#and obviously kristoff is nerdy about it

[justlookatthosesausages]

How about this for a prompt: Kai and Gerda meet Honeymaren for the first time Or just Honeymaren visits Arendelle castle

(This actually is more inspiring than it looks - gonna slide in words profusion lol here we goooo!)

=======

“And… This is the portraits room.”

Honeymaren couldn’t believe her eyes, and stared all around with a dropped jaw and an awe smile.

Gerda saw her emotion and discreetly cleared her throat. “You don’t have portraits in the Northuldra culture?” She asked politely.

She found the brunette’s reaction surprising, but also was curious about her people’s lifestyle. She never traveled to the forest - Anna had insisted many times for her to come along, noticing her interest, but Gerda kept saying she preferred to wait for her retirement.

Honeymaren looked at the walls while she answered. “Oh, we draw portraits of people as well. Only, they’re way less fancy. Without those golden frames, that’s for sure. Ours are sketches, often drawn with charcoal. Ryder’s good at it. He learned from Yelana.”

“I see.” Smiled Gerda.

She suddenly gasped.

“Oh, Your Majesty! I hadn’t seen you!!” She exclaimed, rushing to bow to Anna, whose head had just popped from the couch a few meters away.

“Waow, I didn’t see you either.” Said Honeymaren.

“It’s okay.” Chuckled Anna, sitting up. “I was just laying down meditating. And also listening to what you were saying.”

“Do you come in this room often?” Asked the Northuldra, who, despite its beauty, started to find it oppressing with all those painted eyes staring.

“You have no idea.” Said Anna and Gerda at the same time.

The two giggled, and Honeymaren was happy to see how close they were. It’s just like Kai had said: they know each other since Anna’s birth.

“Where’s Elsa? She’s not with you?”

Honeymaren smiled. “As if I would come without her.”

Anna had a sigh. The brunette perceived some relief in it, just like her previous questions were filled with disappointment and worry.

“She’s in the big room.” Continued Honeymaren.

“The Great Hall.” Corrected Gerda gently.

“Oh, yes, sorry.”

“‘The big room’ was understandable enough, don’t worry.” Smiled Anna, who was close to consider re-naming it that way. 

Now that she was Queen, she allowed herself quirky decisions that Elsa would never have dared to do. But this one maybe was a bit meh.

“She’s chatting with Kristoff. When Gerda started to make me visit the rooms, I think they were talking about… Ice density?”

Anna chuckled. “They talk about ice ninety percent of the time, I’m not surprised.”

Honeymaren smiled. “Has Elsa talked to you about the ice decorations for the wedding yet? I couldn’t make her stop talking about it for a week straight.”

“Of course she did”, snorted the redhead. “She even put drawings with all the details in her letters. My desk is covered with them. When I told Kristoff that our wedding would have an ice table, he practically sobbed of happiness.”

They both laughed, and even Gerda couldn’t hide a smile.

“Have you finished your tour yet?”

“There’s only the armors corridor left.” Informed the servant.

Anna bit her lip. “Oh, there’s no need to show her this part. I mean… It’s not really that much of a… Big deal, and…”

“What have you done this time?” Asked Gerda, knowing that tone very well and holding a sigh.

The Queen cleared her throat. “I, uh, I may have made one or two armors fall on the floor this morning.”

Gerda put her hands on her hips.

“How many time did we t- advised you to not slide down the stairs ramp??”

“I was late for my meeting!” Groaned Anna, reproaching that fault to herself but also pouting like she was genuinely scolded.

Honeymaren simply stared at them, not understanding a single part of their conversation.

“I’ll take care of it.” Said Gerda, and she sighed on her way to the door, hoping it would not be heard.

It was heard, but Anna wasn’t angry. The servant was right, and the Queen took the mental note to slide slower next time.

“So, royal portraits, uh?” Asked Honeymaren.

“Yep”, smiled Anna with pride. “Oh, come see over there. Elsa’s coronation portrait is awesome.”

