. “Hey” He says snapping her out of her thoughts
She looks at him. “The deal is off. I don’t want it to go through anyway”
Her eyes widen at his words. “Wait w-what—”
But Manjiro's expression remained impassive, his gaze unwavering as he met her eyes. There was a hardness in his stare, a determination that sent a shiver down her spine. "I said the deal is off," he repeated, his tone firm.
Her mind raced as she tried to make sense of Manjiro's decision. Was this punishment for her perceived failure? Or was there something else at play, something she couldn't quite grasp? As she searched his eyes for some clue, some hint of understanding, she couldn't shake the feeling that there was more to Manjiro's actions than met the eye. Manjiro's gaze held a steely resolve as she struggled to comprehend his abrupt decision. The implications of the deal falling through reverberated through the room, casting a shadow over their carefully laid plans. But beneath the surface, she sensed a tension, a hidden undercurrent that hinted at something deeper. "Why?" she asked, her voice tinged with confusion and a hint of desperation. "Why cancel the deal?"
Manjiro's expression softened ever so slightly, a flicker of something akin to regret in his eyes. It was a rare moment of vulnerability, one that sent a jolt of uncertainty coursing through her veins. "Because some things are more important than business," Manjiro replied, his voice low and measured.
Her mind raced as she tried to make sense of his cryptic words. What could be more important than securing Bonten's position in the underworld? What could possibly justify throwing away the opportunity they had worked so hard to achieve? But before she can speak, he lets go of her face and his hand slides to the back of her neck, the tips of his fingers now digging into her— his— tattoo. Almost as if he could read her mind he asks, “Are you questioning my authority?”
She doesn’t dare move away from him or shake her no to answer him. Manjiro didn’t like being answered with gestures, he preferred words. “N-No…”
“Good” he says 
Manjiro's hand lingered on the back of her neck, his touch was both possessive and unsettling. She could feel the weight of his gaze upon her, his eyes boring into hers with an intensity that made her breath catch in her throat. His nails slightly dig into the knobs of her spine, right on the tattoo. It doesn’t hurt but it feels hot. One thing Manjiro often reminded her of is that Bonten was his. That included the executives and that especially included her. Her life belonged to him and he clearly wasn’t taking her being afraid of someone that wasn’t him very nicely. “You’re really gonna let a guy like that stop you from ever falling in love again?”
The question almost stopped her heart because it was not what she expected him to ask. She had never expected Manjiro to broach such a sensitive topic, let alone express concern for her romantic endeavours. But beneath the surprise, a flicker of something else stirred within her—a yearning for something more, something beyond the confines of Bonten's ruthless world. "I..." she faltered, her voice barely above a whisper. 
How could she explain the depths of her fear, the scars that her past had left upon her soul? How could she make him understand the tangled web of emotions that had kept her trapped in the shadow of her own memories? But before she could formulate a response, Manjiro's hand tightened on the back of her neck, his grip possessive yet strangely comforting. "You don't have to answer now," he said, his voice softer than before but it quickly went back to being harsh “I am disappointed though”
His hand holding her thigh comes up to hold her cheek now. She’s frozen, unsure of what to do. "How could my executive let a little bitch like that do that to her and not move on for years?" Manjiro's voice was low, his words cutting through the silence like a knife.
Her mind raced as she struggled to find the right words to say. How could she explain the depths of her pain, the scars that her past had left upon her soul? How could she make him understand the tangled web of emotions that had kept her trapped in the shadow of her own memories? But before she could formulate a response, Manjiro's thumb brushed against her cheekbone, his touch both intimate and unsettling. She felt a surge of vulnerability wash over her, a raw honesty that threatened to shatter the carefully constructed walls she had built around her heart. "I... I don't know," She finally whispered, her voice barely above a breath. "I'm sorry..." 
Manjiro's grip on her cheek tightened, his touch both gentle and commanding. He held her gaze with an intensity that made her feel as though he could see straight through to her soul. "Sorry doesn't change the past," he murmured, his voice a low rumble in the quiet room.
She felt a knot form in her stomach at his words, a familiar sense of guilt and inadequacy washing over her. She had spent years trying to bury the pain of her past, to escape the memories that haunted her every waking moment. But now, confronted with Manjiro's unwavering gaze, she couldn't help but feel as though she had failed him in some fundamental way. "I know…" she replied softly, her voice barely audible above the sound of her own heartbeat.
