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#anime review
fearidescent · 3 days
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I watched all episodes of The Grimm Variations, which released on Netflix earlier today. Here's my ranking, starting from the bottom:
6: The Elves and the Shoemaker. Setting is modern day Japan, which I'm not particularly interested in, and there aren't that many fantastical elements. The characters are pretty boring too.
5: Hansel and Gretel. This one is more due to the fact that I feel it diverges too much from the source material, particularly the ending. It feels like it could stand on its own, away from this anthology, but someone decided to tack the names Hansel and Gretel onto it, just to make it fit. Does earn some points for its sci-fi setting though.
4: The Pied Piper of Hamelin. The animation is pretty, as expected from a director who used to work for Ghibli. I do feel it loses some of that Clamp edge, though. The piper himself is an interesting character, and Maria is probably the best protagonist of the bunch. On the other hand, that teacher is probably my most detested character out of the entire anthology. Creep. The setting is a medieval village where fun is basically outlawed, and with that I'm sure you can guess how the piper lures Maria away.
3: Cinderella. The setting is Japan from I'm guessing from when it had just opened its borders to the western world? Not modern-modern, but not ancient either. Kiyoko (Cinderella) herself is a very strong villainess. I also like the outfits that the stepsisters wear. This story is probably also the most effective at the "what if [main character] was evil?" You can see why most people believe that Kiyoko is not evil, but considering we mainly see things from the stepsisters' point of view, Kiyoko's evil does become pretty obvious.
2: The Town Musicians of Bremen. On the surface, this one probably diverges from its source material the most, what with making the main characters humans instead of animals. But beyond that, it sticks to the story pretty closely. I like the character designs from this one the most, and the setting is interesting, kind of a sci-fi wild west pastiche.
1: Little Red Riding Hood. I like the setting from this one the best, a far future where the lines between reality and the virtual are blurry. The wolf, Gray, is an interesting villain for very much favoring the real to the artificial, which is usually what you'd expect for the heroes of these settings. Though it seems Scarlet also prefers the real to the virtual, so it doesn't feel like it's making a moral judgment on those darn kids who can't live without their phones or whatever. (Also Scarlet can stuff my stomach full of gemstone-lookalikes anytime.)
And there you have it! Feel free to reblog this to add your own ranking of these episodes, or just talk about the series in general.
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animehouse-moe · 2 months
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Delicious In Dungeon Episode 6: Court Cuisine/Boiled In Saltwater
Being a manga reader, I really don't have much to say in the world of story for Delicious In Dungeon. Conversely, I have a world of stuff to say about the adaptation end of things, but I'll keep it short.
Keita Nagahara, the storyboarder for this episode, perfectly understood the assignment. They know what Trigger does best, and they know how to make the most of the source material.
Comedy, action, excessive character animation, Nagahara's episode has it all in spades, wrapped up under very solid awareness of dimensionality and space.
Their use of foreground obstruction to force depth and awareness of space is incredible, and insanely novel. Using party members as those obstructions is impeccable, and I love how they further subvert expectations by using party members for first person perspectives as well.
It's certainly recency bias telling me that this episode is the best of the season, but at the very minimum it is 100% on par with episode 3. Makes me wonder if every episode that's a multiple of 3 will be this good.
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animereviewsxx · 4 months
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This episode of spyxfamily literally almost killed me. 😂
I was eating during this scene---
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Becky said that and I choked!
This episode was hilarious.
Yor got isekai'd
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Yor and Anya are too funny, i never know what to expect with them.
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Her face this whole episode. If it wasn't for the promise of a personal chef I think Anya would have just stayed in her room the entire episode.
Then there's poor Loid.
He can't catch a break.
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I want him drawn like this for the rest of the show.
Despite his distress at everything Yor does he still never questions her. Gotta love him for that.
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pandorahrts · 5 months
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attention!!!!
anime / manga / animanga fans who have not yet seen or read World Trigger. WATCH IT. READ IT. IT IS GOOD AND FUN.