“It’s in this room? I’m surprised it’s not elsewhere in the castle. I mean, with Elsa’s sense of extra… You know her more than me.”

Anna cackled. “I agree, but no, she’s not extra for that. Also, we decided to put ours here, we prefer to have family portraits in the corridors. Oh, did you pass by the one with our parents?”

“Where you’re super young? Yesss, Elsa is so cute on this one!”

The redhead laughed with a nod. Honeymaren continued.

“I like that you put it next to the more recent portrait of you with Olaf and Kristoff, and, oh Spirits I don’t even know how you did it but... You managed to put Sven in there too. Reindeers aren’t very patient for human stuff.”

“He actually was the one who stayed the more still for the whole painting process. It took days to do the portrait, and he was always in advance at the appointments. Kristoff kept moving because he didn’t know what pose to take, Olaf kept joking around, I obviously kept coming in late, and Elsa was so nervous the whole time I thought she was about to explode. First time in a long while we make a family portrait, you know…”

The brunette nodded. Elsa’s emotional stress was a known fact.

“Hey, do you wanna eat?” Suggested Anna. “We received tons of samples from cooks for the wedding’s buffet, and goodness they’re just insanely tasty.”

“Okay.” Chuckled Honeymaren.

As they walked out, they bumped on a smiling Elsa.

“There you are! I knew that if you weren’t in your room, it only meant that you were there.”

“Good deduction.” Chuckled Anna, approaching to hug her.

“I missed you, like always.” Sighed Elsa on her shoulder.

“You’re gonna stay for days for the party and all, and it’s gonna be loud and I’m gonna be loud, so you’ll probably change your mind afterwards…” Joked Anna.

“Never.” Chuckled the blonde.

They parted the hug, and the younger had a teasing look. “Wait, you went to talk with Kristoff first and foremost when you arrived. That’s a bit rude.”

“I had to tell him about the ice sculptures! I’ve been thinking of an ice swan. Or maybe an ice lion. Both would be great. Did you know that–”

“Here she goes again.” Smiled Honeymaren with a sigh.

Anna turned to her. “Yep.”

“Are you listening?” Frowned Elsa, who didn’t stop talking despite their exchange.

“Not at all”, admitted Anna. “You’re very talkative about it, uh? Look, I prefer to keep the surprise, okay? Don’t tell me what you’re going to create.”

“Not even the ice pillars?”

“No, not even– Hey, stop, I really don’t want to know anything.”

“You’re only saying that so I stop talking.”

“That’s half true.”

“What?”

Honeymaren cleared her throat. “Speaking of surprises, Anna, how is the wedding dress going?”

The redhead beamed, stars in her eyes. “It’s done. And gorgeous. Well, it’s only missing one final thing…”

The Sami winked. “I brought what you asked for. We sewed it for the special occasion.”

She opened her satchel and took out a Northuldra belt, brown and orange, with traditional motives.

Anna let out a gasp, and her eyes filled with tears. “It’s…”

“Gorgeous?” Guessed Honeymaren.

“And it will perfectly highlight the color of your hair.” Smiled Elsa.

#hamster-inside #asks #yes i totally grabbed the occasion to make it a pre-wedding convo loool #i couldn't help it #i love to picture how excited about it elsa and anna are but for different reasons #and yes elsa totally plans to decorate the WHOLE thing with ice stuff #and obviously kristoff is nerdy about it #and yes anna totally wants to have a half-Northuldra half-Arendellian wedding #frozen 2 #post frozen 2 #frozen #frozen drabbles #frozen prompts #frozen 2 drabbles #frozen 2 prompts #post frozen 2 drabbles #post frozen 2 prompts #snow sisters #kristanna

[pitchannawarmsourblackhearts]

Rise of the Brave Tangled Frozen Dragons/Grishaverse AU:

Alina Starkov- Anna. Ordinary girl who realizes she's had a power inside her all along, sunlight symbolism, hilarious, love triangle, caring and befriends commoners without a thought.

