阿修羅城の瞳 中島かずき
K. Nakashima Selection Vol. 2
論創社
装幀=鳥井和昌
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❤️❤️❤️
New Kill la Kill illustration to celebrate the series' 10th anniversary!!!!!
An anniversary pop up shop will be held in Tower Records from March 15th - March 24th!!!!
Lineup of merch at the pop-up shop included badges, acrylic stands, desk mats, T-shirt, etc!!!
❤️❤️❤️
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Wait, the guy who made Gurren Lagann, Kill la Kill and BNA also made Fourze?
Why didn't anyone told me about this?
(makes perfect sense though)
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Ashura (2005)
My rating: 5/10
It's fine, I guess, but there's nothing very engaging or unique about it - I kind of got distracted for a bit in the middle, and I had no trouble following the plot afterwards. Also, that one sex scene is just interminably long, to the point where it just gets really awkward to watch.
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i’m sure i’ve said something to this effect before (if not this verbatim lmao) and tbh it’s probably gonna sound even more unhinged than usual but like. something i really love about ttgl is the way it’s structured? like. obviously it’s got 4 main arcs, as signified by the characters who get the title cards for each (kamina, nia, rossiu, and simon). and a hugely defining factor of each is simon’s relationship with (and love for, since love is a huge theme in the show) whoever the “focus” character is. and i also like to think of it as it representing 4 different types of love? like kamina obviously being brotherly/familial love, and nia being romantic love, and rossiu being platonic love, and simon being self-love, as well as his general love for the people around him and humanity as a whole - also served in part by the 3 characters from the previous arcs being largely absent in his. but what REALLY gets me is that. platonic love is the penultimate arc; it’s right before self-love!! his relationship with rossiu is the one that challenges simon before he’s capable of achieving his final form; it’s essential to who he is and it’s necessary for their victory and it’s just. so damn important. and i don’t think it was intentionally made this way or whatever, it’s just something that makes it easy for me to connect with the show personally. so i think it’s neat!!
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BLCD Review: Ikigami & Donor
Title: Ikigami to Donor (イキガミとドナー)
Author/Artist: Yamanaka Hiko
Shop: CD + Manga
Release Date: 2021/12/03
Cast:
Nakajima Yoshiki x Saitou Souma
Yamashita Seiichirou + Kawanishi Kengo
Kobayashi Chiaki
Yashiro Taku
Komada Wataru
Hayashi Miho
Shiozaki Tomohiro
Higa Ryosuke
Abe Ryouma
Torashima Takaaki
Oota Kensuke
Nakashima Takuya
Fujita Mami
Miyama Mari
Souya Kazuki
Synopsis:
"Your blood and flesh, all of it is mine." An ikigami and a healer, together their souls support each other, blooming into love...
In the distant future, ordinary teacher Yoshino learns that he is a "donor" for the strongest species, the "ikigami." These warriors are tasked with protecting the country. "The unique ability of a donor is to use their bodily fluids to heal ikigami." Yoshino learns this fact and is shocked. Thus, Yoshino is forced to live with Kidou... At first, he is like a beast, demanding Yoshino's bodily fluids, but slowly, the underlying loneliness begins to show...
"Someday, if I met a donor, could they come to love me? That thought is the only reason I survived..."
Review Proper
I can’t believe Yamanaka Hiko’s been terrorizing me for over twelve years now. OH MY GOD I’M SO OLD. And true to the Yamanaka Hiko brand, this turned out to be another fantasy masterpiece (read His 500 Years of Suffering Romance). This was definitely the type of thing that would do great even without the BL aspect of it. Now, I did have an issue with Kidou being an asshole (he's almost killed Yoshino more than once), so I’m not excusing it. But I do get how and why he turned out to be like that and I'm aware that it's important for his character development. The world-building was great, don't get me wrong, but it's definitely dubcon 2015. I would strongly advise you not to get into it if that's a deal breaker for you.
Anyway, onto the voice work.
Souma used a tone so close to Gucci's that I kept imagining Gucci being Yoshino. Yes, I didn't read the manga while listening to the BLCD. It was like after graduating Karasuno, Gucci went on to become a teacher, then a donor lmao. His Yoshino panics more like Honda-san, however, so my final verdict is that his Yoshino is half-Gucci, half-Honda-san.
This isn't Nakajiki and Souma's first rodeo, but I'm glad to say that their performance/dynamic here is different from Mikeneko and XL Size. I expected Kidou to be a mix of Amano and Anaconbayashi-kun 'cause the former was cocky and the latter was stoic, but Kidou was only 50% of that mix and 50% brooding, suffering, I'll-protect-you top. Am I even making any sense? Again, I listened to the BLCD first, but the sound direction they gave Nakajiki was very different from what I thought he'd sound like after I read the manga. It’s almost like what happened with OnoD’s expressive Hasebe-kun in the Kotonoha BLCD vs the more stoic Hasebe-kun in the manga.
