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#Third finished piece of the year!?
yourlocalabomination · 5 months
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Nerdy Days
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waveoftheocean · 9 months
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it's been nearly two years since i first drew this piece but i have finally managed to color it in a way that i'm satisfied with!!! 😤 (original ver here)
07.20.23 happy birthday oikawa <333
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sabraeal · 4 months
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20, 30
20. Share your favorite ending line
“No? Come now, Mistress Shirayuki.” Izana is not one to cajole, but it is worth it to see her scowl; if they were beasts in truth, her ears would lay flat along her head. “Wouldn’t you enjoy having me at your beck and call again?” “Beck…?” She blinks at him owlishly. “You hardly listen to a thing I said!” “I had other concerns at the time.” Trying to secure an alliance with Arleon’s younger sister, for one. “But this time, I promise…” His lips unfurl into a lazy grin. “…You will have my full attention.”
From Come to Heel, Chapter 1
30. What’s something that you want to write in 2024?
Already answered this one, but I suppose one of the ones I'm really looking forward to in January is getting a crack at the Nanami/Bakery Girl fic, since that thing has been percolating in my head since I started watching JJK in October. NANAMIN SHOULD GET SOMETHING NICE, OKAY.
2023 in Review
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angelkissedface · 1 year
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a paper doll chain, put back together again. second birthday offering to my favourite fictional boy!!
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Okay, so, @sillybub asked for Sillabub and Jemima playing forever ago - how about I give you that, and also dump some other drawings on you, and the compromise is that I don’t colour any of them because I’m lazy 🙃 (Silly’s first discernable word was “’mima” - I wonder why)​
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tradingjack · 2 years
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Arcane dump bc oopsie, it's been a month
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reyryz · 10 months
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born to sketch kagami and kuroko pieces and cursed to never finish those pieces
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shotani · 1 year
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Man, I haven't read the third beartown book yet cause I know it'll rip out my heart and I need to be prepared for that but just reading those posts is making me feel some sort of way.
Every single Frederik Backman book is so good, and the way he humanizes his characters, his prose, just seem designed to people feel and cry. A man called ove is my personal favourite.
im so excited for you to read the winners! it made me cry to the point where i had to put the book down because i couldnt see through my tears anymore LOL
i hope you love love love it. beartown is truly the only series i can think of where every book was a 5/5, i was just as invested at the end of the last book as i was at the start of the first book.
backman has such a beautiful way of writing people because they feel so utterly human. i appreciate that across all his writing there isn’t a single ‘flawless’ character. you see characters at their strongest and at their weakest, you see them for the way they are and the way they want to be, you see them at their lowest. you see every single characters dreams and regrets and most intimate moments and it makes them feel so much more realistic and there’s something so raw about it.
please please please feel free to talk to me and to keep me updated whenever you read the third book! i love beartown so much and no one ik irl has read any of them lol i dont think i’ll ever get over this series
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colognedecigarette · 2 years
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the eternal, sickening conflict of writing a teenaged character having an innocent crush on an adult who horribly took advantage of that.
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doodlesndots · 5 months
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I'm cooking up something big
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ragingbookdragon · 3 months
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It comes as somewhat a surprise when the others realize that something has obviously happened between their resident Lieutenant and Private, as she’s quick to fall silent whenever he appears, and even more so make herself scare when she can when he’s around. It’s only the third time that Soap sees it that he says something, because if he doesn’t no one else will, and where’s the fun in that?
He watches her duck her head and leave the break room, Gaz, Soap, Price, and Ghost sitting alone at the breakfast table conversing over soggy cereal and cooling tea; Soap pushes a piece of bacon on his plate and asks, “Trouble in paradise, Lt?” the corner of his mouth arches with a slight grin when he hears the warning grunt come from Ghost.
“No.”
“Seems like it,” he retorts, taking a sip of his coffee. “What’d ya do? Tell her ta fuck off?”
“Drop it, MacTavish,” Ghost warns darkly. “Nothing’s wrong.”
This time, Gaz jumps in. “C’mon, Lt., it’s obvious that something’s wrong. I mean, she won’t even look at you, let alone say anything unless you speak first.”
“An’ she’s callin’ ‘im ‘sir.’” Soap adds, pointing at him. “Christ, Lt., ya musta done a number on ‘er. Poor Puffin. So sweet and kind. Broke ‘er heart ya did.”