The Darkling- Pitch Black, obviously! Used to be normal, has a True Neutral living relative with a cold personality (Mother Nature in Pitch's case), master at emotional manipulation, sympathetic despite the terrible stuff he does.

Mal- Kristoff. Great outdoor skills, a little grouchy but loving and loyal to a fault, dislikes the royal life, realizes his love for the heroine after something dramatic happens to her.

Nikolai- Jack. Fun, charming adventurous boy who always has a clapback and enjoys a good fight but has depth underneath the humorous attitude.

Genya- Elsa. Beautiful girl with a unique talent who takes enormous pleasure in dressing up her friend, enjoys luxury, feels like a monster at some point due to trauma.

David- Hiccup. Yes, my Hiccelsa feels are meshing with my Denya feels. But he works- awkward nerdy boy and master at fixing stuff.

Baghra- could be Emily Jane/Mother Nature or maybe a less evil version of Gothel, but I think Emily works more for this.

Tamar and Tolya- Moana and Maui

Zoya- ? If Astrid Hofferson were less tomboyish I'd say she works.

Misha- Jamie Bennett

Not sure about the others.

#pitchanna au #rise of the brave tangled frozen dragons #the grisha trilogy #my headcanons

[ladyherenya]

Books read in September

I fell down a couple of rabbit holes -- that’s my metaphor of choice for when I ignore my TBR list and get distracted reading other things, usually in a search for comfort reading.

Also, I clicked the wrong thing in the Kindle app at 1am and now I have a free trial of Kindle Unlimited so I decided I might as well make use of it.

Favourite cover: A Conspiracy in Belgravia.

Reread: Obsidio by Amie Kaufman and Jay Kristoff, Penric’s Mission and Mira’s Last Dance by Lois McMaster Bujold and Exit Strategy by Martha Wells.

Still reading: The Princess Who Flew with Dragons by Stephanie Burgis.

Next up: Pumpkinheads by Rainbow Rowell and Faith Erin Hicks.

(Longer reviews and ratings are on LibraryThing. And also Dreamwidth.)

The Bride Test by Helen Hoang: Khai hasn’t found a girlfriend, so his mother arranges for a young woman from Vietnam to come to California for the summer, to see if she and Khai will suit each other. This is romance, a genre which doesn’t always share my narrative priorities -- some things are resolved too neatly, and I’d have liked more of Esme’s relationship with her daughter and of her adult education classes -- but I enjoyed reading this, so I’m not complaining. I liked how Hoang portrays Khai’s autism. He has a greater capacity for love than he realises, he just needs support to understand his feelings.

Secrets of a Sun King by Emma Carroll (narrated by Victoria Fox): I read this because I love the narrator and really liked Carroll’s Letters From the Lighthouse. This book is set post-WWI, and involves friendship, family secrets and the discovery of Tutankhamun’s tomb. Lil’s grandfather is in hospital and she becomes convinced that his recovery depends upon her solving the mystery surrounding the package sent to him by a famous and now-deceased Egyptologist. I predicted the twists, but I can see how this would strongly appeal to children who want a blend of history, adventure and mystery with a hint of fantasy. (Where was this when I was twelve?)

The Spirit Ring by Lois McMaster Bujold: Fantasy set in Renaissance Italy. Fiametta, daughter of a master mage and goldsmith, witnesses a violent coup. She flees -- and meets Thur, a guardsmen’s younger brother coming to Montefolgia for an apprenticeship. This was published in 1992, after Bujold had published several Vorkosigan books and won a few Hugos, so I wasn’t expecting it to feel so, well, rough by comparison. That said, bits of it still shine! The plot makes every detail count, the final confrontation is memorable and I liked the characters. And it’s interesting to consider this as a precursor to Bujold’s World of the Five Gods.