Manjiro's thumb traced a slow, soothing pattern against her cheekbone, his touch a silent reassurance amidst the storm of emotions raging within her. Finally, after a long moment of silence, he speaks up “Fall in love again…”
His words are unexpected but she also makes no move to pull back from him. “Is that an order, Mr. Sano?”
Finally, Manjiro smiles. It’s genuine. Or at least it seems genuine. “Yes. Yes it is”
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“Did you call the clean-up crew?” Ran asks Koko who’s cleaning the blood of his shoes
Koko nods wordlessly, a look of annoyance on his face as he had just bought these damn shoes yesterday. “Let’s go back up” Takeomi says as he lights a cigarette, stepping over a dead body of one of the businessmen
“Maybe not” Kakucho interjects as his eyes are on his phone, cheeks a little flushed
He shoves it into his pocket and shakes his head at his fellow colleagues. For a moment they’re silent until— “fuckin’ hell” Mochi grumbles as he transfers 10 thousand into Ran’s account
“See I fuckin’ told you he’d fuck her” Ran says with a shrug, eyes lighting up at the notification on his phone signalling the transfer had been made and completed
Their conversation is cut out with a loud scream as Sanzu stabs his katana through her ex’s chest. They look towards him and the pink-haired male simply shrugs. 
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shatcey · 2 months
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Chocolate from Kate (Victor/Harrison)
Victor/Harrison (Victor) Ellis/Elbert (Ellis) Alfons/Roger (Alfons) Victor (epilogue)
Kate went into the chocolate store to buy chocolate for the villains as a thanks or something. Harrison followed her (they literally just finished the mission and she ran away from him, so of course he followed her).
While he was trying to figure out what she was up to, Victor came over. Who, as always, teased Harry lovingly. I like their interactions. I wish I had taken screenshots.
Kate finally decided what she wanted to buy, but the seller said that, unfortunately, they were out of stock. Their supplier suddenly stopped deliveries. On Valentine's Day. And the owner was trying to solve the problem right now.
But… Victor never came without a reason, as Harry pointed out. And Victor said basically the same thing as a seller. But with the name of the person who bought all the chocolate. Mr. Brown.
Vic suggests a game. Whoever solves this case first will receive a cake (or chocolate) from Kate. Don't you think you should ask Kate first if she wanted to give anything either of you? As always… Vic has decided, and there's no point in arguing…
And they need to solve this problem because…
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This is a huge problem indeed.
They went to this Mr. Brown's party. But there was one small problem… women are not allowed. So they dressed Kate up in men's clothes and teased her mercilessly along the way.
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In the mansion, they found a table covered with different kinds of chocolate, and people who were discussing something (I did not catch the meaning). But there is culprit, so… something needs to be done about it. And they decided to use a trump card. Kate. She takes off her hat and…..
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How dare they use Silvio's trait. It's so unfair!!!
They moved to another room for a private conversation. Harry, as usual, said that he was a police officer and demanded that the man confess. The guy was definitely not the real culprit, so…
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He's a f*** Grinch! But on Valentine's Day. Poor guy… I feel so sorry for him…
And again… Someone tried to run away…
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But this is his ending… So I don't think so, and Harry agrees with me.
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Kate ran after Victor and told him he was a winner or something. So… they went back to the mention, took the ingredients and cooked together. So cute.
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And he innocently asks
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I wish I knew…
I'm still thinking about buying his epilogue…
So... about event. I like this story more than Ellis/Elbie for several reasons.
First… I like the interaction between Victor and Harry. Vic teases him, but at the same time he is a very proud daddy. And Harry is annoyed, but lets him do it like a good son.
Second… this detective story with disguise and revealing of the criminal was fun and intriguing.
And the last… Vic is so cute here. I mean, most of the time he just laughs and does magic tricks, but here he seems a little more open, not enough to understand him, but definitely enough to pique interest in him. Good job, CyBird!
I don't know Japanese and don't quite understand some of the translations. Thanks to my wild imagination, I can fill in a lot of gaps in the text.
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absolutebl · 1 year
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BL Streaming - Which Service is Worth Your Money?
I’m bored and I have a little extra time this morning so it’s time for ABL to play with the spreadsheet of doom. 
