Paramount Scares: Volume One will be released on October 24 via Paramount. The 4K Ultra HD box set collects Rosemary's Baby, Pet Sematary, Crawl, Smile, and a mystery fifth title making its 4K UHD debut.
1968's Rosemary's Baby is written and directed by Roman Polanski, based on Ira Levin’s 1967 novel. Mia Farrow stars with John Cassavetes, Ruth Gordon, Sidney Blackmer, Maurice Evans, and Ralph Bellamy.
1989's Pet Sematary is based on the 1983 novel by Stephen King, who also penned the script. Mary Lambert (Urban Legends: Bloody Mary) directs. Dale Midkiff, Fred Gwynne, Denise Crosby, Brad Greenquist, and Miko Hughes star.
2019's Crawl is directed by Alexandre Aja (The Hills Have Eyes, High Tension) and written by Michael & Shawn Rasmussen (The Ward). Kaya Scodelario and Barry Pepper star. Sam Raimi produces.
2022's Smile marks the feature debut of writer-director Parker Finn, based on his 2020 short film Laura Hasn’t Slept. Sosie Bacon, Jessie T. Usher, Kyle Gallner, Caitlin Stasey, Kal Penn, and Rob Morgan star.
The limited edition set comes with an special issue of Fangoria magazine, Paramount Scares enamel pin, sticker sheet, and exclusive slipcovers for all five films. Special features are listed below.
Rosemary's Baby special features:
Rosemary’s Baby: A Retrospective
Mia and Roman
Theatrical trailer
50th anniversary trailer
Like most first-time mothers, Rosemary experiences confusion and fear. Her husband, an ambitious but unsuccessful actor, makes a pact with the devil that promises to send his career skyward.
Pet Sematary special features:
Audio commentary by director Mary Lambert
Interview with Mary Lambert
Fear and Remembrance
Stephen King Territory
The Characters
Filming the Horror
3 image galleries: storyboards (with introduction by Mary Lambert), behind the scenes, marketing
Dr. Louis Creed, having just moved to Maine with his wife and two children, is heartbroken when he finds that his daughter’s beloved cat has been hit by a truck and killed. Thankfully, a strange, elderly neighbor called Jud knows a secret that may spare the young girl’s tears. He takes the dead cat to an ancient Indian burial ground that lies hidden in the surrounding hilltops; and when he buries the feline there, it comes back to life a few days later. But Louis can’t be trusted with the secret, and, despite strong warnings that something horrible will happen, he uses the power of the burial ground to bring his son back from the dead.
Crawl special features:
Beneath Crawl featurette
Category 5 Gators: The VFX of Crawl featurette
Alligator Attacks
Alternate opening
Introduction to alternate opening
Deleted and extended scenes
As a category 5 hurricane tears through Florida, Haley rushes to find her father, who is injured and trapped in the crawl space of their home. The storm intensifies and water levels rise, just as the pair face an even more terrifying threat—alligators lurking below the surface, ready to chop.
Smile special features:
Audio commentary by writer-director Parker Finn
Laura Hasn’t Slept - Original short film with introduction by director Parker Finn
Something’s Wrong with Rose: Making Smile
Flies on the Wall: Inside the Score featurette
Deleted scenes with optional commentary by director Parker Finn
After witnessing a bizarre, traumatic incident involving a patient, Dr. Rose Cotter starts experiencing frightening occurrences that she can’t explain. As an overwhelming terror begins taking over her life, Rose must confront her troubling past in order to survive and escape her horrifying new reality.
Pre-order Paramount Scares: Volume One.
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Maniac (2012)
2012’s Maniac is a slasher film with a lot to unpack. It’s not a movie you would ever call “fun” but that’s the point. Violent and disturbing, it's not for sensitive viewers and not the kind of picture you easily forget.
Schizophrenic Frank Zito (Elijah Wood) restores mannequins for a living. At night, he prowls the streets, latching onto women who remind him of his now-dead prostitute mother (America Olivo). After violent murdering and scalping them, Frank returns home and attaches his victim's hair to the many mannequins in his room.
The choice to shoot entirely from Frank’s point of view gets you thinking. Many slasher films have been accused of sympathizing with the killer rather than their victims; allowing the audience to see their violent crimes - crimes that often have sexual connotations - and relishing in the carnage. Often, this type of camerawork seems purely practical; it's a way to hide the killer’s identity (the original Friday the 13th for example) but it's still an unnerving choice because we switch to this point of view only when the killer is about to strike. These horror movies are shot normally, until we get to the violence. In 2012’s Maniac, there is no mystery. We know exactly who the killer is. We even know who the victims will be because we see everything Frank sees. Maniac is frightening because we never switch angles. We’re trapped in this viewpoint, unable to see anything except his violent, deranged acts.
The brutality on display is likely to be excessive for many viewers. Detractors would call the film misogynist - nearly every woman we meet is terrorized - but I’d disagree. Frank is certainly a man with severe psychological issues. His mother was an awful person who inadvertently created a monster, but nothing in the film tells us that the women he murders deserve their fate. Many of them are simply in the wrong place at the wrong time. Some antagonize Frank. Others reach out and attempt to befriend him. What happens to these women has nothing to do with their behavior and everything to do with our protagonist.
You’d think that experiencing these events from inside Frank’s shoes would endear you to him in a way, but director Franck Khalfoun manages to avoid making him sympathetic. We explore his character plenty. There is a plot but most of the running time is spent with Frank and the aftermath of his actions. Despite this, he never feels anything other than sad and pathetic. I don’t mean sad in the sense that you want to hug him; this man is profoundly unhappy, completely lacking in self-control, totally delusional and an absolute menace. It’s hard to imagine anyone relating to him beyond the fact that he’s a human being. He may have experienced trauma but even his past doesn’t excuse this level of unhinged madness.
I was going to write down that the more I think about Maniac, the more I like it… but “like” is the wrong word. I’d say I admire it for the way that it doesn’t back down. There is no attempt to make gore and violence something palatable. The way it manages to put us in a different headspace than we’ve ever seen without making us empathize with this monster is admirable. You might not like it, but that doesn’t make Maniac a bad film. (On DVD, October 24, 2021)
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THE HILLS HAVE EYES- 2006 ⭐️⭐️⭐️⭐️
Remake of the 1970's Wes Craven film....
A family break down in the middle of the desert where nuclear testing turned a bunch of miners into blood thirsty mutant freakazoids....
I actually prefer this to the original i find it much more watchable. Not nearly as disturbing but certainly better overall. Nothing but respect for the dogs.
Directed by Alexandre Aja
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