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#Non Urban Scene
kaelula-sungwis · 10 months
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Sand dunes in the Sahara desert, Tassili N'Ajjer National Park, Tadrart Rouge, Algeria by Eric Lafforgue Via Flickr: © Eric Lafforgue www.ericlafforgue.com
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sitting-on-me-bum · 1 year
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The Milky Way, meteors and the planet Jupiter over Cape Arago State Park, Oregon Coast
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The Milky Way, meteors and the planet Jupiter over Cape Arago State Park, Oregon Coast by Diana Robinson Via Flickr: The Milky Way, meteors and the planet Jupiter over Cape Arago State Park, Oregon Coast. The lights in the distance are from the town of Bandon, Oregon.
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chourzahi · 2 years
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Soleil Raouché ou Pigeon Rock Beyrouth Liban
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messino88 · 7 months
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Trees growing on a field
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charmandabear · 4 months
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Office Hours - Chapter One
Summary:
Your colleague Dr. Ancunin is a smug condescending bastard and you can't stand him. But you also can't get him out of your head.
Pairing: Astarion/F!Reader Rating: E Word Count: 5.2k Tags/Warnings: unprotected p in v sex, creampie, no breeding kink, masturbation, vaginal fingering, vampire bites, modern au, college/university au, urban fantasy, enemies to lovers, like the briefest mention of suicide while talking about Hamlet
This would not exist without @zipzoomzaria's gorgeous glasses screenshots because PROFESSOR, PLS. Go follow her bc her edits are out of this world. The masturbation scene is also heavily inspired by @astarionfreak's "Are You Satisfied, Darling?" If you haven't read it what are you doing???
Read on AO3 ~ Masterlist
There’s something about him that rubs you the wrong way. It could be his arrogance, or the condescending way he peers over his glasses at you and your other colleagues. It might be the overpriced cashmere turtlenecks that hug his figure perfectly or the stupid silver earrings adorning his stupid elf ears. But every time he opens his pretty little mouth you feel a snarl growing deep in your throat.
This is the first university you’ve worked at where the theatre and English departments shared an office. Theatre and music, sure, even theatre and dance. But theatre and English? It feels insulting, honestly. English PhDs are some of the snobbiest people you’ve ever met, and they always speak to you like a child. Is it because they’re unimpressed by your MFA, like it made you less deserving of your position? Who knows. But Astarion Ancunin is no different.
“Grace, would you mind making twelve copies of pages 219-254 when you get a chance?” You hand the administrative assistant the heavy book. “You can leave them in my mailbox, I’ll pick them up later.” Grace opens the book to the instructed page.
“Oh, Much Ado About Nothing! I love that one!” she squeals with delight. “That Beatrice and Benedick,” she sighs, stroking the Complete Works lovingly. You smile at her cordially.
“They’re great, they’re basically the non-problematic version of Kate and Petruchio,” you respond in agreement.
“How tragic that Taming’s writing is better.”
You whirl around to see Ancunin walking in looking at something on his phone. He doesn’t even look up as he inserts himself into your conversation. You glare at his interruption. He looks up at Grace, bypassing you completely.
“Good morning, Grace darling, how are you today?” He sweeps over to her and takes her hand in his, planting a kiss on her knuckles. Gods he’s fucking insufferable. Not to mention unprofessional. Grace, however, blushes and giggles like a schoolgirl.
“I’m doing well, Dr. Ancunin, and yourself?” The tiefling’s voice jumps up about three pitches and her tail starts swishing excitedly.
“Leagues better now that I’ve been blessed with your presence,” he coos at her, voice positively saccharine. It takes every ounce of your patience to keep from rolling your eyes. He casts his gaze to you, and even you need to turn away from those piercing red eyes.
“Good morning, professor. Starting Much Ado with your students, I take it?” he asks with a light smile that makes you bristle.
“Yes, it’s a great way for them to practice switching between verse and prose,” you respond coolly, more than a little defensive.
“Of course, one of his best.” He glances down at the volume still in Grace’s hands and his eyebrows raise, peering over the top of his round glasses. “Going with the Bevington, hmm? Interesting. I’m more of a Norton man, myself.” He runs a slender finger along the binding as you grit your teeth. Is he really patronizing you over your choice of edition of Shakespeare’s Complete Works? Of course, he’s an English scholar.
“The Norton is a great tool dramaturgically, but the Bevington is a much better resource for actors, so, yes.” Your voice is steady but there’s an undeniable venom in it. Can he tell how much he’s bothering you? Probably, he’s almost certainly getting enjoyment out of riling you up. His little smirk would seem to suggest it, at least.
“Well certainly, and who knows acting resources better than our resident classical acting expert?” he intones, voice still dripping with honey. You narrow your eyes at him, unsure if he’s taking another jab at your degree.
“Well, as much as I enjoy standing around and debating the merit of various editions of the Complete Works, I’m about to be late for a meeting. Grace, thank you so much, I’ll be back later to pick up those copies. Dr. Ancunin,” you turn to his smug face and he looks back at you innocently. “A pleasure, as always.” You grab your papers and leave the office, feeling the heat of his gaze boring into the back of your head as you leave.
***
“Yes, Thaniel, come on in, have a seat,” you call out to the freshman loitering in the hallway outside your office. He comes in and drops his overfull backpack next to the teal club chair across from your desk. You close your laptop and smile at him warmly.
“So, Hamlet, that’s ambitious! I think it’s a good choice for you, but it’ll be a lot of work,” you say, glancing at your own copy of the monologue.
“Yeah, that’s why I’m here,” Thaniel says nervously. “I’m fine with the scansion and stuff, that I get, but I still don’t get the actual words. And I know you said how important that is.”
“For sure, I can guarantee all of the bad Shakespeare you’ve seen has been because the actors had no idea what they were saying. Have you used the Lexicon?” Thaniel looks off to the side, embarrassed.
“No, I don’t really get how that works either,” he says, an air of chagrin creeping into his voice.
“No worries, it takes practice. Here, we’ll do a few lines together. So first off, to be or not to be, that’s fairly obvious, right?”
“Yeah, he’s talking about suicide, right?”
“Sure, but what is he actually saying about it? To take arms against a sea of troubles/And by opposing, end them. What’s ‘them’ referring to?”
“The sea of troubles?”
“Right, the aforementioned slings and arrows. So even though you might know what those words mean individually, look them up in the Lexicon to see if they have a different context here. But you’re right, he’s trying to figure out if it’s better to suffer through the shittiness of existence or to take your fate into your own hands and, well, end them.” You highlight the line and lean over your desk to show Thaniel. A voice pipes up from the doorway.
“That’s not exactly what he’s saying, you know.”
The paper crumples in your hand slightly as your fist instinctively tightens. You plaster a strained smile on your face and look up at him.
“Dr. Ancunin, thank you for gracing us with your presence. Care to elaborate?”
He’s leaning in the doorway, arms crossed, face in shadows. Your office is unusually dark because of the storm outside, and so the bright fluorescents in the hallway give him an almost ethereal halo effect
“It’s a common misconception that Hamlet is contemplating suicide here. Life and death, sure, but ‘to take arms’ isn’t metaphorical, it’s literal. He’s contemplating dying as a result of killing Claudius, not taking his own life,” he says, almost sounding bored. You stand abruptly, your office chair skidding backwards.
“How can that possibly be true? He says ‘to take arms against a sea of troubles.’ He’s using the active voice, deciding whether or not to continue his life or end it. To be or not to be. It’s the first line in the monologue. He’s not talking about the consequences of killing Claudius.” You try to keep your voice from shaking. You know that you don't sound nearly as eloquent as him, and it’s pissing you off. He shrugs nonchalantly.
“You’re oversimplifying it, it’s exceedingly more complicated than that. The whole soliloquy is filled with war imagery. He’s at war with himself, the part of him that wants to kill Claudius and the part of him that is afraid to die.” He pushes himself off the door frame and steps back into the hallway. “But apologies, please don’t let me interrupt your instruction.” And like that he was off, leaving you to stew in silence. Thaniel looks up at you and looks back at the doorway where he stood.
“Should I…” he starts, but you cut him off with a wave of your hand.
“Dr. Ancunin comes at this from a very different angle as an English academic. He’s more interested in the words on the page, rather than how they translate to the stage. But,” you sigh, loathe to give him any credit, “it’s a valid interpretation. We can go down that route, if you want, or we can look at it through this lens.” Thaniel chews his lip while he considers his options.
“I think what you said makes more sense, the suicide bit,” he finally decides. You nod and pull out your copies of the Shakespeare Lexicon.
“Great, let’s go over how to use the Lexicon again,” you say as you flip through the book, looking for the entry for ‘slings.’
***
You drop off your bag and toss your keys into a bowl on the counter. Fucking exhausting day. You unzip your boots and kick them vaguely in the direction of the shoe rack, stretching and curling your toes for relief. You hang up your wet coat and shake rain from your hair. Your eyes dart between the refrigerator, wherein resides a bottle of white wine, and the bathroom door, contemplating how good a hot bath would feel. Both? Both is good.
You pour yourself a generous glass of Riesling and strip your clothes on your way to the bathroom. One of the perks of living alone. Sitting naked on the edge of the tub, you sip your wine as the bath fills.
Fucking Ancunin.
You’re a little shocked at how much he got under your skin today. Normally you don’t think twice about him, excepting the few times you have the misfortune of passing him in the hallway. But today the fates decided to throw you together and your schedules aligned. Well, in your defense, you didn’t seek him out that second time, he was the one who decided to crash your office hours.
