#Satrangi Re | Explore Tumblr Posts and Blogs

youremyheaven · 9 months

Text

Sufi Love Through the Lens of Bollywood Music

Bollywood music is heavily influenced by Sufism and Sufi notions of love permeate the lyrics of most romantic songs. I want to explore some important Sufi concepts and how they manifest themselves in these songs and within the context of these movies.

Chand Sifarish from the movie Fanaa

youtube

"Zid hain ab toh hain khud ko mitaana, hona hain tujh mein fanaa"

trans: "I insist on ridding myself of me, I want to annihilate myself in you"

Bollywood romantic songs often emphasize on yearning, seeking and longing for the lover and Sufi poetry which speaks of a soul's yearning to unite with God serves as a useful metaphor to speak of the same. The intense, maddening, spiritual kind of love, although seldom portrayed accurately on screen is ever present in song lyrics. The concept of "twin flames" has been popular in the West for the last couple of years and is by and large, very misunderstood. From a purely spiritual perspective, The Lover and The Beloved are in each other all along (similar to the Jungian concept of anima & animus but slightly different) and yearn to unite with each other. In order for union to be possible however, one must first destroy their "ego" which they call "self".

2. Raabta from Agent Vinod

youtube

"Tera milna hai us rab ka ishaara maanu, Mujhko banaya tere jaise hi kisi ke liye"

trans: Meeting you was a signal from God, that he had made me for someone like you

There is a lot of emphasis on the soul's innate knowing and its longing for love which is its longing for God and how seeking union with the Beloved is the inner knowing to realise one's God nature and unite with God in Sufism. This song captures that feeling of things being "destined" and how God has always guided your union.

3. Katra Katra from Alone

youtube

"Khud se khaali ho jaoon, aaja tujhse bhar jaoon. Tinka, tinka jal jaoon. Aise jala do"

trans: "let me empty myself, let me fill myself with you. i want to burn up, twig by twig and you burn me."

This is a very erotic song and speaks of love in a very carnal way. However, this idea of dissolving yourself in your lover is a very Sufi one. What is love, if not absolute submersion in the object of your desire?

4. Satrangi Re from Dil Se

youtube

This movie itself is very deeply spiritual and I suggest watching it. However this song beautifully captures the 7 stages of love and two people going through it, in a very poetic and profound way. Go watch it!!

Some poignant lyrics include:

Dil ka saaya humsaaya

trans: The shadow of my heart is your shadow

(In my post about twin flames, I had touched upon this but I'll make another post about how the Jungian concept of shadow work and integrating your shadow is to understand your twin and merge them within your consciousness)

Koi noor hai tu (Are you a light?)

Kyun door hai tu (Why are you so far away)

Jab paas hai tu (When you're near me)

Ehsaas hai tu (Then you're a feeling itself)

Koi khwaab hai ya parchai hai (Are you a dream or a shadow?)

These lines alone capture the bittersweet, all consuming, indescribable and maddening feelings that a twin triggers in us.

I also highly suggest reading the lyric translation of this song as a whole because it captures the twin flame experience so exquisitely.

5. Tujh mein rab dikhta hai from Rab Ne Bana Di Jodi

youtube

"Tujh mein rab dikhta hai

Yaara main kya karoon

Sajde sar jhukta hai

Yaara main kya karoon"

trans: I see God in you my beloved, what do I do? My head bows down in worship to you my beloved, what do I do?

in my post I had mentioned the 7 stages of love, one of which is worship for the beloved. this song beautifully captures that feeling, of being absolutely devoted and enraptured by the beloved, that nothing less than worship could equate to how you feel for them. its beyond love, beyond admiration, its a holy kind of emotion, its devotion.

🧜🏼‍♀️🦢🦋👼🏼🧚🏼‍♀️🕊🐳👸🏼🧚🏼‍♂️🦋🦢🧜🏼‍♀️🕊🧚🏼‍♀️🦋👼🏼🐳🕊🕊🧚🏼‍♀️👸🏼🧚🏼‍♂️🧜🏼‍♀️🦢🦋

i wanted to keep this post brief so that it can be an accessible entry point but lmk if you want more posts of this kind!! i hope this was interesting💛💛

#Youtube #sufism #sufi quotes #sufi poetry #sufi wisdom #sufi #bollywood #bollywood movies #twin flames #soulmates #love #retro bollywood #bollywood icons #music #bollywood music #astroblr #astro community

40 notes · View notes

theinfinitedivides · 10 months

Text

listening to the PS:2 soundtrack again in an attempt to bite the bullet and psyche myself up to watch both films back to back in August(? that's the goal at least, if i get to watch it earlier even better) and i have been stuck on Veera Raja Veera for an hour and a half. i have also figured out my personal ranking for all versions of the song at last and it went about as well as i would have expected. it started to get too long for the f*cking tags tho so i decided to put in this post, we'll see how it goes from here—list is in order from least liked to most liked btw

5. going to start this off by saying i'm so so sorry to Gulzar but it's something about the rhythm for me. the lyrics are lovely but the way they are lining up with the music in the Hindi version,,,,,,, or failing to in certain parts,,,,,, it's not it. it's not it. it does well in the first minute or so and then heads downhill from there, and tbh it's not his fault i think it's just the sheer amount of syllables that they have to fit in compared to the original? and with that in mind it's not going to sound the same, obviously, but what salvages it from being a complete disappointment is the way we got both Shreya Ghoshal and Kavita Krishnamurthy as a duet in this year of our Lord 2023. Kavita, who still sounds the same as she did on the Dil Se soundtrack singing Satrangi Re and the Hum Dil De Chuke Sanam soundtrack and the Devdas soundtrack and the Yaara Dildaara soundtrack and the K3G soundtrack with Bole Chudiyan and Shreya Ghoshal who is a pleasure to listen to on practically everything she touches (Bajirao Mastani and Rab Ne Bana Di Jodi and that aalap just before her verse with Kavita here i'm looking at you) and— *inhales* *exhales* ok. do appreciate them letting Kavita take the 'चुन चुन चुन चुन / जाली रे जाली चिंगारी' portion in the Hindi translation bc she sounded beautiful there. (she always reminded me of Lata in that regard i think, and for some inexplicable reason i've by extension connected the two of them to Zohra Sehgal in some of her roles)

favorite line — 'दुश्मन पे टूटे जब | बिजलियों का वीर' / 'dushman pe toote jab | bijilyon ka vaar'. this is one of those times where the rhythm works in their favor and works well, and it leads perfectly into the rest of the verse imo. also @ that one guy going 'योद्धा~~' / 'yodhaa~~' at the very end of the song ty for your service

3. in contrast to the rhythm problems of the Hindi the Kannada recording is very smooth? i don't know if that makes sense as someone who doesn't speak the language but it's like water. like water in a stream just one after another going over the stones in the riverbed as it passes or the waves lapping against the side of the ship or the gentle sound wind chimes make when they hit against each other in the lightest breeze—the phrasing doesn't feel forced (ty Jayant Kaikini sir) and the syllables match the music as well as the original. ofc Rakshita Suresh and Sivasri Skandaprasad have a part to play with their solos in this sounding as good as it does, despite its ranking on my list (which will be explained in the next entry), and while i expected nothing less from Rakshita after Kirunage, this is the first i'm hearing from Sivasri and she blew me away. i had to listen to it several times to be able to tell them apart, and i might still be wrong bc their voice color is very, very similar, but they took what Rahman gave them and made it their own. (is it Rakshita that starts and Sivasri that continues? i'm thinking that it alternates between them with Sivasri ending that portion)

favorite line — 'ಮಳೆಗರೆವಾಗ ಬಾಣ | ಅಡಗಳು ಎಲ್ಲಿ ತಾಣಾ' / 'malegarevaaga baana | adagalu elli thaana'. this is where the river analysis stands out to me bc this feels like putting pebbles said river into a tumbler and rolling them over and over until they come out smooth and polished and just. right. (i am using the word smooth a lot to talk about the Kannada version sksksksk but can you blame me)