A Royal Pain by Meg Mulry: This turned up when I was searching Overdrive for something else (Goodness knows why, none of my search words are its title or description). It sounded like it might be entertaining, maybe a bit like The Princess Diaries. It isn’t, at least not enough for me. Two-thirds through I decided to abandon it -- and then a bit later I decided I might as well skim read to the end and see how everything turned out. I don’t feel qualified to say anything insightful, I just wandered in here by mistake...

The Enchanted April (1922) by Elizabeth von Armin (narrated by Nadia May): Four women respond to a newspaper advertisement and rent a house in Italy for the month of April. This is delightfully funny and observant, with idyllic descriptions of spring in Italy. I liked the friendships which develop between four very different women, and the way they are challenged -- or inspired -- to reconsider their opinions about others. The ending is, unsurprisingly, very tidy and conventional. (Not many options for happy endings a 1920s novelist could easily give to unhappily married women.) Reading nothing but sunshine and fairytale endings would become unsatisfying, no matter how wonderful the prose, but sometimes it’s just want one wants.

The “Lady Sherlock” series by Sherry Thomas:

A Conspiracy in Belgravia: Disgraced Charlotte Holmes has found a home with the widowed Mrs Watson and an income under the persona of “Sherlock Holmes”. Her latest case sounds simple but is complicated by connections to the wife of Charlotte’s closest friend and Charlotte’s half-brother. Meanwhile, Charlotte has a marriage proposal to consider, ciphers to crack, and a murder victim to identify. I like the way certain qualities of Doyle’s characters are assigned to different characters -- so Charlotte’s sister Livia is writing stories about Sherlock, and Mrs Watson’s niece has medical training. I enjoyed reading this and immediately embarked on the next book.

The Hollow of Fear: I could not put this book down -- the stakes are so high and personal! But in the end I didn’t find this a wholly satisfying mystery because much of the tension is the result of Charlotte concealing a lot about her suspicions and plans. It’s fun watching Charlotte in disguise, and I don’t mind some misdirection, nor Charlotte keeping thoughts to herself. That fits with her character. But the extent of it felt contrived. Disappointment aside, I liked the journey, thought one of the twists was handled with particular deftness, and I am eager to read the sequel.

The Huntress by Kate Quinn (narrated by Saskia Maarlveld): A long, complex, powerful three-stranded story about war and its aftermath. In Boston in 1946, Jordan, a teenager passionate about photography, is suspicious of her new stepmother. In Germany in 1950, war correspondent Ian now hunts war criminals. And in Siberia before the war, Nina becomes a pilot. From the beginning, this was interesting, with tense scenes. But I wasn’t strongly invested, and I was unsure of the narrative’s structure. As the story continued, I discovered that it is richer and more nuanced because of its structure --  and that I was becoming very attached to these characters. Surprisingly so.

The “Dear Professor” series by Penny Reid

Kissing Galileo: The description made me curious, so I looked at the sample chapters... and, unexpectedly, was convinced I should read this book. Because it’s smart and funny! And I liked how the characters deal with an awkward and potentially very problematic situation. (Emily works as a lingerie model, and when her professor visits the store, he doesn’t recognise her.) I really enjoyed the progression of their relationship -- how obviously they like each other’s company and care about each other, how they have an intellectual connection that goes hand-in-hand physical attraction, how they learn to understand each other better.

Kissing Tolstoy: The first book is about Emily’s friend Anna, who signs up for a Russian literature class, unaware that the professor is someone she accidentally had an almost-date with. This is a shorter than Kissing Galileo, nearly novella-length, and because I read them back-to-back, suffered somewhat in comparison -- it’s less complex, and features a professor who doesn’t deal quite so well with being attracted to one of his students. I wasn’t so convinced their relationship was a good idea. But there’s some entertaining awkwardness and people being opinionated about Russian literature. I liked Anna’s nerdy interests and her friendship with Emily.