Occasionally I get the question: 
If I were to subscribe to only one platform for BL which should I pick? 
This post is dated May 2023. 
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First things first. I am going to be (somewhat) objective about this and not judge on quality of content. Because if KinnPorsche is all you love in life, obvs you need iQIYI, but if you are a HIStory franchise stan, than it’s all about Viki. Those are your life choices, I’m just here to play numbers games, okay? 
Secondly, some shows air on multiple platforms, particularly Viki & Gaga, but sometimes it’s Gaga & YouTube, occasionally it’s even iQIYI + others. This has only started happening in the last few years. Bed Friend was on 3 different platforms (GaGa, iQIYI, YT) - even though it was originally announced for Viki! I honestly don’t know how to track this, so I tend to log the spreadsheet with my preferred watching platform for that language, this will throw the numbers off for those platforms. 
Since I join everything my platform preference choice is based on:  
the quality of the subs/captions   
the quality of the user experience  
My subs experience tends to be: 
YT = best for Thai
Viki = best for Korean and sometimes Japanese, okay for Thai
Gaga = best for Chinese and sometimes Japanese but very weak Thai subs
My user interface preference is: 
YT, Viki, Gaga in that order then everyone else with iQIYI at the bottom. This is because I watch on mobile devices. 
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ASplay, WeTV, former Line, Amarin TV, Netflix and the other smaller suppliers (and apps) will all be grouped together for this assessment. Since they have so few offerings, by default I would not recommend subbing those platforms unless you are a hard stan of all BL with disposable income. 
Super bad BLs that I watched back in the day on grey sites or YT (pre 2020 crack down) because there were no other options and I am a completest are still listed as grey. I would never suggest anyone watch these shows anyway, so I don’t care if they have now shown up on legitimate sites. If they are somewhere, it’s likely Gaga. Which means Gaga’s percentage of the market share is probably UNDER reported by my numbers. 
Movies and cinema-only releases that never got international distribution fall into the “grey” category. If I got it off an indie subber, since that too is technically illegal, it falls into the grey category as well. 
Final note: This is from a USA based IP, I don’t use a VPN, so platforms assessments are from that perspective. 
Spring 2023, current state of the spreadsheet. AKA 
Our BL Data Set 
Total # of BLs = 564
# of BLs ongoing (so finished runtime is best guess) = 18 
Just Answer the Damn Question 
Round Number of Actual BLs - % of market share
YouTube = 218 - 38.6%
Gaga = 148 - 26.2% 
Viki = 77 - 13.7% 
Grey = 53 - 9.4% 
BLs I’ve never been able to find on any platform (including grey): 36 - 6.4% 
iQIYI = 14 - 2.5% 
Other platforms = 12 - 2.2% 
Margin of error: +- 1% (look I’m just not driven to be that accurate here)
Subscription Platforms Breakdown  - % of market share
Eliminating YouTube, Grey, and missing BLs. Viki is included because I do not know which of theirs are behind the paywall and which are not. 
Total subscribe-only BLs: 257 
Gaga = 59%
Viki = 30%
iQIYI = 6%
Sml sites/apps = 5%
(rounded) 
Okay but how about actual runtime? 
Gaga = 360 hrs - 44% 
Viki = 311 hrs - 38% 
iQIYI = 98 hrs - 12% 
Sml sites = 50 hrs - 6%
Anyway you cut it... on pure BL standards...
GAGAOOLALA WINS 
Other consideration? In most places Gaga is ALSO the cheapest per month option. 
Final Thoughts
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YouTube (America’s Alphabet) 
YT has the most pieces of content and longest overall runtime because of all the Thai stuff. ALSO bootlegs show up there, especially the early Chinese and Japanese stuff. They will often get taken down and you have to hunt for it again. YT takedowns come in waves, every 6 months or so.
However, GMMTV, some Star Hunter, some Studio Wabi Sabi, all the Vietnamese & Pinoy stuff (until now), and a few choice bits of Strongberry are YT content.
YT’s app is the best UX of a poor set (for me), but the web based YT at Premium level doesn’t work with Firefox. I use YT for work A LOT, so the fee for Premium ($13.99) and lack of ads + downloads (travel) is worth it for me, but I think it probubly isn’t if you’re on a budget. 