Price can tell that Ghost is close to snapping at the both of them but gets to it before he does. “Soap, Gaz, go catalogue our inventory for the mission next week.”
“Aw, but we already d—” Soap falls silent when Price shoots him a look and quietly grumbles to himself as he grabs his plate and cup, Gaz following in suit.
It’s only until the two soldiers are alone that Price asks, “What did happen, Simon?”
Ghost lets out a long sigh and rolls his head back, staring at the ceiling. “Pretty much told ‘er to fuck off.”
Price watches quietly as Ghost begins rattling to himself—he’s never really had to ask the man to explain himself. All he’s gotta do is prompt him to do so and Ghost does the rest.
“I just got mad. She’s always ‘round and practically up my arse, and I got caught up and instead of ‘andlin’ it properly, I shoved my fucking foot in my mouth and scalped her.” He rubs a hand over his face. “I meant to be gentler but once I started, I couldn’t stop. It just kept comin’ out. And now she fuckin’ hates me.”
He pulls his hand down and looks up at Price with a scowl—the man is smiling at him, but it’s that stupid smile that means more than Ghost wants to admit it does.
“Quit that.”
“You care about her,” Price murmurs, rubbing his chin thoughtfully, though his admonish is still harsh. “And instead of telling her how you felt like a grown adult, you took the ten-year-old way out and decided to be a cunt to her.”
“I didn’t mean to be such a cunt.”
“But the fact of the matter is that you did, and you’ve screwed up team fluidity and cohesion.” He looks at him. “You know a team divided—”
“Can’t stand,” Ghost finishes with an even worse scowl. “Yeah, yeah, I know.” He looks away. “I just don’t know how to even start tryin’ to fix it.”
“Well, apologizing might be a good start,” Price rumbles with a grin. “She’s a good kid, Simon. Her heart’s in the right place, even if it’s a bit much at times. Shows she cares. More than most do in our line of work. She’s a rare one.”
“I know,” he admits in a much, much softer tone. “I just don’t want her to lose that doin’ this.” His eyes meet Price’s, and they hold such a misery. “Look at us, Price,” he mutters, gesturing between them. “Middle age, unmarried, no kids, too fucked up for anything like that. She doesn’t…” he clenches his jaw. “She deserves a better path, a safer path, than this life. She deserves to go out and have a life where she comes home to a family.”
“That’s not your choice to make, son,” he replies gently, but there’s a firmness to it. “If this is what she wants to do, then she will. We can’t make her get out of service.”
Ghost growls low in his throat. “She has so much more potential than being cannon fodder. She could do somethin’ with her life. Somethin’ good. Somethin’ that won’t have her dying face down in the sand with a bullet wound in the back.”
Price simply watches him.
“But she’s so fuckin’ stupid. She wants to be here. She wants to spend whatever time she has dodgin’ bullets and wakin’ up every night in sweat ‘cause she can’t escape the dreams. No one wants to do this. We don’t want to do this. We do this because we have to. But her? She’s happy here.” He lowers his voice, it’s as if he’s in disbelief. “She’s happy here.” He looks at Price. “Why? Why is she so happy here?”
It's another long moment before Price speaks.
“You hear, son, but you don’t listen.” He moves the cup on the saucer. “She bounced around homes growing up, scraped by on the skin of her teeth. She has no one. But here, she has something. She has people who care for her, if nothing else, they won’t let her die alone.”
“Oh what? So, it’s found family bullshit?” Ghost spits. “If she dies, at least the team would mourn her?”
“Isn’t that what you’ve done too?” he replies, and Ghost falls silent. “People like Gaz, Soap, and myself are different than you and she are, Simon. We have homes. We’ve had families that have loved us, that do love us. But you two? Simon, you’ve made a home where you’ve had to. Made a family out of people you’ve bled for, would gladly bleed for. You’ve made something that’s yours. You made a family for yourself. And so did she. She’s made us her family. The one she never had the privilege to call her own.”
Price lets out a quiet hum, and pats his thighs, standing up and pushing his chair in.
“Think on what I’ve said, son. And if nothing else, apologize and leave it at that. Put the ball in her court and let her make the next move.”
As he walks off, he hears, “And if she doesn’t want it?”
He tosses a knowing look over his shoulder. “I’m sure she’ll take it.” His eyes twinkle as he adds, “Takes an awful strong woman to care about a man like you.”
