#Kavita Krishnamurthy

[tumkaafiho]

एक दिन मनचला भँवरा आ गया

खिल उठी वो कली, पाया रूप नया

पूछती थी कली, ये मूझे क्या हुआ

#aaj ka gaana #music #kavita krishnamurthy #rd burman

[dhar1990]

Singer Kavita Krishnamurthy says "Hawa Hawai" from 'Mr India' is an example of Javed Akhtar’s intellectual creativity: 'My mother felt that I have gone mad' | Hindi Movie News

The iconic track “Hawa Hawai” from ‘Mr India’ is unforgettable for all movie lovers. It explored a new style and version of actress Sridevi, and the funny elements were gratifying for music listeners. The jumpy effects and modulation in the song have been attributed to the playback singer Kavita Krishnamurthy. In a recent interview, the singer has opened up about the giggles and laughter in this…

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#javed akhtars #kavita #kavita krishnamurthy #pak

[microlyric]

कृष्णा गोविंदा मुरारी Krishna Govinda Murari Song Lyrics- Majboor (1989)

Hello friends if you are Looking Krishna Govinda Murari song lyrics then you landed right place so don’t worry relaxed and enjoyed the Majboor (1989) movie all songs lyrics peacefully at one place. You can find and read this lyrics easily in any smartphone and Tablet such as Samsung, Motorola, Sony, Xiaomi, Vivo, Oppo, LG, Huawei, Asus, Lava, Micromax, iTel, Nokia, Oneplus, iphone, HTC and other…

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#Jaya Prada #Jeetendra #Johnny Lever #Kader Khan #Kavita Krishnamurthy #Krishna Govinda Murari #Majboor (1989) #Sunny Deol #T-Series

[lyricsbest]

Bin Tere Sanam Lyrics In Hindi | बिन तेरे सनम

Bin Tere Sanam Lyrics In Hindi | बिन तेरे सनम

Presenting Bin Tere Sanam Lyrics in Hindi from bollywood hindi movie Yaara Dildara. The song is sung by Udit Narayan & Kavita Krishnamurthy and music given by Jatin- Lalit. Lyrics of the song is written by Majrooh Sultanpuri. Starring Asif, Ruchika, Kader Khan, Shakti Kapoor & Others in lead roles. Bin Tere Sanam Lyrics In Hindi Song Details – बिन तेरे सनम SongBin Tere SanamSingerUdit Narayan…

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#Asif Sheikh #Hindi Songs #jatin lalit #Kavita Krishnamurthy #Majrooh Sultanpuri #Ruchika #Udit Narayan #Yaara Dildara

[bollywoodmixtape]

Song: Aye Sanam Tere Liye Movie: Karma (1986) Starring: Dilip Kumar, Nutan, Naseeruddin Shah, Jackie Shroff, Anil Kapoor, Anupam Kher, Sridevi, Poonam Dhillon Music: Laxmikant Pyarelal, Lyrics: By: Anand Bakshi Singers: Dilip Kumar, Mohammad Aziz & Kavita Krishnamurthy

-- Aye Sanam Tere Liye | Karma | Dilip Kumar | Nutan | Mohammad Aziz, Kavita Krishnamurthy | 80's Hits (via Tips Official)

#Karma #Aye Sanam Tere Liye #Dilip Kumar #Mohammad Aziz #Kavita Krishnamurthy #Laxmikant Pyarelal #bollywood #pop #1986

[ramayantika]

I was in no mood for studying. Every time my eyes glanced at the page of my textbook, I would try to understand the concept, but my efforts were in vain. All the words flew above my head, and my mind was cluttered with a hundred different things.

I was humming a tune with my feet tapping to the beats. My fingers tried to rotate an empty pen flawlessly as my mind raced with thoughts about the upcoming tests, with catchy tunes from Instagram reels serving as the background music.

Sighing, I placed the pen on my open notebook, scribbled with equations and definitions, and grabbed my phone from my bed. I peered outside the window, silently admiring the quiet roads of my society. It was 11 p.m., and I could see a few balconies lit with golden LED lights that looked warm and cosy.

Below my window were green bushes and jasmine plants that were filled with white buds, ready to bloom at dawn. I plugged my earphones into the phone and opened YouTube to play my favourite go-to songs to soothe my mind.

