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#Pantomime
snailspng · 1 year
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Wilhelm pantomime costume design (1890-1910) PNGs, part 3
(from: vam)
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janimatorbot · 12 days
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After 3 months it's done, I hope y'all like it.
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voghe · 6 months
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── like or reblog ; © V O G H E
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heaveninawildflower · 2 months
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Snowdrop - costume design by Wilhelm (Charles William Pitcher, 1858-1925) for children performing with the Bell Flower Ballet in the pantomime 'Dick Whittington' performed at Crystal Palace on 24th December 1890.
Watercolour.
© Victoria and Albert Museum, London, 2023
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pierrotpantomime · 4 months
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patting the jumping mice on their heads wont fix them but by god does it make them feel alive
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bluesnailsstuff · 3 months
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heh crybabies
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yridenergyridenergy · 3 months
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Edited HD memoca
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Vincent Price guest stars Mike Stokley's Pantomime Quiz Show/Stump the Stars (1949)
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lauraroselam · 10 months
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So I wrote this weird book about queer dragons. It came out the same day as the other dragon book everyone talks about. It was a Sunday Times bestseller in the UK, though, which was incredible!
However, I'm not sure how to continue to promote this book--people either seem to really like it, or not quite get it. Or it just wasn't what they expected. Which is fine, no book can please everyone, and I knew I'd made some unusual craft choices that was going to make it more marmite. (Or, as my brain tells me at midnight, I'm just a bad writer). However, there's that librarian saying "every book its reader" and the people who love this book REALLY love it, and that makes me so happy. So I decided to write this post and explain its weirdness and lay out what you can expect if you do pick it up. Maybe you're my kind of odd, too. :-)
Short pitch: 800 years ago, dragons and humans were bonded, then humans were dicks, stole the dragons' magic, and banished them to a dying world. But humans have short memories, forgot, and now worship dragons as gods. The dragon "gods" remember, and they do not forgive.
Thief Arcady steals their grandsire's stone seal (which helps them funnel magic) from their tomb. Their grandsire supposedly released a magical plague that killed a proportion of society, and Arcady is locked out of society as a result. They perform a spell to rewrite the seal to have a new identity as they want to go to university at the Citadel and also clear their family's name. Problem? The spell also accidentally calls through Everen, the last male dragon, trapped in human form. Everen has been foretold to save his kind, and now he has a chance: he just has to convince one little human to trust him mind, body, and soul, and then kill them. Then he'll be able to steal the human's magic back, rip a hole in the Veil, and the dragons can return. Good news for dragons, less good news for humans. As you might expect: this does not go to plan. Because emotions.
Grab it now. (Note: there's still a contractual delay so it's not available in US audiobook yet, annoyingly. Hopefully soon). (If you are like "weird queer dragons?! Sign me up" but aren't interested in hearing why the author has made certain decisions and want to go into the text cold, stop here! Death of the author/birth of the reader, etc. Otherwise, carry on.)
You should pick up Dragonfall if:
You like experimental narrative positions! It's all collected by an unnamed archivist who has access to both first person narratives (Arcady, the genderfluid human thief, Everen the hot dragon) and can scry into the past and draw out third person narratives (Sorin, hot priest assassin. Cassia, Everen's sister, who is also hot. Spoiler: everyone in this book is hot). Then to make it even weirder, Everen's bits are technically in first person direct address, so he's writing it all to Arcady (the first chapter ends with: "For that human was, of course, you. And this is our story, Arcady.") I ended up writing it this way for a few reasons, even though it probably would have been simpler to just stick to straight up third throughout, like most epic fantasy does. The big one is that Arcady is genderfluid and uses any pronouns (I tend to default to they when I talk about them outside of the text), and constantly gendering them in the text felt wrong whether I used he, she, or they. This way bypasses that a lot in the first volume, so it's up to the reader to make up their own mind. I also just really love first person direct address as a narrative position. It can be a little confronting, and it makes Everen the dragon sound a bit more predatory at the start. But it's also quite intimate. Is he writing his sections as an apology, or a love letter? Both? You find out at the end. So if your green flag books are: The Fifth Season, The Raven Tower, or Harrow the Ninth, this might also be your jam.
You love classic 90s fantasy. This is in many ways an homage to all the stuff I read growing up: Robin Hobb and the Realm of the Elderlings (the book is dedicated to Hobb in particular), the Dragonriders of Pern, Tad Williams, Lynn Flewelling, Robert Jordan, Mercedes Lackey, Tamora Pierce, etc. But I wanted to give it a more modern twist. I'm NB and growing up I didn't see a lot of queerness in fantasy, and I clung to the examples I did find (Vanyel, the Fool). Also, not 90s fantasy, but I also freaking loved Seraphina by Rachel Hartman and Priory of the Orange Tree, so those were influences too.
You're not put off by Worldbuilding(TM) and a slower pace. Probably because I grew up on the likes of Tad Williams, I honestly love slow-paced fantasy. I love to luxuriate in a world and take my time getting to know a made up world. In Assassin's Quest it takes over 100 pages for Fitz to leave the forest. Love it. I have a more lyrical writing style, I guess, and I'm pretty descriptive. My stuff always tends to start off slower, set the stage, and then ramps up the pace as we get further along. So yes, my book starts out with some infodumping, depending on your tolerance level of that sort of thing. I worked with a linguist and they made a conlang for the dragon language (hi @seumasofur). There's a map by Deven Rue (cartographer for Critical Role). I got nerdy.
You love queernorm fantasy! This is set in a world where it's considered rude to assume a stranger's gender and so you tend to default to they/them. If you consider someone much higher in status than you, you'd capitalise it to the honorific, such as They/Them. Once you get to know someone, you tend to flash your pronouns to them with a hand signal, since a sign language called Trade is also a lingua franca in the world. 99.95% of all the dragons are also lesbians, BTW. Everen is the last male dragon.