Marriage of Inconvenience by Penny Reid: I was curious what else Reid has written and sometimes I like fake relationships stories.  This book makes a convoluted set-up feel plausible. I liked how Kat and Dan’s relationship developed, I liked the ratio of romance to plot, and I liked how involved and supportive all their friends were. But my enjoyment ebbed as I read, which is probably a reflection on what I want from this sort of story rather than on this book’s merits. I don’t find the corporate city setting very interesting or appealing.

Dr. Strange Beard by Penny Reid: I enjoy stories where characters are passionate about their interests.  In this, one of the characters is a vet but his job had no real presence in the story. What a waste.

A Desperate Fortune by Susanna Kearsley: Sara accepts a job decoding a ciphered diary from 1732. The diary is written by Mary, a half-Scottish woman raised in France, who agrees to disguise an Englishman by pretending to be his sister. I like how these two stories sit together. There’s a gentleness to Sara’s, as she discovers things she likes, including the sensory delights of winter in France and people who accept her. In contrast, Mary’s is full of danger, deception and the discomfort of travel. But there’s also subtle, common threads running throughout: life-changing choices and trusting people. I liked so many things in this book.

Echo in Onyx by Sharon Shinn: Brianna becomes the maid for the governor’s daughter, who has three “echoes”. When one of Marguerite's echoes is killed defending Marguerite, Brianna disguises herself as the echo so that they can conceal the incident. The concept of echoes is unusual and Shinn has clearly given careful thought to how they would affect society and daily life for those who have them, as well as reasons for their existence.  I wasn’t surprised by the final twists, because I know how Shinn usually deals with injustice, but parts were still quite tense. And I liked Brianna’s attitude -- so sunny and resourceful and loyal.

A House of Rage and Sorrow by Sangu Mandanna: I really liked A Spark of White Fire so I was surprised by my reaction to this sequel. Halfway through, I was pushing myself to stay focused and just wanted to cross it off the list. So I left it there. I don’t know if there was something in the pacing or the first book’s ending which stopped me from caring -- or if I just wasn’t in the mood to read about rage and sorrow and things going to hell in a handbasket. I might try again one day. I did like the first one.

#Herenya reviews books #Lois McMaster Bujold #Sherry Thomas #Sharon Shinn #Susanna Kearsley #Helen Hoang #Kate Quinn #Emma Carroll #Penny Reid #Sangu Mandanna #Elizabeth von Armin

[jgroffdaily]

We're used to seeing and hearing Jonathan Groff on film as the voice of Kristoff in Disney's animated hit, Frozen, or in LGBT-themed projects like Looking and The Normal Heart, but for his latest role, he's taking a path that's much, much darker as the lead in the new Netflix drama Mindhunter.

The series, which drops all first-season episodes Friday on the streaming service, follows Groff's Holden Ford—an FBI agent in the 1970s who decides that instead of simply locking away serial killers like Charles Manson and Edmund Kemper (aka The Coed Killer), why not talk to them and learn what drives their behavior in the hopes of finding and stopping others like them? Ford, somewhat naive and green, pairs with seasoned, gruff FBI agent Bill Tench (Holt McCallany) as they hit the road to talk to various incarcerated killers.

The series is based on the nonfiction book by John E. Douglas, a pioneer in criminal profiling. It is executive-produced by David Fincher (The Social Network, Seven, Fight Club), who also directed four episodes, and costars Anna Torv (Fringe), Cotter Smith, Cameron Britton and Hannah Gross.

Groff talked with TV Insider and explained why he was drawn to this darker world, whether he thinks much about being a gay man playing a straight character, and how he and his fellow actors kept things light on the very dark and serious set.

When you first heard about the project and read the script, what were your thoughts on how you would be a part of this show?

Jonathan Groff: I guess I was really intrigued by the complexity of the writing in the scenes and the arc of the character and, obviously, the David Fincher of it all. I’ve always wanted to work with him. I’m such a huge fan of his, and the project just seemed so dense and interesting that it was kind of a no-brainer, actually. And it was Netflix, so it seemed like a departure, something that I’ve never really done before and a world that I’ve never really worked in before, and it was a really incredible experience.

