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#animated shorts
INDIE Animation and other animated works I'm excited to hopefully see in 2023.
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lackadaisycats · 5 months
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Shop Talk - featuring Chikn Nuggit!
Wanna know how a Chikn Nuggit is made? We'll be chatting about it with creator/animator Kyra Kupetsky and writer/animator Allie Mehner tomorrow! Join us and bring your questions too!
Friday November 17th
3:30pm PT / 6:30pm ET
Live on the Lackadaisy YouTube Channel
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Honkai: Star Rail | Animated Short: Rondo Across Countless Kalpas
Voiceover: EN | JP | CN | KR
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moodytanuki · 7 months
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Reminder I made a short film called Waterproof!!! You should watch it, it’s pretty cute :) 🐶 🐱
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demifiendrsa · 19 days
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Tales of the Empire | Official Trailer
All 6 shorts of the follow-up to Tales of the Jedi, Tales Of The Empire, will stream on Disney+ on May 4, 2024.
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Poster
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lightwise · 19 days
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OH SNAP
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arconinternet · 2 months
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Ecotoons (Video, 1993)
You can watch this VHS tape of thirty ecology-themed short animated films here.
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thefugitivesaint · 1 year
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‘Curious Alice’ was an anti-drug production created by the National Institute of Mental Health (NIMH) targeting 8 to 10 year olds on the dangers of using drugs. The messaging is muddled, overshadowed by the wonderfully alluring cut-and-paste montage animation (described in many reviews of the film as “Monty Pythonesque”).  “...the film shows young Alice reading Lewis Carroll’s Alice in Wonderland in a sunny dappled meadow before nodding off. She soon finds herself plunging down the rabbit hole and in a wonderland … of drugs. The King of Hearts is hawking heroin. The Mad Hatter is tripping balls on LSD. The hookah-smoking Caterpillar is stoned out of his gourd. The Dormouse is in a barbiturate-induced stupor and the March Hare, who looks like the Trix Bunny’s ne’er-do-well brother, is a fidgeting tweaker. “You oughta have some pep pills! Uppers!” he exclaims. “Amphetamines! Speed! You feel super good.” You can essentially ignore the confused anti-drug narrative of the film while appreciating the animation. And, it’s the animation that I wanted to focus on here, namely, how the “scratched, torn, and spliced print” whose “color had faded so that all of those vibrant hues were reduced to pasty pink” held by the National Archives was resuscitated by the film preservation specialist Charles Joholske (who died of cancer in 2009). After a copy of ‘Curious Alice’ was found in a defunct lab in Pennsylvania, it was taken to the Motion Picture Preservation lab of the National archive where:  “Charles Joholske took on the task of making new prints of Curious Alice, despite the fact that he could not use the color analyzer to time the negative. That meant he had to look at the image and make his best guess at what light values to use for the printer. Only it wasn’t a wild shot in the dark: Charlie had decades of experience and the ability to look at the negative and assign light values by eye. With a couple of short tests to confirm his educated guess, Charlie created the three polyester film prints that the National Archives holds today.” Another aspect of this story, as noted in the above article, is the fact that this kind of accumulated skill and talent is slowly being lost as specialists like Joholske die (or move on to other careers) and the labs dedicated to film preservation gradually evaporate for various reasons.  Give it a viewing. 
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lakefoundtheirexit · 7 months
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Why am I not seeing anyone talk about this series??
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Oh, Suddenly Egyptian God is a series of cute slice of life anime shorts on Crunchyroll about the lives of Egyptian gods, I binged through the whole series in a night I just wish more people were talking about it
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roskirambles · 4 months
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(Archive) Animated movie of the day: Howl's Moving Castle (Hauru no Ugoku Shiro, 2004)
Originally posted: January 7th, 2023 When adapting a book to the realm of cinema, the beauty of the work is often lost in translation: Missing characters, trimmed down side plots or simply a compact interpretation of the plot that loses all and any impact. In other cases, however, it's this compromise what lets the film find it's own unique beauty, and with a bit of luck one as powerful as the source material.