You don’t even like Hamlet that much. You certainly don’t care about alternative interpretations of “To be or not to be.” But you’re mostly annoyed because he had a fair point. His read makes Hamlet a more interesting character rather than a cowardly incel romanticizing suicide.
You slide into the bath, hissing slightly as the hot water flows over your chilled skin. Without prompting, Ancunin worms his way back into your thoughts. Hmmph. You take a gulp of wine to try to wash away the taste of the unpleasant image.
Well… not entirely unpleasant. He’s a good looking man, you’d be a fool to deny it. But gods he’s so smug. And interrupting your meeting with Thaniel was wildly inappropriate. Leaning your head against the edge of the tub, you try to focus your thoughts elsewhere. You’re not about to let him interrupt you again, and when he’s not even present, no less.
But there he is, in your mind, crimson eyes looking over the top of those metal frame glasses that you’re, like, 99% sure he doesn’t actually need to see. You take another swig of wine to drown his stupid face. With his stupid cheekbones. And his dumb fucking earrings that you want to bite.
Nine hells, what is happening? You’ve been drinking your wine quickly and aren’t thinking straight. You grab your phone and open Spotify, letting your daily mix play through the bluetooth speaker on the counter.
Now Playing: Hatefuck by The Bravery.
If I put my hands around your wrists, would you fight them?
If I put my fingers in your mouth, would you bite them?
By Mystra’s fucking grace, seriously? You growl at the growing heat between your legs. Between putting off dinner and chugging your wine, your head is swimming. You might be better off getting it out of your system.
The wine glass hits the tub edge with a clank as you angrily put it down and sink into the water up to your chin. You are satiating a purely physical need, nothing else.
You still shiver as you slip your hand between your legs, lightly running your finger up your slit. You can see his face, looking down on you through those glasses - those infuriating glasses - and your lips flutter. What does he look like under those sweaters? He’s so thin, but his clothes fit incredibly well. It’s not hard to imagine a sculpted body beneath. You spread your legs further and let the warm water tickle your folds.
His silvery curls would look so good between your legs, slender fingers wrapped around your thighs while he laps you up. At least then he’d shut up. A gentle moan escapes your lips as you run your finger along your inner lips, pretending it’s him. You could grab hold of those perfect locks, yanking on them to control where he can go, fucking his face.
You move your other hand up to your breast and start teasing your nipple, feeling his lips around it. You give it a little tug and groan, just like if he nipped at it.
You imagine sitting on his pretty face, pointed ears flushed and hair a mess. Your hips buck into your hand as they might on top of him and your toes curl. You make gentle circles around your clit, thinking of all the other uses for his silver tongue. You whine and squirm at the sensations of heat radiating through your body. You slip a finger inside and hiss as you can see his pale digits entering you in your mind’s eye. You curl it upwards and gasp, his imaginary eyes looking up at you through those long lashes and a smirk playing across his imaginary lips.
“Are you ready for more of me, darling?” You can hear him murmur into your ear.
“Yes, gods yes,” you reply breathlessly into the cold bathroom air. You slide another finger in and feel that delicious stretch. The ghost of him moans, coming undone at the sight of you. You could leave him speechless, for once.
You reach over the edge of the tub and grab the box of waterproof toys. You frantically sift through your collection of dildos, trying to find the right one. Here. It’s long and svelte like the rest of him, but bright shimmery purple. You suction it to the bottom of the tub and hover above it on your knees. It sways lightly in the water, tip of it teasing your pussy just like you’d love to do to him.
Gods, to see him beg for your cunt. To see him reduced to a babbling mess, pleading to let him inside you. Your breath quickens at the mental image of him pulling on his own hair waiting for you to satisfy him. You sink down onto the dildo and your groan of pleasure mirrors what you’d like to hear from him.
You start sliding yourself on the purple dick, feeling its ridges glide against the walls of your cunt as you continue to finger your clit. You imagine your hand splayed across his chest, your black nails standing in contrast against his pale skin. You claw at the bottom of the tub as you increase your pace, desperate to see the pink raised skin that your nails leave behind. The fingers on your clit speed up as well, and you can feel yourself getting close.
“Oh gods, Astarion, don’t stop,” the words tumble from your mouth unbidden. You will absolutely hate yourself for that later, but right now all that matters is your ecstasy. You bounce atop the dildo, disregarding the water that splashes over the side of the tub as you chase your finish. Your moans increase in pitch and fervor as the various images of him in all sorts of positions flash through your mind. Between your thighs, sitting on his face, riding his dick, even fucking pegging him from behind because why the hell not?
“Astarion!” You cry out his name as you crash over the edge, legs shaking and pussy pulsing. Your orgasm reverberates throughout your whole body as you ride it out. Eventually, your movement slows and the water gently sways around you. You look down at your hand, milky juices swirling in the now tepid tub water.
Shit.
***
The next day at work, you avoid him like the plague. You keep your office door closed, usually an unthinkable act but entirely necessary right now. You double check the hallway before leaving to go teach, and then after class you immediately duck back into your office and close the door again. You even avoid the main office for fear of running into him there.
You can’t look at his face right now. You can’t possibly look him in the eye.
When 5:00 rolls around, you glance out into the hallway. Most of the other professors are leaving. To play it safe, you decide to work until 6 so that you can be sure that he’s gone when you leave. You absentmindedly grade performance responses. After you’ve read one paragraph about Miss Julie maybe a half dozen times, you realize that it’s probably time to go.
You slowly open the door and glance out into the hallway. You can’t tell from this angle if his door is open or not. You grab your bag and coat, take a deep breath, and make a beeline for the stairs. As you approach his office you realize it’s open.
Fuck.
It’s fine. You’ll just walk past it and get to the parking lot and then you won’t need to worry about it. He might not even be in there. Or if he is, he probably has his head down and won’t notice you walk by. It’s fine. You’ve got this.
“Oh, professor, a word?” His voice floats into the hallway right as you’re passing his door. Are you fucking kidding? You turn to see him sitting at his desk, head down, writing something. He doesn’t even look up at you. Prick.
“Yes?” you ask, not budging from your spot in the hall. He glances up at you over his glasses. Those fucking glasses. You want to rip them off his face and throw them out the window.
“Do you have a moment? I think we need to talk.” His voice is low and cool. Does he fucking know? There’s no way he can know.
Right?
You tentatively take a step into his office. It’s surprisingly cluttered for a man who always looks so put together, but it’s still warm and inviting. You can barely see the walls for being covered corner to corner in bookshelves full to bursting. He’s got a big mahogany desk in the middle of the room - significantly nicer than the university-issued one. It’s covered in stacks of papers, books, weird little knick knacks; it’s amazing how he’s able to get anything done on it. There are two chairs facing his desk, much like yours, but a rich plush velvet instead of a scratchy cotton weave. He’s got a scent diffuser somewhere, giving the room an aroma like an earthy spiced tea.
“Have a seat,” he says, gesturing to the cushy red chairs across from him. You stand there, clutching your bag, staring at him like a deer in the headlights. When he realizes you’re not going to sit, he gets up and crosses over to the door.
“Do you mind if I close this? It’s… a bit embarrassing,” he asks with a crooked smile. You can feel the heat in your cheeks rising. Your mouth goes dry and you try to swallow the lump forming in your throat.
There’s no way he knows.
Right?
But something compels you to nod, so he closes the door and walks back to his desk, but rather than sitting behind it, he leans back casually on the front of it. He’s taken off the blazer he usually wears and is down to just the turtleneck, sleeves pushed up just below his elbows. He crosses his arms in front of his chest as you stare, waiting.
“I wanted to… apologize. For yesterday.”
You blink at him, the conversation not going in the direction you expected. You had been so focused on yourself, that it took you a moment to realize what he was referring to.
“It was inappropriate to barge in on your meeting with your student. You were mid-instruction, and I needn’t have inserted myself into your conversation.” He leaned back on his hands, stretching out his lean figure to impossible proportions. The grip on your bag slackened and you couldn’t help but drag your gaze over the length of his body. He looks at you quizzically.
“I get the sense that you don’t very much like me,” he muses.
Now it’s his turn to give you the once-over, and you feel practically naked before him the way he looks at you. “Then again,” he adds, and pushes himself off his desk. He slowly advances toward you, though whether like someone approaching a vicious beast or a predator stalking its prey, it’s unclear. You retreat while holding his gaze until your back is flush against the door.
No escape now.
He gets precariously close to you and takes an unsettling whiff. When he speaks again, his voice is a husky growl.
“I think it’s entirely possible you like me… quite a bit.” He’s got at least a half foot on you, and he looks down on you with heavy-lidded eyes. The heat in your face has fully reached the tips of your ears now, and your breath comes out ragged.
“I’m sure I-” you start, but it comes out thick and raspy. You clear your throat and try again. “I’m sure I don't know what you mean,” you finally manage with all of the composure you can muster. He cocks an eyebrow at you, then slowly takes off those infuriating glasses.
“No? Then perhaps I’m mistaken, and your heart rate hasn’t increased by approximately 20 beats per second in the past few minutes.” His eyes continue boring into you. “And maybe that smell between your legs is completely unrelated.”
An undignified splutter comes out of you as you press your thighs closer together. He takes a half step back to let you respond.
