#SO MANY EPISODES IN HIM TRYING TO BE A HERO

[stuck-in-the-ghost-zone]

HIII THABK U FOR THE TRIVIA AND ASHE SONG before i take forever 2 answer those or forget here is a blank ticket to please please talk about prime defenders and their AWFUL emotional literacy and processing skills i would literally love to read that essay so much ive also been thinking about it incessantly. big eyes staring up at u.png. ok ok peace out GOODNIGHT !!!! <33

i lied actually im not going to bed im judt thinking about this ans listening to St. John on a loop now. hello catkiss.gif i forgot how youve filled me with so much joy. that cat is so fuckign cute

anyway. hi :) prime defenders huh. this is gonna be less of an essay and more of a sleepy ramble but ohhh i have so many thoughts. they all process things so differently and none of them are good at it they all need therapy so bad. ms.g where is the hero therapy why didnt you build that into w.a.t.c.h ma'am

vyncent is probably the best at actually processing things out of all of them, he just internalizes everything to the point where he wont talk about it unless hes pushed past the breaking point. vyncent is actually very.. emotionally intelligent? i want to say mature but that feels like im singling him out because hes the oldest. i just feel like because he grew up on Fauna and had to be in basically survival mode in a world full of monsters trying to kill you.. that makes a person grow up quicker than they should. i think vyncent had a good childhood and for the most part his parents took good care of him but just.. living in that world doesnt seem like it leaves room for a whole lot of expressing emotions. vyncent is good at quick analysis of a situation, but unless a problem directly interferes with the current goal he doesnt externalize it to everyone else. but bottling up his feelings and emotions just builds up pressure over time until something like the lich makes him blow up and let it all out at once, usually in a dramatic monologue format bc condi is really good at those god damn it. also they played off the fact that vyncent said all of that to the lich and then missed his attack as a funny thing but i like to think of it as. he got too overwhelmed w his emotions and lashed out too soon it made his fighting messy. vyncent is so angry and honestly after what hes been through he deserves to be !!!!

william wisp. my boy. god hes just like me fr so much so that it physically hurts sometimes. anyway. i always think back to the scene where theyre all in the cabin talking about themselves/sharing backstories and william keeps desperately trying not to talk about himself. the fact that hes so ashamed of his powers he hides wisp form every time. two of his powers are LITERALLY a) turning invisible and b) turning intangible, usually as an excuse to leave whatever situation hes in ("accidentally" falling through the floor at opportune moments in season 1) . theres. a thing that happens at the end of episode 13/beginning of epidode 14 that youre really close to and i wont spoil yet but god it has to do with this so extremely much please come back to my inbox when you get there. youll know what it is trust me. um. yeah. so anyway. i think a lot of this comes from a place of. he doesnt want anyone to be scared of him. williams not stupid hes incredibly smart and insightful he knows his powers are objectively SCARY. hes scared of himself constantly, he doesnt want anyone else to feel that way about him, so he shifts focus whenever those aspects of himself are brought up because if someone were to think about it for any amount of time theyd realize the truth that hes scary and dangerous to be around (<< william logic. hey remember how one of the reasons he originally left deadwood was because the monsters there were attracted to the wisps and therefore Him so he left to keep his friends/family out of danger)

i think a lot about williams death and the immediate aftermath, i dont know how much you actually know and how much of this comes later but . how does he go home after waking up from that. his parents know about his powers, so they MUST know what happened. what do you think he told them when he god home muddy and dirty and broken and probably bloody after being missing for. god knows how long. how does he look his mother in the eyes and tell her her little boy is dead. but hes also not because hes standing right in front of her. how the fuck do you think he felt the first time he went into wisp form and saw his body laying there !!! of course he wouldnt want to talk about that!!!! youre gonna have to pry william wisps emotions from his cold dead hands !!!!!!!

dakota's response to the ashe situation was to run away in the woods and do nothing but train for 10 months. he didnt think about it for 10 months. i dont even have a whole lot to say about dakota other than like. stunned silence whenever his inability to process trauma is brought up because grizzly does such an incredible job at being like "you ask dakota how hes doing and his face is just blank" << paraphrased actual quote from an episode i cannot remember which one. either 11 or 12 ?

also because im thinking about him im including ashe in this. we didnt get to see a whole lot of his canon reactions to extreme emotional situations so a lot of this is just coming from My Mind but ashe seems like hed be the type to repress a lot of his emotions too. being alone in your house/in your room for extended periods of time will do that to a guy. i think he feels a lot of things and will probably very openly cry/scream/get angry when hes alone but as soon as he knows another person is there he can immediately flip the switch to turn it all off like nothing happened. very much a deadpan "im fine." if someone asks how hes doing, even if hes got like. the remainder of tear tracks down his face. cannot physically express his emotions in the presence of someone else

#very tempted to add a thing about the greats to vyncents section but i am not going to #anyway do u think it was weird for him to have the people he idolized in his brain. they knew things he thought #they felt things he felt they probably talked about it its no wormnder he keeps his emotions close to his chest etc etc etc #anyway. #im projecting a little bit on all of these can you tell. dont take any of this as canon i am fully like. #oh boy how can i put aspects of my godawful mental health practices on my favorite little superhero teens. #especially ashe be he has not a whole lot of canon basis . sorry ashe you get my emotion switch #asks #intertexts #friends!!! #jrwi pd #um!!! sorry i went off on the second william paragraph i think about the early stages of him gaining his powes a lot. #its the danny phantom in me #also that last sentence was especially mean of me sorry. i did yhat on purpose :) i love to be evil #OKAY. im going to bed for real now. i had 2 get this out of my system before i slept on it and forgot all the thoughts fresh in my mind

[spacedace]

Something I've seen in fics a few times but not for comedic effect is the idea that Constantine selling his soul so many times makes him look/feel Wrong to ghosts.

Like I love various Danny ghost shenanigans giving Constantine a heart attack in stories but just imagine that Constantine is like deeply, deeply unsettling for Ghosts & Liminals to be around.

To the point of whenever he and Danny meet for the first time at the Watchtower after Danny's joined the League, Constantine just walks in and upon turning to look at who just walked in Danny just shrieks like a small child and throws a chair at him out of reflex, diving behind Captain Marvel to use him as a magical human meat shield while screeching "WHAT THE FUCK IS THAT???! WHAT THE FUCK IS THAT?!" At the top of his lungs and doesn't stop until Batman makes Constantine leave.

Even after Zantanna explains Constantine's whole deal and Danny explains to the Justice League how totally fucked up that looks/feels like to him ("Dude, Ghosts are their core, for us you see that before you see the shape of whoever you're talking to. Like, imagine someone walks up to you with a face that looks like it's made out of a shattered plate and the pieces are bleeding"

Or like, imagine instead it's a thing were Jason and Jazz are dating and Jazz, Danny & Elle are invited over for a nice meet the family brunch - "Brunch is fun and casual!" Dick insisted, "Way less intimidating than if we had them over for dinner!") and Constantine pops in to talk to Bruce about a case.

And the second he walks into the room all three just shriek like they're from an episode of Scooby Doo.

Elle takes one look at Constantine and just nopes out of there so hard she doesn't even gk intangible as she throws herself out the window and starts flying for the hills. Danny screeches like a cat whose tail has been stepped on and jumps onto the ceiling and scrambles away. Jazz screams like a house wife from an old Looney Tunes cartoon and starts climbing Jason like a tree - which is a bit of a problem since she's half a foot taller than Jay and throwing his center of balance off a bit and now half of the plates are smashed on the floor.

Jason doesn't even notice though because he also is losing his shit over what the fuck that thing is and unlike Elle is far more interested in Fight rather than Flight and pulls out a gun - "Why'd you bring a gun to brunch?! Guns aren't fun or casual!" - and just starts unloading on Constantine (who is very lucky Jason has switched to non lethal rounds and that he's quick enough with his spells to largely keep most of the rubber bullets from hitting him) also while screaming at the top of his lungs.

And well, turns out Jason's new girlfriend is the older sister of that ghost hero the League's been looking to recruit and Bruce is gonna take advantage of that - Phantom has been hard to pin down, which is fair, bad history with government agencies trying to kill him and all - to talk to him about a place with JL, though first he's going to have to get him down from the ceiling and that'd be a lot easier if Constantine would just leave already, they are supposed to be having a family brunch this is his one day off!

(Elle screams her all the way to Metropolis and doesn't stop until she nearly knocks Superman out of the sky. He isn’t really sure what's going on, but he does manage to calm her down and takes her to go get some ice cream. When he pitches joining JL she tells him that she thinks he's kinda lame but that Superboy is cool so she's down. It's...honestly kinda devastating but Clark manages to get through it.

A note gets made when the two ghost heroes officially join the League that partnerships with Constantine should be kept at an absolute minimum.)