And just like that, my body began swaying to the familiar tunes, and a smile graced my lips. Deciding that I could no longer stop myself from dancing, I quietly locked my room from the inside and unplugged my earphones.

Opening my braid, I let my hair fall loosely down my shoulders. Admiring the curly ends that had formed because of the tight braid, I smiled at the mirror and admired myself in the mirror.

Dressed in a long grey sleepwear T-shirt and black capri, I wasn’t a sight to behold at eleven in the night, especially for someone who had spent all her day studying. I looked exhausted after all the mental labour my brain had to do, but the open hair and the light breeze from the window did make me feel a little refreshed.

Aankhon ki gustakhiyan came up, and I grinned at the mirror. I twirled in the room as gracefully and quietly as I could. Kavita Krishnamurthy’s part came up a while later, and I was ready with katakamukha mudra to enact a woman shyly opening her veil to her beloved.

Aankhon ki sharm-o-haya maaf ho

Tumhe dekh ke jhukti hain

Uthi aankhen joh baat na keh saki

Jhuki aankhen woh kehti hain

I pretended to peer down while darting my eyes for a second at my imaginary lover in the mirror at the last line. Taking another twirl, I began practicing a few hand combinations for the instrumental part while practicing an easy-going, graceful smile in the mirror.

Quickly lining my eyes with kajal and applying a bindi to the centre between my eyebrows, I hurried back to the middle of my room, which acted as my imaginary stage, and giggled to myself while blushing hard for the upcoming stanza.

Kajal ka ek til tumhare labon pe laga loon

Haan chanda aur suraj ki nazron se tumko bacha loon.

I dabbed some kajal from the corner of my eyelids and applied it below my lips, and then I acted to be completely besotted with my beloved.

Har dum tumhe sochti hain

Jab hosh mein hota hai jahaan

Madhosh yeh karti hain

Moving my fingers around my kohl-lined eyes, I closed them a little and curved my wrists in a spinning motion to show the state of being drunk in love.

My eyes for a second moved outside the window and went downwards at the bushes when I found a boy staring up at me. I gasped and averted my eyes while scurrying back to the door to calm my racing heart.

I counted the rapid beating of my heart until ten and tip-toed to the window again. Hiding half of my face behind the curtain, I peered down the window to check if the boy was still standing there or not.

He was!

“No use hiding. I have already seen you. You dance really well.”

Blushing at the compliment and at my embarrassment, I replied, “Thanks.”

“What’s your name?” The boy asked.

The white lights were dim, and some were already switched off. I could barely make out the boy’s appearance. I could spot a bike and the boy standing beside it, all dressed in a sleeveless grey tank top and black trousers. His hair tousled because of the wind, probably from the bike ride, and his face was half hidden thanks to the dim street lights; he looked no less dreamy.

I wondered how I hadn’t seen this guy before.

“Sameera. Yours?”

“I will tell you if you agree to meet me at the society park tomorrow evening. I am new here, though.”

Taken aback and slightly amused at his forwardness, I said, “I have my dance class in the evening.”

“When does your class end?”

“At 6.30 PM.”

The boy thought for a while before saying. I silently looked at him, wondering what in the fictional novel world I had actually seeped into when he looked up at me again. “I will see you around 7 then. Goodnight.”

Passing me a two-finger salute, he sat atop his bike and sped off towards D-wing. After a minute, I tapped my head and stood in front of the mirror to contemplate what had happened in these ten minutes. Aankhon ki gustakhiyan had finished a long time ago, and Dekha ek khwaab had begun playing.

I rolled my eyes while trying to hide the bright smile on my lips as I glanced at my reflection. Hiding my face in my palms, I closed my textbook and notebook. Placing them on their rightful shelves, I made my bed, and with a strange, warm smile, I went to bed. My mind was now fixed on the boy on the bike outside the window.