How would you describe Holden?

I see him as a really intelligent and thoughtful FBI agent who is going through an existential crisis, kind of like, “What does all of this mean, and are we really doing everything that we need to do?” After someone loses their life in the first scene of the first episode, it sends him down this rabbit hole of, “Is this training that we are getting at the FBI enough? Could we be doing more?”

And then he has this idea of interviewing people who are incarcerated, which initially sounds like an insane idea but ends up becoming a huge part of the Behavioral Science Unit at the FBI, which ends up becoming what it is now the strongest arm of the FBI.

But this is almost a turning point for a lot of investigation that we see play out in the show, right?

Yes. It is the late '70s, so coming out of all this mind expansion of the '60s and early '70s and applying that idea to law enforcement. The FBI blows open this whole side that we now are used to talking about and are so well-versed in. But the idea that in the late '70s the phrase "serial killer" didn’t even exist is so interesting. Part of the fun of watching this show is watching the characters stumble upon, in some ways, these interview techniques and these ideas that we are so familiar with now.

What was your familiarity with the '70s? Did you have to do research about what the world was like then?

Specifically, when I was told late-'70s FBI, I was like, “Oh, great, I’ll be in like bell bottoms and an insane shirt.” There was actually a version of one of the scenes where to get one of the serial killers to talk I dress like a modern hippie, but that got changed around and cut and whatever. But the FBI was a little bit frozen in time, and a little behind the times, to be perfectly honest, because they were still coming out of the J. Edgar Hoover era. It was like the suits and stuff, which is what Holden and Tench are still kind of wearing.

That was the whole point of the turning point of the FBI, that Holden is bringing in these modern ideas from society and goes back to study in school to learn about psychology and the brain and the way people think and the way they relate to each other. And he is interested in bridging that gap between the culture and the FBI.

Do you think Holden has something to learn from Debbie (Hannah Gross), who he starts dating in the first episode, that will help him in his work? We see from the start that she sees things differently than he does.

She is studying to get her Ph.D in college, so she is this brainiac, and when we first meet in that bar she quizzes him on psychology and famous ideas and people in the world of psychology that he doesn’t know anything about. And she says, “Wow, you work for the Behavioral Science Unit, but you don’t know anything about human behavior.” It is kind of a light bulb moment for him to explore the world of psychology more and see how it could be applied to the sort of black-and-white world of law enforcement.

Their relationship in the beginning sort of lights a fire because she blows his mind and opens up a world for him that he didn’t really know existed, and he’s obsessed with using those thoughts and ideas and experiments, and applying them to the world of law enforcement in some ways that work and some ways that do not work.

What is interesting with that relationship is it evolves throughout the season because his ambition grows and gets more hungry as time goes along, and what starts out as a great way of connecting ends up becoming incredibly complicated in his relationship with Debbie.

The relationship with Tench is so fun as one of those great TV partnerships. How does that relationship progress, especially as the guys seem so different in the beginning?

We are kind of like the odd couple, I think. Holden is a nerdy and incredibly ambitious dude, and then Tench has sort of reached a point in his career where he is ready to just go on cruise control. But to his credit he can’t deny the fact that this kid has kind of come up with a good idea. It sort of lights a fire, an inspiration in Tench no matter how begrudgingly he does move forward and busts open the Behavioral Science Unit with all these new ideas.

Holt and I had so much fun together playing with that odd couple dynamic, because he and I—both as our characters and not as our characters—are so different in so many ways, and we had so much fun playing with that relationship.

What was your thought process on the sexuality of the character?

It is a huge part of the character, because it blows his mind sexually, as well. It is not that Holden is a virgin necessarily, but he has sort of an innocence about him, and Debbie is that free-spirited '70s chick, and she starts blowing his mind sexually. She is so open and free and liberated. And he is so kind of buttoned-up and awkward about it all. She teaches him a lot about sex.