Directed by Hayao Miyazaki and loosely based on the eponymous 1986 novel by Diana Wynne Jones(the first in the Wizard's Castle series), it tells the tale of homely hat maker Sophie Hatter, who gets cursed by the Witch of the Waste to become an old woman. In order to break the curse, she sets to find Howl the Wizard who travels across the land in a magic castle with the power to walk like a living creature. Adventure, self discovery and romance ensue.
And the similarities between the two stories kind of end there, as the film is in many ways nothing like the book. While some plots are missing and characters altered, the most notorious change has to be the war: a mere backdrop of the novel that was nothing but a few short sentences takes now a heavy spotlight that dramatically alters the thematic core of the story.
All of this would be a cardinal sin for most adaptations, a sentiment shared by some of the book fans. But I already presented my stance here: the beauty of this film comes from said differences. While the novel's critique of gender roles takes a back seat, a woman's self affirmation isn't a contradiction to this, nor is it the critique of war to the novel's exploration of social class, or the appeal for love and selflessness.
Even with its admittedly odd pacing, the romanticism is still enveloping, not hurt in the slightest by its jaw dropping visuals and Joe Hisaishi's melancholic yet uplifting score. Not for nothing it's Miyazaki's personal favorite: a film about why life is worth living.
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I don't think I need to introduce this music piece to anyone, but the main theme of the film Merry-Go-Round is probably Joe Hisaishi's finest work and given his body of work that's a monumentally tall order. Capable of evoking a sense of nostalgia and longing for a place and era that don't even exist, it still manages to capture a wonderous sense of love and hope for the future. A seemingly impossible contradiction in musical form, it's waltz foundation is a delight to the ears.
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And in case you're wondering… Diana Wynne Jones loved the movie, so any purism about her intentions being mangled or else seems trite.
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thecoffeelorian · 3 months
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"I wonder why the ballistic aspect of this game was never formalized."
--Mordecai Heller, "Stratagem" (by @lackadaisycats )
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LACKADAISY Pilot Short Review & Thoughts: INDIE Animation Greatness.
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Okay, so I've just recently gotten finished watching the latest new indie animated pilot short: Lackadaisy. Honestly, I truly and seriously loved this 27-minute long film of bootlegging kitties' adventure! Now for those who are super new to this short and overall story of the Lackadaisy world, the short takes place in 1920s America specifically in St Louis Missouri during the prohibition era when all things alcoholic were OutLaw and where most of the characters consist of anthropomorphic cat people in this story.
The title comes from the name of the café also covered as an underground speakeasy "The little Daisy Café " or for very special Partons and guests that want to get their illegal drink on known as the Lackadaisy speakeasy. All in all, the business hasn't been like it used to be for the little once glamorous speakeasy, leaving our main cat trio of trouble of the short to dig up some much-needed booze. We got the highly chaotic also artistic wild spirit, wacky, smart but slightly dimwitted sweet grinning nut Rocky Rickaby. His baby-faced sweet and super adorable well mannered but deeply repressed rage Tigger happy cousin Calvin "Freckle" McMurray ,and last but not least little miss firecracker and sweetie full of spunk Ivy Peppers.
On the revival competitor side that is Marigold. We got our Cajuns sensations siblings danger duo the Savoy: Serafine and Nicodeme, And last Mr. Tuxedo always serious catman and professional "cleaner" extraordinaire Mordecai Heller who has some past history with the Lackadaisy staff & it past owner. Now a little details on what and why I enjoyed this film.
The Animation: Lackadaisy overall animation is fantastical amazing, like UGH from the impressive shading and lighting within the backgrounds from the way the characters eyes are super luminescence in the dark and really gives that feline aspect. To the intricate little details such as the characters very realistic cat ear twitching and other behavioral cat traits like the tail movements and fizzing of the fur when scared or startle, some criticism I've seen in the Live Chat in regards to the left in sketch/guidelines within the characters is that it's distracting. But personal for me I liked the added in sketch linework, it deeply reminded me of super old school classic Disney animation or seeing old traditional animationing videos on how they did things back in the day.