3. technically Malayalam and Kannada tie for third place on here (there is no fourth place. there is 4.75th place rounded up to fifth place and that belongs to the Hindi entry as previously stated) but Malayalam has the slightest edge for me. in terms of sound/pronunciation it's the closest to the original—i know most scholars believe that Malayalam descended from Tamil and split early on, so that might have something to do with it, but it sounds like a perfect cross between the flow of Kannada and the strength of the Tamil and ugh. pair that with Srinivas featuring and Shweta Mohan taking on that solo (by herself!!! and eating that sh*t like it was a duet!!!) and Rafeeq Ahamed as the lyricist and i play it almost as often as i play the original. (i was almost half expecting to hear the extension at the end in this version, that's how good it was)

favorite line — 'കടലിൽ ചുഴലി പോലെ | തവ നൗക കളിരമ്പി' / 'kadalil chuzhali pole | thava noukakalirambi'. i am in love with what Shweta does here, especially with the latter half of the line ('... നൗക കളിരമ്പി' / 'noukakalirambi') since she just heads straight into the 'വൻകടൽ...' and for some reason that is so auditorily pleasing to me. i don't have any rational thoughts behind that that's just how it is. her aalap before her verse is also breathier/softer than Shreya's if that makes sense but it fits her perfectly

2. Telugu. holy f*ck, Telugu. you put Shankar Mahadevan (i don't think i've ever heard him sing a bad song. ever. at least not what i've heard) and Chinmayi (Tere Bina???? Mayya Mayya???? Titli???? i'm still not over any of them from her????) in the same song you make every f*cking verse rhyme almost exactly courtesy of Chandrabose if Kannada is the sound of water then Telugu is pure silk and honey and the feel of something melting in your mouth and you expect me to stay alive? the actual f*ck? admittedly i may be biased bc one of my OCs is Telugu and i have been putting Telugu covers from my Bollywood playlist on loop for inspo but uh Rahman what the f*ck. what the f*ck am i supposed to do with that kind of genius

favorite line(s) — 'సమరం శ్రుతించైరా శిఖరం స్పృశించైర' / 'samaram shruthinchaira shikharam spushinchaira' & 'విధిగా తెగించైర | విధినే వదించైర | విలయం దరించైర | విజయం వరించైర' / 'vidhigaa thegincheyraa | vidhine vadhincheyraa | vilayam dharincheyraa | vijayam varincheyraa'. the f*cking alliteration? hello? also the 'veera raja veera' at the end of this version in particular gives me full body chills bc there is someone going up with the harmonization every time there's a new line. i don't know who it is but he's (they're? could be multiple vocals) going up and i am crying shaking throwing up on the floor having a spiritual experience etc etc

and finally 1. the top spot. the place where everything has been leading through this long ass piece that i have put you to suffer through

and ykw Tamil is pretty much self-explanatory i think: we bring Shankar back as we should but this time K.S Chithra (Asoka!!! Main Prem Ki Diwani Hoon!!! Bombay and Thoda Thoda from Indira/Priyanka and the live version of Jiya Jale that Rahman did in Dubai!!!) and Harini (also sang for Indira/Priyanka and featured on Varayo Thozhi from Jeans) are with him and Ilango Krishnan's lyrics take over and flatline me on the f*cking operating table. before it flatlines me however i break into goosebumps every time i hear it start, bc lbh it is impossible not to when you have the f*cking vocals coming in like 'காணீரோ? நீர் காண் | சோழ வெற்றி வாள் ஒன்றை காணீரோ? | ஓ அழகிய பூவே! செல்லுதியோ | மலரிடு போ சகி!' if you stay sane during that opening you are a liar get off my feed unfollow and block i don't want you anywhere near me for the next six years or however long it takes Mani Ratnam to make his next masterpiece. no coherent thoughts head empty MV playing on loop he and Rahman own me now they have the copyrights

favorite line (had to split everything into two blocks bc Tumblr was tryin to f*ck up my sh*t) — 'எம் தமிழ் வாழ்க வாழ்க! | வீர சோழம் வாழ்க! | நற்றமிழ் வாழ்க வாழ்க! | நல்லோர் தேசம் வாழ்க!' / 'em thamizh vaazhga vaazhga! | veera sozham vaazhga! | natramizh vaazhga vaazhga! | nallor thesam vaazhga!'. technically this isn't my favorite favorite line bc i have to do a seperate ranking for that below + it's exclusive to the Tamil version and i am trying to make this a wholistic review but. it's f*cking up there let's just say that. i think i mentioned in the tags of a different post of how i've been doing genealogy research and (in the process) tentatively confirmed the possibility of there being some South Asian descent from my dad's side, specifically Tamil or Telugu based on the stories/timeline of French occupation in the Caribbean and portions of the Indian subcontinent, and there's something in me that shifts every time we get down to the last twenty or so seconds and this hits. i don't know what it is, truly—maybe the remnants of the genes of my ancestors and their pride for their land, their language—but it's there and it's loud and if it's the right day at the right time i will start crying btw. full on sobbing like a little bitch. you didn't ask but i told you anyway

after all of *motions* that, i am also offering a bonus ranking of the section of VRV that makes me rewind every f*cking time it comes on in every language, bc it featured heavily in creating my eventual rankings and i would be remiss to not mention it. so here have this additional dive into my thought process during these trying times of hyperfixation rip

'आंधी से तेज़ | तूफ़ान से तेज़ | चुन चुन चुन चुन | जाली रे जाली चिंगारी | अंग अंग अंग अंग | लागे रे लागे अंगारे' / 'aandhi se tez | toofaan se tez | chun chun chun chun | jaali re jaali chingaari | ang ang ang ang | laagey re laagey angaare', Hindi — still at the bottom of the list here, but the inflection during the repetition ('chun chun chun chun' and 'ang ang ang ang') salvages it somewhat. nothing else to say it about it otherwise, since i already addressed Kavita's voice here earlier

'വാക്കാകെ നീ കാറ്റാക നീ | ശര ശര ശര ശരമേയ്ക | വേൽമഴ നെയ്തിട് | റ പറ പറ പറ വിറകൊൾക | പായട്ടെ പായ്വഞ്ചികൾ' / 'vaakkaaka nee kaattaaka nee | shara shara shara sharameyka | velmazha neythidu | para para para para virakolka | paayatte paayvanchikal', Malayalam — taking that third place as always, but its tied partner in the general rankings is higher up in this list for a change. i think the very last part ('പായട്ടെ പായ്വഞ്ചികൾ' / 'paayatte paayvanchikal') is what throws me off tho bc of the way they distributed the line, since on the first listen i was expecting them to go 'paayatte paayvan-chi-kal' and they chose 'paayatte pa-ay-van-chikal' instead. it's not like it decreases the overall quality of the song or anything it's just a very specific hang up i have. who knows maybe my preferred pronunciation would have f*cked with the meaning and we do not want that

'సుడిగాడ్పులా అడుగేయరా | సర సర సర సర | శరమే తనువే తాకగా | చర చర చర చర | చెలరేగాలి వేగంగా' / 'sudi gaadpulaa adugeyyaraa | sara sara sara sara | sharame thanuve thaakagaa | chara chara chara chara | chelaraegaali vegangaa', Telugu — this ties with Malayalam for third place and, much like it, my quirk is specfically with the last part ('చెలరేగాలి వేగంగా' / 'chelaregaali vegangaa'). my preferred is 'chelare-gaali ve-gan-gaa', they gave me 'chelare-gaa-li ve-gan-gaa'. again, not an issue, this is just me, i'm sure they knew what they were doing otherwise they wouldn't have recorded it like that in the first place