The voice work of our two leads was 👌. This might just be my fave out of their pairings 'cause the sex isn't over-the-top like XL Size and Mikeneko. I will say that I wasn't completely sold on Yamashita Seiichirou as Shibata-san 'cause I feel like he speaks too slowly, but I'm sure it'll grow on me by the time I listen to their spin-off. KawaKen was fine. My heart broke for him every time Shibata-san rejected him, so it's safe to say he's got Taki-kun down already.
Oh. I did have a slight issue with the sfx too. Why was it so watery??? Lmao. Even r18 otome cds aren't that wet. But it's not so glaring that it'll turn you off.
The BLCD was almost perfectly accurate to the manga. I highly recommend this to those learning mid to higher levels of Japanese. Futekiya has licensed volumes 1 & 2, so please try to support the official release if you can. I'd be lying if I said that I agree with how they translated it so... literally?, but I think it's also important to see how things are translated that way if you're aiming to dip your toes into translation aside from studying the language. For example, they used "Living God" throughout the manga instead of "Ikigami." It's correctly translated, but I personally prefer retaining the original title. You know, like how Viz uses "Kaiju no. 8" instead of "Monster no. 8?"
God knows if I'll ever survive the spinoff that I wanted to work on. I avoided talking about it for a reason lmao. Anyway, if y'all liked this, then please give 500 Years (Ono Yuuki x Suzuki Tatsuhisa) and Shortcake no Ichigo Sawaranaide (Nojima Hirofumi x Takeuchi Ken). These two are android bls and Ikigami to Donor is more guide bl, but they both share a futuristic vibe.
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"Gurren Lagann! Spin! Who the hell do you think I am?"
Gurren Lagann Ep. 01 - "Bust Through the Heavens with Your Drill!"
Key Animator: Yoh Yoshinari (吉成 曜)
Storyboards: Hiroyuki Imaishi (今石 洋之)
Episode Director: Masahiko Otsuka (大塚 雅彦)
Screenplay: Kazuki Nakashima (中島 かずき)
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Trying to decide if this is one of the worst episodes of Metallic Rouge or the best.
Here's the thing, okay? On the one hand; it still sucks that this show has a beautiful silver-haired butch who's a revolutionary and they made her both straight and the bad guy. (Said butch, Jill / Silvia, would probably be my favorite character if she had more screentime. I wish she was developed beyond being Metallic Rouge's version of Magneto.) It sucks that The Joker, Baybey has continued to be an important character and that they're now having him nominally switch sides because he's such a little heehoo rascal.
In general this show's writing is just really bad, and it seems like what we're building up to is a Nakashima Kazuki-style endgame twist where the last episode or so turns into the various rival factions uniting against an outside threat, which seems to be the Usurpers in this case. Now, most of the shows Nakashima has written scripts for can get away with this because they're so heavily vibes-based. No one but the extremely deluded think of Kill la Kill or Promare as sophisticated theses on important issues. For Metallic Rouge...I don't know. To draw a comparison to yet another Nakashima show I feel like I'm reacting to this a way not wholly dissimilar to how people reacted to Brand New Animal in terms of its writing just absolutely not working in the slightest.
On the other hand; this episode was gay as shit and I really loved the fight scenes. I don't want to just wave every criticism I just wrote off with "so who can say if it's bad or not?" but Metallic Rouge really does work better when it's focusing on character writing as opposed to trying to make all these la-di-da sociopolitical statements where it clearly has no fucking idea where it's talking about. So yeah, the bit where Naomi quite literally rips her own heart out to give it to the dying Rouge to keep her alive did work on me, I'm gonna give them that, it was a pretty great scene. Do that and the several other scenes I liked, most notably Silvia's confrontation with Rouge, make up for the show's broader writing deficiencies? I wouldn't go that far, but I think if this does end Nakashima style with everyone setting aside their differences to fight the ooh scary aliens (IDEALLY WITH THE NEANS BEING LIBERATED AS A SIDE EFFECT? JUST A THOUGHT) that wouldn't be the worst thing, it might be the *best* possible way for the show to end at this point.
I guess we'll find out next week, given that that the final confrontation is right on the horizon.
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Hello! I'm a huge KLK fan! And I was curious about something with Ryuko's backstory, this is super small but I'd like to ask about something. When Ryuko explains her backstory, she's shown at a point to be standing with a group of delinquents- and then in the next scene- now standing alone with them all injured and scattered across the ground. Like- HOW-? Did she get betrayed or was she becoming too violent...??
Hi there!
It's just my interpretation—I'm not aware of any concrete background information regarding these particular shots—but I never got the sense that the group was ever particularly friendly with Ryuko or that it was her gang or anything like that. A newspaper ad introducing Ryuko's character, written by screenwriter Kazuki Nakashima himself, says this:
Ever since I could remember, I was alone.
I had no advantage but my will to win.
Only I could protect myself.
That was what kept me going.
