Roman silver coin minted in 55 BCE, during Julius Caesar's campaigns in Gaul, by Publius Fonteius Capito, one of the tresviri monetales (mint officials) for that year. On the obverse, the helmeted head of the war god Mars, with a small representation of a tropaeum (trophy) behind him. On the reverse, a Roman horseman rides down two enemy soldiers, identified by their helmets and shields as Gauls.
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2 silver cups, part of the so-called Boscoreale treasure, buried by the eruption of Mt. Vesuvius.
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Medallion painting of Venus Aphrodite with a golden diadem and scepter, pearl earrings and necklace, House of Marcus Fabius Rufus, Pompeii. 1st century BC
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Apollon de Lillebonne
This bronze statue depicting Apollo of Lillebonne was likely created in the 2nd century AD and went through numerous repairs in Antiquity. He is depicted naked, as typical of this God, and with His hair partially lifted in an intricate hairstyle.
Source and more photos: 🏺
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Fresco depicting a religious procession with a statue of Cybele on a stretcher (ferculum), and a niche-aedicula with a herm of Dionysus. Facade of the House of Venus and the Four Gods (IX. 7. 1), Pompeii, 1st cent. CE.
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A silver pepper pot in anthropomorphic form. Roman Britain, buried in the 5th century AD, from Hoxne, Suffolk.
The pepper pot was found in 1992 by a farmer who was using his metal detector to search for a lost hammer. He found his hammer – it is now in the British Museum – but also a hoard of over 15,000 gold and silver coins, gold jewellery and numerous small items of silver tableware. The coins in the hoard establish that its burial took place some time after AD 407/8. Only a very wealthy family could have owned such treasures. We do not know the identity of the person who buried it but several objects are inscribed with the name Aurelius Ursicinus.
The pepper pot is in the shape of a wealthy well-fed woman wearing late Roman fashions. She wears a sleeved undergarment with tight gilded cuffs at the wrists, and a wide-sleeved over tunic with stripes of gilded and engraved decoration over the shoulders representing appliqued bands of embroidered or patterned textile (clavi).
Her golden (gilded) hair is done up in an intricate style that was often represented in late Roman art: the hair is parted in the middle, with rolls at the sides. The back hair is worked into a flat series of twisted locks at the neck that are drawn up over the back of the head, turned under at the front, and held in place with hairpins. Three knobs at the front and another at the crown of the head represent the ungilded hairpins.
Almond-shaped earrings and a necklace of large beads are depicted in relief and gilded, and there is additional gilding on the face, covering not only the eyes but the entire eye sockets, and the mouth, so as the flames from oil lamps flickered, the face would have seemed to come alive.
She holds a gilded scroll in her left hand, to which she points with the index finger of her right hand, probably to symbolise her learning and authority. We do not know if the figure represents a particular woman. ... It's ineffable.
Pepper was just one expensive luxury traded across the Indian Ocean in ancient times, as it did not grow in Britain or any other part of the Roman Empire. It was grown in India and to get to Suffolk, the pepper was transported by sea, river and over land.
https://www.britishmuseum.org/collection/object/H_1994-0408-33
http://www.teachinghistory100.org/objects/about_the_object/pepper_pot
https://upload.wikimedia.org/wikipedia/commons/thumb/1/1a/Hoxne_Hoard_28.jpg/800px-Hoxne_Hoard_28.jpg
spotted on Archaeologist Ticia Verveer's facebook page; https://www.facebook.com/100044382881604/posts/pfbid0UGcEJok8i67xeezyj2CLcKMJsbnLKAkWdy7NmP8TKZZ55opE4nU5fdVfqTSm7URXl/
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Mosaic of sea creatures (the so-called "Fish Catalog") from the House of the Geometric Mosaics (VIII.2.16) at Pompeii. Artist unknown; ca. 100 BCE. Now in the Museo Archeologico Nazionale, Naples. Photo credit: Massimo Finizio.
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The cameo of a Roman man, most often identified as Drusus the Elder (alternatively sometimes identified as Tiberius or Germanicus). The sign at the bottom is the carver's name: Herophilos, son of Dioscourides.
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Fresco of the muse Terpsichore from Edificio dei Triclini a Moregine at Pompeii, early fourth style of pompeian wall painting, c. 64 AD
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Apollo Barberini - a Roman sculpture of Apollo Citharoedus dating back to the 1st or 2nd century. It is possible that the original statue was installed in the temple of Apollo Palatinus in Rome while this might be a copy, though this is unclear.
Photo credit: F. Tronchin
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I love you people going into "useless" fields I love you classics majors I love you cultural studies majors I love you comparative literature majors I love you film studies majors I love you near eastern religions majors I love you Greek, Latin, and Hebrew majors I love you ethnic studies I love you people going into any and all small field that isn't considered lucrative in our rotting capitalist society please never stop keeping the sacred flame of knowledge for the sake of knowledge and understanding humanity and not merely for the sake of money alive
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For #TilesOnTuesday + a belated #SaveTheRhinoDay:
“A two-horned African rhinoceros ‘PINOKEPOC’ on the Nilotic mosaic of the flooding of the river Nile in Egypt, from the Sanctuary of Fortuna Primigenia at Praeneste, c. 100 BCE, Palestrina Museo Archeologico.”
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