***

Taglist: @alhad-si-simran @ramcharantitties @jukti-torko-golpo @navaratna @krishna-priyatama @inexhaustible-sources-of-magic @krsnaradhika @kaal-naagin @houseofbreadpakoda @aesthetic-aryavartik

This was supposed to be a short story par nahi hua so maybe with enough motivation I might just end up writing this in parts to fuel my writing with end sems kyunki dimag isn't dimaging well :(

IT'S 1 AM NOW?? HOW BYE I WILL GO SLEEP AND WAKE UP TO STUDY TOMOROW

Also if you want to be added in the taglist, do let me know

#samridhi writes #desiblr #stories #romance #fluff #my writing

[zeherili-ankhein]

So.... I said fuck it and made a playlist of Bollywood songs dedicated* to Jily for all the desi jily fans out there

James and Lily but make them Desi – Pootatu on Spotify

The songs I have included

Zoobi Doobi – Sonu Nigam, Shreya Ghoshal

Gulabi Aankhen – SANAM

Lutt Putt Gaya – Arijit Singh

Tumhe Jo Maine Dekha – Abhijeet, Shreya Ghoshal

Tere Naina – Shankar Mahadevan, Shreya Ghoshal

Achha Lagta Hai – Mohit Chauhan, Shreya Ghoshal

Pretty Woman – Shankar Mahadevan

O'Meri Laila – Atif Aslam, Jyotica Tangri

Naina Da Kya Kasoor – Amit Trivedi

Haule Haule – Sukhwinder Singh

Manwa Lage – Arijit Singh, Shreya Ghoshal

Tu Jaane Na – Atif Aslam

Titli – Chinmayi, Gopi Sundar

Jab Se Tere Naina – Monty Sharma, Shaan

Wo Ladki Hai Kahan – Shaan, Kavita Krishnamurthy

Apna Bana Le – Sachin-Jigar, Arijit Singh

Ghorey Pe Sawaar – Sireesha Bhagavatula

Dagabaaz Re – Rahat Fateh Ali Khan, Shreya

Some Bengali songs I also added just because I wanted to

Rimjhim E Dharate – Shaan, Shreya Ghoshal

Mor Bhabonare – Saptarshi Mukherjee, Sahana Bajpei

Sajani – Nilayan Chatterjee

Tomar Pichu Charbo Na – Nahid Hasan

I dunno why I typed every song out like wtf is wrong with me?? Anyways I might add more songs in the future idk

*all the songs doesn't relate to Jily but those songs gives me the vibes of Jily

@foreignink lol

#james and lily but make them desi #jily #james x lily #james potter #desi james potter #lily evans #lily evans potter #harry potter #desi happy potter fans #desi jily fans #if the marauders were desi #desiblr #desi tumblr #desi teen #desi tag

[vakarians-babe]

✨9 Ship Songs✨

Rules: List nine songs for one of your ships (or some permutation of ships that equates to nine songs in the end)

I got tagged by both @shivunin and @brother-genitivi so it is time! I, also, didn't want to pick just one ship, so have an assortment of my DA ships below. If there aren't nine songs, keep the wizardry of your numbers to yourself. I don't want to know how to count. I thought about explaining how each song relates to each couple but then this post would be twice as long, so you will have to guess.

Talvinder 💙 Alistair

Aankhon ki Gustakhiyan - Kumar Sanu and Kavita Krishnamurthy May the impertinence of my eyes be forgiven... They look at you just a little; and what my tongue longs to speak, that is what they tell you.

Wide Eyed - Cold Weather Company What if I lose all sight and ambition? What if my heart weakens my vision? What if all I need Is right in front of me? I could die in your arms, I could die.

Aislin 💔 Isabela

Shrike - Hozier The words hung above but never would form- like a cry at the final Breath that is drawn. Remember me, love, When I'm reborn: As the shrike to your sharp and glorious thorn.

The Blackbird - Silly Wizard Oh if I was a blackbird, could whistle and sing I'd follow the vessel my true love sails in. And in the top rigging I would there build my nest And I'd flutter my wings o'er her lily-white breast.

Aislin ❤️‍🩹 Sebastian

Archers - Ballroom Thieves Well, you can let your arrows sing. I've never met a man of iron skin But you know, archers never made good kings: Fly headfirst into everything.

King of All Birds - Aoife O'Donovan Get up, get up Get it together and climb on up To the top of the tree. I'm an owl now, a lonely owl: Who, who, where, what, why, when? How the hell did I get this far without you? Pull my feathers one by one, Put 'em in your pocket when I'm gone.

Elodie 💛 Varric

Love Me Tender - Elvis Presley Love me tender, love me true All my dreams fulfill. For, my darling, I love you And I always will.