“If I am indeed mistaken, then I’ve said my peace and you’re free to go.” The seductive honey is gone from his voice, and in its place is a politely professional tone. You fully feel that he’s giving you an out, that you can both laugh on this as an embarrassing moment and neither will bring it up ever again.
But on the other hand…
“You’re not mistaken,” you choke out in a whisper. The lazy smile is back and he lifts your chin with his index finger.
“What was that? Speak up.” His command weakens your knees and you wither under his gaze.
“You’re not wrong,” you say more boldly, trying to meet his energy. His smile broadens, and for the first time you notice two pointy fangs slip out beneath his upper lip.
Fucking
vampire??
That explains how he could track your heartbeat, and even more his ridiculously keen sense of smell. Doesn’t make it any less humiliating.
“No, I don’t suppose I am,” he snarls and suddenly he’s kissing you roughly, hands twisting in your hair and one knee sliding up between your legs. He pushes you against the door and lifts you off your feet slightly. You’re desperate just to keep up as he devours you, hands weakly grasping at his hips, shoulders, neck. But he’s fully in control of the kiss, and after a moment you let him take you.
He breaks the kiss but doesn’t pull away, and you’re both breathing heavily, air cycling between your lungs. Your head feels full of a thick fog and you can’t fully see straight. His hands are still in your hair, tight but not pulling - yet. You get the sense that might not last long.
He drops to his knees and you nearly double over from the sudden lack of support. He runs his nose and lips across the hem of your black denim skirt, inhaling again. Your fingers lace into his hair, but not even remotely in the dominant way from your fantasy. At this point you’re just trying not to collapse.
He looks up at you, flashing another fang-bearing grin. His hand slips up your skirt and his thumb runs across your pussy, barricaded by your sheer tights and panties.
“Darling, you’re positively soaked,” he hums contentedly. “You’d have a hard time hiding this from anyone.” You bite your lower lip, trying to keep the needy whines at bay. But when he fiercely rips the crotch of your tights and presses the flat of his tongue against the drenched gusset, you can’t stop the cry from escaping your throat. He sucks lasciviously, the debauched slurping noise ringing in your ears. Your knees buckle and he grabs hold of your hips, hiking your skirt up to your waist to get better access to your dripping cunt.
He stands and kisses you again, the taste of you lingering on
his lips. He grabs your ass and digs his fingers into your flesh, spreading them until you gasp into his kiss. In one fluid motion he sweeps up your legs and wraps them around his waist, carrying you over to that incredible mahogany desk.
He plops you down on the hardwood and you hear books and papers tumbling onto the floor behind you. He presses his bulge into your mound, this time the sound of both of your moans mingling pleasingly. He tears at your chiffon button down, trailing hungry kisses down your chest as you throw your head back in pleasure. He makes quick work of fully removing your top, though you’re certain he sacrificed some buttons in the process. You hardly care as you paw wantonly at the back of his neck, desperate for him to get his lips onto every single inch of you. He pulls the lace cup of your bra down with his teeth and starts sucking on your nipple, pressing his hand into the small of your back. You arch into him, his hands working you like a soft clay.
So much for the pleading mess that you pictured last night. Instead, you’re the one who's been reduced to shambles, begging for satisfaction.
“Puh-please,” you stutter, and those devilish eyes lock onto yours again. He snakes his way back up your chest and bites your lower lip.
“Puh-please what?” he mocks your stammering, but makes up for it when he rolls his hips forward, dragging that delicious hardness against you. You squirm, trying to pull him closer but he’s got your arms locked in his grip. His lips leave yours and ghost over the flesh of your neck. He very gently scrapes his fangs across your jugular, eliciting a ghoulish moan from you in return. By all the gods, you hadn’t even considered that as a part of it. His movement made it clear that he won’t bite unless you want him to.
But holy hells do you want him to.
“Gods Astarion,” you gasp, and you swear you can feel his cock twitch at the sound of his own name. “Fuck me then bite me, or the other way around I don’t care, but please get in me!” The string of words almost sounds foreign to your own ears, but you’re well beyond the point of trying to sound clever. In an instant, he’s undone his belt buckle and his erection springs forth, bouncing and already dripping precum. He roughly shoves your panties to the side and sinks his cock and teeth into you simultaneously, drawing out your cry of both pain and pleasure. You wrap your legs and arms around him, trying to pull him in deeper. You can feel his mouth filling up with your hot blood just as your cunt fills up with his dick.
You’re panting as you grow more lightheaded, clinging to his neck. Unthinkingly, your fingers stroke his ears, playing with those tiny silver hoops. He lurches and pulls away from your neck, looking absolutely feral with your blood dripping down his chin, which only sets you off more. You angle your hips toward him, trying to get him to start thrusting into you. He pushes your back down onto the desk and hooks his elbows beneath your knee high boots. Then he starts pounding into you properly, and you feel like you’re close to losing it. You grab onto the edge of the desk as he revs up his pace, his cock stretching you out as he keeps your legs close to your ears. You can feel the heat mounting in your core and you know it won’t be long before you come. But at this point you’re just trying to hold on for dear life.
“Fuck, gods, Astarion, I’m-” You finish before your sentence does. He doesn’t relent as the orgasm wracks your body, if anything, he fucks you harder. Just as you’ve barely come down off your climax, he pulls out and yanks you off the desk, spins you around and pushes your face down into the smooth mahogany, warmed from where you had just been. He enters you again, this time from behind, and already you’re working your way up to a second one. Your bare tits squish against the polished surface and he grabs your hair, pulling your head up and arching your back into him.
For the first time you notice the mirror on the opposite wall across from his desk. But rather than both of you, you only see yourself, disheveled and well-fucked, lips swollen from his abuse. Your hair is pulled up by an invisible force behind you. Another unexpected aspect of vampire fucking.
You desperately wish you could see his face because you can feel his thrusts getting more uneven and erratic. You try to turn to get a glimpse of him, but his grip on your hair remains tight. But even if you can’t see him, you can hear him, his grunts and the low string of incoherent swears pouring out of his mouth. The sound of him getting lost in you is enough, and your own moans start building and mixing with his, an utter symphony of epicurism.
His hips give a few more broken thrusts and you can feel his climax, setting off yours. The throbs of his cock match those wracking your cunt, and you hold onto the edge of the desk as the waves wash over you. Once they’ve come to an end he pulls out, and you can feel his semen dripping out of the sudden emptiness and running down your leg. You quietly say a thankful prayer for your IUD.
You’re both panting as he collapses onto your back, planting a half-hearted kiss on your spine. You weakly push yourself up off the desk and see the devastation of papers, smears and fluids. You turn yourself around and relish in his appearance. Your blood is splattered on his fine cream sweater, his usually perfectly coiffed curls damp and sticking to his forehead. You reach up and wipe the remainder of your blood off his chin. He smirks and kisses you, significantly more gently this time.
“That was good,” you murmur through steadying breaths, “but next time, keep the fucking glasses on.”
527 notes · View notes
hotvintagepoll · 2 months
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Propaganda
Heather Angel (The Informer, The Undying Monster)—no propaganda submitted
Katharine Hepburn (Bringing Up Baby, The Philadelphia Story, The African Queen)—This woman. I have been obsessed with her for years. I know the urban legend is a popular one at this point of her walking around set in her underwear when her pants were stolen and she was left with only a skirt, but the pants thing is honestly enough for her to be the hottest in the room in my book. She refused to wear anything else at a time when the public in general and especially the studios did not like that. She was independent, stubborn, and so so very capable. Competency kink anyone? Also, if you want one final way that Katharine's entire life was saying "fuck you" to the establishment, it started young! Her mother took her to suffrage events, and she never got rid of that attitude of justice. I feel like I have barely scratched the surface of all the ways she was such a badass that I'm turning into a rambling mess instead.
This is round 1 of the bracket. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Heather Angel propaganda:
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Katharine Hepburn propaganda:
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I'm sure one million people will submit her as an iconic Hollywood star but that iconicness might lead people to forget just how insanely hot she was like she had it ALL she was skilled she was funny she was smart she was beautiful AND she was likely bisexual
The single word I would use to explain Katherine Hepburn's appeal is *range*. In her acting career, that meant covering all the ground between lush period dramas and the comedies she did with Carey Grant and Spencer Tracey. In terms of hotness, it meant an uncanny ability to bring anything from a Dietrich-esque androgyny to some of the best Classic Hollywood Glamour you will ever see.
Katharine hep was so cool. The VIBES, the INDEPENDENCE,,, living life on her own terms.
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she just had this.... bearing to her, this power. she could be funny, even silly (like in bringing up baby) but also so regal and elegant. she was nobody's fool and dear GOD that's so hot
Fancam link
She’s not only stunningly gorgeous (those eyes that pierce your soul! a jawline you could cut glass with!) but her delivery and physical presence in roles gives off confidence and authority in such a sexy way (truly the biggest dick energy of Old Hollywood). Her fiery energy in The Philadelphia Story? Unmatched.
God she's. She's so hot y'all. She has the range!!!!! Funny and dramatic and lovely
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She IS the transatlantic accent. Classically gorgeous and such a strong personality.
She's literally one of the funniest women to ever live! She goes shot for shot with Cary Grant in Philadelphia Story and we damn well love her for it! She's the most annoying creature to ever live in Bringing Up Baby but she's so insane and funny that we simply cannot help but fall in love with her (and root for her to give Grant an aneurysm!)
i know she's accounted for but i really want to be sure someone has submitted the scene in bringing up baby where she's pretending to be a gangster
She simply stuns onscreen; you cannot do anything but be captivated by her presence. Also a non-gender-conforming icon and mild tumblr celebrity by virtue of that one picture from The Warrior's Husband (stage play).
