Un'ichi Hiratsuka, Georgetown Book Store, 1963
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Shufu Miyamoto (Japanese,b. 1950)
Early Spring, 1985
Woodblock print
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Watanabe no Tsuna on a Horse in the Rain (from the series One Hundred Ghost Tales from China and Japan), Tsukioka Yoshitoshi, 1865
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Boy Grinding Tea, 1783, Japan.
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Sakura at Arashiyama (Famous Places of Kyôto), by Utagawa Hiroshige, 1834.
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Thistles (circa 1890) by Shibata Zeshin (Japanese, 1807–1891).
Woodblock print.
Image and text information courtesy Carnegie Museum of Art.
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7 months of carving coming to an end, I lost some details and added some. I love and need to see the prints, but honestly, the block is the final art piece for me. It’s what I spend all my time with and each one has a segment of my life attached with it.
Shina woodblock
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The tiniest frown. Ca. 1950s. Source.
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Kawase Hasui
Ishinomaki no bosetsu (Evening Snow at Ishinomaki)
color woodcut
1935
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Hitoshi Karasawa (Japanese,b.1950)
Deluge, 1990
woodblock print
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Snow at the Ukimido, Katada, Tsuchiya Koitsu, 1934
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Kaoru Kawano (Japanese, 1916-1965) Doves and Girl
川野薫 – 鳩と少女
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Bats and sycamore leaves*, a woodblock print by an unidentified Japanese artist ca. 1900. From the Taubman Museum of Art collection on JSTOR, featuring 1,701 freely accessible images of artworks, no login needed!
*What kind of leaves did you think they were, huh?
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