Amen - Amber Run 'Cause I see You in the daytime, and I hear You at night There's a pale imitation burnt in my eyes. I don't wanna be here, I don't know what to do. Sometimes I'd rather be dead, at least then I'm with You.

La'ara 💚 Cullen

I'd Pluck a Fair Rose - Anne Dudley, Eleanor Tomlinson I'd a-pluck a fair rose for my love, I'd a-pluck a red rose blowin'. Love's in my heart, I'm tryin' so to prove What you heart's knowin'.

The Rockrose and the Thistle - The Amazing Devil 'Cause I'll darn you back together When you think that you're bereft And you'll wail, you'll scream, but I'll never stop 'Cause it's all that I have left

Tagging: @ottobooty @zevrn @palipunk @tatert07s @creaking-skull @isayashai

#tag game

[tumharimummykibahu]

when taylor swift sang dont want no other shade of blue but you and when arijit singh sang ye laal ishq ye malaal ishq and when arijit singh sang rang de tu mohe gerua and when mohammad rafi sang gulabi aankhein jo teri dekhi sharaabi ye dil ho gaya and when kavita krishnamurthy sang humpe ye kisne hara rang daala

#arunima kuch bhi bolti hai #bollywood #Colours as metaphors>>>

[theinfinitedivides]

listening to the PS:2 soundtrack again in an attempt to bite the bullet and psyche myself up to watch both films back to back in August(? that's the goal at least, if i get to watch it earlier even better) and i have been stuck on Veera Raja Veera for an hour and a half. i have also figured out my personal ranking for all versions of the song at last and it went about as well as i would have expected. it started to get too long for the f*cking tags tho so i decided to put in this post, we'll see how it goes from here—list is in order from least liked to most liked btw

5. going to start this off by saying i'm so so sorry to Gulzar but it's something about the rhythm for me. the lyrics are lovely but the way they are lining up with the music in the Hindi version,,,,,,, or failing to in certain parts,,,,,, it's not it. it's not it. it does well in the first minute or so and then heads downhill from there, and tbh it's not his fault i think it's just the sheer amount of syllables that they have to fit in compared to the original? and with that in mind it's not going to sound the same, obviously, but what salvages it from being a complete disappointment is the way we got both Shreya Ghoshal and Kavita Krishnamurthy as a duet in this year of our Lord 2023. Kavita, who still sounds the same as she did on the Dil Se soundtrack singing Satrangi Re and the Hum Dil De Chuke Sanam soundtrack and the Devdas soundtrack and the Yaara Dildaara soundtrack and the K3G soundtrack with Bole Chudiyan and Shreya Ghoshal who is a pleasure to listen to on practically everything she touches (Bajirao Mastani and Rab Ne Bana Di Jodi and that aalap just before her verse with Kavita here i'm looking at you) and— *inhales* *exhales* ok. do appreciate them letting Kavita take the 'चुन चुन चुन चुन / जाली रे जाली चिंगारी' portion in the Hindi translation bc she sounded beautiful there. (she always reminded me of Lata in that regard i think, and for some inexplicable reason i've by extension connected the two of them to Zohra Sehgal in some of her roles)

favorite line — 'दुश्मन पे टूटे जब | बिजलियों का वीर' / 'dushman pe toote jab | bijilyon ka vaar'. this is one of those times where the rhythm works in their favor and works well, and it leads perfectly into the rest of the verse imo. also @ that one guy going 'योद्धा~~' / 'yodhaa~~' at the very end of the song ty for your service

3. in contrast to the rhythm problems of the Hindi the Kannada recording is very smooth? i don't know if that makes sense as someone who doesn't speak the language but it's like water. like water in a stream just one after another going over the stones in the riverbed as it passes or the waves lapping against the side of the ship or the gentle sound wind chimes make when they hit against each other in the lightest breeze—the phrasing doesn't feel forced (ty Jayant Kaikini sir) and the syllables match the music as well as the original. ofc Rakshita Suresh and Sivasri Skandaprasad have a part to play with their solos in this sounding as good as it does, despite its ranking on my list (which will be explained in the next entry), and while i expected nothing less from Rakshita after Kirunage, this is the first i'm hearing from Sivasri and she blew me away. i had to listen to it several times to be able to tell them apart, and i might still be wrong bc their voice color is very, very similar, but they took what Rahman gave them and made it their own. (is it Rakshita that starts and Sivasri that continues? i'm thinking that it alternates between them with Sivasri ending that portion)