'ನೀ ಜ್ವಾಲೆಯು ನೀ ಗಾಳಿಯೂ | ಸರ ಸರ ಸುರಿವ | ಮಳೆಯಂತೆ ಶೂಲಗಳು | ಭರ ಭರ ಭರ ಭರನೆ | ಭೋರ್ಗರೆವ ಪಂಜುಗಳು' / 'nee jwaaleyu nee gaaliyuu | sara sara suriva | maleyanthe shoolagalu | bhara bhara bhara bharane | bhorgareva panjugalu', Kannada — there are at least two portions here that sound eerily similar to the original and that is why this version has moved up to spot two. it takes that water comparison i made and uses it to its advantage so much and it rotates in my mind like a rotisserie chicken at just at the right angle and it's just!!!! it's just!!!! God pls keep me from putting this in my mouth and biting it's too good

'கூற்றாகிச் செல்... | காற்றாகிச் செல்... | சர சர சர சரவெனவே | மழை தான் பெய்திட | பர பர பர பரவென | பாயட்டும் பாய்மரம்' / 'kootraagi sel... | kaatraagi sel... | sara sara sara saravena | velmazhai thaan peidhida | para para para paravena | paayattum paaimaram', Tamil — when this hits i blank out and come to at random intervals. cannot pinpoint the time the place etc but it happens and when it does i go f*cking feral. this one i am indeed putting in my mouth and biting bc the entire thing from 'para para...' onwards??? more alliteration more alliteration more f*cking alliteration. i remember someone making a post on here that said that certain parts of VRV sound like pearls bouncing off of the floor (was it @mizutaama? i apologize for the tag but i think that was you) and i think this is what they were referring to but my ears are that f*cking floor. i thank God every day for that

anyway mutuals (and non-mutuals who are just as obsessed about PS as i am) i'm sorry for clogging your feed with my opinions on a film i haven't even watched properly, pls feel free to roast me about my ranking choices. or agree but it doesn't really matter at this point bc even tho i could be talking out of my ass in terms of actually speaking said languages (i,,,,, do not unfortunately) i've said what i needed to say sksksksk

#film: ponniyin selvan ii #ponniyin selvan ii #ponniyin selvan: ii #ps:2 #ponniyin selvan #veera raja veera #jayam ravi #sobhita dhulipala #mani ratnam #a.r. rahman #kollywood #tl:dr: local gay takes that specific 'கூற்றாகிச் செல்... / காற்றாகிச் செல்...' section of Veera Raja Veera #and uses it as the base for their personal ranking of all five versions solely based on how it is translated and sung #writes an essay about it chooses their favorite lines from said versions that are not That One and posts it to tumblr.com .txt #look!!! i actually dragged myself away from streaming Shinee long enough to complete this thing that i've had #sitting in my drafts for weeks (the language analysis that is)!!!#it is f*cking hilarious at this point simply bc this is nowhere near the order of the rankings for Ponni Nadhi #like the list for that is upside down. dare i say inverted almost #i might do something for it as well in this same format idk but #doing this for VRV made me realize that every other language (except Hindi bc they have a diff version of the line)#pronounces 'soora' as 'shoora'. i think Malayalam's 'shoora' is the least pronounced and is almost ambiguous. almost not quite #you could mistake it for 'soora' but there's just enough aspiration(?) there to tell you that it's not. Telugu's 'shoora' too #the aspiration almost completely disappears when listening on Spotify it's much more prominent on Youtube #this feels like i should have posted it on my studyblr but i think i'll just reblog it there instead

30 notes · View notes

ma-douce-souffrance · 3 months

Note

listening to satrangi re and the music is so sick makes me wants to crawl out of my bed and make out with the brown wall

I know exactly how that feels time to go listen to satrangi re

#omg how are you feeling now

3 notes · View notes

sarcastic-sue · 4 months

Text

Need Louis to make a song like Satrangi Re. Not in the music sense but like the concept of the stages of love. Like I'd absolutely eat that shit up.

In Arabic literature, love is supposed to have seven stages. The seven stages are namely hub (attraction), uns (infatuation), ishq (love), akidat (trust/reverence), ibadat (worship), junoon (madness) followed by maut (death).

I have always been obsessed with this song but like IMAGINE WHAT LOUIS COULD DO WITH THIS CONCEPT 🤯

#please louis #zayn man why did you never introduce louis to Bollywood #also people go listen to this song #it's soo good 🤌🏼🤌🏼

3 notes · View notes

urvishmehta · 7 months

Text

Song Story: Satrangi Re

"Satrangi Re"

Our lives are a combination of moments, movements and monuments, perhaps in unequal proportions. It is only in hindsight that we realise which of these constitute the highlights of our being.

Why do we always believe that chasing mirages will be of no productive help? Mirages may be the mirrors to our subconscious. Anything which helps us reach us our own inner core has the ability of leading us to our true calling.

Illusions perhaps are illustrations of the reality we envision.

Maybe, the best thoughts are not necessarily assertive statements of surety. They can manifest in the form of questions of intrigue.

urvishmehta.tumblr.com #SongStory

2 notes · View notes

tumkaafiho · 1 year

Note

7, 12, 21, 28 for the music box asks

thanks for being my first ask on this account 😊

7. a song that reminds me of my friend(s): tumse hi tumse (shekhar, caralisa)

12. a song that grew on me: la ilaaj (arijit singh). im not the biggest arijit fan (GO AHEAD CANCEL ME) but when vishal bhardwaj composes the music ofc it will grow on you.

21. a song for the rain: bheegi bheegi raaton mein (lata mangeshkar, kishore kumar) of course 🙄

28. a song i want to see live: satrangi re (sonu nigam). i might be seeing him live soon so hopefully this wish comes too

#music #asks

5 notes · View notes

ollywoodmovie-blog · 2 months

Text

When Farah Khan was on drip during shoot of 'Dil Se' song 'Satrangi Re'

When Farah Khan was on drip during shoot of ‘Dil Se’ song ‘Satrangi Re’. Image Source: IANS News Mumbai, Feb 24 : Choreographer-filmmaker Farah Khan walked down the memory lane and recalled the shooting of the track ‘Satrangi Re’ in Ladakh, from the 1998 romantic thriller ‘Dil Se’, starring Shah Rukh Khan and Manisha Koirala. She shared how during the filming of the track she was on a drip,…

View On WordPress

0 notes

eileenguy · 1 year

Text

5 songs I've had on repeat currently (thank you for the tag @notbigthief !)

Zoom by Red Velvet

In My Dreams by Red Velvet

Satrangi Re by A.R. Rahman

I Hate You (Like I Love You) by Ram Sampath

Pareshaan by Amit Trivedi

tagging (no pressure): @bradycore @prophetmutual @johncas @pussypopstiel

#tag games #<- tell me if you'd like a diff (or more than one) emoji/s #गीत #ellie tag 🐴

4 notes · View notes

indiesole · 10 months

Text

Indies (Lifetime) Playlist Tributes to Music Legends ! -PART 11

SRINIVAS 'S TOP 30 (HINDI) SONGS ! :

Yt Link:

Ranjish hi sahi

Tere bazm mein

Rafta rafta

Kuch bi na socho

Dola dola man - Dil hi dil mein

Tum a gaye ho

Kuch toh log kahenge

Kaisi hai ye rut

Zindagi mein toh sabhi

Oh laagi re

Patta patta buta buta

Ab ke hum

Bhooli bisri

yeh jo mohabbat hai

Piya Haji Ali

Beeti na bitai raina

Le gayi tune

Ye jeevan hai (Kishore kumar tribute)

Yeh jo zindagi hai - 1947 Earth

" - 1947 earth

Ek bagiya mein - Sapnay

Mitwa - Lagaan

Chale chalo - Lagaan

Ruk na jaana

Allay allay - One 2 ka 4

Hey kaala bandar - Delhi 6

O naye insaan - Robot

Sawar gayee - Dil hi dil mein

Dangal - Kushti

Kaise chhupaoon

Shano shano - yuvvraaj

Khushiyon ki koshish - Phir milenge .