And lol yeah, just, Constantine being utterly terrifying to Danny and the Pham

#dc x dp #dp x dc #batman #danny phantom #justice league #danny fenton #danielle phantom #dani phantom #danielle fenton #jazz fenton #jason todd #john constantine #anger management #Constantine thinks it's kinda funny #once they get to the point that no one instinctively tries to kill him on aight anymore #he likes to sneak up on Danny just to make him jump through the ceiling #batman made him stop after Danny activated his Wail while screaming for half a second & nearly shattered all the windows in the Watchtower #Danny gets all of Constantine's soul contracts just to make John stop looking like that #Constantine immediately took the blank slate and started his favorite hustle again

[ew-selfish-art]

Dp x Dc AU: That one episode of teen titans where they all dress up as Robin + Tim being a gremlin about his legacy + Danny look alike/twin AU.

So there is that episode of Teen Titans where Starfire, Cyborg, Beast Boy and Raven all dress as Robin (Dick) while he's out and it's admitted that the outfit makes them feel cool. Imagine a young Tim hearing that story mentioned in passing by Dick while trying to manage what becomes Young Just-us. And then when Damain becomes Robin?? Gremlin mode activated.

Tim hosts regular 'Robin' Parties, where the idea is that you come in Robin colors, get a mask at the door and everyone gets to basically hang out in civilian clothes without the identity crises for those just getting started. "age appropriate" drinks, games, and good music are all staples. The parties become more frequent once Damian becomes Robin and he pointedly doesn't attend Tim's parties which... Neither of them are really happy about. Family is complicated, but finally, after a few years of cooling off, it's decided that Robin will actually host this years Robin party.

Meaning Tim shows up in casual clothes (MIT sweatshirt) and a mask, and Damian is actually dressed as Robin when the party is starting to get into the swing of things. The point of it is to make sure all the young heroes get to come and start to befriend each other, so there are a few people who show up and have to actually say that they're *insert alias* and this is met with basically "Dope, nice to meet you Robin" etc.

Insert Danny Twin AU (Or just look-alike fuckery) (for either brother but my brain is on Tim Twin au mode).

Danny decides to show up as his human self, grabs a mask at the door before coming in, and is slowly integrating himself into a conversation when someone grabs his arm- "Hey Red your brother is fighting with a newbie about meat products again-"

And Danny doesn't have a brother but my god has he heard this fight too many times with Sam and Tucker- He's going in and he's defusing this situation because he cannot handle the thought of this argument taking over his new friend group. He deals with it enough, okay?

Robin (like, the real one) looks at him curiously while Danny is talking down the other hero Robin (insert here), and the whole room notices when Robin doesn't take the opportunity to dismiss or belittle his older brother (Lmao because its danny). Damian cannot place his unease about Drake (again, Danny, who is not hiding his identity beyond a mask), and simply decides that this isn't worth the effort.

The party moves on but now instead of everyone calling themselves Robin, Danny is distinctly being called Red. It confuses him a bit, he didn't even know Red Robin was going to be at this party (he hasn't met the guy and doesn't know the lore), but he rolls with it because he's made fast friends with Robin (Bart), Robin (Cassie) and Robin (JON). The kid was full little bro energy and it made Danny laugh, he was so surprised when the real Robin joined them and fell into easy conversation with Robin (Jon).

Danny is playing games with a few others when someone goes to grab a broom to clean up- Turns out Red Robin and his boyfriend Kon had been making out in the closet for most of the party- and the whole room looks at Danny like he's tried to trick them. Tim is at first uneasy that so many people mistook him, but once he's in front of his dupe, puzzle pieces start to move around in his head.

"And who are you again, Robin?" Tim asks carefully, though he suspects he has his answer.

"Uh, Phantom, but you know, a lot of people were calling me Red tonight and I didn't get why until just now." Danny laughs nervously.

"Yeah I bet- Find me monday and we can see about a geneology test."

"That leaves us the whole weekend, to do what exactly? Fuck with people by pulling a parent trap style swap?"

"Nature vs. nuture and all but I don't know how you could be anything but my brother with a question like that." Tim grins and they get to scheming.

#dcxdp #dpxdc #dc x dp #dp x dc #danny phantom #dc crossover #dp crossover #long post #tim drake #danny and tim are twins au #robin party au #dear god someone please write this fic for me #its been rattling around in my brain for ages

[jennelikejennay]

I feel like people who write off Kirk as a "womanizer" don't really draw the lines in the right places.

To me the division is not "man who has a lot of sex | man who doesn't." It's "man who treats women as objects to collect and enjoy | man who genuinely sees women as people and loves them."

It's the post scarcity future, I'm sure there's a vaccine for every STI and we know their birth control works great. There's no reason not to have sex if you want to have it. There shouldn't be shame involved in having lots of it.

But if you watch Kirk carefully, he does not ever treat women like collectibles or disposables. He interacts with them very much as people. Some he flirts with and it's not serious (which they know). Some he's trying to help. Some manipulate him, which sucks. And some he presumably has sex with, but only because he genuinely likes them as people and wants to do this fun thing with them.

None of this fits the idea of a womanizer as a man who takes advantage, pretends to be in love only long enough to score, cheats, gropes his employees, can't see women as people because he's only looking to get as many of them into bed as possible.

So I wish people would stop painting him as that. He's a flirt, he falls for people easily, he's noticeably horny, but he's never disrespectful of women. The writers were very careful about that. They saw the world around them full of that kind of caddish behavior and wrote a man who would never. They show Kirk being tempted by Rand, Marlena, etc., and then making the deliberate choice not to act that way. Because they were making a point about how a hero acts. We even see him give Charlie a lecture about how to treat women, and it's a lesson he personally follows. It's a bit heavy handed if anything.

And then people watch like half of one episode and go "oh yeah ha ha that Kirk, such a sixties womanizer hero, so backward, I'd never watch that." I thought that initially before my recent rewatch, but....that is simply not what's in the show.

#star trek #star trek tos #james t kirk #jim kirk #kirk drift #a rant that has definitely been ranted before

[artbyblastweave]

I think about Star Wars a lot more than I post about Star Wars, and I've had some free time recently to type up some thoughts on Episode 7 that've been swirling around in my head for a couple of years. There were a few ideas and plot beats, and moments of apparent self-examination in Episode 7 which I thought were fairly compelling, even though they ultimately paid no dividends:

First was Finn’s character concept. “Star Wars as experienced from the perspective of a Stormtrooper undergoing a crisis of faith” is a rich hook; humanizing and giving a face to what's basically the platonic implementation of the faceless mook. Unfortunately, the potency of the arc was undercut by the pre-existing textual ambiguity as to what stormtroopers actually are. Star Wars extended canon has settled on the idea that each trilogy features an entirely novel cohort of white-clad mooks, each with a fundamentally different underlying dynamic. The clones and the First-Order forces are different flavors of slave army; in contrast, the stormtroopers are more frequently portrayed in the expanded universe as military careerists, stormtrooper being a thing you work up to rather than a gig for a fresh conscript. A slave-soldier who defects is a very different character from a military careerist who defects, and they invite different analysis. There's a bait-and-switch going on here, in that Finn gestures in the direction of the familiar OT stormtroopers but can't comment on or examine them because he's actually part of a novel dynamic invented for the new movies. And there's one final nail in the coffin here, signaled by the number of times I've had to invoke the expanded universe so far. When Finn debuted, the racists were of course, legion, but I also ran into a number of people who were sincerely confused as to why they'd recast Temuera Morrison. Going off the seven films that existed at the time, it wasn't unreasonable to read the prequel trilogy as an origin story for where the OT stormtroopers came from. Going only off the nine films that exist now, it still isn't unreasonable! It's muddied from so many different directions by their failure to establish the ground rules in the mainline films before they tried to put on subversive airs about it. I am still irritated by this.

Next up is how Han Solo was written. I actually liked the tack they took with him quite a bit. Because initially, right, his role in the movie is just to be Han Solo. He's back, and he hasn't changed! He's still kicking ass and taking names, he's still the lovable scoundrel you knew and loved from your childhood- and the principle cast members react to his presence with the same reverence the film's trying to invoke in the audience, they've grown up hearing the same stories about him. Except that episode 7, at least, is also very aware of the fact that if Han Solo is still recognizably the same guy thirty years on, it indicates that things have gone totally off the rails for him. We find out that the lovable rogue routine is the result of him backsliding, his happy ending blown up by massive personal tragedy rooted in communicative failures and (implicitly) his parental shortcomings. It feels deliberately in conversation with the nostalgic impulse driving the entire film- here's your childhood hero back just as you remember, here's what that stagnation costs. And it also feels like it's in conversation with what was a fairly common strain of Han Solo Take- the idea that Ep. 6 cuts off at a very convenient point, and that Han and Leia's fly-by-night wartime relationship wouldn't survive the rigors of domesticity. Obviously, that's not the only direction you can take with the character; the old EU basically threaded the needle of keeping Han recognizable without rolling back his character development gains. But it felt like they were actually committing to a direction, a direction that was aware of the space, and not a reflexively deferential and flattering one, which at the time I appreciated! The problem, of course, is that for it to really land, you need to have a really, really strong idea of what actually went down-of what Han's specific shortcomings and failures were. And given the game of ping-pong they proceeded to play with Kylo Ren's characterization, this turned out to be. Less than doable.