favorite line — 'ಮಳೆಗರೆವಾಗ ಬಾಣ | ಅಡಗಳು ಎಲ್ಲಿ ತಾಣಾ' / 'malegarevaaga baana | adagalu elli thaana'. this is where the river analysis stands out to me bc this feels like putting pebbles said river into a tumbler and rolling them over and over until they come out smooth and polished and just. right. (i am using the word smooth a lot to talk about the Kannada version sksksksk but can you blame me)

3. technically Malayalam and Kannada tie for third place on here (there is no fourth place. there is 4.75th place rounded up to fifth place and that belongs to the Hindi entry as previously stated) but Malayalam has the slightest edge for me. in terms of sound/pronunciation it's the closest to the original—i know most scholars believe that Malayalam descended from Tamil and split early on, so that might have something to do with it, but it sounds like a perfect cross between the flow of Kannada and the strength of the Tamil and ugh. pair that with Srinivas featuring and Shweta Mohan taking on that solo (by herself!!! and eating that sh*t like it was a duet!!!) and Rafeeq Ahamed as the lyricist and i play it almost as often as i play the original. (i was almost half expecting to hear the extension at the end in this version, that's how good it was)

favorite line — 'കടലിൽ ചുഴലി പോലെ | തവ നൗക കളിരമ്പി' / 'kadalil chuzhali pole | thava noukakalirambi'. i am in love with what Shweta does here, especially with the latter half of the line ('... നൗക കളിരമ്പി' / 'noukakalirambi') since she just heads straight into the 'വൻകടൽ...' and for some reason that is so auditorily pleasing to me. i don't have any rational thoughts behind that that's just how it is. her aalap before her verse is also breathier/softer than Shreya's if that makes sense but it fits her perfectly

2. Telugu. holy f*ck, Telugu. you put Shankar Mahadevan (i don't think i've ever heard him sing a bad song. ever. at least not what i've heard) and Chinmayi (Tere Bina???? Mayya Mayya???? Titli???? i'm still not over any of them from her????) in the same song you make every f*cking verse rhyme almost exactly courtesy of Chandrabose if Kannada is the sound of water then Telugu is pure silk and honey and the feel of something melting in your mouth and you expect me to stay alive? the actual f*ck? admittedly i may be biased bc one of my OCs is Telugu and i have been putting Telugu covers from my Bollywood playlist on loop for inspo but uh Rahman what the f*ck. what the f*ck am i supposed to do with that kind of genius

favorite line(s) — 'సమరం శ్రుతించైరా శిఖరం స్పృశించైర' / 'samaram shruthinchaira shikharam spushinchaira' & 'విధిగా తెగించైర | విధినే వదించైర | విలయం దరించైర | విజయం వరించైర' / 'vidhigaa thegincheyraa | vidhine vadhincheyraa | vilayam dharincheyraa | vijayam varincheyraa'. the f*cking alliteration? hello? also the 'veera raja veera' at the end of this version in particular gives me full body chills bc there is someone going up with the harmonization every time there's a new line. i don't know who it is but he's (they're? could be multiple vocals) going up and i am crying shaking throwing up on the floor having a spiritual experience etc etc

and finally 1. the top spot. the place where everything has been leading through this long ass piece that i have put you to suffer through

and ykw Tamil is pretty much self-explanatory i think: we bring Shankar back as we should but this time K.S Chithra (Asoka!!! Main Prem Ki Diwani Hoon!!! Bombay and Thoda Thoda from Indira/Priyanka and the live version of Jiya Jale that Rahman did in Dubai!!!) and Harini (also sang for Indira/Priyanka and featured on Varayo Thozhi from Jeans) are with him and Ilango Krishnan's lyrics take over and flatline me on the f*cking operating table. before it flatlines me however i break into goosebumps every time i hear it start, bc lbh it is impossible not to when you have the f*cking vocals coming in like 'காணீரோ? நீர் காண் | சோழ வெற்றி வாள் ஒன்றை காணீரோ? | ஓ அழகிய பூவே! செல்லுதியோ | மலரிடு போ சகி!' if you stay sane during that opening you are a liar get off my feed unfollow and block i don't want you anywhere near me for the next six years or however long it takes Mani Ratnam to make his next masterpiece. no coherent thoughts head empty MV playing on loop he and Rahman own me now they have the copyrights

