For a week, I have been working on these new body positions for Ben for my graphic novel. I have hoped that it would turn out great, and I am proud to get it all done in time.
In the future, I hope to keep doing this style of character designing so I can have something useful to be doing in my spare time.
He is a writer, illustrator, and a cartoonist whose work as beaten others in the New York Times. He has worked for Marvel Entertainment for 15 years and has made and illustrated spider-man, avengers, x-men, deadpool, Guardians of the galaxy and Magneto.
For five years, he has worked on the adaptation series of Oz comics, written by L. Frank Baum for the marvel entertainment.
In my opinion, this looks like the same art style as you would see on children’s television programs. It has a sort of likeness to the art style that attracts attention from readers to see this comic series. I like the art style on the front covers of the Oz series because the art is already speaking to me, as if it has a soul trying to reach into my eyes and pulling me away from the real world.
Skottie’s art work seems to me like it is made for children than it is for adults. The characters look great in a way that it was drawn towards younger eyes. The characters don’t look series enough to be for adults or for teens.
Tom Taylor is a multi-award winning comic book writer who has created DC’s Injustice: gods among us. The art of the front cover of this Graphic novel looks amazing. It has lighting that makes the characters look realistic, and the shading on the bodies has me thinking about how serious the front cover looks.
However, the art in the pages don’t look as epic as the front cover. Instead, the look colourful and brighter than the front cover. That is what I like about that, because it helps me see the world as a bright place. In my eyes, I like images that show bright colours, because bright colours symbolizes joy in the world.
Tom Taylor is not only a writer, but a play-writer and a screenwriter. He was also involved in other projects too, such as Darth Maul: Death Sentence And Star Wars: Blood Ties. After writing for the star wars series, he has moved onto the DC comics to write his own dc superhero stories.
I have been doing some more research on graphic novels and I have come across a man’s name, Farhan Qureshi. Farhan Qureshi is an animator, film maker and film writer who lives in London as a lead artist for film and gaming companies.
He has worked on a graphic novel called “Digitopia” as a kickstarter project.
The key difference between animated film’s and graphic novels is that one method of story telling is much more easier to work with than the other. You won’t be lucky publish your animated film in any animation industry, but publishing Graphic novels will be a whole lot simpler. Frahan had worked with a guy called James who have developed this story and tried to get it into the animation industry, but it all goes down hill for the duo. So it gets them into finding another way to finance the film.
A comic or a graphic novel has a fewer moving parts than an animated film. Elements in a graphic novel come into a sharper focus than on animation. The point in comics to have a few moving parts is that our expectations would have exponentially increased.
When making a Graphic novel, the team that work on it is not as much as a team of animators that make an animation. Fortunately, having a smaller team can make life easier for you. Graphic novelists spend most of their time talking about their art work generated for their work. But animators don’t plan to waist their time, they just get on with it and avoid distractions.
Ryan is an american graphic designer who had worked on movies such as “Thought of you” and “The turtle and the shark”. He was born in Salt Lake City and was graduated in Brigham Young University.
I have been trying to research on other graphic novels that are animated and his name came up on the research. He has done an animated graphic novel called “Bottom of the ninth”, which I think looks amazing. To me, it looks like that the comic was animated using Toon Boom Harmony, because the video of the animation is as smooth as the real world. in fact, the animation looks to have been done by a 3-d software called Maya.
The page panels show each relevant bit of it’s story, and have gotten me thinking about adding more panels onto my graphic novel.
I have just shown my CV to my lecturer Mario and asked him to take a look at it so I’ll know what changes I will need to make. Mario likes how I have started my CV, but he had crossed out my education, days attending, and university course from the top.
My Personal statement is fine, but I need to get rid of the words student and university because I would have left by then. He told me that I don’t need my capabilities until after I present my skills and knowledge information.
He has said to me that I don’t need achievements on my CV. He has suggested to me to add my employments/professional experience at the end of my CV.
Based on Mario’s comments, I will think about making those changes to my CV. I am glad that I have shown this to Mario and will start to get the changes done as soon as.
I have been trying to research the spectacular spider man and find out who the artists were who created it. The only thing I found was that the people who developed the show was Greg Weisman and Victor Cook.
However, I have come across a website called Wonderhowto.com that has a list of tutorial videos that instruct you how to do certain things that you want to get done.
I didn’t know that this website had existed, but in my opinion it reminds me of LinkedIn. So this website isn’t really for me.
Talking ‘bout spatial relationships. It’s been a week into February and I still haven’t flipped over my calendar.
I have been looking at what Mario has shown us yesterday. It is a cartoon bible of a animated TV series called “Interview from hell”. Mario has given this to us through email so study how it was put together so that we would learn from this to put our art books together for our 3rd year project.
As I was looking through the pages I thought that this book was the biggest that anyone has ever made. I liked how much effort was put in to making this book, because there are pages where drawn work takes over the whole page leaving no room for written words.
Based on looking on this, I have been thinking about how I should structure my art book. If images speak for themselves where there aren’t any words, then perhaps I should learn from this how I should done the same.
I have been out to Waterstones and bought 2 manga books. Attack on titan and Blue Exorcist. I have bought them because I believed that they were like graphic novels, but in a Japanese style.
There are 2 other graphic novels I’ve bought, but I wanted to focus my research onto them. I wanted to see what the difference is between manga books and actual graphic novels.
The art work is interesting, but it is not the style I choose to do in my future. I have only been looking to see the panels that are in these books. The panels are the main reason why I don’t see a difference between them and the other graphic novels. I have noticed that the Panels in these books are simple and square shaped.
I wanted to take a different approach into researching graphic novels. I thought that looking at manga books would be a good place to start.
I have looked up on Jake Parker for my research and found out that he is an illustrator on picture books. He has done Comics too, and has designed his own graphic designs of comic characters. I first discovered him on Behance, a social media site which I have only just joined specially for my future career as a graphic novelist.
He had dropped out of college to start his career in the animation industry. At that same time, he has been busy illustrating books and comics for the publishing world. He is the co-founder of SVSLearn.com that teaches people how to become a professional illustrator just like him.
In his work, he has published:
- The little snowplow wishes for snow
- Goldilocks for dinner
- Sky Heart: search for the star seed
- The little snowplow
His work looks really amazing in my opinion. The best part of it is that it looks to have been hand drawn before scanning it into the computer for colouring. The outlines are amazing, especially the image of baby Yoda, because it has been done by felt-tip pen.