The Voice acting: I swear the voice casting in this was excellent and very on point. Each of the voice actors really fit so well into each of their characters, from Michael Kovach great voice work as Rocky who you can tell was really enjoying himself, to Channel Awesome Malcolm Ray as Nico and Benni Latham as Serafine and ProZD also known as SungWon Cho very nice and fantastic voice work as Mordecai and Belsheber Rusape as Freckle and Ashe Wagner as Mitzi, Lisa Reimold as Ivy. Just overall real good sounding Voice work.
The Story: Now when it comes to overall story, I liked how it was basically more of a standalone type of storytelling in its own kind of separate reality then what's currently going on in the comic thus far into it. I can maybe see others who've been following the webcomic for far longer might dislike certain changes in the pilot that differ a bit from the comic, but I can get why they went with it this way so it probably would be easier for newcomers to jump into it. While certain parts did felt a bit underwhelming & might not be super perfect, I still enjoyed the energy and pacing of this short. I felt they did a really good job as a pilot showcasing the premise /concept and some of the characteristics of the main cast, although not all of them...but I felt it did a nice enough job of giving you a taste of these characters and making you want more of them & find out what's their story is. Either way love how the pilot plot was this mini but disastrous bootlegging adventure of Rocky, Ivy and Freckle getting into trouble barely escaping with their lives all for some nasty tasting booze.
Final Thoughts: While I might not have been following this project or webcomic since early DeviantArt or back during the mid-2000s to 2010s ( even though I wished I got into it much earlier) as long as others have. But even as a somewhat new fan of this indie piece of work and incredible artsy, I truly really come to love Lackadaisy so much and I deeply hope that this pilot short will paved the way for even more crime-fulled animated kitties adventures in the future.
Please Check Out LACKADAISY and give it all the love and support it can get because I want more Booze stealing lawbreaking Cats to see!
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jackiecous · 6 months
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Chad hatches a plan to get out of working at the petting zoo using June’s balloon skills.
Adam McArthur (Star Vs The Forces Of Evil, Jujutsu Kaisen) voices Chad, Jessica DiCicco (Adventure Time, Loud House, Future-Worm) voices June, also featuring the voice of LaKira Porter
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Honkai: Star Rail Animated Short: Harmony Greets the New Year
Voiceover: EN | JP | CN | KR
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ms-scarletwings · 9 months
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- The Animation Workshop’s “The Backwater Gospel”, 2011 (Directed by Bo Mathorne)
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demifiendrsa · 1 year
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Star Wars: Visions volume 2 will stream on Disney+ on May 4, 2023.
Volume 2 shorts:
Title: “Sith”
Studio: El Guiri
Writer-director: Rodrigo Blaas
Rodrigo Blaas is an Emmy Award®-winning director who has spent more than 20 years in animation. After co-founding Stromboli Animation in 1997, Blaas joined Blue Sky Studios in 2000, working on the feature film Ice Age, before transitioning to Pixar Animation Studios. There, he worked on such projects as Finding Nemo (2003), The Incredibles (2004), Ratatouille (2007), and Wall-E (2008) and on the Oscar®-nominated short film La Luna (2011). More recently, Blaas partnered with Guillermo del Toro to develop the award-winning series Trollhunters, served as creative director for Mikros Animation Paris and, in 2021, created El Guiri Studios in Madrid with his partner, Cecile Hokes. He also wrote and directed 2009’s award-winning short film Alma.
Title: “Screecher’s Reach”
Studio: Cartoon Saloon
Director: Paul Young
Paul Young is a co-founder of Cartoon Saloon, an IFTA winner and Oscar®, Emmy® and BAFTA nominee. He produced the animated features My Father’s Dragon, WolfWalkers, The Secret of Kells, Song of the Sea, and The Breadwinner as well as award-winning TV series including Puffin Rock, Dorg Van Dango, and Viking Skool.
Title: “In the Stars”
Studio: Punkrobot
Writer-director: Gabriel Osorio
Gabriel Osorio majored in Fine Arts at Universidad de Chile, later specializing in 3D animation. After working in commercials, movies and television series, he founded Punkrobot Studio. Since 2008, he has directed projects for children’s television including Flipos, Muelin y Perlita, Soccer Girls, and television spots. In 2016, his short film Bear Story became the first Latin American project to win an Oscar® in the animated short category.
