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#Loretta Young
emeraldexplorer2 · 2 days
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Loretta Young, 1940's.
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tyronepowerblog · 3 days
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Tyrone Power and Loretta Young on the set during in a scene in Second Honeymoon (1937)
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gatabella · 17 hours
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Loretta Young by John Rawlings, US Vogue, Jan. 1941
Loretta Young, soon to be seen in Lady From Cheyenne. Here in an outfit co-starring chocolate-brown and blue. Celanese sharkskin slacks, jersey blouse. Saks-Fifth Avenue. Straw hat; Lilly Dache. Max Factor Hollywood Pan-cake Make-Up
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rosepompadour · 6 months
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LORETTA YOUNG as EMPRESS EUGENIE "I think she lived in a kind of fairy tale, fascinated by her extraordinary destiny." - Augustin Filon on Eugenie
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lindadarnell · 4 months
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Loretta Young and David Niven in THE BISHOP'S WIFE 1947 | Henry Koster
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filmgifs · 4 months
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Loretta Young and Cary Grant in THE BISHOP'S WIFE 1947 | Henry Koster
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classicfilmsource · 4 months
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Loretta Young and Cary Grant in THE BISHOP'S WIFE 1947 | Henry Koster
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vintage-every-day · 3 months
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Loretta Young was noted for her ethereal beauty and refined, controlled portrayals of virtuous and wholesome women.
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artedevintage · 2 months
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Loretta Young & Clark Gable in 'The Call Of The Wild' - 1935
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hotvintagepoll · 30 days
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Propaganda
Loretta Young (The Farmer’s Daughter, The Stranger, Love is News)— Her cheekbones!! Her lips!! Her big eyes and small nose and not quite classical features!! The planes of her face hypnotize me and her smile clears my mind of anything else. She’s an interesting beauty, not a standard one, almost in a Mads Mikkelsen type way (I repeat: cheekbones). Also I’m begging people to watch The Farmer’s Daughter, a charming rom com where my babygirl Joseph Cotten falls through the ice while skating because he got distracted by how pretty she was, and where Loretta puts on a 40s-bad Swedish accent and runs for Congress! Girlboss!
Marlene Dietrich (Shanghai Express, Witness for the Prosecution, Morocco)—its marlene dietrich!!!! queer legend, easily the hottest person to ever wear a tuxedo, that hot hot voice, those glamorous glamorous movies.... most famously she starred in a string of movies directed by josef von sternberg throughout the 1930s, beginning with the blue angel which catapulted her to stardom in the role of the cabaret singer lola lola. known for his exquisite eye for lighting, texture, imagery, von sternberg devoted himself over the course of their collaborations to acquiring exceptional skill at photographing dietrich herself in particular, a worthy direction in which to expend effort im sure we can all agree. she collaborated with many other great directors of the era as well, including rouben mamoulian (song of songs), frank borzage (desire), ernst lubitsch (angel), fritz lang (rancho notorious), and billy wilder (witness for the prosecution). the encyclopedia britannica entry im looking at while compiling this propaganda describes her as having an “aura of sophistication and languid sexuality” which✔️💯. born marie magdalene dietrich, she combined her first and middle names to coin the moniker “marlene”. she was a trendsetter in her incorporation of trousers, suits, and menswear into her wardrobe and her androgynous allure was often remarked upon. critic kenneth tynan wrote, “She has sex, but no particular gender. She has the bearing of a man; the characters she plays love power and wear trousers. Her masculinity appeals to women and her sexuality to men.” in the 1920s she enjoyed the vibrant queer nightlife of weimar berlin, visiting gay bars and drag balls, and in hollywood her love affairs with men and women were an open secret. she was an ardent opponent of nazi germany, refusing lucrative contacts offered her to make films there, raising money with billy wilder to help jews and dissidents escape, and undertaking extensive USO tours to entertain soldiers with an act that included her a playing musical saw and doing a mindreading routine she learned from orson welles. starting in the 50s and continuing into the mid-70s she worked largely as a cabaret artist touring the world to large audiences, employing burt bacharach as her musical arranger.