Kylo Ren is the third thing about Episode 7 that I liked. His character concept is basically an extended admission by the filmmakers that there's no way to top Vader as an antagonist. Instead, they lean into the opposite direction- they make him underwhelming on purpose. Someone who's chasing Vader's legacy in the same way any post-OT Star Wars villain is going to, pursuing Vader's aesthetic and the associated power without really understanding or undergoing the convoluted web of suffering and dysfunction that produced Vader. It's framed as a genuine twist that there's nothing particularly wrong with his face under that helmet. Whatever it takes to be Vader, he doesn't have it, and he knows that he doesn't have it, and the pursuit of it drives him to greater and greater acts of cartoonish villainy. The failure to one-up Vader is offloaded to the character instead of the writers, and it was genuinely interesting to watch. For one movie. The problem, of course, is that if the entire character archetype is "Vader, but less compelling," you can't try to give the bastard Vader's exact character arc. You can't retroactively bolt on a Vader-tier tragic backstory when you spent a whole movie signaling that whatever happened to him wasn't as compelling as what happened to Vader. You can't milk his angst for two more movies when it's the kind of angst on display in "Rocking the Suburbs" by Ben Folds!

There's a level on which I feel like Moff Gideon was a semi-successful implementation of Vader-Wannabe concept; he's the same kind of middling operator courting the Vader Aesthetic for clout, but he's doing it in the context of the imperial warlord era, where there's a lot of practical power available to anyone who can paint themselves to the Imperial Remnants as a plausible successor to Vader. Hand in Hand with this obvious politicking, Gideon is loathsome, which relieves the writers of the burden of having to plausibly redeem the guy; he's doing exactly what he needs to do and there'll never be a mandate to expand him beyond what his characterization can support. Unfortunately, the calculated and cynical nature of how he's emulating Vader precludes the immaturity and hero-worship elements on display with Kylo, which is unfortunate; the sincerity on display in Kylo's pursuit of authenticity is an important part of why he worked, to the extent that he worked at all, and it'd be worth unpacking in a better trilogy. As he stands Kylo is a clever idea, and that's all he is- he lacks the scaffolding to go from merely clever to actively good.

#and these are my unsolicited star wars thoughts #thoughts #meta #star wars #star wars sequel trilogy #kylo ren #moff gideon #han solo #star wars finn #star wars meta #sw sequels #the force awakens #analysis

[imarara]

I don't think we talk about Madeline Usher enough here, but especially on the parallel between her in the last episode and her mother in the 1st one.

Both came back from the dead to strangle the man they loved the most and sacrificed the most for. The show made Rodrick the narrator, but I think it plays on the "women being in the shadow of the main hero, a man" quite nicely - she was shown to be a version of her brother who is a little bit more of him in every aspect; more focused, more calculated, more cautious, more creative, etc, but since she's on screen less time then he is it can be overlooked.

She was also more empathetic as weird as it sounds, but she was trying to give Lenore some version of immortality, she was the one who was at the goldbug's launch, she was the one to assign security to the kids, she was the one who came up with new alternative path for the company, and probably she was the one that made Rodrick change his plans in the past - probably out of her pragmatic nature since she thought it was better for him. A great example of it is how she tries to feel out the deal before making a decision about Verna's deal, looking at Rodrick because it is he who already has children. After the deal she never gave birth, while Rodrick didn't bother to buy some rubber at least 4 times.

And coming back to the mother parallel, I just love it. It may mean so many things - generational trauma (which won't be the case for Ushers anymore i guess), the play on this lately more and more popular theme of mother-daughter relationship and if daughters become their mothers no matter how much they disagreed, maybe how the history repeats itself, maybe it's a jab at how much can women give and give until they are finally out of everything but their hurt, or maybe it was a play on how fine of a line there is between love and hatred?

It may be a little messy of a way to put it, but I just finished it and well, Flanagan brainrot I guess

#the fall of the house of usher #house of usher #mike flanagan #madeline usher #verna #roderick usher

[our-happygirl500-fan]

Various pieces of information from the Rise Q&A back in July 

1. When asked how the Turtles got their names in Rise it was said that back when Splinter was Lou Jitsu he travelled the world & developed a love for the Italian Renaissance & it’s art

This might have possibly been hinted at in the show as during the episode Al Be Back, Splinter was shown singing opera when trying to convince his sons to let him join their band.

2. Big Mama’s Assistant was stated to be one of the Turtle’s missing siblings & there were plans to name her after a female artist with Frida Kahlo possibly being the artist Big Mama’s Assistant would have been named after

The Turtles were supposed to figure out that Big Mama’s Assistant was related to them after various encounters with Big Mama, her personality is said to be ‘so disciplined & serious to the point where it is funny’.

3.  The Turtles had always had the potential for mystic powers & the mystic weapons that they took from Draxum acted as a catalyst & conduit to activating them

The Turtles are said to have had their mystic abilities inherently but needed something to help unlock them.

4. When asked about Mayhem it was admitted that Mayhem’s teleport ability was tricky to use due to easily being able to get the Turtles out of any serious situation

However it was stated that it could of been fun to see Mayhem go on seperate adventures similar to Perry the platypus in Phineas & Ferb.

5. When asked about the Raph & Casey friendship which can be seen in other iterations in TMNT it was said that though Raph & Casey didn’t get the chance to interact that much in the show they would actually make ‘the perfect pair’ if they had gotten to spend time together.

6. It was stated that after the Krang were sealed away the Turtles crashed & needed recovery time

7. After the events of the movie the public become slightly more aware of the existence of the Turtles

It was said that there would be a divide between people who feared & people who supported mutants & that the Turtles would have to work to maintain their reputation as heroes

8. When asked about if the Turtles had favourites when it came to their brother it was stated that Mikey was most likely Raph’s favourite & that Leo had a soft spot for Donnie & that Leo, Mikey & Donnie all look up to Raph

Mikey, Donnie & Leo: Raph! Raph! Raph!

9. When asked about Future Mikey & why he looked so much older in the future it was stated that the more powerful you Ninpo & Mystic energy are the more potential the powers have to drain whoever is using them

10. When asked about the heights of the future Turtles it was stated that due to his powers draining him Mikey had shrunk slightly but the Future version of Raph had been over 6ft 6 & the Future Version of Donnie had been slightly taller that Future Leo.

11. Casey Junior is said to have lost Cassandra when he was rather young & only has brief memories of her & that he was mostly raised by the Future version of Leo.

12. When asked about Splinter’s mystic abilities it was stated that he could do anything any of the Turtles could do if he tried

We’ve have briefly seen this when Splinter used Leo’s odachi to make portals but it also possibly means that Splinter could have also possibly replicated some of Raph, Donnie & Mikey’s abilities as well.

13. If there had been a cross over episode with Rise the 2012 Turtles were the Turtles most likely to be used due to many of the people who worked on Rise having also worked on the 2012 cartoon as well

Mikey’s powers are said to open up the possibility for cross overs with other universes

14. When asked about the Rat King it was stated he could have possibly been an extremely powerful Yokai

15. It was stated that Leo & Donnie both got their confidence from Splinter while Raph inherited his courage & sense of duty 

It was also stated that Mikey can tell that Splinter misses his old family & works to keep the family together

#rise of the teenage mutant ninja turtles #teenage mutant ninja turtles #rottmnt #tmnt

[lady-ashfade]

The trio

Day 11 of celebration marathon

Platonic!Trio x reader

-£ ask: Can you do something about how Percy, Annabeth and Grover would be meeting a new mortal friend after the quest? Like Annabeth having her first friend outside camp and maybe having all the awesome kid moments she missed ie sleepovers, movies, school dance... stuff like that. Grover making a friend he isn't trying to protect or save and can just be himself. And Percy making a friend with the confidence he got from knowing he's different but not broken. (I loved tonight's episode and can't wait for season two! I hope your enjoying the books they were my favorite when I was 12) @poemfreak306

-£ Warnings: fluffy friendship, hcs, me just going with what my brain comes up with, I haven’t slept since yesterday.

It’s funny how you were so excepting of their situation. Of course you were confused but you got over it pretty fast.

you had watched them defeat a monster on your way home from school and hid while they took care of it. You actually thought you were losing your mind.

They were just surprised as you when you went up to them, a normal human. I mean humans could see through the fog before but you were different.

“So…you actually have goat legs?” You point down at Grover as he blushes and nods.

“Awesome.”

You took them to your house and offered them a place to stay for the night, or some meals at first since they didn’t want to stay around you to long.

Annabeth likes to talk about things she feels like she can’t around anyone at camp, like girly things. Maybe you teach her a new hair style? Or show her a new teen magazine with cutes boys, then show her new movies she might like.

(I have a feel for wound either love or hate legacy blonde and you can’t convince me otherwise)

She likes when you gossip about your regular life and the problems you have, she likes to live through you. She also likes to teach you things to if you ask.

Grover is so happy to have you. He doesn’t feel the pressure. Not that it’s a problem with the other two but he likes to chill in your room. He’s a sucker for laying down in your room while you listen to music and play with his hair. Also, teach him videos games and battle him. He likes to visit you all the time to complain or rest up. You are his battery charger.

Also, Grover loves you because you always prepare snacks for him. He eats anything, Tin cans and random things he could find but you take the time to make him something. Makes him feel loved and cared about.