The living sailor uniform I wear
will see this maiden’s will through.
What’s this living sailor uniform anyway?
That I’m wearing it is the strangest thing of all.
But even so, that’s fine.
As long as I beat these guys,
It doesn’t matter how I look.
That’s the spirit of Matoi Ryuuko.
So, my impression is that Ryuko's partnership with Senketsu is so strange to her partly because she's never had that kind of camaraderie with anyone before. The folks in that first image up there were never her friends, even if they could all be considered "juvenile delinquents."
That's just how I see it, though!
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Obscure Animation Subject #54: Gurren Lagann
Originally posted on Twitter on April 14, 2023.
Produced by Gainax, written by Kazuki Nakashima and directed by Hiroyuki Imaishi, it takes place in a fictional future where Earth is ruled by the Spiral King, Lordgenome, who forces mankind to live in isolated subterranean villages.
It focuses on two teenagers, Simon and Kamina, who live in a subterranean village and wish to go to the surface. Using a mecha Lagann, Simon and Kamina reach the surface and start fighting alongside other humans against Lordgenome's forces, before fighting their true enemy.
It ran for 27 episodes on TV Tokyo between April and September 2007, with films released in 2008 and 2009. It received acclaim from critics, sitting at at 100% on Rotten Tomatoes, based on 17 reviews. The critic consensus calls it, "a humorous spectacle appreciate by anime fans."
It’s not as well-known now as it was then, but it was a pop culture staple. It led to the foundation of Studio Trigger, with Gurren Lagann's visual humor and style inserted into their work. Shigeto Koyama, who designed worked this show, designed worked on Big Hero 6.
It definitely defined anime in the late 2000s, and while it only last one season, its legacy still made a lot of importance. Definitely an important piece of mecha anime and Gainax history. It is one of several science fiction anime to receive a 100% rating on Rotten Tomatoes.
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Take as long as you need! I know university/college can be stressful. I’m a junior in college myself. Make sure to take breaks, eat, and get proper rest.
On another note….
My roommate made me watch Promare. She apparently watched it over the summer and loved it. So she made me watch it two days after we moved into the dorm. (Literally just barely a week ago) It’s SO good. The music is even better! If you get the chance, watch it.
I just get so burnt out that I need to sleep and nap a lot before getting recharged.
As for the Promare, yeah people recommended it to me, but to be perfectly honest, I ended up absorbing a lot of information secondhand so now I have no interest in watching it. Along with the fact I'm not the biggest fan of Hiroyuki Imaishi's and Kazuki Nakashima's style of story telling so I'll be skipping it.
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Anime NYC 2023 - Both 'Gurren Lagann movies' are heading to theaters for the 15th anniversary
(Featured Image Source: ©Kazuki Nakashima, Hiroyuki Imaishi, Project GURREN LAGANN / Aniplex / Fathom Events)
Get ready to pierce the heavens and go all out as another major anime milestone is nearly here, with the Gurren Lagann movies celebrating their 15th & 16th anniversaries with a return to the theaters.
Gurren Lagann is an anime fan-favorite mecha series created by Gainax and co-produced…
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SORTING HQ CHARACTERS INTO UNNECESSARY CATEGORIES
because I like sorting things for no ducking reason
🏔
Hanayama Kazumasa (setter at Wakutani)
Higashiyama Katsumichi (wing spiker at Johzenji)
Kageyama Tobio
Maruyama Kazuki (wing spiker at Tsubakihara)
Shibayama Yuuki
Yamaka Mika
Yamagata Hayato
Yamaguchi Tadashi
Yamamoto Taketora
Yamasaki Ryouji (captain and ace of Kiyokawa)
Yamashiro Souji (wing spiker at Sarukawa)
🏝
Ginjima Hitoshi
Kawashima (teammate of Hinata’s middle school team)
Matsuhima Tsuyoshi (middle blocker at Wakutani)
Nakashima Takeru (captain at Wakutani)
Sakishima Isumi (Nohebi)
Terushima Yuuji
Tsukishima Kei
Ushijima Wakatoshi
Wajima Tomokazu (libero at Sarukawa)
🌊
Himekawa Aoi
Kawanishi Taichi
Kawashima (teammate of Hinata’s middle school team)
Kawatabi Shunki (pineapple head at Wakutani)
Koganegawa Kanji
Kurokawa Hiroki (after picture of drug abuse captain at Karasuno)
Matsukawa Issei
Nurukawa Yoshiaki (middle blocker at Kakugawa)
Oikawa Tooru
Onagawa Tarou
Soekawa Jin
Tamagawa Hiroki (wing spiker at Tokonami)
🙆🏻♂️
Kentarou Kyoutani
Kotarou Hitaki (coach of All Japan’s Boy’s Youth Team)
Koutarou Bokuto
Rintarou Numariji (wing spiker at Johzenji)
Rintarou Suna
Tarou Onagawa
Yuutarou Kindaichi
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