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Katharine Hepburn was out here casually changing the lives of young butch lesbians with her gender swag! She wore pants even when people said she shouldn’t, she refused to marry or have kids, and she wore menswear in at LEAST one movie!
Someone's got to mention it, but she's won the most Oscars out of any performer and is largely considered one of the greatest actresses ever. She's got an incredible voice, an incredible presence, and she absolutely steals every scene she's in. She was private person and deemed standoffish and unapproachable, but she was also profoundly concerned for people's rights and was an outspoken supporter of abortion access. Finally, the Katharine Hepburn slacks look is just iconic. I mean look at her.
If I start thinking about her face for too long I will cry she is so so hot. Katherine is so charismatic and charming in everything she appears in - watch her adopt a leopard and fall in love with her. Also she has the biggest dick energy ever (she and her pal Lauren Bacall share that accolade). Also had an incredibly long and varied career from screw ball comedies to serious dramas - she’s a queen of the screen and I adore her.
(I hope someone else submits real propaganda but just in case they don't:) Cries. Screams. Wails. The woman who singlehandedly made me realize I was bi. A real "do i want to look like her. be her. or be with her.' crisis, where the answer was all three. Holy shit please all three.
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tanoraqui · 6 months
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Trick or treat!
obviously all disabilities are totally underrepresented in mainstream and non-mainstream fiction, but I’ve been thinking recently that one I’d really like to see, which you could easily write in offhandedly or as a compelling character-building plot point, and have no trouble casting for in live action, is simply: anything that requires continuous, consistently timed medication.
According to CDC surveys circa 2017-19, roughly 1 out of every 7 women in the USA use birth control pills, which usually need to be taken at a very regular daily time in a very regular monthly pattern.
According to my personal experience, it’s extremely possible to live a basically normal life with low but functional vision and also half a dozen other petty ongoing problems, while also having every single day of your life—and, god knows, any travel you want to do—organized around the fact that you need to take multiple eye drops roughly every 12 hours, one of which needs to stay refrigerated at all times.
If you need regular medication, a portal fantasy adventure presents a real problem. An unexpected urban fantasy adventure that prevents you from going home for more than a day is a problem. Excuse me, aliens who have abducted me? If I list the drugs I regularly take, and tell you very roughly what each does, can you synthesize them perfectly? No, I don’t know any of the active ingredients, sorry. Hell, as a romance novel protagonist, an impulsive overnight stay with a hot stranger I met at a bar isn’t an option!
I think this would be a fun challenge for writers to work around while constructing plots, a good source of characterization as they examine how scrupulous a character is about their schedule (or how anxious once off-schedule), and, seriously, so easy to slide into the background if not a focus of the story. Do you know how often I wander into my kitchen half-asleep and take an eye drop? Roughly twice a day! The sitcom au of my life would just have this as background in a wide variety of scenes! AND it’s not something you need to do a lot of research in order to depict—just note “character must take macguffinex every 6-18 hours or they’ll start to get worried about the long-term health of their [insert organ here]” and use that as a background parameter for your story.
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accio-victuuri · 3 months
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xiao zhan - GQ February issue cover story Q&A 📝
They have experienced real things. There is no camera facing you. Without lights, you are living your own real life.
GQ: When did it become clear that you wanted to be an actor?
Xiao Zhan: When the public paid more and more attention to me, I want to say, why can’t I do it? I think I can. Sometimes I get shaken and think it’s so difficult. Why can’t I do it? For example, when it comes to lines, why are my lines just not good? Why can’t I speak well with others? Is it because I'm from the South? I don't think so, and then I think, how can I say it well? I can do it, let's give it a try.
GQ: In your opinion, what are the professional standards for actors?
Xiao Zhan: First of all, being professional is an unavoidable topic. You can have a non-major background, but you must have excellent professional skills. This is what I want to do, this is who I am. I feel that I am not enough, and i’m too far behind.
After becoming professional, attitude is very important and whether you love it is also very important. Do you just treat it as a job, or do you really like it? These are two concepts. When you see it as a job, you may not be able to go very far. But if you really like it, you will cry for it and laugh for it, which may be the motivation for you to stick to it.
I also have a strong body (laughs). I used to not feel tired when I was in my twenties, but now I feel very tired after staying up late. It's a terrible thing to be. A strong body is important, it is your foundation.
GQ: When you acted in which role or drama, did you feel recognized?
Xiao Zhan: When I was working on "The Wolf" at the beginning, I was under a lot of pressure. My acting teacher would give me a lot of advice and guidance, and I would constantly overturn my own performance every day. t was a period of confusion. After you get over it, you will find that you have grown. When you start acting later, you will gradually find a little bit of feeling, and then step by step — this is a cumulative process.
I feel that I have acted too little. Compared with some of my predecessors, who have acted in many works in their thirties, my current works are still too few and I have not accumulated enough.
GQ: Are you anxious?
Xiao Zhan: Yes, because I think (improving acting skills) is a cumulative process. You can’t make a big step forward with just one movie. This is difficult for me to happen. So you have to keep filming, but you have to keep filming good films and don't consume yourself.
GQ: What are the considerations behind the expansion of the three film and television dramas to be broadcast in 2023 from costume dramas to period dramas and urban dramas?
Xiao Zhan: Actually, I didn’t think anything about it. It just happened naturally. I didn’t deliberately change the themes that I had acted in before. I just read the script and the script was handed to me at the time. I felt attracted to a certain script at the moment, so I chose it. It just happened to be a subject that I had never acted in before.
GQ: Do you feel tired after always acting in costume dramas?
Xiao Zhan: There are many types of costumes. Don’t divide them into costume dramas and modern dramas. It’s nothing more than putting on a hood and changing clothes. In fact, the core is the same, but also just completely different.
GQ: Once your drama is aired, will you follow it?
Xiao Zhan: I won’t follow it, but I will watch it, and I will choose the scenes that I care about to focus on, so I can find problems for myself.
GQ: Will you be able to watch the barrage?
Xiao Zhan: I used to really know how to do it. I felt very happy and laughed with everyone, but now I can’t do it.
GQ: What kind of role do you want to play now?
Xiao Zhan: If I could choose, of course it would be the best one I haven’t tried yet. I need freshness. If I ask you to do the same thing every day, you will be bored.
GQ: What kind of actor do you want to be?
Xiao Zhan: I want to be an actor that the audience can like.
GQ: Have you already done this to make people like you?
Xiao Zhan: No, no, I think it’s far from enough. I once thought about whether to be an actor with a personal style or to be an actor that the audience likes just by looking at you. At present, I want to be an actor who makes the audience like you. Maybe everyone is not your fan, or even not particularly interested in you, but you know that he has a drama, Do you want to watch it? His dramas are all good. I want to do this. This is my current goal. Is it possible to become the actor I like? This is a rule.
It’s a long road, take your time.
GQ: Who are your favorite actors?
Xiao Zhan: There are many. For example, Zhou Xun has always been my favorite actor. I recently watched her play ("Waving in the Poison of Anger"), and it was really great.
GQ: What are your career plans in 2024?
Xiao Zhan: Make more movies and work with more good teams. This is the only goal at the moment, and I won’t consider other things for the time being.
GQ: Do voices on social media bother you?
Xiao Zhan: It doesn’t bother me. It’s been so many years and I’m still worried. I’m still alive. (English) It’s really okay. Just like I know exactly what I'm doing, every time. To make a choice, you have to clearly know what you are doing, what you want to give up, and what you want to make. So, fortunately, the team may have more troubles.
GQ: Your personal life has not been affected?
Xiao Zhan: Very normal! I can go out for a ride or a walk. When you walk on the street, no one really cares about you. It's really not what everyone thinks. Like this, then I can walk around freely,
GQ: Is this an escape moment for you?
Xiao Zhan: It’s time to relax. Why do you want to escape? I am also in the third dimension. Where do I want to escape? This is my life. I am the same as everyone.
There are many things I particularly want to do, such as taking the subway and shopping in shopping malls, which are very similar to when I was in school, and maybe I will do them in the future.
GQ: Do you miss the ordinary life very much?
Xiao Zhan: It’s not that I miss it, it’s that I think I should do it. It’s because of my popularity. I will really take the subway, maybe tomorrow. It’s so normal. I used to take the subway every day. for me there’s nothing I can't do. What do you think I can do? Say hello and leave. It’s just that I don’t want to cause confusion and trouble for everyone or cause a bad reaction.
GQ: You have not appeared on variety shows in recent years. Is this a conscious choice?
Xiao Zhan: Because it’s not suitable. With my personality, people get tired in variety shows. I want to take care of everyone’s feelings, which makes me very tired. Now that I know this is the case, If there is a result, then just don’t do it.
GQ: What was your original intention in entering the entertainment industry?
Xiao Zhan: I really came in inexplicably and ignorantly. I used to watch talent shows and interview the top contestants. How did i get to this point? I accompanied my friend to participate in the selection, but my friend failed and I was selected. When I was a child, I thought these things were far away from me, but when it comes to myself, it is really like this. I think it's amazing. I participated in the draft and got to where I am now. It's amazing. Life is really interesting.
GQ: What things have you not thought of before after entering the industry?