Some highlights:
THE KIDS MAY BE SOLDIERS BUT THEY ARE SAFE. How??? You might ask. Go on and watch it to find out ;)
Wholesome x shonen x found family
MC is not overpowered and have humble beginnings, knows that, and finds a way to work with what he has.
NO BULLIES. The kids/agents here are nice & give constructive criticism rather than be rude to our not-so-physically-powerful MC.
As a seiyuu fan, the abundance of characters = more seiyuu appearances! Guess-the-seiyuu is fun to play!
First bullet point because after watching a ton of shonen with kids in the frontlines, it is refreshing and so so nice to see a story where they can fight AND BE SAFE during battle.
WE NEED THE NEXT ARCS TO BE ANIMATED T^T
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formulaorange · 18 days
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Winter 2024 Anime Review
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Solo Leveling - 24 Episodes
This has been and will be my most anticipated series. We've only scratched the surface of the story and people are going nuts. I've been reading the light novel translations for a while now and I'm not even a little ready for when certain things are animated.
Easily one of the best anime adaptations out there. More to look forward to.
Sidenote - A1 is killing the animations considering it's one of their bigger ones in a while.
Also - they did a really solid job with the sound design, a lot of the timing made certain scenes feel just that much more intense.
9/10 - Amazing
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Frieren - 28 episodes
Such a unique watching experience.
I think so many shows these days are fast paced, and action oriented, especially within the fantasy genre. This is such a relaxing and enjoyable watch.
The story is moving and the animations are warm and fuzzy.
Not much I'd change about the series.
10/10 - Masterpiece
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The Apothecary Diaries - 24 Episodes
The second half of this series kept up with the flow of the first half really well. I feel like that shouldn't be a feat but it really is these days.
I genuinely love watching the subtleties of the romance in this series and the medical mystery cases are just as fun to watch.
The story has so many little bits and pieces working throughout the show and the last episode had me wrecked for reasons I never saw coming.
Just overall a big fan of this series.
9/10 - Amazing
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Delicious in Dungeon - 12/24 Episodes
This series has no right to be this much fun.
The animations match the energy of the show so well and I think it's one of the best "entertainment" series of the season.
I was worried it would start to repeat itself but found that the characters become the highlight of the series and I looked forward to every episode.
(This is the series this season that I'm high-key obsessed with.)
8.5/10 - Very Good+
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Shangri-La Frontier - 25 Episodes
One of the most fun looking MMORPG animes I've seen. I remember reading the teaser manga a while ago and was stoked to see it animated. Just a genuinely well done gamer oriented series.
They do such a good job at showing exactly the kinds of small things gamers pay attention to and some of the combat learning is stellar.
Not to mention the sound track honestly did not need to go as hard as it did?!
Really hoping they continue on with this for another season.
8/10 - Very Good
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Bucchigiri?! - 12 Episodes
I haven't seen any coverage for this show for some reason. The story doesn't feel anything special tbh, it's not something I expected MAPPA to be animating either. I personally had fun with it, the character design was satisfying - gives a bit of Jojo's and SK8 vibes.
You can tell the story's going somewhere but the pacing feels a bit slow. Either way I had fun with this one and might keep up with future seasons.
(Opening and ending are both bangers)
7.5/10 - Good+
Mashle - Season 2 - 12 Episodes
I decided to watch this once all the episodes had aired. I found that it's not one you can be in the mood to watch all the time, but when you are it's just as hilarious as the first season.
I've enjoyed the pacing of the story and I'm looking forward to future seasons.
7.5/10 - Good+
Unwanted Undead - 12 Episodes
Another series I read the manga for when it premiered. There's something about this series that gets me hooked. While the animations aren't anything of note, I find the story is oddly unique and I ended up bingeing all the episodes in one go. Definitely one I'm curious to see where it goes.
7/10 - Good
Mr. Villain's Day Off - 12 Episodes
This is purely for my own personal interest in attractive moody villains with alter ego's. It's a lot of fun to watch and it's just so wholesome.
That's it.
7/10 - Good
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sir-klauz · 7 months
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I just started watching Handa-Kun and… wow this anime is absolutely hilarious??? But also, this poor guyy. Plus, the opening animation is so wild and amusing?! And catchy. New current favourite, complete series, not a recent release.
