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#Samora Pinderhughes
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daveeddiggs | Y’all should tune in. Being a friend of @callmekwudi means I get to be on a list with greats. @clppng did a performance for this fundraiser. As you can see we are in VERY good company. Tune in on twitch. Sunday.
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cinader · 7 months
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EP30-Posit Journal, Redhawk Publications
Martha speaks with Susan Lewis, editor and publisher of Posit Journal. Tony Robles speaks with authors from Red Hawk Publications at the Catawba Valley Festival for the Arts and lots of poetry read by the poets, including some from children that you reall
Listen & Be Heard Podcast Episode 30 Subscribe at Spotify Subscribe at Apple Subscribe at Google Posit, Poets and Poetry Martha speaks with Susan Lewis, editor and publisher of Posit Journal. Tony Robles speaks with authors from Red Hawk Publications at the Catawba Valley Festival for the Arts and lots of poetry read by the poets, including some from children that you really don’t want to…
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jacobwren · 10 months
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“I been saying things I don’t believe  I been doin things that just ain’t me (Or is it me?) I been knowing that this can’t continue But I keep on living the same way” – Samora Pinderhughes, Gatsby
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jacobaco · 1 year
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"The love you gave him / Will not love you back / Did you get lost in it?" S. Pinderhughes
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zytes · 1 year
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burlveneer-music · 10 months
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aja monet - when the poems do what they do - the poetry hits, the jazz backing from top players is a bonus
aja monet’s poems are a work of gravity. A surrealist blues poet, storyteller, and organizer born and raised in Brooklyn, NY, aja won the legendary Nuyorican Poets Cafe Grand Slam poetry award title in 2007. In 2018, she was nominated for a NAACP Literary Award for Poetry and in 2019 was awarded the Marjory Stoneman Douglas Award for Poetry for her cultural organizing work in South Florida. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, releasing June 9 via drink sum wtr, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy. In when the poems do what they do, aja monet appears as a woman of letters and storm, her poems do not roar in pentameter - but rather in storm surge because, “Who’s got time for poems when the world is on fire?!.” And this work isn’t one to pull apart into one liners, these are poems of things felt. There is a fullness here that can’t be encapsulated in even the boundaries that language offers. aja is joined in effort on this album by musicians Christian Scott (trumpet), Samora Pinderhughes (piano), Elena Pinderhughes (flute), Luques Curtis (bass), Weedie Braimah (djembe) and Marcus Gilmore (drums). Together, creating music that is insistent and unrelenting. When you finally reach the end of this album, you are left with a similar feeling you get when heartbroken, the gravity of barrelling back down to earth, sopping wet with tears, out of breath, overcome with love, despair, hope, and all too aware that all of this, is over far too soon. When the poems do what they do, they do absolutely everything. 
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shambelle97 · 13 days
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#BARS Mixtape Musical Medley Vol. 1
#BARS is a Rap for Musical Theater workshop in NYC. The BARS MEDLEY is a final project of our first 6-session series, and this is Volume 1.
Some of our students are professional actors, some are performing for the very first time. Visit BARSworkshopNYC.com for more information.
#BARS Created by Rafael Casal & Daveed Diggs.
Film Directed by Carlos Lopez Estrada.
VOL 1 CAST (in order of appearance) Rafael Casal, Daveed Diggs, Sarah Kay, Virginia Cavaliere, Jared Dixon, Perry Young, Sofia Snow, Danny Bevins, Dhyvia Arumugham, Ashley August, Lindsay Meck, Jeremy Sartin, Jon Viktor Corpuz, Nate Lombardi.
COMPOSED BY Samora Pinderhughes Erica Telisnor.
ADDITIONAL ACCOMPANIMENT BASS – Rashaan Carter.
PERCUSSION - Kush Abadey.
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izzidane · 5 months
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cyarskaren52 · 9 months
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It’s not uncommon to find a great song from this legendary rapper
With a musical output that spans decades and quiet influence that’s helped shape an entire subgenre of emo-backpack rap, Common has one of the most illustrious careers in Hip-Hop. He started out in 1992 as “Common Sense” when he dropped his debut produced mostly by No I.D. Can I Borrow A Dollar?, a quiet album that showed sparks of his talent. But it was his two subsequent releases, also produced by No. I.D., 1994’s Resurrection and 1997’s One Day It’ll All Make Sense that cemented his arrival as one of rap’s top-tier emcees, known for his layered storytelling, emotional honesty, and lyrical charisma. 
Over the next two decades, he’d release a string of albums that established him as a unique talent with an enviable career, including the projects that would grant him the mainstream success that had alluded him early on kickstarted by 2001’s Like Water For Chocolate, helmed by the Soulquarian collective. But it was his Kanye West era that re-established Common as one of rap’s most talented emcees after his lackluster reception to 2002s Electric Circus. His time with Kanye also gave him his most successful run on the charts with 2004’s Be and 2007’s Finding Forever. 