Title: “I Am Your Mother”
Studio: Aardman
Director: Magdalena Osinska
Magdalena Osinska is an award-winning director who has been with Aardman for eight years. She has directed stop-motion, CGI, 2D and live-action commercials including Wallace & Gromit’s “The Great Sofa Caper” and “Share the Orange.” Osinska directed development of the children’s series Joyets and has also directed films including Spirits of the Piano and Zbigniev’s Cupboard. A graduate of the National Film and Television School in Beaconsfield, UK, as well as the Polish Film School in Lodz and Art College in Warsaw, Osinska is currently developing the feature film Jasia, based on her grandmother’s memories of WWII Poland.
Title: “Journey to the Dark Head”
Studio: Studio Mir
Director: Hyeong Geun Park
Rising star Hyeong Geun Park had already made a name for himself when he entered the Korean animation industry in 2017, thanks to his strong drawing and animation sensibilities. He has directed animation for dozens of cinematic game trailers and has since expanded into animated series, working on projects including Dota: Dragon’s Blood: Book 3 (2022) and Lookism (2022). Journey to the Dark Head is the first title he has executive produced from start to finish.
Title: “The Spy Dancer”
Studio: Studio La Cachette
Writer-director: Julien Chheng
Julien Chheng is CEO of Studio La Cachette, an Emmy Award®-winning French animation studio he co-founded in 2014 with fellow Gobelins school’s alumni Oussama Bouacheria and Ulysse Malassagne. Chheng was trained in visual development at Disney and has worked as a character animator on acclaimed 2D animated features The Rabbi’s Cat, Mune, and the Academy Award®-nominated Ernest and Celestine. In 2021, he won an Emmy Award® as animation executive producer of Genndy Tartakovsky’s Primal, for which he also served as animation supervisor. In 2022, Chheng directed with Jean-Christophe Roger the Cesar-nominated feature Ernest and Celestine: A Trip to Gibberitia.
Title: “The Bandits of Golak”
Studio: 88 Pictures
Director: Ishan Shukla
Ishan Shukla started his career as a CG artist in Singapore. For more than a decade, he spearheaded projects ranging from TV commercials to series and music videos. His 2016 animated short, "Schirkoa," was long listed for the Academy Awards® after receiving dozens of awards and playing at 120 international festivals, including SIGGRAPH Asia where it was named Best in Show. He then set up his own animation studio to work on adult-oriented animated feature films including a feature-length version of Schirkoa, set to hit festivals in summer 2023.
Title: “The Pit”
Studios: D’art Shtajio and Lucasfilm Ltd.
Writer-director-executive producer: LeAndre Thomas
Co-director: Justin Ridge
LeAndre Thomas is an award-winning writer and director from Oakland, Calif., whose most recent film won Best Director at the Pasadena International Film Festival. In addition to his independent films, Thomas is a part of the franchise studio team at Lucasfilm Ltd. where he has worked for more than 11 years being credited on recent titles such as Light & Magic, The Mandalorian, Obi-Wan Kenobi, Star Wars: Tales of the Jedi, and many more.
Justin Ridge executive produced the Emmy®-nominated series Star Wars Resistance. His credits also include Star Wars Rebels, Storks, The Cleveland Show, Star Wars: The Clone Wars, and Avatar: The Last Airbender.
Title: “Aau’s Song”
Studio: Triggerfish
Writer-directors: Nadia Darries and Daniel Clarke
Nadia Darries is a director, animator and co-founder of Goon Valley Animation, with an avocation for songwriting. Born in the Cape Flats in South Africa, Darries has worked on high-end animated film and motion design as an animator, project manager, creative director and director since 2015. Her experience includes animating at Triggerfish Animation Studios on the award-winning BBC films Stick Man, Revolting Rhymes, and Highway Rat.
Daniel Clarke is a Cape Town-based director and artist working in animation, film and illustration. He started his career in animation in 2008 at Triggerfish Animation Studios, where he has served as production designer, art director and director on projects such as the feature film Khumba, BBC’s Stick Man, and The Snail and the Whale. In 2018, along with James Clarke and Daniel Snaddon, he completed the graphic novel Kariba.
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