You are a blessing in Percy’s eyes. The other kids made fun of him for his whole like. But here you are, not a care in the world. You do scold him if he gets hurt and about being more careful tho he enjoys that. He had a kinda normal childhood with his mom so he knew a lot of things like you did so it was easy to bond. You got all his references!

Percy likes it when you listen to him rant on about his problems, about how camp is, or how he killed some monster. He enjoys how excited you get when he tells his stories. You call him and the others your hero’s.

Movie nights are always fun with them. Either you and Percy are showing them a movie you watched or you show them something.

If it horror. Grover will be watching intently while eating popcorn unlike what you thought the first time, he likes it. Annabeth is screaming at the tv how they are messing themselves up and somehow ends up rooting for the killer, (she never will admit she yelps at times) and Percy is in the middle. Sometimes his curling up and turning away, or laughing at the screen.

They get to be kids and enjoy a sleepover, eating snacks and throwing them around, laughing so hard they cry, staying up “all night” and then crashing.

Everytime they return to camp they have a new photo of you to hang up. Even as a mortal you are their best friend and they wouldn’t change it any other way.

taglist: @maria699669 @purplerose291 @itzmeme @ravenmedows

-£ this was edited poorly so many mistakes are made because I’m having a hard time keeping my eyes open.

#percy x reader #Percy Jackson x reader #platonic percy jackson x reader #platonic Grover underwood #platonic grover underwood x reader #grover underwood x reader #annabeth chase x reader #platonif annabeth chase x reader #pjo x you #platonic x reader

[bakugoushotwife]

Bad Liar // katsuki bakugou

a/n: i got soooo carried away with this one lmfao no regrets though, i love bakubaby so bad and this is so self-ship coded no apologies :D this is probably my last piece before kinktober! i know i know boo hiss im sorry, im sorry, i'll probably still pepper in drabbles and headcanons just because :0

cw: suggestive, 16+ to read. bakugo is agressive as always, he has his own language lmao, possessiveness? friends to lovers, hiding it from the bakusquad!

wc: 2.9k

He can’t stand it. It was his stupid idea in the first place, but still, he finds himself knee deep in regret instead of ocean-water. And his friends make everything worse. Oh his stupid, stupid friends and their stupid gatherings and hang out sessions, just irritating him beyond belief. You weren’t included in this tirade, no. Never. You’ve never had a stupid idea in your life, other than agreeing to be his woman, he thinks now. 

Denki and Mina would want to go to the beach. That’s so perfectly, stupidly, them. It’s the hottest day of the year, and Katsuki is miserable in so many ways it’s almost comical. Certainly he would laugh if it was happening to anyone but him. He’s already prone to hyperhidrosis due to his quirk nature, and the weather certainly wasn’t helping the matter. He looks like he’s been greased in baby oil or something slimy straight out of the sea. You on the other hand, look—he can’t look. You’ve been friends since your first year at UA, or as close to friends as one really can get with the explosive blond. You seemed not to mind his bristly nature, even when he got a little loud, you never flinched away from him or went out of your way to push his buttons like everyone else. 

You were different. You invited him to read your favorite books and mangas with you, you introduced him to new video games and even offered to train together, something that anyone outside of Izuku ran away from. You were unafraid, he realized. He knows he makes it hard. He’s hateful and unforgiving, loud and brash. None of those are good qualities, he’s well aware, but you made him feel like they were. You laughed at his rude comments, only shaking your head or rolling your eyes playfully to disagree. When he got loud, you got louder, a tactic his mom first employed and something he hadn’t realized worked on him so well. No, you made those qualities feel endearing. It wasn’t long before he was inviting you to tag along with him too, teaching you how to make different dishes and even trying your hand at baking while he’s crouched over recipe books spouting the ingredients at you. He wants you to study with him, even if he hasn’t allowed anyone from the inner circle to join him willingly. He always invites you, and he never hides his casual requests for you to come back to his dorm for movies or the newest episode of your favorite anime. He’s completely smitten, clearly. 

To everyone, really. It was obvious, even to you. Katsuki is nothing if not prideful, so you were certainly not going to burst his bubble, or allow any of the bakusquad to do so either. You knew he would work through his emotions and thoughts on his own, and he would come to you when he’s ready. 

And yes, that took well into your adulthood. School was filled with tragedy after tragedy, you were happy to make it out of there with Katsuki, your friends, and your ability to become a hero still intact. The two of you worked for the same agency for the next couple of years straight out of high school, and that’s what helped him really understand just how different you are. You’re strong, the strongest woman he’s ever seen if he’s honest. Your abilities are insane, your motivation is inspiring, and your knowledge and instinct are only paralleled by his own. Perfect. You’re smart, beautiful, powerful, and so unique. He couldn’t stand it anymore, just watching from the sidelines as he tried to figure out why he was so enamored with you. 

Turns out, jealousy is one hell of a motivator. 

One day, when he was assigned a different route on patrol and you were sent off with a new male partner, it all made sense. He watched the guy put a hand on the small of your back, dangerously close to the elastic-wrapped mounds of your ass. His ass. He was fuming. The sidekick gave you an excited smile, championing himself lucky to be partnered with such a force–and beauty– as yourself. Katsuki saw it immediately, how the other sidekick was looking at you, it was painfully clear. He wasn’t worried, you would never give this extra your attention–hence how you throw the rando’s arm off of you and stomp away–what does piss him off though, is that other men cannot understand that you might as well walk around with his brand across your forehead. Was he not crystal clear? Even if he hadn’t known that you were unspeakably his, surely everyone else could tell? You two went everywhere together, never was one seen without the other, except for this fuckin’ dumbass  patrol–and he was scary enough no one should even think about you in that way. 

So he finishes his rounds as early as possible that day, making it back to HQ to meet up with you after your disdainfully different route. He’s pleased to see you alone, leaning up against a doorframe with your skin-tight hero suit still perfectly intact and clinging to your every curve. No drama, no danger, he smirks to himself in relief. The way you look back at him, though, that has his heart stopping in his chest. You look so at ease, your resting bitch face melting into a smile of succor. He can tell you’re just as relieved to see him, the way you jump from foot to foot in excitement tells him so. He can’t help but give you an arrogant half-smile, amused by and admiring your every move. The air is different, the space between the two of you spoke of something different than just friends. He throws his arm around your waist, and you can tell from the look on his face that he’s ready. His red siren gaze sparkles with a bit more intensity, his calloused fingers soothing circles into the curve of your side, even the smile playing at his lips says it all. You’re his now. He knows you know this, and you’re so good to him you won’t even make him say it, but it seemed that his little revelation was enough to change him in a way you didn’t suspect. 

“Yer my lady now.” He says, no trace of annoyance, only a slight upturn to the corners of his lips. 

“I know. Been your lady for a long ass time.” You chuckle, leaning your head over on his shoulder as you begin the walk home. You couldn’t wait to tell Mina–she would freak the fuck out that he finally made his move. Even more relieved would be poor Kirishima, the man on the receiving end of so many you-themed rants. Denki’s teasing may be endless–and Sero may be the only soul genuinely happy for everyone without making it a big deal. You know the last thing Katsuki wants is to make this a big deal. He was still working his way into emotional fluency, and you didn’t want them to stunt his progress–even though it was well intentioned. 

It’s like he can read your mind, or more aptly the subtle knit of your brows and purse of your lips. He knows your brain is hard at work thinking, so he steers you home, his house of course. The weather was decent, cold like he likes. He lets you think, focusing on the sound of your boots crunching in the snow. “What’s going on in that fat head’a yours?” 

You chuckle. “I was just thinking about how insufferable our friends are gonna be.” You say, icy fingers reaching for the solace you know awaits in his warm hands. He doesn’t fight you, cupping your hands in one of his. He furrows his brows, considering your sentence, yet his thumb still absentmindedly strokes your soft skin. He huffs after a time. 

“We ain’t gotta tell ‘em. They’ll figure it out eventually anyway–let’s just enjoy bein’ us. Press’ll be stupid too.” He sighs out, not having considered the issues you two may face now, status and all. How annoying. He squeezes on your hands to convey his love. 

You sigh. “God, so true. I didn’t think of that either.” You muse, smiling at the snowflakes collecting in Katsuki’s ashy hair and lashes while he stares at you. It can only ever be described as a stare, the intensity too much to be considered anything less. You slip your hands from his momentarily, and he frowns at the loss of you. He looks up and realizes you’re unlocking his door and sighing at the warmth that greets the two of you upon entering. Once the door swings shut, your hands find him again, though now you face him, and you dare to let your touch wander up his forearms and biceps before falling back down and reaching back up again. He enjoys the feeling, the soothing comfort of your strokes nearly causing him to sigh. He just hangs his arms around your waist instead, appreciating your beauty without fear now. 

“S’ppose we’ll keep this ‘er lil secret then.” He drawls, gently pulling your body until it stops against his. You can feel his warm caramel-scented breath waft over your face, the heat in his eyes causing your own to rush to your cheeks. He smirks at that, cherishing every moment he can fluster you since it’s so typically the other way around. 

You nod, unashamedly looking down at his lips. He doesn’t hide the sultry way in which he coats them, before letting them stretch into another, wider, predatory smirk. He forces your eyes back up to his with his two fingers under your chin. 