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“Hated by everyone around him, Sei Handa goes about his high school life regarded as an outcast—or at least that is what he believes. In reality, Handa is the most popular student on campus, revered by all for his incomparable calligraphy skills, good looks, and cool personality. However, due to an endless series of misunderstandings, Handa perceives the worship he receives from his legions of fans as bullying, leading the school's idol to shut himself off from the rest of his classmates.
But distancing himself from his peers does not deter them from adoring him; in fact, his attempts at drawing attention away from himself often end up unintentionally converting even the most skeptical of students into believers. Fashion models, shut-in delinquents, obsessive fangirls, and more—none can stand against the brilliance that is Sei Handa.”
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anime-of-the-day · 5 months
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Anime of the day: Food Holiday: Restaurant to Another World
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Alt title: Isekai Shokudou
Released: 2017
Nekoya is a restaurant where anyone is welcome for a wonderful bite to eat, but it can be a little tricky to find some days; after all, the door moves between worlds. And nothing feels more festive than everyone coming together for something tasty.
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ruminiscence · 3 months
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Character Analysis of Johan Liebert - Monster, Naoki Urasawa (2004)
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In my opinion, Johan represents Jung's concept of the shadow, which is why both Tenma and Nina couldn't kill him in the end. Despite tirelessly, and relentlessly going after him. If they did end up doing so, they would be destroying themselves in the process. The constant fear on Tenma's face once he heard the buzz words 'monster' and 'inside of me' highlights his underlying fear. It is, of course, aggravating, considering how close they both were to killing Johan (multiple times, might I add). But, to them, it would have come at too high a cost.
Consequently, Johan was not the monster he and everyone thought him to be. The forgiveness Nina offered to Johan (as well as) Tenma’s acceptance (in a way) gave Johan that validation. In my opinion, Johan had an identity problem, not a complete lack thereof, as most people say. Johan completely understood how senseless the world is; the picture book from his childhood made sense of that senselessness. That narrative (mostly born from the book) gave significance to his existence, whether he knew it or not. I found it interesting that he went through several names throughout his life, but ‘Johan Liebert’ was recurring. Whether this is just for convenience's sake, I don’t know.
The scene where we see his reaction when re-reading the book (likely the first time since he was a child) furthers this notion. Johan's facial expressions are to be paid attention to, every single one, even if they barely change. We see the most significant change in his face in the final scene: that of sheer disappointment, hopelessness, and defeat. His master plan did not go accordingly; the plan was for him to be completely wiped off the face of the earth, rendered fictitious. The drunk man who unexpectedly shot him stripped him of that. So did Tenma, in not allowing Johan to kill/destroy his (Tenma’s) altruistic nature.
Johan's perfect suicide ultimately fails because he is not the nameless monster he believed himself to be; this is shown merely in the fact that he does not kill (nor even think about killing) Nina & Tenma; he realised that they are the only two people to understand him in this world. This also explains Johan's bizarre attachment to Tenma from the get-go (which also makes a lot of sense). In the scene where we listen to the tape, we're made aware of Johan's desperation; he does not want to forget 'Anna'; he believes they are the only two people in the world. Later on, Tenma was added to that list. Hence, every other person's life is rendered meaningless to Johan; this is the reason for his remorseless killings, of course. He killed everyone that could eventually be tied into his and Anna/Nina's existence, and arguably Tenma, too.
I also think Johan eventually lets go of this (seemingly) obsession with names in the final scene. Whether the last scene of him and Tenma speaking was a dream or not remains significant. Before Tenma reveals his potential real name to Johan, the subject is changed. This is when we learn about the biological mother's sacrifice. Despite her not choosing to sacrifice Johan, he still doubts the decision. All of this is to say that perhaps the failure of his perfect suicidal plan was, in fact, the real success after all. He successfully kills everyone who does not know him but knows of the nameless monster's existence. This explains why the only two people on this earth who did are still alive and were eventually saved emotionally.