Xiao Zhan: It is a very cruel thing not to eat wantonly. When I see my former high school classmates who have children and gained weight, I will sigh, I want this too— eating recklessly, their living conditions make me feel that if I had not chosen this path at that time, maybe we are all the same, having to socialize and endure hardships — rushing to design at night, you don't know how tiring it is to do design, but life is like this, there is no way.
GQ: How did choosing this piece change you?
Xiao Zhan: Maybe I lack a lot of life experience. In this regard, my classmates and friends are far better than me. They have experienced real things. There is no camera facing you. Without lights, you are living your own real life.
GQ: Are you an emotionally stable person?
Xiao Zhan: It's relatively stable, but once I touch some points, I will become very unstable.
GQ: For example?
Xiao Zhan: It’s just... some things that cannot be said. Haha, maybe when something incredible happens, you will think, what are you doing? I will be very angry when something happens. Maybe it's some privacy issue. If this point is exceeded, I will "run away".
Everyone has their own boundaries, and some people have no sense of propriety. I stay away from such people, but when the boundaries are broken again and again and the bottom line is touched, I will get very angry.
GQ: You once said that you have a particularly strong side in your personality. What do you mean specifically?
Xiao Zhan: In principle, I am a very rigid person. If I insist on something and I think it is right, it will be difficult to be convinced. For example, if I want to be an actor, I don’t want to do anything other than being an actor. If you come to Siam, let’s debate. No one is right or wrong, the team is also for your own good, Isn't it a good thing to have a lot of work? But for me, I have to subtract because some things are really not what I want.
GQ: Do you have a perfectionist side?
Xiao Zhan: I just want to do it well, just try my best right now. Maybe the result is not good, but what should I do? This is all I can do.
GQ: Can you accept failure?
Xiao Zhan: I can accept it. I might not have been able to accept it a few years ago, but 30-year-old Xiao Zhan has learned to accept it (laughs).
-END.
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ink-splotch · 7 months
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More a Haunting than a History - Version 2.0!!
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an (updated!) interactive fiction game from E. Jade Lomax (ink-splotch / dirgewithoutmusic), the writer who brought you Beanstalk, Second Star to the Left podcast, and Stay?. "Return to your sleepy, strange little hometown after years away. Explore your old haunts, reconnect with old friends and new, and dig into the mysteries that rise up in the town like mist. It's a story about leaving home and coming home; about life after death-- in more ways than one. This choose-your-own-adventure game lets you explore who you used to be so that you can decide who you want to be."
More a Haunting than a History is my second IF (interactive fiction) game, a story about returning to your childhood small town and finding both it and yourself different than you left them.
Version 2.0 is cleaner, stronger, with new content and a trophy system! If you've already explored MAHTAH, dive back in to see what's new to find, experience, or break-- if you haven't given MAHTAH a chance yet, I'd love it if you gave the new & improved version a try!
PLAY IT HERE:
In version 2.0, I made three main changes, as well as various bug fixes (thanks everyone who wrote me about bugs!):
Updated the dialogue system to make for smoother, less awkward conversations-- dialogue being the main gameplay mechanism!
Streamlined the dreams & climax/river scene systems to improve the narrative experience (ensure certain backstory content got seen/emphasized/excluded as relevant)
Introduced a trophy system (more details on the why of this under the cut)
MAHTAH was both a blast and a slog to write, just like Stay? was a rush -- I'd love to hear your thoughts, feelings, and experiences as I start chipping away at my next IF project.
Why trophies? I've added in "trophies" at the end of the game because a) it seemed fun and b) I'm hoping this will help shore up one of what I see as the weaknesses of MAHTAH-- a single playthrough feels "complete."
In some ways, this was a goal of mine; I wanted non-repeat players (players who get to an ending and never pick up the game again) to have a satisfactory and full experience & to not feel like they were "missing out" on anything. 
But this also leads to there being no clear motivation to replay the game, and no hint of the different secrets you can find, relationships you can build through the game, and endings you can have open up to you. It makes the "exploration space" feel more shallow than Stay?'s-- and it is certainly different than Stay?'s-- but they are both stories about exploration & discovery.
In MAHTAH, the discoveries are your friends, your feelings, your relationships, your past-- yourself, even. You can get a pretty full picture in a single playthrough if you max enough things out, in just the right way, but generally I think it takes a few playthroughs of MAHTAH to get the full experience and story.
Even if a single playthrough can be "satisfying,"  it's not the end of the story or the experience, but my focus on trying to make single playthroughs "stand on their own" undercut the visibility to the gaps and holes still remaining that required repeat playthroughs to access. 
So: trophies. They're fun! And they both inform the player at the end of the story that there is content they didn't access -- and ideally make some of that content interesting and desirable. It gives the player a goal as they launch into the next playthrough, and hopefully having that goal lets them play the game in new ways and meet new experiences. 
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hero-israel · 6 months
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What they said.
And I could have put another 4-6 similar messages in here, I can tell what is weighing on peoples' minds. Though we are outnumbered, it is not hard to see through the lies of our enemies. We just need people who will listen to us.
"Every accusation is a confession" was never more true than in claiming JEWS want to kill off ARABS. The briefest review of regional demographics - WHO has actually wiped out WHOM - makes that instantly clear. Mahmoud Abbas said his family fled their home in Safed in 1948 because they were sure the Jews would try to get revenge for Arab massacres in 1929. In 1967 when Israel took the West Bank, Arabs in Hebron were so afraid of reprisals for 1929 that they flew white bedsheets from their windows and piled their weapons outside their front doors.
There is no such thing as a "genocide" that is true for Palestinians but false for white people. And while most of the time, posting about hypocrisy and double standards isn't going to make a real-life change, this is one time where I'd really like people to point it out, to demand answers from those who correctly identify the Alt-Right as lying. We should also request clarification on whether all warfare involving urban bombing is automatically considered genocide (spoiler: it isn't, but this time Jews are involved, aha!).
Desmond Tutu was notorious for insisting Jews forgive the genocide that had actually been committed against them and also that they be constantly condemned and judged for the potential genocide they were always just about to commit. It is not even meant as a statement of fact - just a way to put us in our place. As David Schraub put it:
For thousands of years, for much of the world, part of the cultural patrimony enjoyed by all non-Jews -- spiritual and secular, Church and Mosque, enlightenment and romantic, European and Middle Eastern -- was the unquestionable right to stand superior over Jews. It was that right which the Holocaust took away, or at least called into question; the unthinking faith of knowing you were the more enlightened one, the spiritually purer one, the more rational one, the dispenser of morality rather than the object of it. To be sure, some people were better positioned to enjoy this right than others. And some people arrived onto the scene late in the game, only to discover that part of the bounty they were promised may no longer be on the table. Of course they're aggrieved! The European immigrant who never owned a slave but was at least promised racial superiority is quite resentful when the wages of Whiteness stop being what they once were. Similarly, persons who lived far from the centers of Christian or Muslim power where Jewish subordination was forged are nonetheless well aware of what was supposed to be included in modernity's gift basket. They recognize what they've "lost" as acutely as anyone else.
Every definition of "genocide" rests on intent; you cannot accidentally do it. That's what both the U.N., Genocide Watch, and basic common sense say. The militia going door-to-door to torture and massacre all the children and elderly is genocidal intent. "The missile launcher built into your house just fired at us, we will now destroy it, you have 5 minutes to evacuate" is not.
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I have no idea what is coming next in Gaza, how long it will last or how bad it will get. Godforbid, if the death toll gets another zero at the end, it may become impossible to get people to see it as non-genocidal, regardless of what is empirically, definitionally true. But if people are going to cite sources and moral authorities, let them stick with the boundaries they have introduced.
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candlewaxandp0lar0ids · 6 months
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this is halloween || felix x reader
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Summary: Felix's world is filled with nightmarish, energy-stealing creatures that others cannot see. In this cold, dark world that's made him who he is, you're the only thing that's warm and bright.
Word count: 4k
Genres: and they were roommates, urban fantasy
Warnings & Tags: angst, bad boy!felix (ish), non-descriptive sex scene (rated M), hurt/comfort (i think?), horror themes though nothing gets too explicit, potentially disturbing descriptions of monsters
A/N: Third installment in my Halloween mini-series, or: the author has whump!felix brain-rot and insists on making it everyone else's problem
I.N. · Seungmin
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Felix walks like he has nowhere to go and no one to come home to. Hands in his pockets, shoulders lax, leaning back, lollipop stick between his lips, leisurely pace, eyes straight ahead. He looks like he doesn’t have a care in the world, not in a light-hearted, innocent, naïve way, but in a nonchalant, bored, cynical approach. Truth be told though, you would be closer in saying that the world does not care for him. Of that he’s well-aware.
He sees it in the looks he get by the well-meaning, law-abiding citizens that naturally make way for him, scared away by his long, bleached blonde hair, his ripped jeans or his leather jacket. He heard it in the whispers about the ‘problem child’, his mother’s crying, all of his teachers’ stern tone as they told him he needed to stop causing issues. He felt it in the way people tense around him, in how they changed their attitude once the atmosphere he brought with him everywhere he went settled on them and started eating at them the same way it cannibalized on him.
More than anything, he knows the world does not care because, as the tentacles of the creature that latched on to him earlier today tighten on his shoulders, as he crosses path with a disembodied, rotting ghoul that leaves a trail of mold behind it, as he notices from the corner of his eyes the nightmarish swirl high up in the sky of bat-like hope-eaters, if the world did care, he would not have been cursed with the ability to see all of these things when no one else did.