“Sound good?” He asks with an arched brow. You nod again. He chuckles, one so deep it reverberates through his buff chest. He’s entertained,  you’re absolutely falling apart just from standing so close to him now that all his feelings for you were confirmed. “Use your words and I’ll give ya a kiss.” 

You force yourself to swallow, and then clear your throat, feeling frozen in place. He looks at you like you were the only person he could see. He looks at you with such insatiable desire, you’re rendered speechless just from a few touches and his carmine eyes dancing over your body. “Yeah–our secret.” You manage. 

He nods his approval, sliding his hand to cup your cheek instead. His hand is so big his fingers reach over your jaw and into your soft, vanilla scented hair. He almost loses his confidence, your scent and the way you bat your eyelashes hitting him all at once. You always smell so sweet, even though you were actually spicy. He thought it fit you. You stand on your tiptoes to prompt him, your hands landing on his toned pecs. It brings him back to the present, and his heart actually flutters at what he was about to do. He swallows any nervousness and leans down, licking his lips a final time before he slots them over yours. You jolt him awake, the cool touch of your mouth sends warmth tingling through him, and you’re not doing much better. You feel like you’re melting as he pulls you closer desperately, unable to get enough of you. 

And maybe, just maybe, that night ended with him becoming very acquainted with that beautiful body you proudly display today, at the beach, with all his friends, who still don’t know that you’re together. 

That’s why he’s so impossibly frustrated, keeping his head turned and pretending to be entranced by the ocean waves. His friends are stupid, but they aren’t dumb. They’ve known for the longest that Katsuki’s head over heels for you, but upon your promise, they tried to give him less shit about it. 

But Denki just can’t hold back this time. To think that he can’t see Katuski’s “sunburn”, the noticeable way he’ll look anywhere but you, and his overly sensitive nerves today is an insult to Chargebolt. He scoffs loudly. 

“Hey Bakugou, you allergic to sexy?” 

The blond’s head snaps to him and his eyes narrow in confusion. “What?!”

Denki chuckles smoothly. “You won’t even look at Y/N–and she is definitely sexy. That bikini is working overtime–”

“Say one more word about her.” He dares, sparks collecting in the palms of his hands. At the crackling sound, Kirishima decides it’s time to intervene. He holds his arms out like someone approaching a wild horse to saddle. 

“Woah, woah–easy bro!” He chuckles nervously, but it gets Katsuki’s attention, at least enough that the threat of violence dies down. “I think what Denki’s trying to say is, normally you and Y/N are side-by-side. Is everything alright?” 

Great. There was no way to win. If he looked at you, he’d surely pop a raging boner and that would confirm everything they’ve ever thought about him and his thoughts about you, but not looking at you resulted in their suspicion anyway. He huffs through his nose and scowls. 

“Yeah? Just tryin’ not to be a perv like you two fuckers. Stop lookin’ at her–” 

“Right. Okay.” Sero rolls his eyes at the longtime friend. “You know none of us give a fuck if you guys want to get together, right? In fact, we’re literally praying for it so you stop being so goddamn intolerable.” 

“So you admit you have to fight looking?” Denki snickers. Katsuki eyes the two with the wrath of hell.

Kirishima gives him a defusing glare, sighing at his hot-tempered buddy. “I second Sero, but either way, we want you to have some fun, man. We know you can’t be having a good time sitting in the sand like this. Come play some volleyball with us!” He insists, dragging Katsuki to his feet. 

Bakugo wrenches his way free of him, but follows nonetheless, scowling even deeper when Mina calls out, “Three on three! I want Bakugou and Denki!” She giggles, leaving you to team up across from him with Kirishima and Sero. He convinces himself that beating your ass in volleyball should keep your friends off your scent.

All goes well, for a while. That is until the rotation puts him directly across from you. 

Denki was right. You are so sexy. And that bikini…how could you set him up like this? The fabric clings to your hips, disappearing into the folds of your dimpled and sand-covered ass. God, he shoulda never let you out of the house. His eyes finally move up toward your bust, almost laughably stuffed into your top. It’s so unfair. You’re ridiculously stunning, and he can’t help but think you did this on purpose. He can feel his blood rushing all at once, and he knows he must be staring hard. Before he can comprehend anything else, you’re running towards the net, beautiful body glistening in the sun, your sea-textured hair swaying in time with your chest as you jump and smack the ball right in his face. 

Kirishima can’t stifle his laugh, and Denki nearly collapses in laughter beside the explosive man. Mina just puts her hands on her hips, trying to hide her knowing smirk. 

Katsuki is prideful, arrogant, brash, unforgiving, loud, and hateful. You made sure to love and accept those qualities to an extent, and help him grow out of them in some others. One thing you’ll never be able to change is his competitive spirit–and you just took a cheap shot in his rulebook. 

“That was a low blow. It doesn’t count!” He groans, swiping some of the kicked up sand from his tanned abs. He goes to pick up the ball when Sero challenges. 

“How so? She just spiked it. That’s legal.” 

And to his dismay, you play right into it. “Yeah, why’s it a low blow, Suki?”

Goddamn you. Batting your lashes and all. You’re challenging him too, daring him to keep lying or to come clean to all his friends. He snorts at you, clearly you underestimate who you’re dealing with. He’ll fuck you on the beach if you wanna push buttons–but he decides he’ll take a more moderate approach only because he doesn’t want anyone else to see you naked. You can’t back him into a corner without doing the same to yourself, so he just juts his chin at you. 

“Because you wore that bikini just to piss me off ‘n make me tell our friends yer mine.” He growls, arching a brow and folding his arms over his chest. The friends in question are unusually quiet and deathly still, exchanging knowing and relieved looks.

You shrug, blushing a bit. He caught you, but it worked anyway. Only because he allowed it, but still. You hum your acknowledgement and motion for the ball back. 

“You got me, baby. That counts as a point though. Ball’s mine.” You wink, that smug grin of yours enough to make his heart pound like it’s the first time he’s ever seen you. You’re most definitely somethin’ else, but he loves you to pieces, and he feels a lot better about being able to be just as pervy out loud as he wants to be. 

He slings the ball back over the net, mirroring your smirk. Once again, he’ll never let you best him. His eyes shine with mischief as he winks and says for your embarrassment, “Oh yer still goin’ down, sugartits.” 

#kyleewritesmha #last piece before kinktober works omg #bakugo x reader #katsuki bakugo x reader #katsuki x reader #bakugo katsuki x reader #bakugou katuski x reader #bakugou drabble #mha x reader #bnha x reader #bnha x you #bnha fluff #mha x you

[kindestegg]

The plush under Collector's bed: A totally necessary analysis, trust me

So, as a recap of this scene, before King leaves to visit Eda and Lilith, Collector asks King if he could sleep with François that night.

King reminds Collector that only himself and Luz can hold François, and Collector obliges but asks that he at least leave François there to "watch over him", claiming he "doesn't like being alone".

King does so, and Collector seems satisfied. It's very telling of Collector's development that they never touch François after this interaction, showing respect for King's boundaries.

... Except! This sweet little angel is actually a master trickster! A liar and a fiend!

He had a plush under his bed the whole time!!! In fact I'm pretty sure every shot of their little bedroom planet has the underside of Collector's bed obscured UNTIL King starts to leave and we pan to see the beds from an angle which reveals the plush!

You know what this means, right? Collector could have easily pulled his plush from under his bed and cuddled up with that if he hated sleeping alone so much, but he didn't. Why?

Well, I don't think he was lying about being lonely. Loneliness seems to be a prominent common theme for Collector, both declaring his loneliness back at the start of O' Titan, during a vulnerable moment where he didn't expect anyone to hear him, so he'd have no reason to lie there...

And then also having this acknowledged by King in the current episode, who has been living with him for about two months now, so he would know Collector's state of mind better than most here.

So... what gives? Was Collector really only out to force King to give François to him? Why?

Well, my current theory about this is what François means in this scenario: a connection to King. We know François is very important to King and King does not hide this when he expresses to Collector how he won't let them hold him.

To Collector, being able to sleep with François is the ultimate foolproof way to ensure King won't leave them. First, if King eventually lets them hold him, it signifies King would trust them enough with this and hold them to a regard as high as Luz, which we know Collector seems to be jealous of. I... just realized I should probably analyze that too, huh. Well, all in its due time.

And second, even if King won't allow them to hold François, but leaves them close to Collector in their room, that already acts as a guarantee. A guarantee that King will come back for François eventually, that King won't leave them to sleep alone the entire night.

Whatever the case, François is a symbol, a meter to test their closeness for Collector and King, and considering how many times Collector has lost people they considered friends before (whether those were real friends - in the case of the titan babies - or not - in the other collectors and Belos' case -) and have been double crossed by Belos, it's no wonder they have trust issues and want to make sure King does care about keeping them company.

So... that's it, then? He probably threw his original plush under the bed and then lied to King he lost it and is now constantly trying to get King to let him either hold François or at least keep him close to him as a connection between him and King?