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empty-movement · 6 months
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Chiho Saito's Illustration Collection artbook is the highest-quality visual media in the Utenaverse. Oversized, single-sided, heavy pages with extremely high quality printing. It is the first artbook I ever scanned.
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In 2001, the average screen resolution was 800x600, and I delivered a 1250px wide collection that for a while, took $60 A MONTH to host, because no normal website was hosting images of this ludicrous size. It took my scanner almost an hour to capture a third of each page. I spent months piecing the scans together in Photoshop. It was one of my first true Utena labors of love, and the result is that for decades, these copies have been the definitive copies of Chiho Saito's artwork on the internet. For a very long time, even kinda now, if you see these images, they're probably my scans.
But decades have passed, and I've never been happy with these results, because they couldn't capture the fine details, the paint spills, the sketch beneath poking out, the brilliant use of gradients of dark color to pop the image but drive me insane. What I am finishing up now is a true, archival copy of the artbook. One that delivers such high resolution, that these can print posters larger than the originals, and thanks to some truly brilliant descreening tech, (Thank you Sattva) I've been able to dig up fine details in the work that the printing obscured, but undeniably included.
It's been over 20 years, and it shows. 1250px? Nah, my archive copies are 15,000px wide. I can't wait to finish this and share it with the world. <3
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purplealmonds · 10 months
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This is my tribute to the late Technoblade. I'm well over a week late to the anniversary of his passing, but I think it was worth the wait. I wanted to get this right.
The story I want to tell is of time's passage after his passing, and the set dressing of this space is a symbolic amalgamation of various aspects of his life depicting that concept.
I have a lot more to say about this painting - three pages just for the symbolism alone. If you're interested, please let me know and I'll share my analysis on a separate post! Edit: I caved. Aight, prepare for a massive info dump below the cut!
DISCLAIMERS:
Although I put a lot of research into this piece, my knowledge is likely flawed and incomplete. If I missed or misinterpreted a reference, it’s because I’m new to the Technoblade community. If I got a symbolism thing wrong, it’s because I relied on Google search for answers. I fact checked where I could. And with this analysis, I hope I can clear up any misinterpretations! 
OVERVIEW:
There’s lots of imagery to unpack so I’ll try parsing it in a structured manner. Let’s first examine it holistically. 
The story I want to tell here is of time’s passage after Technoblade’s passing. As such,the set dressing of this space is a symbolic amalgamation of that concept.
Prominently featured are the various medical equipments - a nod to the grim reality of his cancer. But let’s not linger upon that aspect of his story.
Of equal importance are the more mundane objects - his gaming setup, the couch and pillow which Floof sat upon in that one photo, the plethora of paraphernalia of branded merchandise, and references to his exploits in Minecraft. These are relics and mementos of his legacy.
All of these elements intermingle in flooded, lushly overgrown room looking out to a rose-tinted exterior. Is it dawn? Dusk? I’ll leave that interpretation up to the viewers.  
The third and final component is the plant life representing his community -us. We beautify this metaphorical space with where it was once laden with tragedy. Yet, despite these riotous blooms, we never quite encroach on the bed - the empty space left behind by him.
SET DRESSING:
Much care was taken in selecting the blossoms and placing them in symbolically significant locations.  And this neatly transitions us into the analysis individual details.
Foreground: 
In the foreground, ivy crawls through a lamp and white clovers thrive atop a pile of pillboxes. The lamp base, once a shining bronze-like finish, is heavily tarnished. The lampshade is overgrown with moss and ivy. Even if the greenery has yet to damage the electric wiring, the damp surely has finished the job. Even if the bulb is replaced, the body is too far gone. The light’s never coming on again. 
I was initially put out that my painstakingly 3D modeled pillboxes became entirely obscured, but I think it works in favor of the piece’s overarching theme: the beautiful wilds overtaking a space that once reeked of the desperate fight to prolong life. 
White clover blossoms meaning “thinking of you” is paired with the ivy meaning “everlasting devotion”.  It’s an apt combination. It has been over a year since his passing, and we still remember and carry on his legacy. 
Nestled amongst the foliage is Techno’s compass. It was once used to hunt him down in the Dream SMP. But now, it’s an odd comfort. Even though he’s no longer with us, he’s still somewhere far, far away– or is he? The original idea was for the needle to point heavenwards, but it is currently pointing…sideways?  I’ll get to the reasoning a bit later. 