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GaGaOOLaLa (Taiwan’s Portico Media) 
Of the pay to play platforms, GaGa dominates with the most BLs by all metrics. If you’re intersted in darker BL, GL and other queer content, very high heat, the history of the genre, or Japanese stuff - most of that is on GaGa. Also all of Strongberry and some of the newer queerer series (like My Ride).  
At $6.99 a month it’s ALSO one of the cheapest options. 
Gaga is based out of Taiwan, the only Asian country with marriage equality (as of 2022) AND it specializes in exclusively queer content so they need our support. If you can afford them, you should support them. GaGa is the only platform that will always have more BL, guaranteed (so long as Taiwan is autonomous). Ironically, you can follow their YT channel for previews and teasers to their latest series, short content, and acquisitions. 
Their app isn’t great, but their web-based interface is fine. That said: there’s no categories (way to organize), and the way they roll out new episodes is unintuitive. Their mobile app ALWAYS pauses not mater what you actually want it to do and the lack of the quick skip ahead is frustrating. 
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Viki (Japan’s Rakutan)
Viki specializes in longer series, mostly Thai, Taiwanese, and a few of the Chinese bromances. It also now has a lot of KBLs. But in general only more recent stuff (2018 is as far back as they go).
At $4.99-$11.99 depending, it’s low to average cost. I’m not sure which one (if any) you actually need for BL. Most of my favorite new shows tend to air on Viki, and I like Rakutan as a parent company, so I don’t mind supporting them. 
They happen to have 5 of my top ten BLs, which is A LOT (since I hand out 10/10 so rarely). So for me they host the objective best BL content. 
They have the second best app (after YT, it’s kinda a combo of YT + Netflix) but the lack of a speed-up option is frustrating for many. Also the desktop version is super buggy. But they DO have categories you can name and control, which I love.
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Other Platforms 
iQIYI - is Mainland China based (hello Baidu, you ugly fucker), so the platform getting/pimping BL for an international audience only is… how do I put this?… oh yeah: shitty. I will often rename it Icky, for this reason. It clearly wants to break the market, but… do we want it in the market at all? How long will they host BLs? When will they be shut down and censored? I would say it’s only worth it if you really also like Chinese dramas. And even so, Viki also has A LOT of those. Unfortunately for us, Wabi Sabi seems to have cut a distribution deal with Icky. And, of course, there is the KinnPorsche situation (so ironic that Icky hosts the highest heat). The interface is a nightmare. They have the WORST app, even when you pay, it serves ads, some of which alpha crash the platform. 
Netflix - here in the states it almost never has new BL content. Sometimes some old stuff. They tested the waters with SOTUS and Love Sick. I have a feeling they aren’t particularly intersted in this market. So if BL is what you watch, don’t bother. At last check they still had Gameboys and Your Name Engraved Herein and Wish You. 
WeTV - acts like LineTV used to, has Manner of Death and We Best Love and a few of the more obscure Thai pulps. But probably not worth it for anyone but a completest. 
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Grey - Unknown or No Distributor 
Indie subbers: there’s some BLs that you can watch by supporting indie subbers who supply private links to their personal versions. This is not legal, but it is a slightly nicer way to get stuff you can’t find anywhere else. I’ve done this for some Thai and Japanese stuff.
I find the leads for these sources here on Tumblr. If someone is giffing and talking about a show and I don’t know how they are getting hold of it, I simply ask.
DramaCool (USA) & Dailymotion (France) & Bilibili (China) and others - AKA the grey space. You SHOULD feel guilty using these sites, you’re stealing, but it’s where many of us go for BL we can’t find anywhere else (in defiance of what few morals we have left). These are BLs that originally sold to very odd platforms or never got international distribution. Unfortunately, some of my favorites are in this category like Great Men Academy or Seven Days. It’s a nightmare. The ads are terrible and the virus/bug risk is high. They get taken down all the time. Or the leads are faked. I use an old computer to access and suggest you take all necessary precautions yourself.
P’ABL SOAP BOX TIME
Look I work tangential to the entertainment industry, so if you thought I wasn’t going to learn you a little on this subject, you got another think coming. 
HERE’S THE THING: 
You watch a show on one of the grey platforms, ESPECIALLY if it actually has distribution on Gaga or Viki - you better review that shit. You spread the word and advocate for that content here, on MDL, on social media, with fan art, I don’t care. You steal it, you find a way to pay back in your time and/or creativity. 