You like frankly silly levels of slow burn. Everen and Arcady can't physically touch without it causing Everen pain while they're half-bonded. They may or may not find creative loopholes. But it's not mega mega spicy, if you're expecting that. I expect the spice levels will gradually go up as the series progresses.
Alright, I think that's more than enough to give you a sense of what you'd find in Dragonfall. If you're open to sharing this post so it reaches more people outside of my little corner of the internet, I'd really appreciate it. Whenever I do any bit of self-promo, I'm always so anxious and worry it'll get like, 2 eyeballs on it anyway or that I'm just annoying people by mentioning that my art even exists. And if you end up liking it, please tell a friend.
I'm loving the recent dragon renaissance! Long live dragons.
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snapshotsfromgorkhon · 5 months
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We need to run. We need to flee this town.
pantomime; night 9
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two tickets for the Barbie movie please
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snailspng · 1 month
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Wilhelm pantomime costume design (1890-1910) PNGs, part 5.
(from: vam)
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A Fairy Tale Rabbit Hole
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Snow White and the Seven Dwarfs is the movie that it started it all for Disney Animation and it's the most influential fairy tale movie ever. Its tropes and its tone still inspires fairy tale media to this day, either as parodies, or homages.
But what less people know is that Walt Disney was inspired to make this movie because of a peculiar silent movie that he watched when he was a teenager.
That movie was Snow White from 1916. Its writer, Winthrop Ames, adapted it from his own Broadway play. An example of American fairy tale theater.
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This kept me thinking.
The Wizard of Oz is one of the most iconic fantasy films of all time, and it was made in direct response to Snow White. What people don't know is that the scene where Glinda saves the gang from the deadly poppies with a snowstorm came straight from a fairy tale musical from 1902. It came from The Wizard of Oz, a fairy tale musical "extravaganza", with direct input from L. Frank Baum, only two years after the original novel.
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Actually, stage musicals seem to take a slight part in the creation of Oz. The Marvellous Land of Oz, the sequel, seems to be inspired by this stage culture. General Jinjur and her army dresses like chorus girls, Ozma/Tip may be inspired by the crossdressing in children roles, and this was the book's dedication:
"To those excellent good fellows and comedians David C. Montgomery and Frank A. Stone whose clever personations of the Tin Woodman and the Scarecrow have delighted thousands of children throughout the land, this book is gratefully dedicated by THE AUTHOR"
These were actors of the 1902 stage show.
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Two years later, on 1904 Peter and Wendy premiered. This play is also one of the most famous children stories ever. Walt Disney himself acted as Peter in a local production of it and Tinkerbell quickly became a mascot for the studio.
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This all led me to think more about fairy tale theater specifically.
Since the ending of the 18th century and through the 19th century, a genre of stage show developed through Europe. It was mostly comedic and light-hearted, mainly inspired by fairy tales, and it was geared towards children and families. It involved lavish fantasy spectacles told through operas, ballets, and what we today would call "musical theater".
It had many different names and variations depending on the country.
On England, it evolved through the pantomimes and it became a Christmas tradition.
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In Russian, it was mainly through ballet, called the ballet-féerie, often considered a lower-class, more commercialized entertainment than traditional ballet. Tchaikovsky's Sleeping Beauty and The Nutcracker are among some of them. Sleeping Beauty would later inspire Disney's telling of the story.
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In France they were called Féerie, and it was a mix of music, dancing, pantomime, acrobatics, and stage effects. It influenced the development of burlesque, musical comedy and film.
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From Wikipedia:
With his 1899 film version of Cinderella, Georges Méliès brought the féerie into the newly developing world of motion pictures. The féerie quickly became one of film's most popular and lavishly mounted genres in the early years of the twentieth century, with such pioneers as Edwin S. Porter, Cecil Hepworth, Ferdinand Zecca, and Albert Capellani contributing fairy-tale adaptations in the féerie style or filming versions of popular stage féeries like Le Pied de mouton, Les Sept Châteaux du diable, and La Biche au bois. The leader in the genre, however, remained Méliès,[37] who designed many of his major films as féeries and whose work as a whole is intensely suffused with the genre's influence.[38]
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Once you realize a huge chunk of fairy tale media has roots in family friendly stage shows from 19th century, a lot of it started making sense.
The focus on romance, the focus on damsels in distress, prevalence of lighter tones, the everlasting connection to music and dance.
They may be the main reason why some fairy tales are more famous than others. Some became source material for a continuous stream of operas, operettas, musical extravaganzas, ballets, plays, and others simply not.
And besides the Victorian Era storybooks that bowdlerized fairy tales for children, I think this whole genre of the theater was responsible to firmly establish fairy tales as a child friendly media, decades before Disney ever released Snow White to cash in that nostalgia.
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If you have something to add or if I just got something wrong, feel free to correct me.
@ariel-seagull-wings @princesssarisa @adarkrainbow @the-blue-fairie @theancientvaleofsoulmaking @natache @tamisdava2 @thealmightyemprex
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voghe · 6 months
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── like or reblog ; © V O G H E
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thecoulrologist · 6 days
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[Image ID: A blurry circus tent on a colorful background with white text that reads "Clown fact #20 / A group of pantomime clowns is called a troupe! / @thecoulrologist". End ID]
CLOWN FACT FRIDAY! I'll try to be more consistent this time...
Pantomime clowns include harlequins, mimes, and pierrots!
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pierrotpantomime · 2 months
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is a clown not entitled to a little tomfoolery? a little funny business? fooling around, perchance! a bit of high jinks and shenanigans at least?!
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