In a way, they also saved Johan too. Hence the *seemingly* peaceful disappearance from the hospital. He just wanted to be understood. This is also why I believe he asked Nina to shoot him as a child and then again all those years later. His mother placed this seed of doubt, which he seemed confident in, but because of Nina's existence, he could extend this and not be entirely solid in this sense of doubt. He latched this on to Nina's being, hence merging their identities. As a child, he did seek her forgiveness despite his contradictory actions (asking to be shot). When she finally offered forgiveness in a similar situation later on, the doubt was gone. That little spec of forgiveness and acceptance was all he needed. Acceptance is not to say that he wanted her or even Tenma to accept his actions; hence, Johan says, 'We can't turn back now' when Nina does forgive him. Other people and their deaths (at his hands) simply did not matter to him; he was utterly indifferent to it. So evidently, that one thing mattered to him, which he mostly did not believe to be real; it turned real, giving him what he had so desperately been looking for since childhood. He is saved. The only three people that mattered in the show (concerning Johan's essence) are saved. 
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ecargmura · 2 months
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The Apothecary Diaries Episode 4 Review - The Emperor's Request
I think the best thing about this show is that Maomao doesn’t solve problems automatically. While she knows what to do, the time process for recovery is rather long and not immediate. I like that part about the writing. Maomao is intelligent, but she’s not a magician. It took two months for Lihua to fully recover.
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I really liked how Maomao cares a lot about her job. She’s an apothecary, so it’s her duty to see her patients recover. Even if it’s a request from the emperor, she’d still do her best to help Lihua recover. She didn’t lash out when the ladies-in-waiting kept kicking her out and disregarding the meals she made for Lihua. She only lashed out when she realized not all of the face powder had been disposed of. Seeing her slap that servant and drag her by the hair to get to see her wrongdoings was so satisfying to watch. It just shows she knows when to lash out and what not. Ignore the meals she makes? That’s okay; she’ll try again. Use the poisonous face powder that killed her baby son on her face? That’s idiocy right there. Maomao was right to slap her. If it was banned because of poison, DISPOSE OF IT! Why would you want to keep it around? Just to make Lihua beautiful? Then use something else instead of a poisonous face powder! Maomao is also smart to use other methods of recovery like getting Jinshi to make a steam house for her to sweat and for her to drink tea for frequent urination. I loved seeing the progression of Lihua’s recovery from how weak and sickly she looked to having her cheeks fill up over time.
I do like how Lihua is a lot different than she initially appeared in the first episode. At first, she seemed arrogant and stubborn, which did cause her to lose her son after not heeding Gyokuyou’s advice about the poisonous face powder. Spending time under Maomao’s care showed that she’s very kind and graceful, but does have a bit of self-doubts about herself; it shows that her attitude is much better than those that work under her. I really liked the scene where she was caressing Maomao’s head after she fell asleep as a bit of a small token of gratitude for all she has done. The way she asked Maomao didn’t let her die and realizing that she still wants to live for her dead son was also quite emotional. Even if she lost her son, she still has to keep going for his sake. The fact that Maomao taught her a method to charm the emperor using her assets was funny; the fact that he stopped visiting the Jade Pavilion, where Gyokuyou lives, says it all. I hope that she gets a second pregnancy. She deserves it!
I was surprised the servants were being mean to Maomao. If she was sent to tend to Lihua under the emperor’s orders, they should’ve treated her more favorably. It was only when Jinshi arrived that the ladies allowed Maomao near Lihua. I’m also surprised that the lady that accidentally poisoned her mistress didn’t get executed or dismissed. I guess it’s because it’s anime but I’m sure that sort of stint wouldn’t be forgivable outside of animated media; I get that she had no ill will when hiding it, but still…
Anyways, I really liked this episode a lot. I hope I get to see Maomao bitchslap another person in the future. Seeing her take things seriously was a joy to watch. What are your thoughts on this episode?
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poppletonink · 7 months
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Review: NANA
★★★★★ - 5 stars
"Love, it's a story between two human beings so if you can't think of the other, it's possible it won't work."