Well... yeah, but if you'd allow me, I'd also like to talk a little on the symbology of the plush here. You see, while we can't make out the full of what the plush looks like, it appears to be some sort of canine with pointed ears and a poofy tail. Maybe it could be a titan, even a plush replica of King, but... I don't think so. There seems to be no stitching around the neck to signify it has a skull like titans do.

See, I think this is a fox plush. And why it is important in a metatextual sense that it is a fox requires a look into lots of different possibilities, each enriching the narrative in a different way.

For one, in popular folklore, foxes are seen as tricksters, lying and cheating their way into what's most convenient for them. Villain or hero, the fox is always winning people over through tricks.

This would align with the very nature of the plush being thrown under Collector's bed: it calls back to the fact he's tricking King with this. And yes, while Collector does have his problem with "fibbers", I don't think he's above more harmless tricks, we've seen him joke around with King before, purposefully feigning ignorance to mess with him, and the very nature of how he splattered Belos was through him lying that he wasn't mad. He may dislike it when a major lie is told, but little lies and sarcasm are no stranger to him.

Another possible connotation is the fact that rabbits and foxes are naturally prey and predator. François is a rabbit, Collector's plush is a fox. King, the member of the species that was hunted by the collectors, holds the prey animal, while Collector holds the predator animal...

The position of the plushes is also important here if we go with this interpretation: François is on top of King's bed, indicating he does not conceal he is the prey here and is well aware of this. He says so as much: "this whole time I was scared of making him mad". In general he behaves like a scared animal around Collector, despite their efforts to put them in equal grounds and the fact they have spent so long together and made considerable progress in their friendship.

Collector's fox on the other hand is under their bed, signifying Collector has concealed their fox, or maybe more appropriately, buried and left the fox behind. They may be part of the species that wiped out all the titans, the predators that so mercilessly hunted King's species as prey, but they want no part in this. Their backstory seems to involve wanting to play with titans and denouncing the other collectors after all, likely being bitter at them for ruining everything and hunting their new playmates to near extinction.

Alternative readings also include a few possible pop culture references. A possible one is the prominent role of the Fox in the Little Prince. While Hunter is the one who has been nicknamed "little prince" by Darius, Collector still seems more thematically similar to the character, being a child who came from space:

The similarity also hands itself to the fact King does somewhat resemble a fox with his canine qualities and fluffy tail, and in the story, the Fox was one of the first friends the Little Prince makes on Earth, and the one to teach him how to approach someone who does not trust you yet, to "tame" them.

Yet another possible reference this could be is the Disney movie "The Fox and the Hound":

Which seems like something I should frankly make a whole separate post comparing the eerie similarities it harbors to the current dynamic Collector and King hold. But to summarize, if you don't know the movie, it follows a hunting dog pup and a fox pup that become friends at a young age, and their friendship must overcome advertisities unique to their species.

If this is a reference to this particular movie, this once again has a different reading: Collector is clearly the hunting dog here, not the fox. For him to keep a fox under his bed would signify he wants to keep King close to him, safe under his bed and protected. This could even be a call back to the very last scene the titular fox and hound in the movie share: Copper, the hound, positions himself above the fallen Todd, the fox, protecting him. The plush being under the bed to mirror this would make sense.

Whew! I think that's everything that I had in mind to comment on this particular tiny easter egg. Whatever meaning you take from this about Collector's mysterious plush, I hope I could at least inspire something in you!

#the owl house #the collector #toh collector #king clawthorne #toh theory #toh analysis #toh spoilers #Commander's orders

[celluloidbroomcloset]

This scene is so good in so many ways, but I want to talk about how it's the first time, in Season 2, that we see Ed desiring Stede and expressing that desire to him.

Through the first few episodes, we see a lot of how Stede wants Ed—we know he's having sex dreams that keep the crew awake—but most of what we see from Ed’s perspective are romantic fantasies about marriage and commitment, and despair at having lost the man he loves.

This makes sense to their characterizations—Ed is spiraling. He believes Stede has left him, perhaps never loved him. There are other things going on with the shame he's been made to feel about his own more tender emotions, his "unlovability," and how he's unable to express his grief openly to others. We also know that Ed is the more sexually experienced of the two, but that his sexuality has always been filtered through violence and pain. Ed's relationship to sex, like Stede's, is complicated by the culture that surrounds him and by the desires that he's been told are shameful.

Stede has only just fully awakened to his sexuality. He's realized that he's in love with Ed and that Ed is in love with him. His fantasies are about conquering the foe and getting Ed back; he's very much trying to put himself into the romantic hero role. He's scared that Ed won't want him anymore, but he seems very confident in his desires now.

We see the beginnings of Ed's own desires being expressed in the "captain's voice" moment, when he's obviously aroused by Stede taking a dominant stance. It's a shift from the "teenagers in love" fantasies and games of Season 1 and how they relate in "Fun and Games," with Ed beginning to both acknowledge and show that he desires Stede sexually and is safe to do so. Stede's oblivious at this point, but he's not by the time we get to the second moonlight scene.

After telling his fish story, Ed pauses to look Stede up and down: "I like that shirt."

Stede is actually a bit embarrassed, just as Ed is when Stede later takes his hand. He doesn't know how to react. When has Stede ever been told that he’s attractive? That someone else wants him physically? He's had other men tell him he’s weak and soft, and Mary was never attracted to him. But Ed is saying that openly—that he likes the way Stede looks. He finds him attractive.

Ed ties this to who Stede is as a person—he wants to hear more of the cursed suit story, and he's disappointed when Stede doesn't continue. Again, as with his physical attractions, Stede has often been mocked (including by Ed) for talking too much and telling boring stories. In effect, this is both an apology and a compliment: Ed wants to hear him talk.

Finally, Ed brings this back to the moment that had deep meaning for them both. He looks at Stede's body again and repeats the "you wear fine things well line." The exchanges that come before that give it further resonance—not just that it meant something to Ed, but that he knows what it meant to Stede, then and now. Stede gave him something then that made him feel cared for and desired, and Ed is doing the same for him.

Their relationship is not at all shallow or only based in physical attraction, but by the physical attraction is there. It’s real. There’s a carnality for them both that is very present, and it’s a part of their love for each other.

The way Ed talks about Stede is more subtle than the way Stede talks about Ed. Ed doesn’t write love letters, but he does look Stede up and down and go “you’re beautiful. You’re interesting. I love hearing you talk. I love looking at you.”

This acts as both reassurance and a movement forward in their relationship as it matures and becomes more real. Ed might not be ready to make out or have sex yet, but there's a pretty clear emphasis on yet. He tells Stede that sometimes it's better to be patient and wait—he's not rejecting Stede at all, but asking for them to move slower.

Stede's relationship to sex and desire has always been distanced, but now it's being brought to bear on the reality of his relationship with Ed. Ed's knowledge of sex has been confined to games connected to violence and pain. Both of them are now finding their way towards each other with the understanding that their relationship is indeed romantic, it is passionate, it is sexual, and it's not connected either to shame or to violence.

They want each other.

#ofmd #our flag means death #ed teach #edward teach #stede bonnet #gentlebeard #gif #ofmd meta #long post #also just any excuse to use that last gif #ofmd season 2 #you wear fine things well

[carigm]

MAJOR POTENTIAL SPOILERS/LEAKS REGARDING S5 (WARNING)

Last Spring/Summer, a semi popular fandom account on Twitter got sent some leaks about S5, focused on the first half of the season. At this time, many fandom accounts were receiving supposed leaks, so our attention was a bit scattered and we didn’t focus on any of them too much. A popular leak account on Twitter (unrelated to ST) also mentioned that they had gotten the first half of S5 leaked, and that this source is “never wrong”. Now, it is hard to tell if these leaks are the same as the ones that the specific fandom account I’m talking about received, but something to keep in mind. Her leaks were given to her by a person named James (which I assume is a fake name). These leaks were also posted on Reddit, last year, by her (the person in the fandom that got the leaks from James) but some major things were omitted in that post. I’m gonna leave a link here in case you guys want to read the discussion.

I’m sharing these leaks with you because some things from them are kinda lining up with what we’re seeing from S5 production. Keep in mind that these could be fake/wrong, and James himself said he didn’t have info on the last couple of scripts.

According to James, Mike dies in Ep. 3. I’m adding more screenshots later for more context, but the gist of these leaks is that Mike bites it, mlvn never breakup nor do they get a resolution, and Byler is left up to interpretation but never really happens. (I don’t really need to get into how shitty this all is writing wise)

Let’s go over the things these leaks might have potentially gotten right, according to what we know so far.

1. James said that the time jump would occur in ep. 1, after an establishing scene where S4 left off. He said the time jump would place us in late 1987/early 1988. He also mentioned there would be a series of flashbacks showcasing stuff from before the time jump. The dates he gave do seem to be accurate, and David Harbour had a shaved head right before they went into filming, which could imply pre time jump scenes.

2. According to him, after Mike dies, they find a letter he had been writing. Some of us were theorizing Finn had a letter in his back pocket in those rooftop pics. Could’ve also been Finn’s script and he just stuck it there (who knows).