In the 2000s, he expanded beyond Hip-Hop, jump-starting his film and television career, and now he’s only a Tony Award away from reaching EGOT Status, the only rapper to hold that distinction. 
#26
"LOVE OF MY LIFE (AN ODE TO HIP-HOP)" - ERYKAH BADU FEAT. COMMON [BONUS SONG]
Our BONUS SONG pick is a celebrated classic guest spot! In the early '00s, Common and Erykah were one of Hip-Hop's most high-profile couples—and collaborators. 
#25
“A SONG FOR ASSATA” FEAT. CEE-LO
Sure, the song from his 2000 album Like Water For Chocolate was very on the nose and maybe a little book report-ish but you can’t really diss a song that gives a history lesson about the activist hero, Assata Shakur.  
#24
“SWEET"
The No I.D.-produced banger featured on The Dreamer/The Believer sparked some controversy because people thought Common was taking shots at Drake. He denied it, there was a mini back-and-forth, and then it was over. Drama aside, “Sweet” is a solid fairly rare street-friendly entry into Common’s latter-era discography.
#23
“SOUL BY THE POUND"
One of the tracks that announced Common Sense to the game. A fresh-faced Com and No I.D. team up to help kickstart each other's illustrious careers on this verbose display from 1992's Can I Borrow A Dollar? 
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#22
“GOOD MORNING LOVE” FEAT. SAMORA PINDERHUGHES
In 2019, Common teamed up with acclaimed drummer/producer Karriem Riggins and quietly dropped a sleeper jewel in his long discography, "Let Love Live." The album is jazzy and somber, anchored by Riggins’ production, and features vocalists/musicians including Jill Scott, and BJ The Chicago Kid. The album opener “Good Morning Love” featuring Samora Pinderhughes exemplifies the jazzy-soul direction of the album. 
#21
“THE 6TH SENSE"
Over melancholy DJ Premier production and accented by an aching hook from Bilal, Common delivers a strong offering from his acclaimed project, Like Water For Chocolate. 
#20
"BREAKER 1/9"
Over a loop of the Isley Bros' classic "Between The Sheets," a youthful Common Sense delivers rapid-fire, pop culture-referencing raps about trying to get laid and running into interference from outside forces. 
#19
“THE BITCH IN YOO”
Common drew a diss from Ice Cube and Cube's cohorts in Westside Connection for some lines he rapped on 1994's "I Used To Love H.E.R." (more on that later); and Com Sense fired back with this heater. The song first appeared on the Relativity Records compilation Relativity Urban Assault in 1996 and features Common going at Cube, Mack 10 and W.C.
#18
“G.O.D. (GAINING ONE’S DEFINITION)” FEAT. CEE-LO
Common is all about a good acronym and on this track from "One Day It’ll All Make Sense" he explores the concept of religion over a chill, piano-heavy track featuring distinctive vocals and a dope verse from Cee-Lo.
#17
“TAKE IT EZ"
The song that introduced him to the world. Young Common Sense had one foot in Leaders Of The New School-esque wiseassery and another in Das EFX-like wordplay. This is one of the best examples of his early style. 
#16
“TESTIFY"
Carried by a transcendent sample of "Innocent Til Proven Guilty" by 70s girl group Honey Cone, and one of Common's all-time best music videos; this classic track from Be is an early '00s winner from the tandem of Com and Ye. 
#15
“GHETTO DREAMS” FEAT. NAS
Common reminds everyone again that no matter how many TV appearances he makes, he’s still a skilled rapper when he reconnects with No I.D. and gets an assist from Nas on his ninth album, "The Dreamer/Believer." The song was also featured on the "Madden NFL 12" soundtrack. 
#14
“THE DREAMER” FEAT. MAYA ANGELOU
When Common reconnected with his longtime friend and early producer, No I.D. on "The Dreamer/The Believer" in 2011, people weren’t totally sure what to expect. Any doubts were laid to rest, however, as illustrated on the head-bobbing, mid-tempo album opener “The Dreamer.”
#13
“GO"
A Kanye West production featuring vocals from John Mayer, “Go” is a gem from the album that reintroduced Common as a top-level emcee, "Be," and a groovy addition to his catalog. 
#12
“THEY SAY” FEAT. KANYE WEST AND JOHN LEGEND
Kanye West did snap with this beat, so did John Legend with the hook. Once again, Common is at his height lyrically on this sleeper gem from "Be": “They say a nigga lost his mind/But in the scheme of things I never lost a rhyme/The thin line between love and hatred/”I’m the black pill in the Matrix, the saturated life.”
#11
“GETO HEAVEN PART TWO” FEAT. D’ANGELO
Common’s "Like Water For Chocolate" helped kick off the legendary Soulquarian era, and there might not be another song on the album that represents the collective’s sound more than “Geto Heaven” featuring D’Angelo on vocals over production by J. Dilla. Common delivers grounded verses about Blackness and survival. 
