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class1akids · 24 days
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I am so sad. They gave this Dabi vs Shouto panel to some B-studio.
There are so many things wrong with this shot, but the most infuriating part is that it shows that its creators do not have a clue what this fight is about.
The composition. The composition matters. This is Kamino. Shoto and Touya are having a showdown in Kamino. All Might's last stand, the place where Endeavor realized he destroyed his family for nothing, the moment where the reason they were created, they have suffered for became moot.
All Might's statue is looming over them. All Might was the goal - they were little toddlers when Endeavor told them that their worth is coming from being able to surpass All Might. Their existence was conditional on that goal. It's the reason of the wedge between them.
"I am not here". It has so many meanings. But also for this particular fight the "hero" who created this family, these two boys to surpass All Might is once again not here. As AFO rightly calls him out for it, once again, he fails to show up for Touya.
Shouto does show up and he's looking at Touya who is not looking at him. "Watch me" is like the desperate cry for self-worth in the Todoroki family.
Shouto's pose in the manga radiates his determination. He who is always so full of doubt is so sure here. He stands firm. But the fire and ice at his feet are a reminder of his "masterpiece" status, due to his perfect quirk. In the anime, his pose is floppy, the ice and fire are missing too.
Touya who looks away is so full of disdain for Shouto. His swag shows what he thinks of this 3rd son. In the anime? Nothing.
I'm not only mad because the artwork is lazy and looks bad. I'm mad because every choice they made here, every corner they cut tells me the people who made this did not understand a single thing about this fight.
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smallmightsupremacy · 11 days
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Izuku isn't losing his arms and here's why:
Okay so I know that we're all freaking out over that one manga panel, but we really shouldn't be.
Deku isn't going to lose his arms. It's all in his head.
Just stay with me.
First and foremost, look at the reactions from the characters when they join the battlefield. Specifically Aizawa:
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What about this screams 'one of my students just lost both of his arms and may not end up having a future as a hero anymore?'
You would think that if Hori were to really go through with Izuku losing his arms, he would put more emphasis on the characters' reactions to make it more impactful, right?
To further reinforce this idea, we also need to consider the significance of Izuku's hands in Katsuki's arc. Whether you view their relationship as romantic or not, you can't deny that Izuku's hands holds significance to Katsuki. It represents the time when their relationship first fell apart, and I think in order to call their relationship fully 'healed' and complete Katsuki's growth, he's going to need to accept Izuku's hand again.
I mean, look at how foreshadowed the handhold is. There's no way they're not going to be holding hands by the end of the series. It's a necessity at this point.
And yes, you can argue that they already did hold hands, but to me that handhold didn't seem like the official one. It wasn't as impactful as it could've been. Now, while I'm not saying that the handhold didn't have any emotion to it, I feel like it's impact got a little diluted by Katsuki's revival. It wasn't the main focus. I think that the proper handhold is going to come later and be in it's own moment.
And, I mean, Izuku kind of needs his hands for that to happen.
So now you may be wondering, if Izuku hasn't lost his arms, then how do you explain what's happening to him right now?
Well, like I said earlier, it's all in his head. I think it's AFO fucking around with his mind.
I think AFO is somehow manipulating the vestige world and OFA mental connection he was with Izuku to make him hallucinate that he's lost his arms. He wants Izuku to crumble, and what better way to do that than to convince him that his dream is over and that there's nothing he can do?
I feel like this has also been foreshadowed in a way too. Take a look at this picture:
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This image already foreshadowed Ochako getting stabbed in the chest, so perhaps it's also foreshadowing Izuku's fate?
The knife is in his head, so perhaps it's hinting at him being affected psychologically?
Also, the idea that it's only those that are connected to the vestige realm that can see the illusions that AFO is planting would be a great way to get Katsuki to be a part of the final fight too.
We already know that's he's going to be involved somehow. Hori himself said that the ending for mha was going to be better than the ending for Hero's Rising (the one Kats and Izu share OFA), and what better way to improve that than have Katsuki come save him from the mind fuckery?
I also think that finally having Izuku and Katsuki fight side by side has been foreshadowed for a long time, and if that really were to happen, then there's no better time for that than the final fight.
Also, Katsuki's really the only one that can save Izuku right now if my theory were to be true. He's the only character that fits the very specific requirements that Izuku needs (being connected to the vestige realm, and also having a willingness to save/help Izuku).
Speaking of, Katsuki being connected to the vestige realm was a shock for us all, and it doesn't make sense for why Horikoshi would show us such ground-breaking information if he didn't plan on using it later. This has to be the later. There's no other case where I can see Katsuki's connection to the vestige realm being implemented into the story again other than this.