3. He said that Joyce gets badly injured in ep.3, and since there’s speculation Winona was seen filming at the hospital, some people think that means she was taken there because of her injury. It’s important to notice that Natalia, Cara, and Finn were also supposedly seen filming at the hospital, and that the production called for many extras for nurses and paramedics. So whatever they’re filming at the hospital, it might be bigger than Joyce getting injured in her leg. Let’s remember Max is at the hospital too. I’m not 100% sold on this part of the leaks.

4. Today it was revealed that they’re setting up to film at Stone Mountain. (This is where they filmed UD scenes for S4)

Apparently production might have purple tentacles out already. (UD vines?)

Cara Buono mentioned, in that video shared by Ross Duffer, that she was filming stuff from Ep.2. This was around 2 days ago.

The people that know about the leaks think this is where Mike dies in ep. 3. Here’s some further context:

Here’s some stuff he said about mlvn:

Which is just….meh, because like I said, it doesn’t look like him and El ever breakup before his supposed death. Plus Byler never gets any resolution.

Now some things that might disprove the leaks (I’m trying to be impartial here)

1. These leaks mentioned Argyle a couple of times, saying he has a hero moment at some point. Eduardo made it sound like he’s not coming back to the show, but tbh he could just be lying. He’s listed for ep.2 on IMDb (and yes I know anyone with an account can edit that site)

2. These leaks say that Mike is very insufferable for the 3 episodes he’s alive, basically lashing out at everyone, specially El, and just overall behaving like an asshole. I really didn’t get that from the ElMike rooftop scene, in fact he seemed very gentle with her. People that know about these leaks think that the rooftop scene is Mike maybe apologizing to El and them having a heart to heart, right before he dies (no comment).

All in all, if Mike is dying this early, I’m sure we’ll know soon enough. The rest of the cast is gonna be filming for like a year, and Finn will be done in like two weeks 💀

I also hope there’s more leaks soon (on Reddit) so that we might compare them to these and see wtf is up.

I know someone is gonna inevitably ask why leaks would be out almost a whole year before they started filming when we usually get them during filming or post production, but I’ve been told these leaks happened around the time the writer’s strike began, which is when they were originally gonna start filming. I was also told other shows had issues with leaks around that same time.

I don’t want to get too much into the truly awful writing we’re facing if these are real but…First, I believe it’s a total disservice to Mike’s character. One of your mains since S1 and you don’t even offer him the option of dying towards the end of the season? Even fucking Eddie got that. Two, it seems like a very easy cop out for not having to make Byler canon. Let’s just have neither ship be endgame and that way we don’t get queerbaiting allegations. It also stands in a zone too close to torture porn for my liking, because sure let’s kill the character two of the most traumatized characters in the history of TV love most. And yes, it’s also a disservice to El and Will’s characters. And lastly, if that supposed letter vaguely alludes Mike having some sort of sexuality problems (we don’t know atp) it is pretty fucked up they just killed him off like that. Sure let’s not explore any of that, but give a half assed explanation via letter ex machina. This is looking like Supernatural finale levels of bad to me.

Another point, I distinctly remember the Duffers saying, after S4, that they could never kill off a character like Mike because it would be too painful, and that ST would cease to be ST and lose its identity. They didn’t want to be like GOT. I sincerely hope they actually meant this and were not trying to be cheeky or whatever the fuck.

It would be genuinely insane, and quite frankly, a highlight of their lack of writing abilities.

I hope the leaks are wrong, but I felt like it was necessary to warn everyone just in case. I know I’m not watching something this awful.

#byler #stranger things #st5 spoilers #st5 leaks #mike wheeler #mileven

[amuseoffyre]

Since insomnia is kicking my arse of late, I naturally tilted into the thoughts about the nature of the 3-act structure and why S2 of OFMD may have felt off and incomplete to a lot of people.

I am fully in agreement that we lost a lot of valuable time with only 8 episodes and a lot of it did feel rushed, but for the amount of story and set-up and growth and development they needed to fit into 4 hours of television, they did astonishing things.

DJenks has said from the very start that this is a story that has been planned out to take 3 seasons. It's literally a 3-act play and we are currently right in the middle of the worst part of that timeline according to every traditional 3-act structure.

Act one/season one is self-explanatory. Like New Hope in the Star Wars Trilogy or Fellowship of the Ring, this is the set-up. We're introduced to our protagonists and antagonists, the relationships are given a foundation.

The beginning is Stede's journey to becoming a real boy. The inciting incident, the one that actually pushes his change beyond "playing pirates" is meeting Ed. The second thoughts come together in episode 8/9 after his confrontations with Jack and Chauncey and episode 10 is the climax.

Act 2/season 2 is never going to be as smooth and simple as act 1/s1. A big part of the A2/S2 job is set up for A3/S3 and this is what we're seeing and why a lot of story threads seem to have been left dangling.

Again, to call back to Empire Strikes Back and The Two Towers, the structure is much the same: the original batch of people are divided and scattered, the big enemy from A1/S1 is looming, new allies make themselves known. In SW, this meant the introduction of Lando and Yoda as allies plus the hint of the Emperor lurking in the background. In LotR, we have the Rohirrim, Gondor and the Ents as allies and the expansion of Sauron's forces in Helm's Deep, Osgiliath and the winged wraiths.

There's a clear trajectory following the A2/S2 structure:

obstacle 1 - the crews separated and struggling

obstacle 2 - the end of episode 2 and the repercussions of his actions

twist - just when things start to settle, the Ned Low situation happen and Stede kills for the first time

obstacle 3 - Ed's struggle with his identity leading to him leaving

disaster - Ricky's assault on the Republic

crisis - do-or-die battle because they have no other choice

climax - the last 15 minutes of ep. 8 live here.

As with SW and LotR, there's an ending, but weighted with the knowledge of a story that is meant to continue. Each of those act 2 films end with the heroes still aware of the looming threat, some of them heading out on new missions, and some of them resting and healing. There's brief pause, brief respite, a moment to take a breath.

We have all the characters in place now and the battle-lines have been drawn. Luke still needs to confront Vader (I see you, impending Ed and Hornigold confrontation), Frodo still needs to destroy the ring, Aragorn still needs to lead the army against the Black Gate, the second Death Star is still hanging in the sky.

I'm so excited to see what S3 brings because we have so many arcs ready to go: Zheng's vengeance trip, the inevitable enforced out-of-retirement arc for Ed and Stede, Hornigold, Ricky trying to maintain his tenuous control of the republic given how many of his people were killed when the crew escaped, the pirate rebellion gathering forces.

Also how often do we get shows/films where the supporting cast are given this much storyline? We have a named/speaking-role cast of upwards of 15 central characters. That is a staggering amount of people to work with, when most shows would only focus on the leads and a couple of their friends. Six is the average for most TV shows, while comedies can inch higher because ensembles, but most ensembles don't get as much as our crew did.

I know a lot of people aren't happy about Izzy's death. I know I would have liked to see him a lot more, because he's such a grumpy old bitch and I love him and him affectionately roasting Ed and Stede would have made my entire month. But I'm also aware that narratively, as a figurehead of the old ways of piracy and "we were Blackbeard", it was a symbolic death as well - a sign of the death of the old ways of piracy and of Blackbeard as was.

(Also, they Obi-Wanned him. I'm not over that. Gave him the "if you strike me down I will become more powerful" speech. I'm just... guys, your star wars nerdery is showing XD)

So while it was flawed in places and pacing, given the scale of the story they're telling, the number of pieces and characters they had in play, and the arcs they have been setting up while also still keeping the humour, I am giving a standing ovation for a remarkable piece of work.

#ofmd #ofmd s2 #ofmd meta

[seikilos-stele]

There are many different ways to define the “main character” of a story, but the one I found most useful growing up is this: “the main character is the one who grows the most.” Sometimes, that means your POV character isn’t the main character. By nature, whoever grows the most will be the one audiences are drawn to; this is why audiences frequently gravitate toward side characters in ongoing tv shows; because we sense the capacity for more growth in Sidekick #3 than in Hero #1. To cope with this, the writer’s room will typically push Sidekick #3 out of the story entirely or will coax him into the spotlight and develop storylines just for him, thereby making him into a main character.

This is what we saw in OFMD. Ed and Stede were the main characters of S1. They had plenty of growth ahead of them and audiences were excited to see that teased out. Stede — selfish, out of touch, gentlemanly — longed to remake himself into a fearsome pirate. Ed — jaded, bored, infamously badass — longed to leave piracy behind and find something more meaningful. He didn’t yet know what would be most meaningful for him, and we were excited to watch Ed and Stede meet and figure it out together.

However, at the same time, the writers gave us Sidekick #3 — Izzy. Humorless, snarling, rage-filled, Izzy was your stereotypical henchman. This put him at immense odds with the rest of the cast. While everyone else, including Blackbeard, Fang, and Ivan, took to Stede’s management style, Izzy chafed under it and lashed out. Already, we can see that he has a lot of growing to do before he can get on the same level as the rest of the crew. That alone makes Izzy interesting, from an audience perspective. But what really enhances it is Con O’Neill’s performance — he brings an interiority to Izzy that’s lacking from the other characters; from his expressions to the intonation of dialogue, Con is always hinting that there’s something more to Izzy than what meets the eye.