The Flood:
Moving deeper into the space, we hit the floodwaters. These once turbulent currents are now tranquil enough to nourish this verdant place. The thriving plant life hides much of this darkness. It is beautiful, hopeful, even. But always bittersweet, because everything that grows here is laced with an old sorrow.
White lotus rise from the murky depths. That is us, overcoming our grief. Breaching the surface, we gain a new vantage point to contemplate this loss. Perhaps we can also find a more comforting perspective of it.
Submerged amongst the blossoms is a rusted oxygen machine. I wanted to decorate the machine with stickers, much like one would personalize a plaster cast for a broken limb. It is deliberate that the “Technoblade Never Dies” sticker is in shadow, while the “So Long, Nerds" is in light. 
Immediately to the right was meant to be a box of assorted Technoblade apparel.  But then I flooded the space for narrative reasons, rendering that idea unusable. I eventually converted it into a Welch’s Fruit Snacks box, because apparently Technoblade liked them? It’s one of the shallower references here but it is what it is.
And finally, there is a little cameo floating somewhere in the waters. An Easter egg, if you will. I wonder if you can find it? 
Furnishings from Home:
I found the couch and Technoblade’s gaming setup during my trawl through the Technoblade Reddit page for reference photos. Balancing this space full of impersonal medical equipment with more personalized belongings is grounding. These areas insert familiarity in this strange environment.
Gaming Setup:
The gaming setup is bare bones - just the monitor, keyboard, and mouse. There was no space to add more iconic elements like his Blue Yeti microphone or the steering wheel from that Minecraft challenge. Hanging above but heavily obscured by overgrowth are two framed pictures of Technoblade’s cabin and a potato minion. It is a blink-and-you-miss-it detail, placed in a dim space and requiring close examining to notice. Without the context of the rest of this environment, it is easily mistaken as generic set dressing. 
That’s the point, though. This was a space where he streamed and created videos much beloved by his community. This space was the means of creation, not the creations themselves. Without the creator at the helm, this setup becomes insignificant. Does one dote over the easel on which paintings were created, or the paintings themselves? So now it sits in darkness, a footnote of Technoblade’s legacy. 
Nostalgia Corner:
On the other end, we have the sold out Youtooz plushies and the Agro Pig plush from the recent merch drop sat atop the couch.  If you look closely, you’ll see a Skeppy coin leaning against one of the plushies. Behind the couch is a shelf. A generic shelf, but the important bits here are the sellout bell, Youtube plaque, and vinyl figurines. 
This corner of the room is nostalgic and soft. Everything is bathed in rosy pink light, and it is filled with things that are comfortingly familiar. All across the world, people in his community have these pieces of merch to remember him by. 
The red poppies that also grow here have multiple meanings. It represents the battle - one against sarcoma - which was fought here. It symbolizes death, but also resilience in the face of grueling conditions. It is said that they grow in former battlefields where of fallen warriors. I believe of all the flowers here, this one best represents Technoblade.
The Hanging Mobile:
Strung up above it is a rather last minute addition to the environment - a hanging mobile fabricated from totems representing each member of the Sleepy Bois Inc. friend group. First and foremost is Technoblade’s iconic MCC crown, aptly placed at the top. Although it is untouched by the greenery, the gold and jewelry are somewhat muted and tarnished by time.
This is not the case for the objects below. TommyInnit’s music disc shines iridiscent green and purple - Cat and Mellohi merged into one. To is right is a sky-blue guitar pick with the LoveJoy logo engraved onto it for Wilbur Soot. And finally, below it all is Philza’s Friendship Emerald - sparkling and refracting light - with Elytra feathers fastened at the bottom. They, suspended and isolated from everything, maintain a pristine vibrancy which strongly contrasts against everything else in this space. 
IV Stand:
Next to the computer setup is the IV stand. It sustains life which is incapable of continuing on without intervention. The butterfly milkweed growing on it, in contrast, says “let me go.” The latter, overtaking the tangle of tubes and powered off patient monitor, is victorious. The hooks stand rusted, and the IV bag empty from disuse.
Sat atop the patient monitor but almost blending into the walls is a pig figurine featured in Dream’s latest music video. It stands on a high perch, yet is unassuming as to direct focus on Technoblade, or rather, his absence. 
Hanging from the wired basket is an air freshener tag. If you look on the official website, this is one of the only products which has what I can only call interesting flavor text. Most are merely descriptions and specs of the product. To quote it verbatim:
“Yes, this is a real product. And no, this ‘air freshener’ has no discernible fragrance. ‘Why’ you ask? Because Mr. Technodad and our team agreed this was exactly the sort of air freshener Alex would have found hilarious.”