ANURADHA SRIRAM'S TOP 40 (HINDI) SONGS ! :

Yt Link:

Dil se re - dil se

Ishq bina - Taal

Gori godh bhari - 99 songs

Bho shambho shiva

Ishwar allah tere jahan mein - 1947 earth

Vande mataram (revival)

Chunnari chunnari - Biwi no. 1

Ram bachaye - Pitaah

Once upon a time - Lagaan

Barkha ritu - 3 bros & a violin

Tauba tauba - Jeans

Hai udd gayi re - Kyo kii main jhooth nahi bolta

Ranjha ranjha - Raavan

Bandh kamre mein - Kuch khattoi kuch meethi

Chadh gayi - Chor machaye shor

Prem jaal mein - Jis desh mein ganga rehta hai

Pehli pehli baar - Zor

Sawan barasne laga - Sa utha ke jiyo

Na sone ke bangle mein - RHTDM

Desh ki mitti - Bose The Forgotten hero

Roshan hui raat - Sapnay

Once upon a time - 3 Bros & a violin

Mere sone sawariya - Deewanapan

Aa hi jaiye - Lajja

Meri zindagi parwaaz hai (Abdul Kalam Tribute) - 3 bros & a violin

Dupatta - Jeena sirf mere liye

Zulfein khol khal ke - Do knot disturb

Dupatta mera - Mujhe kuchh kehna hai

Rang rasiya - Kushti

Satrangi - Deewanapan

Kaan ke neeche bajaa - Chor machaye shor

Tum tata ho ya birla - chor machaaye shor

Teri kurti sexy - Vaada

Jayengi pee ke nagar - Virasat

Papa main papa - HADMRH

Hallu hallu - Waah tera kya kehna

Ek taraf hai - Gharwali Baharwali

Bhangra pe le - Talaash

Mujhe rabb se - Ab ke baras

Taara raara raara - Gharwali Baharwali

Jo tum kaho- Chhota chetan

Rab jaane - Gharwali Baharwali

Jhin min jhini - Maqbool

Mat jaa - 3 bros & a violin

Ele ele maradala .

NAZIA HASSAN 'S TOP 60 SONGS ! :

Yt Link:

Boom

Disco deewane

Khushi

Aap jaisa koi

Koi nahi

Yeh dil tere liye

Then he kissed me

Telephone pyar

Dil mera

Jaana zinfagi se na jana

Aankhein milanay wale

Aag

Aao na pyar karein

Dil ki lagi

Dum dum dee dee

Aan haan kabhi zindagi jaisa

Tali de thallay

Gaien milker

Tere kadmon ko

Dosti

Dreamer deewane

Lekin mera dil

Dhundli raat ke

Nigaahon se duur

Jaadu

Komal komal

Boom boom (remix version)

Kabhi toh tum ko yaad ayenge

Pyar amar hamesha

Guzar rahi hai khizan banke

Gel a little closer

Mujhe chaahe na

Teri yaad

Mama papa

Nasha na karo

Hum aur tum

Aap ka shukriya

Kya hua

Ajnabi

Sunn mere mehboob

Meherbani

Camera camera

Sheela o my sheela

Main aya tere liye

Uk singles

Ek do kehne bhi do

Young tarang

The disco song - SOTY

Tonight pyar karo - Dilwala

Takta muni mana- Sheela

No entry- Main Balwaan

Rock n roll - Main Balwaan

Pyar bharay geeton say

K. C. DEY'S TOP 70 (HINDI) SONGS ! :

Yt Link:

Baba man ki aankhen khol - Dhoop Chhaon 2.& 3. Teri gathri mein laga chor musafir - Dhoop Chhaon

Duniya rang rangili - Dharti Mata 5.Na ranj karo badnaseeb - Grihalaxmi

Main khush hona chahoon - Dhoop Chhaon

Hari charanan mein - Vidyapati

Piya milan ko jaat - Vidyapati 9.Mut bhool musafir - Devdas 10.Jao jao ae mere sadhu - Puran Bhagat

" - 12.Chamake bijuri miyan malhar -

Bande apna mol chukana - Andhera

Mari saiyyan pichkari - 15.Banshuri na baje -

Gokul se gaye girdhari - Vidyapati 17.Milega pyar yar yari mein -

Bhagwan karega mada - Grihalaxmi

Wo raat, wo aadhi raat

Nandrani ki ksaam, thakurani ki kasam - Mera Gaon

Teri maut - Devdas

Jis dam naqabe aarize

Preet purani

A manqabat

Ko tum ko tum bolo - Devdasi

Hori khilchhe Shyam 27.Chaandni ra hai,chaandni raat-Mohabbat

Gulon ka husm ab jachta nahi

Aaj hori khele kanhaiya

Bapa hai rozey mehshar

Islam ki hai shaan

Man murakh kehna maan

Sawan ki hai badari kaari

Kaahe der karat sajani - Vidyapati

Zauqe barbadi hai mujhko ghair kyun

Na rona na rona na dheeraj apna khona

Japo re Ram naam sukhdai

Mange ja mange ja har baar

Daata ko pehchaan bhikari

Is badalti duniya mein

Chale gaya toofan - Aandhi

Mat sun madhur kahani jag ki

Ram bhajo sukh mein dukh mein

Arsh ka pehla jo sitara hai

Koi le lo bhaiya - Minakshi

Hari murare madhukait hamare - Devdasi

Tu gaye ja apnba geet - Minakshi

Koi tere geet suine na sune

Bol bol tu bol

Shyam Kanwar Nand Lal

Hari ke naam bina re - Devdasi

Ye kaisa anyay -Shravan Kumar

Kya kaaran hai ab rone ka - Puran Bhagat

Roye hum charnon pe Bhagwan - Devdasi

Na aye mun ka meet - Devdas

Aayegi taaza bahaar mere baadh mein- Maya

Darshan huye tihare sajan - Vidyapati

Haar na jana - Badalti Duniya

Lijiye aa kar a manqabat

Naat

Tum nahi pahloo mein

Aandhi maan na kar ab sajni - Aandhi

Ek baans ki thi patli si nali - Vidyapati

Tan ka kar le band kiwada - Vidyapati

Kisi majboor ke honthon ke tu

Kali kamli ka tukda

Wo noor e chashme mustafa .

SUNEETA RAO'S TOP 60 SONGS ! :

Yt Link:

Paree hoon main

Parwana deewana

I am trying to hold on

NY state of mind

Hallellujah

You say you love me

Tere bina 10.Senorita

Indian girl 12.Talaash

Chhoo lein aasmaan

Na ja na

Oye badshah

Ishq da

Dhamaal

Mujhe pyaar ho gaya

Waqt

Deewangee

Mazaa

Paisa

Chhoti chhoti baatein

Ye sama

Sa ni dha maa

Kaun jaane

Sanam

Swabhimaan

Mere dil bataa

Sheeshe mein

Catch me if you can

O re kanchi

Dulhan hum le jaayenge

Dekha tujhe toh dil

Le le mera naam le - Sangdil sanam

Ae mere dil

Kabhhi toh mil jaayea

Abke baras

Gumnaam ajnabi

Wajah muskuraane ki (various)

Kaali kaali akhiyaan

Roothe rahiyo raja

Kesariya

Zindagi hai game

Pakke iraade

Sirf tumhari

Intezaar

Hoton ka

Aa meri life

Dil maaka dina

Akhad bakhad bumbey bo

Sara shehar aaj jaagega

Duniya haseenon ka mela

Kaisa hai jeevan

Sun zara

Laadli

Rosemary

Dehka dehka

Phas gaya

Break dance - Kahan hai kanoon

ANUPAMA DESHPANDE ‘S TOP 120 SONGS ! :

Yt Link:

Sohni chenab de kinare - Sohni Mahiwal (happy)

" (sad)