I get it if you’re poor, but don’t be a goddamn scab. Find a way to reward content creators with non-monetary support. If you had the time to watch the thing you stole, you have time to pay it forward in some substantial way. Do this even if you didn’t steal it but got it for free. Do this if you read fanfic. Do this with articles, blogs, books. Do this with podcasts. 
It isn’t hard to be a decent human and support creators. Don’t you dare just TAKE. If you’re that kind of person stop reading this blog immediately. I don’t want anything to do with you and you don’t deserve my words or my spreadsheet of Doom. 
/rant 
MORE ON THIS TOPIC WITH FOLLOW UP QUESTIONS
Original post on this subject that I adapted for this post. 
(source)
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silvermoon424 · 2 months
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Hello! I really want to get into collecting sailor moon merch but I was wondering if you had any tips? you've been doing this for a long time so I was hoping you could share your wisdom lol
You came to the right person! I've been collecting anime merch since 2011 and have a lot of experience with collecting in general. Some tips I have are:
It's better to buy one big/expensive thing you really like rather than a few smaller/less expensive things you only kinda like.
Prioritize shopping at Japanese sites (especially for vintage things) or direct suppliers like BigBadToyStore rather than buying from English-based sites like eBay and (US) Mercari. There are a lot of great deals on eBay, but you can often find things for cheaper on sites like Yahoo Auctions Japan, Surugaya, and Mandarake.
If you really, really want something that's being released now or in the near future, do your best to buy it right away. Once the official supplier's stash is gone, you'll be at the mercy of the reseller's market and their prices are often way more than sticker price.
Try to map out where you're going to display everything once you get it. My collection grew slowly over time, and I only just recently bought actual display cabinets. I would definitely suggest investing in display cabinets from the start (I got some good ones from IKEA, which is by far the best budget-friendly option)
Just collect what you want! Who cares if you have 20 figures of Sailor Jupiter and nothing else. It's your collection and your money.
I personally unbox everything I buy, but I do collapse and save the boxes just in case I need to resell the item down the line. Having the box will increase the figure's value, but that doesn't mean you can't display it.
That's all I could really think of off the top of my head!
EDIT: @desperatecheesecubes mentioned MyFigureCollection, to which I have to say: YES omg, I can't believe I forgot to shout out MFC! Not only is the site great for tracking your own collection, you can search for merch of individual characters (including alternate forms) to see what you'd like to track down. Also, oftentimes people will advertise that they're selling a figure/plushie/etc on the product page, so it's great to watch pages for rarer items to see if a seller will pop up.
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jameswilly98 · 10 months
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SUSHI FOOD DELIVERY:-
Tastemastersllc is a caterer that make the Korean, Japanese and Chinese food. We present the wide range of pure Japanese food in which the ingredient includes sushi, sauces, soups, rice, and noodles. We cater most of the places and supply ingredient that is imported from Japan. To know more info: https://tastemastersllc.com/japanese-food/
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uwmspeccoll · 11 days
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It’s Fine Press Friday! 
Today we’re taking a look at our 1987 Limited Editions Club release of poet, diplomat, and Nobel laureate Octavio Paz’s (1914–1998) Three Poems. Published as a bilingual Spanish-English edition of selections from The Collected Poems of Octavio Paz, 1957-1987 (translated by Eliot Weinberger, the primary translator of Paz’s work into English), this prodigious publication measures 56 cm and features lithographic illustrations by abstract expressionist painter and printmaker Robert Motherwell (1915-1991). The text was handset at Stamperia Valdonega (Verona, Italy) in Bauer Bodini Bold and Bauer Bodini Bold Italic typefaces, both of which were cast by Fundicíon Tipográfica Neufville (Barcelona, Spain). Lithographs were printed at Trestle Editions on hand-made Japanese papers and text was printed at Wild Carrot Letter Press (Hadley, MA), Stamperia Valdonega, and The Heritage Press on mould made paper from Cartiere Enrico Magnani (Pescia, Italy). It was hand-sewn and bound at the Garthegaat Bindery.  
The book was designed by Benjamin Shiff, LEC book designer and son of Sidney Shiff, who had purchased the debt-ridden Limited Editions Club in 1979. Under the leadership of Shiff, a one-time Wall Street broker, the LEC gained a broadened subscription base, increased the quality of their publications, diversified their roster of artists, and returned to profitability.   