He rolls one of his shoulders, trying to make the grip looser. It works, barely, but all he can do is hope that it didn’t spark the creature’s interest. If there’s one thing he’s learned, in his years of life with this this accursed talent, it is that it is never a good idea to catch their interest. It’s not like there are no ways of getting rid of them once you do, but the ones he’s found have always been long and painful and he’s not in the mood for fighting tonight.
He picks up the pace to make it to the other side of the street, and gets a rush of fresh air when, for a second, the entity lets go of him. It doesn’t last. It gets its hold back on him, and he grits his teeth to make it less obvious how aware he is of it. Other people don’t realize it when those things happen, not as acutely. They get tired, they get depressed, they might get sick, but they don’t know. He does.
It’s no trouble for him to get into the building he was headed towards. The crowd of people in disguises doesn’t resist him any more than that of the commuters. Behind him, the entity shrinks itself to follow him inside. He doesn’t look up at it, doesn’t want to. The disgusting mass of tentacles that part only to reveal a wide mouth filled with too many teeth aren’t any worse than the shit he deals with every day, but it’s not a sight you get used to. Not fully.
He climbs the stairs that are filled with drunk college students, chatting college students, laughing college students. Some of them have gone heavy on the make-up, but none of them, not even the ones that tried their hardest to paint gaping wounds on their faces, get close to his  reality. It’s probably better off that way.
Finally, he gets to the apartment for the party you’ve asked him to come to. Well, that’s not exactly how it went — you said ‘I’d love it if you were here’, ‘You don’t have to’, and when you’d last seen him ‘I’ll see you tonight?’ in a hopeful tone that had gone right to his heart. He gets some looks as he gets in. Some of them are interested ones. He’s well-aware that people find him attractive, that the energy that surrounds him works as a magnet on some. He also knows that it doesn’t do people any good to be around him. It’s not long before the creatures start wearing them down, digging black circles under their eyes, hollowing their cheeks. Turns out, Felix is shockingly resistant to all that shit, insistent on surviving it. Ha. What a fucking joke.
He finds you on the edge of a room, chatting with a few people. You’re dressed as a witch, long black dress, hoops earrings, a black, pointy hat on your head. Your signature big, round glasses, are perched on your nose.
When you spot him, you wave him over, and he comes without giving it a second thought.
“You made it!” you chirp. You wrap one of your hands around his arm to pull him in the small circle, and he almost shivers at your touch. You’re warm. Felix’s world is cold, energy sucked out of it by more monstrous beings that he’ll ever meet. Other people are always warmer than he is. The difference is, you don’t get drained around him. “That’s Felix,” you introduce him to the others. “My roommate.”
Felix sees their faces light up in recognition. Obviously, they've heard about him before. There’s a short round of introduction from their side before they resume to their previous conversation.
“I’m getting something to drink,” he tells you, leaning in to speak in your ear, both because he likes the way you react and because the music’s so loud. “You want some?”
A smile, you shake your head. Your hand brushes against his back as he leaves and fuck, it’s embarrassing that he knows that this is what will keep him going. He glances in your direction as he walks away, checking that nothing that was following him has attached itself to you. It hasn’t. There’s an entity curled lazily against the ceiling, dipping long, skinny tentacles around the room, feeding on the energy, but you and your group seem to be mostly left alone. It makes him feel more relieved than it should, and he hates that he knows it’s less because you’re safe and more because he thinks it would kill him if he lost your warmth and the safety you provide him.
You’d come in his life as a blessing with no warning. He had recently been evicted and was couch-surfing in other people’s apartments when Wooyoung had first mentioned your name to him. You had a free room, he’d said. You were looking for a new person to fill it, he’d said. You were ‘a bit shy, but sweet’, he’d said. Felix had not thought for a second that it would work out. It never did. He’d be lucky if he found a one-bedroom apartment with no heating in the shittiest area of the city.
Then he’d met you and had immediately distrusted your soft, distant attitude, the way you wouldn’t meet his eyes and how you shrunk yourself around him. You wouldn’t last, he thought, but since you didn’t oppose his presence, he had accepted the offer. Even if you threw him out two weeks later, that was two weeks of security that he usually wasn’t afforded.
That had been a year ago now.
As he grabs himself a beer — he’s learned the hard way that it’s better to stay sharp when you’re affected by his, ah, condition — he finds it hard not to find you in the room. No matter how much he tries, his eyes always land back on you. The only way to escape you is to move to another room, so he does, because he finds it fucking embarrassing, how affected he is by you, and because he never loses the nagging fear that the things that follow him around will latch on to you.
When he lands on the couch, he feels the creature tightening his grip on his arms. He grits his teeth as the cold bites him harder, as everything feels a little darker around him. Shit, that thing isn’t letting up. He takes a sip of beer, ignores the gargoyle perched on a girl’s shoulder, the imp lying on a dude’s head. He’s been long forced into indifference about these things. He can’t make a difference anyway, he’d know, he’s tried it before, so why bother? He doesn’t know them, and they’d leave him to die in the gutter if they were given the chance. He won’t dedicate a second of the energy he could use on saving himself on them.
There’s a blur of time and movement, before, eventually, you fall on the couch next to him, and his world takes colors again.
“Long day?” you ask with a sympathetic frown.
He scoffs. He only ever has long days.
“Yeah,” he just says. “You?”
A shrug.
“It was fine, actually. I’m just… not a huge Halloween fan.”
The mundane of the conversation is such a hard punch to the gut. He’d talk about how his day’s gone and how you feel about things all the goddamn time if he could.
“Why not?”
You lean closer against him, your shoulder brushing against his. He shifts so the creature doesn’t touch you. He should move away completely, he knows, that’d be the safe thing to do. He just doesn’t have the strength for it.
“It feels a bit like a circus,” you say, sounding pensive. “I get that people want to enjoy a party though, it’s not that deep, just— my family’s pretty big on traditions, it’s a big symbolic date for them. It’s weird to see other people treat it so differently, but it’s just my hang-up, you know. I don’t want to make it anyone else’s problem.”
It’s one of those things you keep bringing up, this nebulous part of your life, the ‘family’ that he’s never seen around. You’re not on speaking terms, as far as he knows, but you never bring them up, and he doesn’t ask. It’s funny, how you’re the one who visibly walks on egg-shells at all times yet he’s sure he’s more afraid of losing you than you him.
Then his phone vibrates in his pocket. He wishes he could ignore it, but it’s not a luxury he has these days. One glance at the screen, and he feels his heart freeze over. He looks up, and on the other side of the room, there’s Hyesung, staring and with a tight, forced smile on his lips. He would look perfectly inconspicuous, a young man in a sea of young people, if not for the winged demon hovering above him, its tentacles reaching out towards different members of the crowd. Unlike the entities Felix has seen around on his way here, this one is more defined, closer to representations of demons you find in human art. He knows that these things are far more of a threat than the abominations like the one feeding off of him right now.
Shit. Shit. Felix wasn't supposed to run into anyone from that group tonight. He was supposed to be around you, and normal people, and get to fucking breathe. But now, not only has Hyesung seen him, but he's looking at you with intrigued eyes, and that's about the worst thing that could happen.
Felix stands up, grabbing your hand to pull you with him.
“Let's go home,” he throws to you over his shoulder as he starts pushing his way through people without paying much attention to them.
“Already?” you ask, confused, though you don't resist him. “But you just got here.”
It wouldn't be a lie if he told you that as far as he's concerned, he saw you, which was all he cared about, but he doesn't say that.
“Not a huge fan of this crowd,” he says instead, which isn't a lie either, considering Hyesung is part of it.
“Oh,” is your answer, right as you reach the door to the apartment. Just a few more steps and you'll both be out of here, and able to find a better place to be.
If fucking Hyesung didn't appear in front of it with that superior, fake smile again.
“Long time no see, Felix,” is the first thing that make it past his lips, and Felix hears the jab for what it is. It's true that he hasn't showed up at the Headquarters in a while, true, too, that he hasn't participated much in Venom's activities as of late. Hasn't wanted to, nor felt the need to do it. When he'd joined, he had been enticed by the promise of a place free of the monsters. Knowing that he'd have to do some unsavory stuff to get it had seemed a low, low price to pay then.
A price that hadn't stopped growing since. He'd taken the wrong bargain, and now he couldn't back out. It'd be fine; he'd pay it again, he'd pay twice the price later on. He had no illusions on his ability to escape punishment. Others might have that kind of luck, but he didn't, he never had.
He just had to make sure that you wouldn't be around when he paid for it.
When Hyesung tilts his head to get a better look at you and his lips stretch out into a wider smile, one that is unsettlingly cheerful.
“Hi, I don't think we've met, I'm—”
“Yeah,” Felix interrupts him, taking a threatening step towards him without letting go of you. “You haven't met.”
Hyesung's expression shifts. Above him, the demon gives a lazy flap of wings. Felix doesn't have long.
He feels you squeeze his hand, and your silent support allows him to breathe in again. He hasn't even explained anything to you, yet you're giving him your trust, and that makes him feel like he can fly. Which is more or less the kind of miracle he's going to need if he wants to make it out of here.
Demons, like the kind hanging above Hyesung's head, are somewhat able to interact with the physical world. The others are here, but they can't do anything, can't move objects, definitely can't make humans do things. Demons... might. It's not true of all of them, but Felix suspects that Hyesung's climbed the hierarchy within Venom high enough that his companion is one of the powerful ones. It makes him dangerous. It also makes him easier to outrun.