O yaara - Kaash

Lahar lahar chanchal huyee - Adhikar

Yeh shaam ke rangeen saaye - Sutradhar

Hunko aajkal - Sailaab

Jaga soya pyar yeh mera - Avinash

Haye mere rabba mushkil mein padi hoon

Aap ke kareeb - Saajan ki baahon mein

Kitne mausam kitne sawan - Ghar ghar ki kahani

De tulsi maiya vardan itna - "

Hum hain tere tu hamara - Ek Daku Seher mein

Parbat roke sagar roke - Juaari

Tum mere ho - Tum mere ho

" (jhankar) - Tum mere ho

Mere saathi

Raat hai suhani

O Saathiya Ye Kya Kiya - Heart Attack (album with Sudesh Bhosle)

Pehla pehla pyar hai - Woh phir ayegi

Tumse mile bin chain- Kabzaa

Teri bholi muskanon ne - Babul

Maine tujhse pyar kiya hai - Surya The Awakening

Pyar kahe banaya ram ne - Surya The Awakening

Aaj mere paas rehna - Sanam tere hain hum

Naujawanon ka zamana hai - Parampara

Ganpati apne gaon chale - Agneepath

Kabhi dur na jana - Kabhi dur na jana

Satyam shivam sundaram - (resung)

Mera naam chin chin chu - (resung)

Tu anadi - Anadi Khiladi

Pallo latke - Rangeela Rajasthan

Baharon me doobi - Jaan e wafa

Har janam mera - Aaj Ka Samson

Pooja karo ri karwa chauth ki - Jai maa karwa chauth

Tum sajna ke ghar jaogi - Swarg

Ek nazar mein dekh le - Haatim tai

Meri sun le pukar - Kabhi dur na jana

Mera haule haule naache hai - Daak Bangla

Kahe gayee bhalayee - Hamaar ghar hamaar sansar

Lagi aaj sawan ki - Chandni

Main gaun tere liye - Woh phir ayegi

Pappu can't dance saala - Jaane tu ya jaane na

Aap dil ki anjuman mein - Rose are Red 3

Ae mere zohrajabeen & others - (remix)

Hungama ho gaya - (resung)

Ye bhi dil mangta wo bhi dil mangta - (resung)

Sote sote raat soyee - Hum toh chale pardes

Nazrein milana - Jaane tu ya jaane na

Jhoome hawaen aur jhoome fizaaen - Sailaab

Aankhon ne baat kar li

Do lafzon ki hai - (resung)

Balam dheere dheere - Ganga bani shola

Aaj bawariya hui re - Nafrat ki aandhi

Kaun sutradhar - Sutradhar

Rabba chadhti jawani

Tera mera charcha - Heart Attack (album with Sudesh Bhosle)

Timi rimjhim - Truck dribher

Kisi nazaqr ko tera - (ghazal resung)

Parbat se kali ghata takrai _(resung)

Jis dil ne tujhko - Lootere

Tu ishwar ki rachna - Purva

Sapnon mein tujhko

Dil Kyun Dhadak Raha - Roses are red 3

Roopiyo To Le Main - Bai chali sasariye ( Rajasthani)

Bhopa Bhopi - Mharo rang rangilo Rajasthan

Aaj Hum Aa Gaili Maiya - Sajanwa Bairi Bhaile Hamar

Jai santoshi mata aarti

Om shri sai nathay namah - (chants)

Om sai shri sai jai jai jai sai - (chants)

Man se bolo jai jai sai

Jai sheetla mata

Durga saptashati nyas

Maa vrundavan

Lakh rakh lo mohan - (devotional pvt)

Yamuna jal ma kesar - (devotional pvt)

Meri maa shakti maa

Shirdi ke devta

Sai mantra

Mere khwaja bhi kitne pyare hain

Bahaar-e-madina

Jai laxmi mata aarti

Aarti jai ambe gauri

Jai parvati mata aarti

Sant vani - rahim vani

Sant vani - Kabir vani

Shree venkatesh stotra

Sri Mookambika Gayatri Mantra

Jai Ganesh Jai Ganesh Jai Ganesh Deva Mata Jaki Parvati

Jane do jane do - Mata meri durga bhavani

Shyam diwani

Teri jawani badi mast mast

Mungda - (remix- Cabaret remix)

Badhate Chalo- (devotional song)

Saari baaton ka - Bhediyon ka samooh

Tujhe dekha maine jab se - Naseebwala

Aaj bachna hai mushkil tera - Haatim tai

Aaj naach naach ke - Numbri Aadmi

Mar mitenge

Kisme kitna hai dum

Gori bani dulhan dulha bhi hai magan - Shaadi ki dhoom

Pyare dulhe se sare log - "

Dulhe pe aya hai pyaar - "

Dulhe ke ghar se ayi hai mehndi - "

Woh dekh doli teri ayi - "

Parda hai parda & others - (resung)

Har jodi salamat rahe - Khoj

Main hoon awara - Zordaar

Peeele jawani ki botal

Hoke dushman jamana

O dulha aaja dulhan ke dwar - Shaadi ki dhoom

Man me hai pee ki lagan -Shaadi ki dhoom

Balmaa banarasi - Balma

Dulha dulhan ke naam khushi ka - Shaadi ki dhoom

Bichua bichua - Farz

Kukkad kukkad koo - Azaad desh ke ghulam

Shirdi Sai Dwarkamai-Shri Sai Dhun, Pt. 2

Mumbai ki ladki hun main

Main tumhara pyar hoon - Jeevandata

Choron ki toli leke - Taaqatwar

Ek ek zakhm ka - Daav pech

ZEENAT BEGUM ‘S TOP 80 SONGS! :

Yt Link:

Meri Beeti Jawani Mastani

Dhaan ke khet mein na jaiyo

Rab khair kare

Hamari gali aao shaam

Ghatkari matwari ghir aai

Aithon ud ja bholeya

Aa mil baithe zara

Menoon sutiyan neend na aye

Supne wich mahi aya

Tere bina balam

Mil ke bichhad na jaana

Jane bhi do ae jaane jahan

Rut ayi bahaar ki

O jane wale mohabbat ka

Sun le tu meri iltaja

Main gaon ki gori karke ayi hoon sola singaar

O bhoolne wale is dil se teri yaad

Rain bahi palkon par deep jalaoon

Khelo ji khelo babuji

Aaja bedardi raja

Sun le tu meri ilteja

Kabhi le chal tu jamuna ke paar

Chal man ke panchhi des begaane

Khudaya teri hai yeh kaisi hai khudai

Dekha karo bhagwan

Main tangewala

Raatein na rahi

Woh din yaad karo

Tere daras di pyasi

Ae do jahan waley

Kaho kaho mere sarkaar

Subah hui aur panchhi jaage

Apnon se shikayat hai na gairon se gila

Tu amiron ka khuda hai toh

Ujdi hui duniya ko meri phir basa de

Kaliyon ko masalne aaye hain

Is dil ko tune duniya se begana kar diya

Aave chan ve nehar de kandey

Na main kisi ki na koi mera

Ye kya sun rahi hoon ke

O harjayi balmaa

Guzarti hai jo haye kaise

Lo phir yaad kisi ki aayi

Tum chhod gaye mujhko piya

Aao saathi aao

Ye duniya garibon ko

Bas ik nikaah mein fitne jagaa

Apne na ho sake jo dil ka karar

Aaja ri nindiya pyari aaja

Jaiye gairon ke dil ka aasra ho jaiye

Gaa meri maina gaa

Ae duniya taan khush hondi

Jeevan saathi mil jaye toh

Ae kafile wale

Is dil ko tune duniya se

Ab toote huwe dil mein

Patthar ka mila takiya

Uthi hain ghatayein chali hain hawayein

Panchhi meri khushi ka

Arzi suno prabhu meri

Chupke chupke se dil mein aa basey

Wo hamein tadpa rahe hain

Sajan aa ja rajan aa ja

Ab kahan jaoon

Duniyawalon nadaron ki madat karo

Fariyad suno meri

Ye kiske dard ne yun dil ko beqarar kiya

Baanke nainaan waaleya

Sune kaun mujhse zubani meri

Apni roothi hui kismat ko mana lun

Aa bade saba kuch tune suna

Pade ishq mein

Kyun hans rahi hai duniya

Mere dil ki duniya se jao toh janoon

Ae dil e beqarar jhoom

Guzarti hai jo haye kaise

Salam-e-mohabbat ka matlab bata do

Mohabbat mein teri ae bewafa

Hasrat nahin jeene ki 2

Unki yaad bhula doon

Duniya ki yeh khushi hai tujhe

KHURSHEED BANO 'S TOP 105 SONGS ! :