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NANA: two girls with the same name, on the same train, meet and fall into each other's lives. The drama, love and pain that blossom from their meeting ensues in a timely manner, unfolding in bouts of emotion before the viewer's very eyes. The beauty of the anime starts with it's characters who are woven so intricately - each of them individuals with intriguing backstories, trauma and completely different lives. Alongside the beautifully created characters, throughout the anime there are many references to Vivienne Westwood fashion, which makes NANA stand out as a punk love story for the ages. That's what NANA is about, whether you interpret the love between Nana Osaki and Nana Komatsu as romantic or platonic, the anime discusses the importance of love and friendship within our lives. The true matter that intertwines these characters however isn't fashion or love, it isn't even friendship - it's music. The husky, unique vocals of Anna Tsuchiya as Nana Osaki create a wonderful listening experience, and the songs 'rose' and 'zero' are undoubtedly the stand out tracks of the anime. The story that unfolds between two battling bands shows the complexity of relationships, as complications and heartbreak unfold between our very eyes, between performances and recordings. Full of funny moments and dramatic plotlines, a tale of music, found family and a masterclass in character creation, NANA is truly one of the greatest animes to ever bless the screen.
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I've been a longtime Showa Genroku Rakugo Shinju fanatic. The historical theme is so well-done, it's engaging, the messy queer vibes are immaculate. I also love Banana Fish for its grungy city ambience, heart-wrenching romance and suspense.
I just finished watching Monster, which to me felt like a combination of the two (plus several other elements of course). It's seinen but honestly you could have fooled me—Women characters play prominent roles and are written to feel so real. There are subtle feminist undertones throughout, and sexual assault is very, very rarely used as a plot point. There's no service, and bodies are drawn so beautifully. There is a sense of precision towards each character’s race, backstory, and personality that also reflects in their design, no matter how unimportant they are. (Kenzo Tenma in particular was so swoon-worthy in the plain, fresh, Ghibli-esque way.)
Highly, highly recommended. Go watch it on Netflix, right now.
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(The animation is already spectacular, but there are also upscaled versions of the episodes available online somewhere if you'd like better quality.)
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mastacell · 9 days
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We Back To Basics!! 🔥 Delicious in Dungeon Episode 15 Revie
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animehouse-moe · 3 months
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Questions Of Love In Bucchigiri!?
Hiroko Utsumi is no stranger to distilling homoeroticism into their works, but Bucchigiri!? is able to take it a step further as it intertwines with the hypermasculine idea of fighting and gangs. Because of that, Bucchigiri!? poses two questions to the definition of love and how people experience it.
"What is love versus lust?"
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Truthfully, it's a rather simple question to answer (at least to someone outside of high school). The point being the depth of feeling. Lust is strong but shallow, while love moves much deeper.
And the second episode in particular expresses this very strongly through the two gang leaders, Marito and Ken.
They don't feel any way in particular about Arajin until they feel their punch. After that, like Marito says, they just can't forget about it. That's all they know about this kid, "his" punch. And that's all they want from him as well.
The point is to express superficial lust towards Arajin because of something they only experience one single time. They believe that they want the strength behind the person no matter what because of a single moment.
And it's a great comparison to make against Matakara's feelings for Arajin.
Matakara doesn't need to feel "Arajin's" strength to know how he feels about him. On the contrary, he only ever needed to fight (really train) beside him to come to understand that emotion. Even more than that is Matakara's understanding of Arajin outside of fights, and he focuses in specifically on Arajin's passivity and carefulness.
Because of that, you can begin to draw the conclusion that "Lust" is represented by actions involving violence and action, while "Love" stems more from passivity and aversion in this context. Which I think is really really great. It's sort a sort of symbolic explanation of the whole point of violence being boorish and shallow while other communication is deeper and more valuable.
"How much is love worth if they don't love you for who you are?"
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Super easy example here with this one. Just look at the Love Forever stone Arajin gives Mahoro vs the friendship one that he gave Matakara.
The whole point is that Arajin's love in the hands of someone who doesn't love him isn't valuable at all, nor is it valuable in the hands of someone that doesn't love him for who he is.