He tightens his grip on you. He can only hope you're ready.
“I'm just trying to make a new friend!” Hyesung says with dishonest warmth. “You know, we're always looking for people to join—”
When Felix's fist catches him in the jaw, he really, really should have seen it coming. After pulling that kind of shit, it's 100% on him if it caught him by surprise. It seems to, since he stumbles back as conversations around you quiet down and all eyes focus on the three of you — the three of you others can see, that is. Felix has no intention of sticking around to entertain though, and next thing he knows, he's running.
He feels the brush of the demon, feels the mouthy abomination's tentacle push him off as if to say 'hey that one's mine', which, ha, isn't that ironic. He doesn't doubt that the demon could kill the other thing in a fight, but it slows him down enough that, when Felix flies down the stairs with you in tow, it's not right behind him, and that's all he needs. It's not his first rodeo.
You certainly keep up surprisingly well, considering this isn't a daily occurrence for you. You also don't seem to hesitate as Felix darts into an alley way and presses you against a door. He doesn't have long, the abomination makes him too easy to spot, but that doesn't mean he's going to drag you with him.
“Go back to the apartment,” he orders, urgency in his voice. “Don't go back in there, okay? I'll meet you there.”
“But what about—”
“I've got this,” he promises, and no matter how tired he gets, it's still the truth. He's always made it out okay. There's no reason for this to be any different.
“Be careful,” you whisper. He wishes you hadn't, because, fuck, how he's supposed to not give in now?
He kisses you, hard and rough, tries to get everything he can out of that stolen moment. You're soft and warm against him. He wants to melt into you and never have to step foot into his life again. Instead, he tears himself from you as you gasp for air.
“Go home,” he tells you again, and then he takes off. The demon takes the bait, passes by you without even seeing you, and Hyesung isn't far behind.
As Felix runs for his life, the thought that in doing that, he's keeping you safe, gives him, for the first time in forever, someone to run home to.
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It's late when he makes it back to the apartment. His legs carry him more out of habit than through conscious thought — of that, he doesn't have much left. A fresh burn, left by the demon, runs over his forearm. Over him, the abomination's worse for the wear, but it's refused to let go of him through the entirety of the run, and it fought like hell to keep him to himself, when the demon briefly caught up.
Eventually, Felix managed to lose him by barreling through one of these tight alleys filled with shops. The obstacles both on the floor and in the air had allowed him to effectively get rid of both the demon and the human and as far he knows, they don't know where he lives. Not yet anyway. He didn't know how long he still had for that. He knows that he can't let that aspect of his life catch up with you but, fuck, he thinks it just might kill him. To know that he had you and to now lose you again— he doesn't know how he's supposed to ever get over it.
His feet slowly take him up the stairs, dragging more and more until finally he grabs the doorknob. Almost immediately, the door's pulled open, and you're there, standing in front of him, taking him in, eyes searching his face first, then the rest of his body. Finally relief overtakes you and you pull him inside.
Behind him, the tentacles snap one by one as he walks through the door. The last few ones still holding on break off when the door closes. That is another one of the miracle, one he cannot explain. Going to sleep used to be the worst part of his day, the one when he knew he'd have to close his eyes despite the fact that the monsters were all around him, feeding off of him. He'd have to feel his energy being slowly depleted as he laid there, desperate for sleep to take him so he could wake up without feeling rested.
The monsters never come in here. He doesn't know why. It's not quite the first time he's seen it; clearly some people are less targeted than others. As far as he's concerned, you are the one that keeps the monsters at bay, and that's why, as your hands reach up for his face like you want to check that he really is there, that he's safe, whispering quiet 'thank you's under your breath he, once more, cannot hold back.
His fingers wrap around your wrists, because he'll crumble if you keep touching him like that, and he kisses you again. He's got less adrenaline in his system, so it's not as harsh as the previous one, and you meet all of his desperation with softness. You intertwine your fingers with his, let him take the lead. You whimper when one of his cold hands sneaks under your shirt, brushing against the hot skin of your stomach.
“Sorry,” he mumbles into your lips, without taking his hand off, and then he kisses you again.
You both stumbles through the hallway before your back hits the door to your room. That is always where the two of you end up on nights like these. Not that he gets chased home that often, but on the nights when he just can't resist the thought of having you, it's on your bed that the two of you come crashing down. Neither of you ever speaks of these nights. He makes sure he's gone by the time you wake up, and he's not in a situation where he can be the person you deserve. You have nothing to do in his world anyway, you're an anomaly, a miracle that a God who took pity on him must have wanted to send his way.
He always wonders if you know how badly he cares, if you know you're the only one for him. He wonders if he should tell you he loves you, or if it would be unfair to you, when he knows he won't stay around in your world for long.
So as he strips you of your clothes with feverish hands, presses biting kisses against your neck while you arch into him, whines and whimpers falling from your lips, he does his best to let you know. 'I love you', his careful movements say as he kneels between your legs. 'I love you', his eyes when he takes in your panting silhouette. 'I love you', his open-mouthed kisses trailing down all over your body.
He revels in the way your body trembles under his tongue, and when he finally pushes into you with a grunt, no matter how much he tries to keep himself from falling deeper into you, he can't help it anymore. You push yourself on your elbows, fingers tracing his jaw, and you pull him in for a kiss, and Felix is just gone. You're too soft, too caring, too good for him.
Later, with his arm wrapped around you, while you're lying on his chest and he's letting his fingers run over your back, he hears his own voice rise up in your room.
“You're not going to ask? About earlier?”
There's a long silence. He wonders if you've fallen asleep.
“Do you want me to?” you ask after long seconds have passed by, your voice quiet.
He— He's not sure, if he's being honest. He, selfishly, wants you to care. He wants you to want to know. But if you do, if you find out about everything that crawls and flies and walks in this world by your side without you being able to see them, if you're pulled in his world in worse ways, it will only ever hurt you. No good can come out of it.
He's mulling over it when you look up at him.
“If you tell me, you'll regret it when you wake up.”
There's such sadness in your voice that he feels like he's just been kicked in the chest. He's sure that you're talking about how he flees in the morning, how he never talks about these late nights, how distant he can be. He doesn't want you to feel that way. He doesn't want you to think, even for a second, that it's your fault.
Because it's all too much, because he can't tell you all that, because he knows the words will come out all wrong if he tries, he kisses you again, and he can only pray that you can tell from the strength of it, from how he cradles your face. You let yourself sink into his kiss and into his arms.
“I never regret it,” he tells the room much, much later, in the dead of night, when your breathing is even. And his voice cracks when he tests the way other words sound said aloud for the very first time.
“I love you.”
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so this felix is very similar to my jealousy, jealousy felix but this is a story that i've had in mind for an eternity. i absolutely loved writing it, felt fun going for something outside of my comfort zone. i don't know yet if i'll write more for this universe. would love to know your thoughts on it since this story was very precious to me, and if you don't feel like leaving a comment, please consider reblogging to help the story circulate <3
permanent taglist: @lethallyprotected @jisuperboard
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jmdbjk · 6 months
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Praise and worship
I finally figured out the meaning of the Standing Next to You MV!!
But first, did Kookie wax his pits or does he always have that landing strip of hair there?
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Anyway, sorry for the immediate digression but you know it is imperative to dissect everything, even pit hair.
Back to the MV...
The opening scenes include this very non-inclusive sign:
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Only limos, no sportscars, SUVs, pick up trucks, family sedans or mopeds welcome here. They are keeping the riff-raff out. ONLY LIMOS THEY SAID CAN'T YOU READ THE SIGN?
Obviously makes sense when we see this dystopian scene where less than a dozen people are walking around inside some sort of derelict compound. A FORTRESS FOR ONLY THE STRETCH LIMO PREFERRING POPULATION!
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Incidentally, stretch limos represent 1 percent of the options available from limo companies in the U.S. (I googled it).
Amazing that they found this many in Budapest.
What was once a sign of affluence has now fallen on hard times... hence the decrepit dystopia pictured above.
Enter our female antagonist. Who does she represent? I'll get to that later...
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Our antagonist is antagonizing beautifully throughout but starts off antagonistically in her leather coatdress and 1980's heavy black eyeliner and bobbed hair. After all, the song is a throwback to that era of the late 70's/early 80's. All she is missing is the peach blush in the hollows of her cheeks. Hand me a Maybelline Blooming Colors Blush Palette and I'll fix it.
Then the dark angel makes his appearance. Ah, yes, sweet angel, come closer.
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I think he has come down or up from where ever dark angels habitate in order to correct an injustice... the injustice being the duck-billed cups of this atrociously antagonistic dress our antagonist is made to wear:
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For real... they couldn't find a better fitting dress? At least grab a roll of toilet paper and stuff those titty cups to fill them out? They are so sad and droopy looking... props to her Maybelline Expert Eyes Turquoise eye shadow though.
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I suppose the stacked pancakes... I mean bra cups... could have meant to be an homage to another 80's icon: Madonna and her cone shaped bra... but ... nah... try again. They look like hamburgers. Now I can't unsee it. So, so sad.
We do a lil spin and our protagonist spins himself up into a jewel encrusted, crotch grabbing, finger pointing master of his game.
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I think he's here to conduct a worship service.
It's time to be churched:
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Stretch limos (because no riff-raff remember?) enter the opening in a temple-of-Petra-like giant wall emblazoned with JK's sacred heart logo. Very symbolic.