As morbid as it sounds, I feel like this air freshener tag would not have existed before Technoblade’s passing. It is so unlike any other merchandise I’ve seen in any other branded merchandise store. It’s like an inside joke, secretly shared within the descriptions for the world to eventually discover. 
Window:
Unlit candles line the window sill - the aftermath of a candlelight vigil. It is a versatile symbol. It raises awareness of a disease or illness. It pays tribute the dead. Judging from the melted wax dribbling down the candle shafts and the wall below (the opacity was reduced so it looks less like bloodstains), this has been done many times over. But there is so much more candle to burn, representing the people still continuing this ceremony, albeit in the privacy of their own homes.
Above the candles are some broken blinds. When grieving, it would have been so easy for Mr. Technodad to hide away from the world in his grief. It’s understandable, to give into that primal urge to flee from prying eyes when he’s at his most vulnerable. He had the difficult task of reading out his son’s final farewell to us. This barrier between him and us dismantled by this gesture so we can remember Technoblade together. 
Coincidentally, the window frame itself somewhat resembles the kitchen window featured in Technoblade and Technodad's cooking videos. Completely unintentional on my end, but fitting in a way since in both those videos they're pulling back the metaphorical curtains for the audience to peer into a small aspect of their private lives.
To the right of the window is a nondescript clock, forever stopped at the 6:30 as a nod to the date when the "So Long, Nerds" video was published. The minute hand is accidentally left out removed to signify that time will no longer move forward for Technoblade. In contrast, the rest of the world - represented by this space - continues to grow and change around his absence.
A wind chime hangs just outside the window. It is said that the soothing sounds produced by them is a healing balm during tumultuous times. Where there is wind there is stirred up emotions, but it is motionless on this calm, breezeless day. A rare respite, where remembrance overrides grief. 
On a more amusing note, there is an interesting looking moth perched on the window glass. Upon closer inspection, the wing pattern may look somewhat familiar. In Chinese culture, when a huge moth visiting your home is the embodiment of your recently deceased loved one checking on you. Remember the compass in the foreground? Well, here’s why it is pointed sideways instead of upwards. This idea came up rather organically during a VC session in the R/Technoblade Discord server. My handful of viewers and myself affectionately dubbed this doofy looking moth TechnoMoff!
Venturing further beyond the windows, ferns grow with wild abandon. They represent eternal youth, and from a certain point of view, he will remain youthful forever at the age of 23. He lives on through us carrying on his legacy and spreading his story. 
Everything outside is tinged with pink. After someone dies, we start seeing them less as a person and more as a legacy. It is the natural course of things to start seeing the deceased through rose-tinted lenses - hence the artificially pink hue of the outside contrasting with the more grounded color palette of the inside. 
Bed:
And now we circle back to the centerpiece of this entire composition: the bed and the things that surround it. 
In front of the bed is an over-bed table with a single object: an incense bowl filled to the brim with burnt sticks of incense. A simple shrine for Technoblade. In Chinese culture, we light incense at the altar to honor our loved ones. We may live separate lives and not cross paths often, but we all come together to leave our marks through this ritual. It is proof that he is still very much loved and missed by us all.
The bariatric bed frame is typically seen in hospitals. It allows the patient to comfortably sit up or recline without expending valuable energy. Encased in this frame is something more personal - the mattress and cushions which Technoblade laid upon in his photo with the Youtube plaque. Their unique patterning is a foil for the impersonal receptacle it is caged in. It is spotlit by the window light, emphasizing its emptiness. Not a single blossom dares to encroach upon this space, because to do so would be to erase the space where Technoblade last resided. Like I mentioned before, this is story is about the space around him as much as it is about him. 
Cradling this bed frame are several flowers. Rosemary and forget-me-not’s for remembrance. Appropriate, given its proximity to the bed. Morning glories, for resilience. That’s us, again. For a while, we meander and spread in the upper walls of this space, avoiding the floodwaters which symbolize grief. But eventually, we gather the strength to meander down to the bed, where grief was the strongest.
CONCLUSION:
There is that cheesy quote from that one Marvel TV show – “What is grief, but love persevering?” While this reframes our perception of dealing with loss, grief is not some thing that should linger. The absence of grief does not equate to the lack of love. Instead, I would like you to consider this: remembrance is love persevering. And with our combined perseverance, Technoblade will never truly die. 