#10
“FAITHFUL” FEAT. BILAL AND JOHN LEGEND
Common is in his new lane when he’s rapping about relationships (both with himself and with women), and this track contemplates the idea of God being a woman and spins a tale about a man struggling with indiscretions is one of the best on "Be." It’s strengthened by the back and forth between John Legend and frequent collaborator, Bilal, at the end of the track.
#9
“I WANT YOU"
will.i.am samples Minnie Riperton on this mid-tempo jam from "Finding Forever" that ended up creating a lane for a lot of Common’s later work, which leans heavily into a mellow, grown man rap aesthetic. The video was pretty cool too, co-directed by Kerry Washington and starring Alicia Keys.
#8
“THE QUESTIONS” FEAT. MOS DEF
“Why do I need ID to get ID? If I had ID I wouldn’t need ID.” The Questions” from "Like Water For Chocolate" and produced by J. Dilla is one of the most comical, honest songs Common ever made, aided by a perplexed, but always lyrical Mos Def. 
#7
“THELONIUS” FEAT. SLUM VILLAGE
Whether you consider this a Common or a Slum Village track (it’s also featured on their album "Fantastic, Vol. 2"), there’s no question that this is one of the dopest Hip-Hop offerings of the past 20 years. J. Dilla was at his peak when he crafted what might be the best beat on Common’s fourth album, 2000’s "Like Water for Chocolate." 
#6
“THE PEOPLE"
Another Kanye West production, this time from the 2007 album, "Finding Forever," it’s Common in his element rhyming about the beauty of the Diaspora while Dwele throws an assist on vocals.  
#5
“RESURRECTION"
On his 1994 title track, Common’s flow is seamless over No I.D.’s piano-based production which samples David Axelrod, Ahmad Jamal, and the Whatnauts. DJ Mista Sinista’s scratches further help bring the track to life. 
#4
“THE LIGHT"
Produced by the legendary J. Dilla and featuring keys from James Poyser “The Light” is the most recognizable track from Common’s acclaimed 2000 album, Like Water for Chocolate. The semi-sappy love jam that samples Bobby Caldwell’s classic “Open Your Eyes” remains a radio favorite. 
#3
“THE CORNER” FEAT. THE LAST POETS
“The Corner” from his 2005 album Be,  is Common in top form over a Kanye West beat. And the iconic Last Poets elevate the track to something that's as spiritual as it is street. 
#2
“RETROSPECT FOR LIFE” FEAT. LAURYN HILL
The somber, beautiful track (produced by No I.D. and James Poyser and featuring a Donny Hathaway sample) is a great display of what might be Common’s greatest strength as an emcee—emotive storytelling. Lauryn Hill’s raw vocals on the hook interpolate Stevie Wonder’s “Never Dreamed You’d Leave In Summer” and are a perfect stamp on the standout rap classic featured on his 1997 album, "One Day It’ll All Make Sense."
#1
"I USED TO LOVE H.E.R."
It kind of has to be, right? Romanticized rap nostalgia before it was cool. Yes, it’s the source of one of rap’s most overused metaphors. It’s also one of the best rap songs of all time, and one of Common’s signature tracks from 1994’s Resurrection, as he creatively details his relationship with the genre he loves. 
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makingcontact · 10 months
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The Healing Project: An Abolitionist Story (Encore)
A mural from the Healing Project. (Photo by Anita Johnson) This week on Making Contact we speak with composer, pianist, and vocalist Samora Abayomi Pinderhughes about The Healing Project at Yerba Buena Center for the Arts. The Healing Project, fundamentally an abolitionist project, explores the structures of systemic racism — particularly the prison industrial complex — in the United…
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twistedsoulmusic · 2 months
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Ethereal synth forward soundscapes from Joshua Crumbly as he teams up with Samora Pinderhughes, Michael Rocketship and Little Dragon’s Håkan Wirestrand and Erik Bodin to fuse heavenly synth soundscapes with sparkling electronics, alongside gentle percussion and dreamy vocals. All of this is anchored by Crumbly’s suave bass groove that captivates listeners instantly, keeping you locked in from beginning to end.
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This is amazing.....
*****
Samora Pinderhughes: vocals, piano, keyboard
Nio Levon: vocals, vocal arrangements
Elliott Skinner: vocals, guitar
Jehbreal Muhammad Jackson: vocals
Dani Murcia: vocals
Elena Pinderhughes: flute
Clara Kim: violin
Giancarlo Latta: violin
Carly Scena: viola
Saul Richmond-Rakerd: cello
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indie73 · 10 months
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Samora Pinderhughes promotes healing one day at a time
http://dlvr.it/SrsHsc
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wimpydave · 10 months
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Samora Pinderhughes promotes healing one day at a time | Amplify with La...
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luciochaves · 10 months
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Samora Pinderhughes promotes healing one day at a time | Amplify with La...
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scvpubliclib · 1 year
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New story on NPR: An artist's 'Healing Project,' focused on incarceration and violence, wins $1 million https://ift.tt/LkRXlHd
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