In they go to gather for worship. Others sit in theatre seats while Ms. Antagonist sits on the car like a hood ornament.
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So... who is she and what's going on here?
No clue. She sits haughtily and antagonistically on her outdated stretch limo, while her little minions sit in the rows watching the object of their desire preaching the holy choreography.
However, Mr. Protagonist is about to really lay down the religion.
But first, gratuitous shot of Kookie prancing in heeled chelsea boots.
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Back to religion... the religion of Bangtan dance... one of these is not like the other.
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(*covers Hobi-hyung's eyes* Don't look its too painful.)
Did they not monitor this mess?
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I don't meant to be disrespectful and I know these guys are some of the best dancers in the industry but next to Jungkook, they look like a herd of elephants. Just sayin'.
Anyway, Protagonist proceeds to become angry at the sloppy choreo and all the limo drivers gather for a gang-brawl in the middle of the church. Probably arguing over the spelling of chauffeur. I couldn't find an urban slang reference for limo, limousine or limo driver. I'm sure some exist but being the innocent thing I am, I don't know what they are.
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Mr. Protagonist brings down the wrath and puts the fear of Hobi into his crew:
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Then the climax of the whole darn thing: a dance break. Holy communion commences with serious thrusting into crotch grabs (some are enjoying it more than others):
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Service concludes and I wonder how many takes before they got one where Kookie didn't bust out laughing with his bunny giggle?
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But seriously, the MV does seem to be an homage to an era where Michael Jackson thrilled us with his brilliant music and dancing. Jungkook is continuing to pull us and BTS as a group along, forging new paths for them in the music industry. Like Kookie, I am anxious for them to reunite and get back on that stage together. And like Yoongi, I too believe they will devour the world.
(It's humor, y'all.)
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chourzahi · 1 year
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Jijel, Algeria
Randonnée le long du ruisseau de montagne
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shakespeareinnit · 2 months
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9 february 2024 》 "Wanting to be someone else is a waste of the person you are." - Kurt Cobain
(I cannot find any evidence whatsoever that Kurt actually ever said this, but a pretty great quote 🤷‍♀️)
Starting to fall into a bit of a rhythm now, which is really great. I'm so proud of myself! Getting up at 8 in the morning no matter what has been so great for me. Even if I was up all night and I am shattered, it's one of my new non-negotiable morning habits. I make myself a cup of tea and even if I go back to bed, at least I gave myself the chance to start the day at a reasonable time! 💕
I keep tackling basic, but very anxiety-inducing things in life (like doctor's appointments, ugh) and with each one, I prove myself I am capable. Been really good this week especially at not getting discouraged by setbacks (like not going to lectures, rotting in bed all day or staying up until 6am). I really need to get on my sleep-schedule next, but I am trying not to overwhelm myself, so we're being gentle about it.
I need to get in my sleep until I can anyway, because assignment deadlines for this semester are coming up, and I am also going back to work in less than a month. Goodbye off-season, you were good while you lasted 💔 I do miss flying though (and getting paid asdffghh) even if I've been super anxious about going back to work. New roster is out though and the crew on my first flight back is fab, which is a great relief! ✈️
I'm still not as caught up on uni work as I'd like to be - and I really desperately need to email some people about uncompleted work from the previous semester 😬 - but we are slowly getting there. Yay!
Little treats after completing tasks is the way to go! I forgot how much I love the rocky road slices they have at all the different cafés around uni 🍫 Plus, been reading Abigail Roux & Madeleine Urban's Cut and Run series again for the hundredth time, and it's making me very nostalgic. I first read the books when I was 16, and today, reading a rather steamy scene in the uni library, brought back a very vivid memory of me reading probably the exact same scene on a school library computer while I should have been working on history coursework. 😅 That was 10 years ago! Insane. Anyway, I always always come back to these books. The rubbish ebook formatting can be very frustrating, and the storytelling is somewhat chaotic occasionally, especially in the first book, but, god, I adore Ty and Zane so much. Bisexual FBI agents enemies-to-soulmates wholesomeness is exactly what I need in my life right now. 🩷💜💙
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justalittlesolarpunk · 3 months
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Hiya! Hope it’s okay to ask, but what were your kind of first steps to living in a more solar punk way?
Hi! Absolutely ok to ask, I love talking to people about this.
I can probably date my Solarpunk awakening, if you want to use the term, to a variety of points, but in the past few years due to both growing eco-anxiety and a new connection with nature (moved out of the city into the country) I became more concerned with the environment and this led me to give up flying and start educating myself on solarpunk topics through books and podcasts. Living with my parents, who have more disposable income than me, helped me see what it was like to be able to purchase organic and plastic-free food. Living rurally meant we got to know our neighbours. When our house flooded, they were the ones bailing it out with buckets beside us at 1am, up to our ankles in cold, dirty water. I learned a lot about community. I started foraging for snacks and treats (hello blackberries are delicious). I got interested in the ecological elements of paganism.
Later on I started incorporating more plant-rich food into my diet and getting interested in slow travel, rewilding, urban planning, etc. Then I started going to XR meetings, which led me to getting involved in (non-arrestable in my case) direct action. I joined some gardening volunteers which encouraged me to start trying to grow my own food at home. I decided to commit to not learning to drive or owning a car.
However, I’d actually say I’d been doing solarpunk stuff earlier than this without knowing it - seeking out positive news stories, attending protests, organising in my community (I was active in my school’s LGBT scene and ran several campaigns about it at uni), learning about indigenous cultures, telling stories. All of these things are solarpunk too.
But the single biggest thing that has helped me to be more solarpunk is changing the way I see the world, and for this the writings of Robin Wall Kimmerer have been hugely influential, along with a bunch of different writers that I can’t list all of here. But unlearning the idea that I am alone in a lifeless inanimate world has been HUGE for me. Today I thanked every element that made up my meal, from the rice in my noodles to mycoprotein that grew my meat substitute to the soybeans that made the sauce, the steel in my pan and the sunlight that powered the electricity that heated my induction hob. I walked along a river and said hello to geese. I noticed each plant and knew the names of many of them. I called my grandmother and tried to really listen as she narrated her experiences of the day to me, even though she can be difficult. Relationality has been the greatest aspect of my solarpunk work, learning to see myself as utterly interconnected with everything and everyone else, to remember that my very atoms were once compressed together with all the other atoms when this expanding universe first began. So a lot of it is about changing your thoughts, though it should also be backed up by action too.
Hope some of this helps!
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chuuyadelune · 1 year
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one thing that struck me about today’s BSD season 4 episode (aside from the world-turning-to colour moment, which was super dope!), was the use of levels and positioning. in particular, i’m referring to ranpo’s scene here, where he makes his address to the audience.
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first of all, the imagery of him being on a throne directly calls to his self-proclaimed new status as the “world’s greatest detective”. but what’s also interesting is just how high up he is.
it’s not so clear in those first screenshots, but here, you get this very clear view of how high up he is. he’s on the tallest level of the stage, above murakami, the policemen, and the audience.
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this whole sequence takes place after fukuzawa hands him those infamous glasses, and tells him that he’s gifted. ranpo believes he’s an ability user, and so, this separates him from the masses in his mind, who are visually represented here by the audience on the ground (including fukuzawa, who hasn’t discovered his ability yet at this stage). and this not only separates him from them — it elevates him. putting him on, not only the stage, but the highest part, emphasises the difference in his self-perception. he is different from the regular ‘monsters’ because he is an ability user: a rarity, an urban legend of sorts.
even here, when the police officer (who is definitely not suspicious at all) comes over to compliment ranpo and fukuzawa, the concept of levels is at play. this police officer is, to our current knowledge, a regular, non-gifted human. he even expresses shock and awe at the fact that he’s in the mere presence of an ability user. ranpo is at the top of the stairs, again, emphasising his position as a gifted ability-user, someone beyond the skills of a regular human.
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and ranpo’s (literal) elevation, especially in the stage scene, is also linked to the themes of the play itself, i’d argue. and like, full disclosure that i’m long overdue for a reread of untold origins since my memory is very blurry at best, so i’m just going to be basing this off what the anime does with the play (since, after all, this is a post analysing the relevance of positioning and layers/height/elevation in the anime).
at the start, it’s stated that angels are ‘gifted’ beings — and the word used here is, to my knowledge, the same as the word for ability user (please correct me if i’m wrong!). so the association is immediately established: gifteds — ability users — are strong, beyond human comprehension, and powerful enough to strike a fallen angel down. so that is to say, stronger than the normal, status quo.
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there’s religious (largely christian) imagery written all over the stage. at the start, one of the fallen angels in the play is ‘murdered’, and the imagery behind is undoubtedly a nod towards the crucifixion of jesus. and this position and framing here very much reminds me of an altar. especially with murakami’s ‘corpse’ under the (white!) cloth.
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ranpo’s position, above everyone, being deliberately above the cross, the centre of the spotlight — it’s almost as if he is some higher being. something there to cast judgement above all. something like… an angel. who are gifted beings, according the play, as he himself believes he is, since he’s been dubbed an ability user by fukuzawa.
indeed, the murder and the play are deeply connected — but so’s the symbolism of ranpo rising above everyone else and the concept of ‘gifteds’/‘ability users’ and the concepts laid out in the play. at least, in my view.
positioning has always been used in the BSD anime to display power dynamics and relations, and it’s a similar concept here. the subtle details make all the difference to the way we view the anime, i think. and that’s the power of visual storytelling!
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