This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Loretta Young:
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[additional propaganda submitted under the cut.]
"ms dietrich....ms dietrich pls.....sit on my face"
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"First of all, there are those publicity photos of her in a tux. Second of all, I have never been the same since knowing that she sent copies of those photos to her Berlin lovers signed "Daddy Marlene." Not only is she hot in all circumstances, but she can do everything from earthy to ice queen. Also, she kept getting sexy romantic lead parts in Hollywood after the age of 40, which would be rare even now. She hated Nazis, loved her friends, and had a sapphic social circle in Hollywood. She also had cheekbones that could cut glass and a voice that could melt you."
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Bisexual icon, super hot when dressed both masculine and feminine, lived up her life in the queer Berlin scene of the 1920s, central to the 'sewing circle' of the secret sapphic actresses of Old Hollywood, refused lucrative offers by the Nazis and helped Jews and others under persecution to escape Nazi Germany, the love of my life
Her GENDER her looks her voice her everything
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“In her films and record-breaking cabaret performances, Miss Dietrich artfully projected cool sophistication, self-mockery and infinite experience. Her sexuality was audacious, her wit was insolent and her manner was ageless. With a world-weary charm and a diaphanous gown showing off her celebrated legs, she was the quintessential cabaret entertainer of Weimar-era Germany.”
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"The bar scene in Morocco awoke something in me and ultimately changed my gender"
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"Her manner, the critic Kenneth Tynan wrote, was that of ‘a serpentine lasso whereby her voice casually winds itself around our most vulnerable fantasies.’ Her friend Maurice Chevalier said: ‘Dietrich is something that never existed before and may never exist again.’”
"Songstress, photographer, fashion icon, out bisexual phenom (notoriously stole Lupe Velez and Joan Crawford's men, and Errol Flynn's wife, had a torrid affair with Greta Garbo that ended in a 60-year feud, other notable conquests including Erich Maria Remarque -yes, the guy who wrote All Quiet on the Western Front- Douglas Fairbanks Junior, Claudette Colbert, Mercedes de Acosta, Edith Piaf), anti-Nazi activist. Marlene was a bitch - she had an open marriage for decades and one of her favorite things was making catty commentary about her current lover with her husband, and her relationship with her daughter was painful- but she was also immensely talented, a hard worker, an opponent of fascism and the hottest ice queen in Hollywood for a long time."
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"She can sing! She can act! She told the Nazis to fuck off and became a US citizen out of spite! She worked with other German exiles to create a fund to help Jews and German dissidents escape (she donated an entire movie salary, about $450k, to the cause). She looks REALLY GOOD in a suit. If you're not convinced, please listen to her sing "Lili Marlene". Absolutely gorgeous woman with a gorgeous voice."
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"Bisexual icon and Nazi-hater. Looks absolutely stunning in the suits she liked to wear. 'I dress for the image. Not for myself, not for the public, not for fashion, not for men'."
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"Did a bunch of humanitarian work during ww2, pretty sure a shot of her from Shanghai express was the inspiration for one of queens album covers and also her in the suit in Morocco (1930) CHANGED LIVES. I’m sure she’s already been submitted but I wanted an opportunity to submit one of my favourite pictures of her for the poll"
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"would you not let her walk on you?"
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mygirlhatesmyheroin · 11 months
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Loretta Young, late 1920s.
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cosmicretreat · 8 months
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internatlvelvet · 2 months
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Loretta Young and Janet Gaynor on set of Ladies in Love in 1936.
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karinacupcake · 5 months
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diana-andraste · 4 months
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Cary Grant in The Bishop's Wife, 1947
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norashelley · 5 months
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Loretta Young models a white ermine spring jacket over a pale pink ruffled net gown, 1931
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