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#Secession
kino-free-time · 4 months
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Nautilus Reading Lamp
The shape of the nautilus shell provides the perfect space to conceal a light bulb, the newest form of technology at the time. As a result, this lamp was a critical success and sold both in this original form and with the later alteration of a bronze mermaid for the stand and an actual nautilus shell for the shade. By Tiffany Glass & Decorating Company (around 1899–1902)
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spacepacks · 10 months
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gustav klimt' paintings headers || like or reblog if you save
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jareckiworld · 3 months
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Franciszek Siedlecki (1867-1934) — Dancer [oil on canvas, ca. 1902]
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eugaenia · 2 years
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Illustrations of the Julius Zeyer’s Román o věrném přátelství Amise a Amila (1880) by Artuš Scheiner, part 1.
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abwwia · 4 months
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Eva Watson-Schütze (1867–1935) was an American photographer who was one of the founding members of the Photo-Secession. Via kosbah Salome
She born as Eva Lawrence Watson in Jersey City, New Jersey on September 16, 1867.
In 1883, when she was sixteen, she enrolled in the Pennsylvania Academy of the Fine Arts in Philadelphia. Her interests at that time were watercolor and oil painting. Via Wikipedia
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darkelfchicksick · 3 months
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lost klimt portrait shows up in vienna :0
Fräulein Lieser ("Miss Lieser") has never been on public display since its creation in 1917 - you are now looking at the painting in color for (probably) the first time ever.
The current owner inherited the painting in 2022 - it originally came to be in the possession of their predecessors in the 1960s, but it is unclear how the painting came to be in the first buyer's possession. There is no information available about whether or not the painting had to be relinquished, was confiscated or sold under distress by the Lieser family after 1938. However, since the potential original owners were both forcibly dispossessed in 1938, documentation of the dispossession for this particular may have been lost.
On April 28th, the painting will be put up for auction at im Kinsky in Vienna, with the price being projected to be between 30 to 50 million euro. The legally unclear situation of whether or not the painting is Nazi-looted art is why the auction was commissioned by both the recent inheritor and the legal successors of Adolf Lieser and his sister-in-law Henriette Amelie "Lilly" Lieser, in accordance with the Washington Principles.
In the past, the depicted young woman was identified as Adolf's daughter Constance Margarethe Lieser, who would have been 18 years old during Klimt's creation of the painting. However, new research presented by the auction house im Kinsky has brought up doubts as to who the depicted "Miss Lieser" actually is. Adolf's sister-in-law Lilly Lieser, who had married and later divorced Adolf's brother Julius, was a patron of the arts and might have commissioned a painting of either of her daughters, Helene and Annie Lieser. Klimt himself never identified the commissioning customer beyond "Lieser" and died in 1918, before the painting was finished.
Lilly Lieser was a central patron of art and music in fin de siécle Vienna. She is especially well-known for her financial support of Arnold Schöneberg and was an avid art collector. For years, her best friend was Alma Mahler-Werfel. Both Adolf and Lilly Lieser were dispossessed in 1938 and later deported to Riga and/or Auschwitz, where they were murdered. Details to Margarethe's life aren't readily available, she died in London in 1943 or 44. Helene Lieser, who had been the first woman in Austria to get a PhD in political sciences, fled Austria in 1938 and ended up in Geneva. After the war, she lived in Paris, working for UNESCO, OEEC and the International Economic Association. She died from cancer in 1962 in Vienna. Annie Lieser, who was a celebrated interpretative dancer, married Austrian artist Hans Sidonius Becker. In 1938, her and their son Johann managed to flee to the US. Hans Becker was active in the Austrian resistance movement and annulled their marriage in 1941 to marry another woman. Annie probably never went back to Austria but kept contact with several other Austrian emigrants in California, among them Alma Mahler-Werfel and Luzie Korngold. She died in Los Angeles in 1972.
The painting will be shown to the public from April 10th at im Kinsky in Vienna as well as during a projected world tour to Asia, Europe and the USA.
Sources:
Olga Kronsteiner, DER STANDARD 25.01.2024
Wikipedia: Henriette Amalie Lieser, Helene Lieser, Hans Sidonius Becker
Alexandra Matzner, ART IN WORDS 25.01.2024
Valerie Gaber, im Kinsky 25.01.2024
Alexandra Löw, BiografiA Annie Becker
Anna Amilar, BiografiA Henriette Amelie Lieser, Website
Photograph of Bildnis Fräulein Lieser © Auktionshaus im Kinsky GmbH, Vienna
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kafkasapartment · 6 months
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Girlfriends [Gustav Klimt An Aftermath], 1931. Gustav Klimt. Collotype. Plenty of subtext.
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Maybe she should take the competency test she keeps offensively demanding for seniors. She’s no spring chicken herself.
🤦🏽🤦🏿🤦🏻
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kustavglimt · 2 months
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Felice Casorati: Young Girl on a Red Carpet (1912)
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ye-olde-cider · 3 months
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Józef Chełmoński - 1912
Kurhan Ukraiński (Ukrainian burial mound)
Warsaw National Gallery
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archivisionary · 1 month
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my animation of Lady in gold by Max Kurzweil
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ancaporado · 1 year
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I like how invariably the NPC reaction to secession is either: A) "Lincoln settled that by killing the last people who tried" or B) "you are the real welfare drags on our budget, leave and suffer." Basically "if you don't want to submit to my peaceful democracy I'll shoot you" and "my politicians suck at repatriating my tax dollars" Good own...
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jareckiworld · 8 months
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Edward Okuń (1872-1945) — Goddess Hathor [oil on canvas, 1916]
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successionbracket · 8 months
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Round 1
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antronaut · 1 year
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Vivian Suter ‘A Stone in the Lake’ at Secession
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