Though minimal and modern in presentation, the production of this edition plumbed the depths of printing history. The Magnani paper mill was established on the banks of the Pescia river (known for its clear water- a necessity for paper production) in 1404, half a century before Gutenberg’s printing press was first put to commercial use. And the Fundicíon Tipográfica Neufville (operational 1885-1995), also known as Neufville Typefoundry, was the biggest 20th century supplier of the printing industry in Spain. After a number of ownership transfers, the company, alongside  Bauersche Gießerei (a German typefoundry, operational 1837-1972), was succeeded by Bauer Types, which would leverage ownership of the rights to many of the original typefaces from both foundries to lead the way from lead type production to digital typography.    
--Ana, Special Collections Graduate Intern
View more Limited Editions Club posts
View more lithography posts
View more Cartiere Enrico Magnani posts
View more Stamperia Valdonega posts
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alpaca-clouds · 8 months
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Western Cyberpunk and Techno-Orientalism
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Okay, let me speak about something that apparently was not well known to a lot of people, given I got some comments on it on my "History of Cyberpunk" story.
There is a reason for Western Cyberpunk being so heavily clad in the aesthetic of Japan. I chose the Blade Runner graphic above, because it shows it so very well. With a Japanese Geisha aesthetic in the ads we see in the world. But even in those early books that came to influence the genre so much, we can see it. With people working for Japanese companies. With Japanese companies as the antagonists. And of course our individualistic punky protagonists might get called "Street Samurai" and "Code Ninja". And no, the reason was in fact not: "Japan is so hecking cool and they got all the technology." Because, as you might notice: The antagonists tend to be connected to Japanese Megacons.
The background to this is the economic boom of post-war Japan. Originally as the second world war ended, the US saw an opportunity to use Japan as a country that would produce all sorts of parts, that then could be used for American productions. And, compared to Germany, the US was also a lot more "hands off" with Japan for several reasons. But, yeah. Japan was supposed to be a supplier mostly of electronic parts for the US.
But from the US' point of view it worked a bit too well. Because Japan became really, really good with the electronics stuff. So good in fact that instead of producting part for the US, they soon started to produce their own electronic products that got sold internationally then. Leading to a boom of the Japanese economy.
And this economic boom was so big, that Japan soon enough began investing into the ecnomy outside of Japan. Aka: Japan bought shares in Western companies - at times even the majority share.
One of the to me most speaking details is, that at a time the Rockefeller center was owned by a Japanese company. And with the US economy at times struggling at the time (after the initial post-war boom was over9, while Japan's economy was constantly rising, it seemed.
And Japan was obviously "other". It was not Western culture. This idea of collectivism that very much defined Japanese economy of the time was in direct opposition to the hyper-individualistic ideal of the USA.
And hence there was a constant anxiety that Japan would just... take over the USA/the west. Which then for Cyberpunk translated into this idea that there were Japanese companies everywhere and Japanese company structures being mirrored as well. With people talking to each other with honorifics and what not.
But of course there is also the fact that this is not just the fear of being taken over by the "evil" collectivist Japanese, but also a very superficial understanding of Japanese culture as a vaguely defined "other". Which is what makes this entire thing kinda iffy. Because it just turns this thing into a very iffy trope.
Ironically, of course, people just kept it also unquestioning in the genre, even though that the fear - after the 90s brought the economic collaps in Japan - does no longer seem realistic.
But, yeah... I know that a lot of fans of the genre, who were predisposed to anime and the (still orientalist) idea of how cool Japan is and never saw all the Japanese stuff in Cyberpunk and were like "Wow, this is awesome!" But... when the genre was created, it was actually part of the dystopia.
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solradguy · 1 year
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HELIOGENOMS A•D - Denki Akiba (Zanzibar circle)
Starts with a Jellyfish Pirates story by GOBANJMA featuring Dizzy. The rest of the art seems to be by Denki Akiba and has Johnny, Anji, Chipp, Millia, and May, then a short story featuring Sol and Axl. It concludes with a story about Order Sol and Ky. The doujinshi supplier I bought this book from included what seems to be a convention flyer by Akiba, dated 2001, May 05th, for Comiket, featuring a sketch of Mystina (Meltina in Japanese) from Valkyrie Profile, which is included at the end of the PDF.
PDF ON NEOCITIES
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