[Holden] is having his sexual awakening while he is talking to these killers that are so f***ed up sexually, so he is feeling this sexual liberation at the same time as he is talking to these repressed murderers who, because of their repression and their psychology and their relationships with their mothers, can only get off by cutting off women’s necks and f**king their heads.

It is an interesting situation sexually and psychologically, and the crossover is a huge part of Holden and a huge part of the character’s journey. And as you see later on in the season as well, the sex element as related to Debbie, and as related to the reign of the serial killer gets very muddled and complicated.

I’ve talked to Matt Bomer about being out in real life and still playing straight roles. I think there is something revolutionary about that—maybe quietly revolutionary—but is that something you thought about in playing a straight character here?

It never even occurred to me, because even on Looking [the HBO gay-centric series in which Groff starred from 2014-16] we had straight guys playing gay guys, and gay guys playing straight guys. I was having sex onscreen with people who were straight in real life or gay in real life, it was so many different things and no one ever talked about the straight guys playing gay. Intimacy is such a specific thing between people that it isn’t something that I think about while I am acting, I have just been acting whatever is written. It is just not an issue.

How was shooting this show different from Looking or even something like Frozen? Did this one get in your head?

This sounds insane, and it happened with The Normal Heart, which was so serious and obviously everyone is dying of AIDS and the material is so intense and so dark that I think to counteract that we laughed a lot on set, between takes and we would keep it light. For Mindhunter we were shooting for 9 or 10 months, so it was a long shoot and it was long days, but we just made it really fun. We obviously committed to the darkness and committed to the intensity as was required, but for me, personally, at any kind of moment I had to come up for air and breathe I would embrace those opportunities. So we just laughed a lot, we really did.

#jonathan groff #mindhunter #interview #press #!

[justlookatthosesausages]

i FINALLY did the list!

Okay so tons of you asked me if they could play with the modernAU!Elsa and modernAU!Anna of my “Arendelle Inc. Sisters AU” and I’m totally okay with it! I’m even touched and encourage you doing so, because I can’t wait to see what you can write or draw or drabble with them :D

SO, to make it easier for you, and avoid you to scroll through the numerous “Frozen Texts” posts (except if you wanna have a laugh), here’s a list of the basics that you must know about the universe.

Elsa is CEO of Arendelle Inc. which is a multi-national company of architecture & design

Anna is her sister, 2 years and a half younger, she works in the delivery department of said company, along with Kristoff - that’s how they met -

Kristoff is the same age than Elsa

They inherited the company from their parents when they died in a private jet crash. They both are traumatized and avoid talking about it.

Elsa did super long nerdy studies of architecture and design and has amazing technical drawing skills and planning vision etc. she has true talent in that domain and truly earns her place as CEO

Anna did photography studies but immediatly stopped when their parents died to go work at Arendelle Inc.

To the point where I am in the timeline, Anna and Kristoff know about Elsa’s ice powers but nobody else

To this point, Anna and Kristoff are fiancés and soon going to get married

Elsa and Anna live in the same apartment since years

Apartment which Elsa drew, built and designed

It’s a ridiculously enormous duplex because Elsa is 1. a nerd 2. a billionnaire

They have a male dog called Waffle that is the most adorable dog you’d ever meet but also the dumbest shit ever

Kristoff also has a dog called Sven. Obviously.

Elsa and Anna love and care about each other so goddamn much that it often puts other in danger when there’s a misunderstanding

Oh yeah because they also are two social awkwards

Oh and Anna won several free fight prizes

And Elsa can fluently talk multiple languages, including French.

For the rest, do whatever you want! :D I’d love to see what you do with ‘em!

#frozen texts #frozen modern au #arendelle sisters #arendelle inc sisters #snow sisters #modern au kristoff #modern au elsa #modern au anna #ceo elsa #frozen #frozen fandom #frozen fanart #frozen fanfic #frozen drabbles