favorite line (had to split everything into two blocks bc Tumblr was tryin to f*ck up my sh*t) — 'எம் தமிழ் வாழ்க வாழ்க! | வீர சோழம் வாழ்க! | நற்றமிழ் வாழ்க வாழ்க! | நல்லோர் தேசம் வாழ்க!' / 'em thamizh vaazhga vaazhga! | veera sozham vaazhga! | natramizh vaazhga vaazhga! | nallor thesam vaazhga!'. technically this isn't my favorite favorite line bc i have to do a seperate ranking for that below + it's exclusive to the Tamil version and i am trying to make this a wholistic review but. it's f*cking up there let's just say that. i think i mentioned in the tags of a different post of how i've been doing genealogy research and (in the process) tentatively confirmed the possibility of there being some South Asian descent from my dad's side, specifically Tamil or Telugu based on the stories/timeline of French occupation in the Caribbean and portions of the Indian subcontinent, and there's something in me that shifts every time we get down to the last twenty or so seconds and this hits. i don't know what it is, truly—maybe the remnants of the genes of my ancestors and their pride for their land, their language—but it's there and it's loud and if it's the right day at the right time i will start crying btw. full on sobbing like a little bitch. you didn't ask but i told you anyway

after all of *motions* that, i am also offering a bonus ranking of the section of VRV that makes me rewind every f*cking time it comes on in every language, bc it featured heavily in creating my eventual rankings and i would be remiss to not mention it. so here have this additional dive into my thought process during these trying times of hyperfixation rip

'आंधी से तेज़ | तूफ़ान से तेज़ | चुन चुन चुन चुन | जाली रे जाली चिंगारी | अंग अंग अंग अंग | लागे रे लागे अंगारे' / 'aandhi se tez | toofaan se tez | chun chun chun chun | jaali re jaali chingaari | ang ang ang ang | laagey re laagey angaare', Hindi — still at the bottom of the list here, but the inflection during the repetition ('chun chun chun chun' and 'ang ang ang ang') salvages it somewhat. nothing else to say it about it otherwise, since i already addressed Kavita's voice here earlier

'വാക്കാകെ നീ കാറ്റാക നീ | ശര ശര ശര ശരമേയ്ക | വേൽമഴ നെയ്തിട് | റ പറ പറ പറ വിറകൊൾക | പായട്ടെ പായ്വഞ്ചികൾ' / 'vaakkaaka nee kaattaaka nee | shara shara shara sharameyka | velmazha neythidu | para para para para virakolka | paayatte paayvanchikal', Malayalam — taking that third place as always, but its tied partner in the general rankings is higher up in this list for a change. i think the very last part ('പായട്ടെ പായ്വഞ്ചികൾ' / 'paayatte paayvanchikal') is what throws me off tho bc of the way they distributed the line, since on the first listen i was expecting them to go 'paayatte paayvan-chi-kal' and they chose 'paayatte pa-ay-van-chikal' instead. it's not like it decreases the overall quality of the song or anything it's just a very specific hang up i have. who knows maybe my preferred pronunciation would have f*cked with the meaning and we do not want that

'సుడిగాడ్పులా అడుగేయరా | సర సర సర సర | శరమే తనువే తాకగా | చర చర చర చర | చెలరేగాలి వేగంగా' / 'sudi gaadpulaa adugeyyaraa | sara sara sara sara | sharame thanuve thaakagaa | chara chara chara chara | chelaraegaali vegangaa', Telugu — this ties with Malayalam for third place and, much like it, my quirk is specfically with the last part ('చెలరేగాలి వేగంగా' / 'chelaregaali vegangaa'). my preferred is 'chelare-gaali ve-gan-gaa', they gave me 'chelare-gaa-li ve-gan-gaa'. again, not an issue, this is just me, i'm sure they knew what they were doing otherwise they wouldn't have recorded it like that in the first place