Fans noticed. What exactly is going on inside this weird angry little rat? Why is he so furious all the time, and why is he so loyal to Ed? What will it take for him to let go of that anger and be part of the crew? By setting Izzy apart from the cast, the writers automatically set him up for an arc of growth. In S2, we watched that growth arc come into full swing. From E1-6, Izzy is on a constant climb up that hill to be part of the crew. We watch him take a bullet for the crew in E1, then attempt suicide in E2; we watch him try and fail to save the crew from execution in E3; in E4 Izzy is given a new leg and embraces his role as the ship’s figurehead. In E5 he works to train Stede and gives advice to Lucius on letting go of trauma. In E6 he embraces drag and performs in front of the crew. We see him, throughout S2, physically leaning on his crewmates and even crying in their arms — acts that S1 Izzy would never do. And we see him grappling with his relationship with Ed, admitting his love for him, mutinying against him, finding who he is without him.

By contrast, in S2, Ed’s and Stede’s growth hit a roadblock. As an Ed fan in particular, it was tough to watch him stagnate and backslide in this season. He makes no effort toward growth or change, and his efforts to leave Blackbeard behind are displayed not as growth but as a form of cowardice — running away from his problems rather than facing them head-on. Stede, at first, seems to be making progress. He makes strides as a pirate and even attains fame. But this progress toward his goals does nothing for his personal growth. Instead, it seems to catapult Stede back into his least-savory self from S1: selfish, out of touch, and vain. He and Ed enable each other in their determination NOT to grow, while Izzy fights for growth in every episode leading up to the finale.

This, essentially, is why so many fans believed Izzy was a main character. And it’s a good part of why so many fans were shocked when Izzy was killed off to service Ed’s growth, and his relationship with Stede. We spent a whole season watching him be the main character, only to be told at the end that he was really just Sidekick #3 all along. This strikes me as dishonest and unskilled, like the writers were working off intuition — good intuition, granted, for most of the season — without any real understanding or intentionality behind their decisions. They were working off what “felt” right without interrogating why it felt right, and when they hit the season finale, all those instinctive, thoughtless decisions came crashing down. The rubble left behind is difficult to sort through and honestly doesn’t make much sense. And, as an audience, we’re left with a season-long growth arc that was bafflingly cut off before it could culminate — and a prospective S3 where one of the main characters is dead and buried, after only a single season to shine.

#Izzy hands #ofmd #ofmd critical

[emberwritesinsight]

(Ramble below, not very structured)

I'm watching episode 9 again and losing my mind over the scene where Saionji fucking kidnaps Anthy because. I forgot how actually upset Anthy is?

Like. The way Anthy is fucking shouting as Saionji drags her up to the arena. The way she tries to physically stop him from getting in! What the fuck!

The way he just bats her out of the way and we get a shot of her from behind, kneeling on the ground with a hand to her face, but we don't see her face. That's... not normal! Most of the time when Anthy gets slapped in the early series, we get a shot of her afterwards with a bruise.

Here, we don't see her face. But we can see that she's shaking, and the first-watch assumption would be that she's crying, but... I'm not inclined to view it that way given everything that happens after.

The way I read it, Anthy is pissed.

The next time we see Saionji, he's face down in the water. How did he get there? We don't see. On a first viewing, one might just assume that's a negative reaction the arena has to being opened at an inappropriate time- along with all the crazy shit going on inside the arena once Utena gets there. But given Anthy is later shown to have more control over what the arena does than she lets on, and noticeably does her flashiest magic (the sword pull, the transformations) in or on her way to the arena, I think Anthy is behind almost all of that. And I'd say she's also behind the Saionji-almost-drowning bit. You guys might remember the half-joking drawing I made of Anthy, uh, dragging Saionji into the water by his hair, and while she might not have gotten as hands-on about it as that drawing suggests, I still think she's responsible.

So, like... why?

Why does this piss her off so much? I mean, sure, Saionji absolutely has it coming, but Anthy's been through worse. She clearly doesn't like Saionji and messes with him whenever possible, but to attempt murder and then set up an elaborate illusion designed to upset him as much as possible is... a little extreme. I don't think she even goes that far with Nanami, unless you consider the elephants to be legit murder attempts (which I do not- I think that was Anthy scaring Nanami, not trying to kill her, because I can't believe Nanami would survive that many encounters with elephants that actually wanted her dead).

I think the answer is that, for all the shit she takes from the duelists, Saionji is one of the only ones who breaks this many rules. Not only does he mistreat her when they're engaged- something she's used to, but that seems to be at least frowned upon, if not outlawed (given Touga felt the need to call a "stop hitting your girlfriend" meeting in episode 1)- he mistreats her afterwards. He refuses to let her go, he acts as if she still owes him something. And then he goes and pulls this. He kidnaps her, takes her to the arena without a duel scheduled, and tries to enter the arena- all things that are against the rules of this stupid game that Anthy, however much she knows it is a stupid game, lives her whole life around. And he tells her End of the World is responsible, which Anthy knows isn't true, because if Akio were planning something this batshit, she'd know about it! Of course she's angry, this goes well beyond the threshold of nonsense her job usually entails!

I don't know if she was aware of Touga's plan to play the hero for Utena and get Saionji expelled- if so, she obviously wasn't aware of all of it. The freakout on the way up to the arena is too intense for me to read it as anything but genuine. She's shaking with effort trying to stop Saionji from opening the gate. Things do fall perfectly into place for Touga to get between Saionji's sword and a defenseless Utena, but I honestly think Touga's plan may have been to just...

1) Impersonate End of the World and tell Saionji the castle is coming down, this will incentivize him to go up there and break the rules.

2) Tip Utena off that Saionji has kidnapped Anthy.

3) The castle doesn't come down, upsetting Saionji and heating up his inevitable confrontation with Utena enough that he tries to kill her and Touga can step in at the perfect moment.

4) Profit.

I don't think he knew Anthy was going to Do That. For one, the plan was to get Saionji expelled, not kill him- Anthy's stunt there could have ruined the entire plan if Utena hadn't dragged Saionji out of the water. And Touga is drinking the "Rose Bride doesn't have feelings" juice. Evidently, he doesn't put two and two together after this, because he's still beating that drum in episode eleven!

I don't think Akio knew much about this either. Touga is telling him about it over the phone, so Touga didn't tell him, and Anthy didn't know, so she couldn't have either. I think he probably got woken up in the middle of the night by all the chaos and had to dial Touga up after the fact to ask him what the fuck was going on.

#revolutionary girl utena #shoujo kakumei utena #rgu #sku #anthy himemiya #himemiya anthy #kyouichi saionji #saionji kyouichi #touga kiryuu #kiryuu touga #akio ohtori #ohtori akio #utena spoilers

[ohsostarryeyed]

guys i just watched episode 5 of the pjo show (ik i'm late, my brother and i watch it together and we've both been busy)

and i think it's my favorite episode so far so here's an incomplete list of things i loved about it

the percabeth hug. obviously. and grover just awkwardly breaking the silence when it went on a LIIITTLE too long? an icon fr. 🫡

the FBI looking for them. i was kinda worried they weren't gonna include that part cuz it wasn't super plot relevant but i'm so glad they did. hoping percy calls out gabe on live tv like he did in the books. that was funny as hell.

the way they just...walked down the highway? how long had they been walking when ares showed up? were they just gonna walk all the way from st. louis to LA? i have so many questions 🤨🤨

along that same vein, they way they hid behind the barrier and popped their heads up to talk to ares? peak comedy. i mean, stranger danger who? never heard of it.

skipping way ahead. annabeth geeking out at the amusement park cuz of the architecture and technology was so in character. that's my girl. 🥲🥹🙏

hephaestus's life story being told on the walls in lights was so fucking pretty. and how percy knew it all from the stories his mom told him?? 💔 breaking my heart as he spoke.

"maybe she was preparing you. so when you got to us, you'd be different than this." i'm so happy that annabeth is also a member of the stan sally jackson club. i welcome her with open arms 🫶

percy once again sacrificing himself for his friends. the way they're building up his fatal flaw is so effortless and wonderful. and then how hephaestus tries to manipulate annabeth into leaving him there by promising her glory. i really love the writers' commitment to fatal flaws as a motif in the story.

just...annabeth trying to save percy in general. got me crying fr. 😭😩 they're soulmates your honor.

"he isn't that way. he's better than that." need i say more? 🥲

also grover girlbossing ares that whole time, getting info out of him? what an icon. 💀 i feel like grover is slept on in this fandom and i won't stand for it anymore. and aryan is doing such a brilliant job. a hero among men. 🫡

also i was not expecting to actually see hephaestus but i kinda love how they're including more gods? idk i just think it's fun seeing the interactions and all their personalities.🙃

anyway, there's so much more i could write but that's what i could think of off the top of my head.

i can't way for next tuesday. i'm gonna be so insufferable after the lotus episode. if we get a subtle nico and bianca cameo i'm gonna lose it.

#pjo tv show #pjo tv spoilers #pjo tv adaptation #pjo disney+ #pjo ep 5 #percy jackson tv spoilers #percy jackon and the olympians #percy jackson #annabeth chase #grover underwood #greek mythology #thoughts from the mountaintop