Yt Link:

Barso re

Armaan kuch toh dil mein

More balapan ke saathi

" (version 2)

Ab raja bhaye more balam

Tera anokha singaar ri

Suno suno mora man much bole

Jaag jaag jaag jaag

Savan ki ghatawo

Ghata ghan ghor ghor

Dil ki dhadkan bana liya unko

Bansiwale shyam

Naina re dekh unke nain

Mujhe shikwa nahin

Jhoom raha hai mera man

Nindiya jhulawe meri munni ko

Mori atariya hai sooni

Panchhi bawra

Main chand hoon ya chandni

Madhuban mein radha jhule

Duniya pyari pyari hai

Ghir ghir ghan me ghor

More angna mein ambuva ki

Bina taake na maaro more raaja

Bheegoyi mori saree re

Mera dil jhoom raha

Hamari gali aana

Ye thandi hawaayen sandesh sunayen

Aao gori aao shyama

Chhai kali ghata more balam

Hari ke gun gaoon main

Pachtayenge woh

Koyaliya kahe bole ri

Ambuwaa pe koyal bole

Jiske milne ki tamanna thi

Ulfat ke fasane, bachpan ke zamane

Jholi bhar taare la de

Baanke saiyaan ne baiyaan marod dali

Pati charanon gun gaoon

Kit jaoon re mana

Aai diwali deepon wali

Piyaji aan milo

Ae chand nazar na lagana

Pehle jo mohabbat se

Badariya baras gayi us paar

Jaa ri badariya tu ja saajan ka sandesha la

O girdhari chhed muraliya pyari

Pehle jo mohabbat se inkar kiya

Mohabbat mein sara jahan

Tere liye laai hoon sandesa

Asha sukh ke khel khilaye

Kahani ban gayi mori

Pagli man tu ro ro kise sunaye

Main Hari Main hari

Jalaa patang toh isme qusoor kiska hai

Thokaren khayin mohabbat mein pareshaani hui

Mera chand salona

Le lo bele ke haar

Jo humpe guzarti hai

O rasiya

Bhoolne wale, ye dil kahan le jaun

Kabhi yaad ansoo ban ke

Dil lagane mein kuch mazaa hi nahi

Nadi kinare sanjh sakare

Gauve charaake baanke bihaari

Aaj mere ghar mehmaan aye

Bulbul aa tu bhi gaa

Ae dil kahan le jaoon

Meri vinti suno bhagwan

Dilo aah bhar aisi ke

Nainon se naina milake

Ban mein kali koyal boli

Thi mujhse aaj tak yeh

Wo din ab na rahe

Main baagh ki sundar titli

Aaj mohe sajan ghar jana

Yeh dard mohabbat hai

Armaan kuch toh dil mein

Itna bhi na woh samjha ke gaye

Doodh piyo sab doodh piyo

Aankhon ka khel khel ke

Tere liye lai hoon sandesha

Mere dil ki suno pukar

Jawani mein aake duniya

Toot gayi dali

Tum ho sajani meri tamanna

Woh hamein bulayen - Shadi

Prem nagar ki aur chale hai

Ab kahan basera apna

Jis jogi ka jog liya

Dil jalaa ke bujha li jawani

Suno suno hey nar nari

Jo mera sapna sach ho jaye

Ghir ghir aayi badariya

Naache hai man mauj magan mein

Duniya char dinon ka mela

Achha nahin bhagwan garibon ko

Main prem baag ki panchhi

Taqdeer mein likha

Dukhia jiya re

Udaas sham ki aahen

Phool le lo phool

Bhanwara rasiya re man basiya

MADHUBALA JHAVERI 'S TOP 75 SONGS ! :

Yt Link:

Nirmohi sajan aja aja

Jiya leher leher lehraye

Ae ri main toh prem diwani

Pyar ki nazron ne chheda hai jise

Main teri hun tu mera hai

Dil mera tera diwana

Beqarara kar gaya haye dil shikaar kar gaya

Dil deke bahut pachhtaye

Ja ri ja ja nindiya

Ae zamane bataa do dilon ki khata

Aaye ji aaye

Main ghata tu pawan

Agar teri aankhon se aankhen mila doon

Aaj hum tumhe sunane wale hain

Achha unhe dekha tha

O chunnu o munnu o tinnu

Jaon jao aa gaya bulaava

Dekho chanda se

Kahe ulajh gaye nainwa

Aawaaz de raha hai

Pyaar ki rut do rangi saajan

Kahe ulajh gaye nainwa

Mere mahi mere balam

Hoke bada mera lal

Saj dhaj ke jaye gori piya ki nagariya

Jao ji jao re - Jagoo

Woh aye hain dil ko

Meethi meethi loriyan

Tera mera janam ka hai saath re

Chamak raha taare

Achhha unhe dekha, dil ke huwe do tukde

Raat hai kuchh aisi

Dilwaale teri mehfil mein

Kyun dil pe rakha haath hai

Mujhe fariyaad karne do mujhe aansoo bahaane do

Tera jag sata raha hai

Mohabbat haath baandhe khari

Na jao dil ko tod ke

Jab se maine dil lagaya

Ae jazbaa e dil khamoshi ki zubaan

Peepal ki chhaon tale humse milne aana sanam

Yeh hi hai duniya teri bhagwan

Mere dilbar meri jani

Mera pyar bhara dil thukra ke

Nazrein milake piya dhoka

Dekho dekho dilwaalon

Raat dhali, taare thake

Sab shikwe mite dil ke

Chamak rahe taare

Aawo kabhi milne ko meri gali balma

Ab toh aa jao

Hafiz khuda tumhara - Naqabposh

Jab se main ne

Tum ko pal bhar

Din hai suhane mastane

Ae mere mehboob maangle jo tujhko

Tumhe mera bankar dikhana hoga

Yoon hi man mein yaad kiya

Sab shikwe mite dil ke aapas mein

Chaand mein dekhun apna mukhda

Mera pyar bhara dil thukra ke

Hanso na baharon tumhe kya pata

Chupke chupke koi mere sapnon mein

Theher zara o janewale

Kehne ko bahut kuchh kehna

Meri achhi bhabhi ne

Hafiz khuda tumhara

Nazrein mila kar

Pyar ki nazron ne chheda hai

Sone ki lanka mein thumak thumak

Katar dale hai

Ummeedon ki duniya ujdi

Is jurm se ab

Tumko hi dhundte rahe

SULOCHANA KADAM 'S TOP 70 SONGS ! :

Yt Link:

Mausam aya hai rangeen

Chalak raha hai

Magar ae haseenayen bekhabar

Pyaare pappu

Wo aye hain dil ko qaraar aa gaya hai

Jai Ganesh deva

Jai jai Ganesh

Mera dil kya aapse mil gaya

Ujdi hui hai ishq ki duniya

Ulfat jise kehte hain

Main toh beti thanedaar ki re

Neele se dupatte par hain

Man se man ka taar mila le

Raat andheri mat kar deri

Chori chori aag si dil mein

Dil hi dil mein

Wo din na rahe raatein na rahin

Jhoom rahi hain mastiyan

Likh di hai do dilon ki qismat

Laut aye piya aaj

Sawan bhadon ka badarwa gaye

Jahan koi na ho

Sheeshe mein do tasveeren ik teri ik meri

Sakhi Mere Balam Nahin Aaye Re,Kalkate Se Aaya Jahaaz

Tum Hum Se Juda,Hum Tum Se Juda

Nigahon Se Samjho Dil Aane Ki Batein

Soja soja nanhe raja

Kaise kahun dil ki dillagi

Panchhi gulshan chhod chali

Dil Mera Chain Na Paye,Reh Reh Kar Yaad

Akhiyan Milake Akhiyon Ki Neend Chura Ke Na Ja

Rut Barkha Ki Ayi

O Dekho Ghoonghat Ki Aot Se Jhanke Re Chanda Ki

Aankhon Se Mili Aankhen Iqrar Ho gaya

Pee Chanda Main Chaandni

Ham Tumse Juda Tum Hamse Juda

Armanon Ki Duniya Mein Ik Toofan

Milne Nahin Paate Hain

Sau Baar Mile

Chand Ko Kahte Mohabbatwale

O Jane Wale,Teri Pooran Ho Ashayein

O More Raja Ji,O To Mori Rani Ji

Teri Galiyon Mein Ayi,Zara Naino Se Naina Mila

Ghari Ghari Dil Bhar Aye O Rasiya

Firaq Me Guzri Humri Sagri Umariya

Dil Hi Dil Mein Roein Ge Hum

Ghir Ke Badal Aye Chain Jiya Nahin Paye

Kisi Majboor Ka Jalta Hua Ghar

Bhagwan Ne Aurat Banayi,Baghon Mein Pho

Mere Dil Mein Aaiye

Tera Mera Mera Tera Pyar Pyari

Nazar Se Nazar Lad Gayi,Jigar Mein Chhurri Gad Gayi

Main Hoon Bholi Si Naar

Mohe Ratiyan Neend Na Aye,Balum Teri Yaad Sataye Re

Zara Sunte Jana,Do Dilon Ka Afsana

Dil Mera Chain Na Paye

O Mehlon Mein Rehne Wale Balma

Sau Baar Mile Milkar Bichhre,Mein Dil Ki Lagi Ko Bujha Na

Shaam Hui Aur Deep Jale

Kya Geet Mere Manka Hai Gaya Bahar Ne-

Jahan Koi Na Ho Wahan Chalein Ge Hum

Saawanva Umda Aaye Ho

Ab Too Hi Bata Tera Hi Dil Kisko Pukare

Jo Bigad Gayi Wo Qismat Hoon

O Balam O Rasiya'Mein Teri Tu Mera Re

Kiyun Pareshan Huey,Hum Ne Dekha Jo Tumhein

Apnen Piya Ki Main Jogan Banungi

1 note · View note

tilbageidanmark · 1 year

Photo

Movies I watched this Week #109 (Year 3/Week 5):

(I had a hard time concentrating on movies this week: I got bored easily and started a dozen films I had to click off after a few minutes. Anyway, below are the few I managed to finish :)

🍿

2 by Polish poet Lech Majewski:

🍿 A wonderful new discovery, the visually-stunning The Mill and the Cross. It’s a literal recreation of Bruegel’s 1564 painting ‘The Procession to Calvary’, done in Newport Beach’s ‘Pageant of the Masters’ style. (Photo Above). With a minimal narrative and nearly no dialog, it transports a masterpiece from one medium into another. (Discovered Here). 10/10.

🍿 “... Madame, do you know what mood spelled backward is?...”

His latest drama, Valley of the Gods, however, was disappointing: A symbolic story mixing an indigent Navaho tribe, the richest man in the world who wants to buy the Indian land to mine for Uranium and a writer whose wife flew away with her hang gliding instructor - it was a senseless artsy mess. There were some overtures to Kubrick by using David Bowman as the butler, and Purcell’s Music For The Funeral Of Queen Mary for the finale. But all the mysticism didn’t work for me, as beautiful as the canvass it was painted on it was.

I was planning to continue with his 2014 ‘Field of Dogs’, but will now do so after a break.

🍿

When I lived in Paris in the mid-70′s, I hang around the fringes of certain Dušan Makavejev fan-groups, and at one point I was invited to join their free-spirited commune for some everything-goes sexual explorations. But after seeing his Sweet Movie I promptly drifted away.

Watching it again 50 years later, it didn’t seem so bad.... Until the third act... when this surrealistic Jodorowski-lite agitprop fable turned into a full-on shit-smearing, vomit-orgy, Primal-Therapy violent explosion. Crazed anti-capitalist, (and anti-Marxist), polymorphic-perverse, subversive anarchy. mixed with grainy footage of WW2 massacres and seduction of children it’s depraved, revolting and unpleasant shock cinema at its peak. 2/10.

🍿

“... You’re innocent when you dream”...

Another surprising new discovery, an art-house film so obscure that it doesn’t even have a Wikipedia page: Miss Osaka, by Daniel Dencik, a Danish director (who lives in Samoa). It’s a slow and atmospheric story about Ines, an introverted young woman on vacation in Norway who meets there a beautiful free-spirited woman from Japan. When Mimiko drowns while swimming out under the Northern lights, Ines steals her identity and escapes to Osaka, where she starts working as a hostess at her old nightclub. An elusive parable about identity, not as deep as Antonioni’s ‘The Passenger’, but nearly just as evocative. The trailer. 8/10.

Bonus points for Tom Waits quotes (which was also used in ‘Smoke’)!

🍿

I picked the Bollywood romantic Dil Se.. completely in random, just to spend the evening with a mindless, silly musical, and indeed the first number they burst out singing (on rooftop of a moving train) was the famous Chaiyya Chaiyya with Indian superstar SRK, so that was a good sign!

Unfortunately, the rest was a mess: Only 4 or 5 dance numbers (including this sexy Satrangi Re) were to be enjoyed during the stretched out 3-hours. The story was about a man who obsessively stalks a woman he sees at a train station, before realizing that she is a suicide bomber belonging to some revolutionary “terrorists”. 2/10.

🍿

Harry Caul X 2:

🍿 What does it say about me, that after thousands of movies that I’ve seen, if I had to choose only one as my most favorite, it will without a doubt be Coppola’s paranoiac The conversation? And I’m not even Catholic.

RIP, Cindy Williams.

🍿 So I used this chance to see, once again, another of my favorite Deep State surveillance-paranoia thrillers, Enemy of the state. Predating Snowden’s NSA disclosures, it plays as fresh today as it did 25 years ago. With Skyler White as Jon Voight (His best role ever?) and Jack Black, who lusts after the middle age Latina nanny with the unshaven legs. 9/10.

🍿

Paprika, my first by Satoshi Kon, and one of my first anime films. A complicated mind-fuck soup about a dream-thief that was hard for me to understand, and even more so to appreciate. It reminded me in parts of ‘Spirited Away’, but Miyazaki’s miraculously-mysterious story was geared toward 10 year old girls, and this one had appeal to 20 year old boys.

Discovered it here, which may have been better.

🍿

...“Isadora Duncan - worked at Telefunken”...

Let it be, Michael Lindsay-Hogg’s 1970 Beatles documentary, recording their last album, and including the original footage from the Apple building rooftop concert on Savile Row. So many great moments in it, the full rendition of ‘The long and winding road’, goofing off with ‘Bésame Mucho’, John and Yoko waltzing alone... Peter Jackson cleaned up the grainy images and incorporated them into his 8 hours ‘Get Back’ doc.

"I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition!"

🍿

Restless, my 10th by Gus Van Sant. A slight, sweet romance about a young guy, Dennis Hopper’s son, who - like Harold - likes to attend strangers’ funerals. In one of them he meets and falls in love with short-haired teenage Mia Wasikowska, who has only 3 months to live, before she will die of a brain tumor. 5/10.