'ನೀ ಜ್ವಾಲೆಯು ನೀ ಗಾಳಿಯೂ | ಸರ ಸರ ಸುರಿವ | ಮಳೆಯಂತೆ ಶೂಲಗಳು | ಭರ ಭರ ಭರ ಭರನೆ | ಭೋರ್ಗರೆವ ಪಂಜುಗಳು' / 'nee jwaaleyu nee gaaliyuu | sara sara suriva | maleyanthe shoolagalu | bhara bhara bhara bharane | bhorgareva panjugalu', Kannada — there are at least two portions here that sound eerily similar to the original and that is why this version has moved up to spot two. it takes that water comparison i made and uses it to its advantage so much and it rotates in my mind like a rotisserie chicken at just at the right angle and it's just!!!! it's just!!!! God pls keep me from putting this in my mouth and biting it's too good

'கூற்றாகிச் செல்... | காற்றாகிச் செல்... | சர சர சர சரவெனவே | மழை தான் பெய்திட | பர பர பர பரவென | பாயட்டும் பாய்மரம்' / 'kootraagi sel... | kaatraagi sel... | sara sara sara saravena | velmazhai thaan peidhida | para para para paravena | paayattum paaimaram', Tamil — when this hits i blank out and come to at random intervals. cannot pinpoint the time the place etc but it happens and when it does i go f*cking feral. this one i am indeed putting in my mouth and biting bc the entire thing from 'para para...' onwards??? more alliteration more alliteration more f*cking alliteration. i remember someone making a post on here that said that certain parts of VRV sound like pearls bouncing off of the floor (was it @mizutaama? i apologize for the tag but i think that was you) and i think this is what they were referring to but my ears are that f*cking floor. i thank God every day for that

anyway mutuals (and non-mutuals who are just as obsessed about PS as i am) i'm sorry for clogging your feed with my opinions on a film i haven't even watched properly, pls feel free to roast me about my ranking choices. or agree but it doesn't really matter at this point bc even tho i could be talking out of my ass in terms of actually speaking said languages (i,,,,, do not unfortunately) i've said what i needed to say sksksksk

#film: ponniyin selvan ii #ponniyin selvan ii #ponniyin selvan: ii #ps:2 #ponniyin selvan #veera raja veera #jayam ravi #sobhita dhulipala #mani ratnam #a.r. rahman #kollywood #tl:dr: local gay takes that specific 'கூற்றாகிச் செல்... / காற்றாகிச் செல்...' section of Veera Raja Veera #and uses it as the base for their personal ranking of all five versions solely based on how it is translated and sung #writes an essay about it chooses their favorite lines from said versions that are not That One and posts it to tumblr.com .txt #look!!! i actually dragged myself away from streaming Shinee long enough to complete this thing that i've had #sitting in my drafts for weeks (the language analysis that is)!!! #it is f*cking hilarious at this point simply bc this is nowhere near the order of the rankings for Ponni Nadhi #like the list for that is upside down. dare i say inverted almost #i might do something for it as well in this same format idk but #doing this for VRV made me realize that every other language (except Hindi bc they have a diff version of the line) #pronounces 'soora' as 'shoora'. i think Malayalam's 'shoora' is the least pronounced and is almost ambiguous. almost not quite #you could mistake it for 'soora' but there's just enough aspiration(?) there to tell you that it's not. Telugu's 'shoora' too #the aspiration almost completely disappears when listening on Spotify it's much more prominent on Youtube #this feels like i should have posted it on my studyblr but i think i'll just reblog it there instead

[livelaughlovechai]

happy new year bitches

#happy new year #desi #desi tumblr #desi shitposting #all is not well #this is my year #Spotify

[celestial-sapphicss]

bet you could sometimes find all of the mysteries of the universe in someone’s hand - benjamin alire sáenz

Heart & Li Ming, Moonlight Chicken // Dil Ka Bhanwar Kare Pukar, Mohammed Rafi // Sam & Mon, GAP // Tu Hi Re, Hariharan & Kavita Krishnamurthy // Palm & Nueng, Never Let Me Go // O Mere Dil Ke Chain, Kishore Kumar // Jong Chan & Seung Hyun, The New Employee // Chaar Kadam, Shaan & Shreya Ghoshal // Kiyoi & Hira, Utsukushii Kare // Kal Ho Naa Ho, Sonu Nigam // Jim & Wen, Moonlight Chicken // Mere Haath Mein, Sonu Nigam // Tinn & Gun, My School President

