Eyes Wide Shut (1999) dir. Stanley Kubrick
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Mechanics of Love (1955), dir. Willard Maas & Ben Moore
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SOUTHERN COMFORT (2001)
dir. Kate Davis
The final year in the life of Robert Eads, a transgender man from the back hills of Georgia. "A hillbilly and proud of it," he cuts a striking figure: sharp-tongued, bearded, tobacco pipe in hand. Though his home is nestled among tranquil hills dotted with hay bales, Robert confronts a world hostile to him. He was diagnosed with ovarian cancer, then turned away by more than two dozen doctors who feared that taking on a trans patient might harm their practice. Beginning in spring, he falls deeply in love with Lola, a trans woman. That summer, his mother and father drive ten hours to visit their "lost daughter," a trip they know may be their last. His final dream is to make it to the Southern Comfort Conference in Atlanta, the nation's preeminent transgender gathering. Beating the odds, he addresses a crowd of 500 and takes Lola to "The prom that never was".
(link in title)
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Alfre Woodard on Crooklyn (1994) for R29:
“To my knowledge, we hadn’t seen a Black family that was just presented as we are in life, as human beings,” Woodard said. “I get told in Belgium by white Belgians ‘I love Crooklyn, it reminds me of growing up.’ Which is what happens when you tell a story from a specific point of view, you don’t have to mention race. You didn’t get up this morning like ‘I’m a black woman that wants a cup of coffee.’ You just want a cup of coffee. It was us as we are. Just us being fabulous, complex, funny, delightful, and making ends meet. And seeing, even within that story, that we’re not monolithic...The specificity is what makes it universal. Diversity is not the point; showing reality is the point.”
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Bones and All (2022) dir. Luca Guadagnino
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Bird (1976), dir. Cindy Sherman
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Faces (1968) dir. John Cassavetes
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