Incidentally, the opening titles were playing ‘On our way home’ from ‘Let it be’!

🍿

Make Hummus Not War, a slight Australian documentary frames its topic as the conflicting views on which people can claim the ownership, even the genesis, for everybody’s favorite dish. This gives the journalist/filmmaker an excuse to travel to Lebanon, Israel and Palestine, and eat in dozens of hummus restaurants. I mainly watched it, because Mmmmm, Hummus...

🍿

Really love, an all-black romantic comedy written by a first time writer and directed by a first time female director. Maybe they were inspired by ‘In the mood for love’, but it surely didn’t look that way. Too shallow and thin with no character development or flair. 2/10.

🍿

Everybody has their ‘Best of’ list for Black Mirror. Of the 23 episodes, there are 7 that I watched many times, 9 that I watched once and will probably never re-visit, and others that are in between. My most favorites (in no special order) are ‘The National Anthem’, AKA ‘fuck-a-pig’, ‘Hated in the nation’ (a masterpiece), ‘USS Callister’ with Nanette Cole, ‘Striking Vipers’ and ‘Smithereens’. The ones that I disliked were mostly of the ‘Mean Violent’ kind, ‘White Bear’, ‘White Christmas’, ‘Playtest’, ‘Men against fire’. So I decided to re-watch some of those in between:

🍿 Crocodile is dark and horrifying, and the Icelandic landscapes are a distinct character in the story.

🍿 Hang the DJ is about the difficulties of dating, so it didn’t speak to me specifically, but it was actually a sweet romance with an uplifting ending, which is unusual for Black Mirror.

🍿 Be right back, another semi-sweet romance, mixed with the exploration of grief. A young loving couple, a fatal accident, an unexpected pregnancy, and bringing the dead back to life, what not to love.

🍿 I ran the main 5 mutations of Bandersnatch together with Adora, when it premiered and when she was 9. She liked it, but I’m not sure why, as it wasn’t our usual fair at all. Seeing it now (in the static 90 min. pirated version) has only 3 positives: The unique ability to interact and “create one’s own adventure”, the Laurie Anderson’s ‘Oh Superman’ alternative and the oh-so-clever Netflix meta-joke. The narrative was miserable and not interesting in the least. 3/10.

🍿 The Entire History of You, a completely dull domestic drama of manners about jealousy. It was so forgettable, that I couldn’t recall seeing a single detail from it, even though I saw it before. Ironic, since it was about people who can remember every emotion they ever had.

🍿 In 2018 Polish Netflix issued ‘Little Black Mirror’, 4 short YouTube webisodes, made by young local filmmakers. The superficial stories about influencers, new relationship apps and an expecting young couple who learn that their son is going to become a murderous psychopath, showed that the Black Mirror ‘feels’ are easy to parody and copy, with sleek, streamlined technology, modern interiors and unsettling scenarios. But they were inferior to and much more predictable than the originals. At least they were short.

🍿 Conclusion: ‘Black Mirror’ is considered a ‘great’ series, but many of its episodes are mediocre. The ones that I like, rule. And the other ones suck. Still, I can’t wait for series 6.

🍿

Donks, a new short from Felix Colgrave about ocean plastic, avatars and adaptive bottom feeders. Cyriak-lite.

🍿

(My complete movie list is here)

#movies

1 note · View note

divinelascl · 2 years

Text

Satrangi sasural episode 100

#Satrangi sasural episode 100 watch online

#Satrangi sasural episode 100 movie

#Satrangi sasural episode 100 install

#Satrangi sasural episode 100 serial

Mission Sapne on Colors is a reality show which brings the common man to the fore and connects them with their favorite actor/star. Sasural Genda Phool is an Indian television drama series that aired on Star Plus on Monday through Friday evenings from 1 March 2010 to 21 April 2012. Royal Pepper Banquets, banquet halls in Delhi, the best option to conduct all types of family get-together. Burman and Sapan Chakraborty was a fun track with playful words signifying the brilliance of Gulzar and Burman. The following is a list of songs sung by singer Alka Yagnik Hindi film songs. Kai salon baad, na jane kyoon kal raat, maine ek bahut hi anokha sapna dekha. Posts tagged ‘Na Aana Is Des Laado on daily motion’ Na Aana Is Des Laado Friday 27th April 2012 on ApNa Aana Is Des Laado Thuresday 26th April 2012 on April 26, 2012. Abhi toh jeevan ke bahut saare sapne hai jinhe saath dekhna aur jeena hai. Free Convert & Download MP3 Search & freeload MP3 Songs from YouTube, Facebook, Soundcloud, Spotify and 3000+ Sites. Zama Habib (born as Md Badiuzzaman), also known as Zaman Habib, is a Mumbai-based Indian television writer.

#Satrangi sasural episode 100 install

Our app is based on marketing we provide you a number of other apps you just install and get free clicks very easily. Kabhi yunhi, jab hui, bojhal saansein Bhar aayi baithe baithe, jab yunhi aankhen Tabhi machla ke, pyaar se chal ke Chhue koi mujh par nazar na aaye, nazar na aaye. Meghna's exit marks Khushi's re-entry in Colors' Sasural Simar Ka | Tellychakkar.

#Satrangi sasural episode 100 movie

Shaadi Mein Zaroor Aana Movie Dialogues: 'Everything Fair in Love and War Love is Over Now War Begins' 'Hum Gussa Nahe Hai Hum Nafrat Karte Hai Aap Se'.

Watch Aishwarya Rai & ShahRukh Khan in the remix version of the iconic song 'Ishq Kameena' from the movie 'Shakti' Song Credits: Singer(s): Sonu Nigam & Alka Yagnik Music Director: Anu Malik Lyricist: Sameer Movie Cast & Crew: Producer: Sridevi Kapoor Director: Krishna Vamshi Cast: Shahrukh Khan, Nana Patekar, Karisma Kapoor & Sanjay Kapoor Song Lyrics: Daiyya Re Daiyya Sorry Bhaiya But I Love.

Watch online Indian TV drama, Zee TV Drama, Star Plus Drama, Colors TV Drama, NDTV Ima. Tum To Dhokebaaz Ho Lyrics of Saajan Chale Sasural (1996) is penned by Sameer, it's composed by Nadeem and Shravan and sung by Kumar Sanu and Alka Yagnik. Jai has come to know the truth that Dipika has fooled him about her pregnancy. Hindi Songs sung by Kumar Sanu with music video.

#Satrangi sasural episode 100 watch online

Pratigya by Unique Forumz Pratigya STAR PLUS Pratigya 17th pNovember 2011 Pratigya November Watch online Pratigya Pratigya on Dailymotion. Kumar Sanu was born on Septemin Calcutta, West Bengal, India as Kedarnath Bhattacharya.

#Satrangi sasural episode 100 serial

The desi serial is aired on Zee TV Completed Shows. Vinod Rathod has received nominations for Filmfare Award for Best Male Playback Singer in 1993: Aisi Deewangi and 1994: Nayak Nahin Kahlnayak Hoon Main He is the uncle of music composers Sanjeev-Darshan, brother of music composer/singer Roop Kumar Rathod and music director Shravan Rathod. Me akser aik larki ko khuwab mein Dekhta Hun Jin k sath mera koi rishta nai he Mager mein unko janta Hun kiyu k mein un k pas perhta Raha Hun. Mein itna dukh meinhun,lekin phirbhi mera jiban ka ses lakhya hai ki, mera ye sarir ka ant hojaye, use pehele mein dusro ka seba karu. Indian Star Plus Drama Serials Ek hazaaron Mein meri Hai 25th November. Watch Ek Hazaron Me Meri Behna Hai June 14th, 2012 Online Video HQ Saas Bina Sasural (1) Saath Nibhaana Sajda Tere Pyaar Mein (20) Sapne Suhane Ladakpan Ke.The show promises to fulfill the dreams and desires of the common people.

#Satrangi sasural episode 100

0 notes