Translations:

Dil Ka Bhanwar Kare Pukar, Mohammed Rafi

Now take my hand,

allow me one drink from your gaze

For the promise of this new journey

You are what makes me feel intoxicated

Oh, hear the symphony of my love

Tu Hi Re, Hariharan & Kavita Krishnamurthy

if you don't come, if you break my wish there

I will leave this world here and now

my life and death, i have given in your hands

O Mere Dil Ke Chain, Kishore Kumar

although, I can control myself

even if I have fallen.

but if you hold my hand,

I can change this world.

Chaar Kadam, Shaan & Shreya Ghoshal

without saying much,

without listening to anything,

taking your hands in mine,

a few steps, just a few steps,

come walk with me.

Kal Ho Naa Ho, Sonu Nigam

Someone who loves you with all their heart

is difficult to come by.

Should there be someone like that?

They're the one for you, the most glorious of all

You must take their hand,

For all you know, tomorrow might never be.

Mere Haath Mein, Sonu Nigam

When I have your hands in mine

I have with me the heaven divine

This world is nothing when you're close

I want to get destroyed/lost in your love

#vi.edits #moonlight chicken #midnight series #gap the series #never let me go #the new employee #utsukushii kare #my school president #becauseigtf #usersufa #bollywood songs x 2023 watched! #web weaving #idk what this is LOL #i didn't know who else to tag 🥺 #there are web translations pardon me

[microlyric]

ढूंढो ढूंढो इधर उधर Dhundoo Dhundoo Idhar Udhar Song Lyrics- Majboor (1989)

Hello friends if you are Looking Dhundoo Dhundoo Idhar Udhar song lyrics then you landed right place so don’t worry relaxed and enjoyed the Majboor (1989) movie all songs lyrics peacefully at one place. You can find and read this lyrics easily in any smartphone and Tablet such as Samsung, Motorola, Sony, Xiaomi, Vivo, Oppo, LG, Huawei, Asus, Lava, Micromax, iTel, Nokia, Oneplus, iphone, HTC and…

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#Dhundoo Dhundoo Idhar Udhar #Jaya Prada #Jeetendra #Johnny Lever #Kader Khan #Kavita Krishnamurthy #Majboor (1989) #Sunny Deol #T-Series

[ineveryspaceandtime]

hi hi 💗

i was curious to know your answers to question 15, 23 & 26 for the music ask game!

hope you are having a lovely day/night ✨

thank you for the ask! 🫶

15. three songs you want to dance with your love to

23. three songs that never fail to get you pumped up

these ones are all in my baby, we were born to... playlist! no guesses what that playlist is for lol

26. three favourite non-English songs

that last one is probably a bit of an odd choice bc it's sacred music, but i think it's one of the most beautiful pieces ever written.

thank u for indulging me 🥺 hope your day's going great! 💞

#lux.txt

[neoneun-au]

#back on my bullshit #gotta rewatch devdas but my days off are too busy 😭😭😭 #mads.mp3 #Spotify

[chameli]

I was tagged by @tsupertsundere in a getting to know you meme. Thank you so much, I love doing these 🩵

LAST SONG - Ek Ladki Thi from Love You Hamesha (2001) - This song is absolutely dreamy and magical. Kavita Krishnamurthy's vocals are flawless as always. It's truly an underrated gem from the good old days of A.R. Rahman. Sonali looks absolutely beautiful in the video. I love the desert theme going on, especially how Akshaye Khanna's character is portrayed as this mysterious lover who Sonali wants to take her away. It really fits the vibe of a story I'm working on.

CURRENTLY READING - Oh boy. I have so many books in my queue I can't even answer this question. I have a pile of books to read in real life and also on my archive.org account. Please pray for me 😭

CURRENTLY WATCHING - Peach Girl (2005). I'm almost done with it, and while I can't say it was an easy watch, I definitely enjoyed it. Next on my list is NANA (2006) and DN Angel (2003).

Tagging @shahrukh-khan @singinprincess @goblinsbriide @bloop-monster @orchidreign @nowordsareneeded and anyone else who would like to do it. You know the drill 😇

#tag game #about me #thank you so much for the tag Vi! this was fun!