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chrystalmaniac · 1 year
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Why am i making my jack horner fan art piece my second most ambitious project ive worked on ajdjdjenenfen
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vivwritesfics · 1 month
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"Oscah"
Accord to his girlfriend, his name isn't Oscar. It's Oscah
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"Oscah!"
There was one person who said his name like that. Well, her brother sometimes did, but she only called him 'Oscah'. She hadn't said his name properly in months.
There was a small (rather large) part of him that loved it. It was a cute little nickname for him, like when Lando called him Osc.
Basically, the Norris siblings hated properly pronouncing is name. After a year in Mclaren, a year of being Lando's teammate, nearly a year of being with her, he barely knew his own name. Oscar Piastri? He only knew Osc and Oscah.
"Oscah!" He turned around at that. There she was, sitting beside her brother, readying herself to throw a balled up piece of paper at him. It didn't escape Oscar that she and Lando were sat in the exact same position. They weren't twins but they really could have been.
She wound her arm back and threw the piece of paper at Oscar. Call it his amazing driver reflexes, but he caught it and opened it out. 'U+ME = get out of here?'
He looked up, and she was still watching him. With a quick nod they were both out of their seats, walking out of the room as Lando sat there confused. "Thank you for enabling me," she said as she grabbed a hold of his hand, leading him outside.
Oscar stopped her and kissed her quickly. "I will never not enable you," he said and kissed her once again. "Now come on, before your brother catches up to us."
Even though they both loved Lando, he was the third wheel in their relationship. They both felt bad for taking off on him, but they just needed some time alone.
***
The paddock was bustling as Lando and Oscar walked through it. "Do you know where it is today?" Lando asked as he put his cap backwards.
Oscar's eyebrows rose. "It? You mean your sister?"
"Yeah, it," Lando reaffirmed.
Oscar had never heard Lando refer to his sister as 'it'. But it didn't surprise him. She bothered Lando just as much as he bothered her. "She is..." Oscar had to think about it. His girlfriend had told him where she was going to be while he was racing, but, for the life of him, he couldn't think of it. "I think she's at your grandma's house?" He suggested, but his eyebrows were raised, as if he himself didn't know.
"Huh," Lando muttered, nodding his head.
They continued on through the paddock.
"Oscah!"
He stopped dead in his tracks. She wasn't supposed to be here. She was supposed to be back in England, with grandma and grandpa Norris. Oscar wouldn't believe it, not until he saw her.
"Oscah!"
This time, he couldn't stop himself from running to her. Phones were out, cameras were clicking as Oscar grabbed a hold of her and pulled her into his arms. As a usually private person it was weird to see him being so public, but neither of them cared.
"Lando knew the entire time, didn't he?" Oscar whispered, still holding her.
"Who's idea do you think this was?" She whispered back, tucking herself into his side. "C'mon, Oscah, show me the car," she said, pulling him away from the cameras.
***
She had been napping as he finished up. She'd woken up far too early and no amount of monster energy was keeping her awake. So, she napped while she waited for Oscar.
When Oscar finished, he gently woke her up.
It didn't matter how gentle he was being though. She batted his hand away and tried to roll away, nearly rolling herself off of the sofa. "C'mon," he said softly, attempting to pull her up.
"Piss off, Oscar," she muttered with a groan. "Let me sleep."
It was so weird, hearing her call him Oscar. He wasn't Oscar, not to her at least. Who was Oscar? He didn't know.
He stood over her for a moment, and she finally looked up at him. "What? Oscah, what?" She asked, sitting up.
"There we go," he said, grabbing her hand and pulling her up. "Got scared when you called me Oscar."
"When I called you by your name?" She asked as he picked her stuff up (what a gentleman).
"When you called me Oscar, yeah."
"What do I normally call you?"
He stopped and stared at her. Did she seriously not realise that she rarely called him by his name. "Say my name," he said.
"Oscah."
"Now say Oscar," he said, putting emphasis on the R.
"Oscar-oh."
Oscar couldn't stop himself from laughing. "You seriously didn't notice?"
She shook her head and Oscar kissed the top of her head. "I love you."
"Love you too, Oscah."
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hey bestie. are you doing okay? you seem violently unwell and hysterical 💖stay strong icon 💪💪💪
The teen witch isekai show is running my brain through a meat grinder right now
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