Marito and Ken can only feel something for Arajin because of the strength channeled through him by Senya. It's something entirely foreign to Arajin as a person, and represents both how shallow the gang leaders are, but also how shallow Arajin is.
Loving yourself is something that's tricky to do, and obviously especially so for high school kids. I think it's well understood at this point that Arajin struggles to love himself in a meaningful way, and that's expressed by his willingness to take on Senya.
Case and point being that he intentionally used Senya's strength to try and make himself look good in front of Mahoro, and in the same way used it against Ken to the same effect.
He's afraid of being and accepting himself, so he's allowed something else to speak for him. And while that catches the eye of many, including Matakara, Arajin himself already knows that it's nothing more than a farce to save face.
It's just... really great work in terms of narrative as it bundles so many different aspects of love together to create this complicated web that all stems from Arajin's inability to love himself. Matakara loves the current Arajin, but that Arajin is unable to face himself so he runs from the reflection that Matakara offers and buries himself in lust and unrequited romance.
And that all just comes from high school kids duking it out for fun alongside mystical fighting people that can merge with humans.
It's definitely a step up the symbolic ladder in comparison to Sk8 The Infinity, but I think it's allowed Utsumi to express much more in terms of romance through implicit narratives.
These first two episodes have been incredible, and I'm loving every moment and want to share every bit, but the overall production effort Mappa's been putting in leaves me in an awkward spot for sharing stuff like this.
I really love to, and I want to celebrate the efforts of the staff behind the series, but Mappa rains on that parade with its terrible scheduling and work ethic. The credits are a veritable mess that make episodes like this an incredible feat. And I'll celebrate that and share what I want to, but I do also want to call out Mappa for their terrible work as a studio.
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animereviewsxx · 1 year
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Bruh Anya is the best.
She'll have moments where she is the coolest kid ever.
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And leave poor little Damian speechless.
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Followed immediately by moments where she looks like this.
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She's a gremlin. I love her.
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v-67 · 2 months
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Completed watching Kotaro lives alone
And it just....is so, heart wrenching?
It's so full of emotions
And it makes you realise about the reality of the world in a bitter way?
How small kids perceive things, what a minute action can mean to them, how trauma affects a kid, and their innocence and trust through it all.
I know it's an anime, and the real world is different. But it's also somehow the same? The cruel parts and the nice parts?
Karino is a kind, warm human
It's difficult in reality to find people who would do what he did for Kotaro
And even if you do find them, and they want to help you, they usually can't because of their own schedule.
There were just too many parts within this anime which made me feel a little too many things. I don't know if people actually do such things to their children, but if they do, I'd just idk. I'd be really heartbroken. Kotaro eating tissues at some point. Kotaro's mom wearing gloves whenever taking care of him.
It's not clearly stated about what happened w Kotaro and his parents, why his dad was like that, what happened to his mom, his dad hiring detectives to find his location just so he could abuse him again?, Kotaro going through all of that and running away from home and living on his own
This anime is....so bittersweet.
I like how Kotaro has his own small family, I feel a little sad seeing him wish for his mom and dad and his motive to become stronger so that he could live with his dad again.
I feel sad seeing his trauma regarding the way he was treated
And I know it's something many people have gone through and still go through and sadly will continue to go through, because the world really is as cruel as it is okay.
But. Such a bittersweet anime. It's 10 episodes but I'm just happy and sad.
1st March, 2024
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7th Time Loop ⭐️⭐️⭐️⭐️⭐️/5
I loved everything about this anime and I need a season 2 right now!!!!!!!! Absolutely stunning animation, interesting complex characters, amazing plot and a sweet romance 🥰 , what more could you ask for!
Also, I absolutely adore our main character Rishe 🥰. She is OP but not because of some gift or magic ability but because she has spent each of her lifetimes in pursuit of learning! She is OP because of her own hard work and she never gives up!! She also values all knowledge from traditionally powerful knowledge like medicine to the skills she learned as a maid she values everything equally and find a way to use her extensive knowledge as well.
I need a season 2 ASAP!!!
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