So here's the TL;DR:
Izuku is being mindfucked by AFO and Katsuki is going to be the one that brings him back to reality
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gentrychild · 5 months
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BNHA 407 : AFO is a lying liar who lies
Today is a very sad day because I am about to do something I genuinely dislike: I am about to defend All for One. In order to cope, I shall make fun of him the whole time.
AFO and Yoichi's backstory is finally out, with AFO narrating it, and there are two possibilities: he is either completely lying about it (boring) or he is lying a little about it (very in-character for him) because he is also lying to himself.
Lie number 1: AFO was born evil.
The narrator (AFO, seriously, it's AFO) says things such as "The baby drained the lifeforce of both his mom and his brother.", "It was born an arrogant baby." and such but it really reads at AFO villifying himself to add to his own legend.
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That's what babies do. Children, before they're born, kinda have to take their strength from their mother. That's why pregnant people aren't supposed to do anything taxing.
AFO and Yoichi's mother didn't die because baby AFO drained her like a vampire. She died because she was a homeless woman who had access to nothing and had to go in labor alone.
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Same thing here: during twin birth, a twin is often bigger than the other (well, probably not to extent of Yoichi and AFO, but you get my point).
Lie number 2: AFO, as a demon baby, is shown killing for no reason, just because he can.
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(First slaughter by Baby AFO shown in that chapter.)
There are two things that are strange in this scene (apart from... you know.... a baby murdering people...)
AFO had no reason to go after them because they don't have any quirks to steal.
It makes no sense for someone to attack a group of people with nothing to gain. I doubt that's the kind of behavior you have when you're in survival mode as you're barely surviving in the street.
However, a previous panel points at some context we might be missing.
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The same panel that indicates that those guys don't have a quirk to steal also shows that they are wiling to do some "preventive attack" on a bunch of quirked people who might or might not be those who assaulted a protest group (reminder that in this context, that protest group are protesting the rights for quirked people to exist).
I could be wrong but odds are that they did something to be qualified as a threat to All for One and we are missing the additional context.
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(Second slaughter by Baby AFO shown in that chapter.)
Now, the poor souls who just got absolutely wrecked by a toddler wearing what I suspect to be a garbage bag have quirks, which makes more sense than the previous scene.
However (and thank you for @aimportantdragoncollector for pointing that out to me), we also have this panel.)
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Yoichi is shown with bruises on his face and might be broken teeth.
Probably because those same people AFO is shown killing attacked him.
Lie number 3: AFO never loved Yoichi because he can't love, he just considered that he was his. That's all. Nothing more.
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(Just... Just ignore the rats.)
AFO didn't care about Yoichi so much that the very conscious first act of his life might have been to swim a river upstream while dragging his brother above the surface with what must have been the deathgrip of all deathgrip.
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AFO didn't care about his brother so much that Yoichi was fed and clothed by an AFO who was malnourished enough for his ribs to show and who wore what's basically an improvised toga.
But he just keeps sacrificing what little he has for someone he doesn't care about one bit, that's just his first possession. Nothing more.
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Okay, I am going to be clear: anyone who sees that panel and thinks that it's the proof AFO didn't like his brother... You just outed yourself as an only child.
Siblings punt each other for no reason. (There is a reason why the first recorded murderer was an older sibling.) In this case, the reason was Yoichi throwing a can at him.
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AFO: "You're not inviting me to a fun activity? You're leaving me out, in the cold, unable to partake in brother bonding activity? Oh, vault for Little Brother! Vault for Little Brother for one thousand years!"
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AFO: "Nevermind, we're reading together. All is well, I guess."
Lie number 3: AFO killed the glowing baby for power, because he could, or because the Glowing Baby didn't deserve it
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Still laughing about AFO's flawless reasoning... "Comic books heroes' life suck. Better to be a villain. I already did the whole struggle thing, I want an easy life."
AFO killed the glowing baby because he was jealous. It's as simple as that. The glowing baby was considered the first official quirked individual (even though it's not true), was protected by his family (if I remember correctly, the mother of quirks was his mom) while AFO and Yoichi had no one but each other (EDIT: I was wrong, the Mother of Quirks was Destro's mother. thanks to the people in the tags), and had a ton of people following him (while, for some strange reason, people start running away screaming when AFO shows his quirk... What a mystery...).
The last panel was basically AFO saying "I want to be loved' but not having the frame of reference to even know what love is.
In conclusion...
While AFO is definitely a bad guy and a monster, he didn't begin his existence as one. He just wants people to believe that. Because his pride and his ego can't allow him to admit that he lived a childhood full of horrible trauma where he was a victim abandoned by society (to an even greater extent than the LOV) or he would probably combust out of rage and mortification.
Ergo facto, AFO is a lying liar who lies, especially to himself.
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Kirishima to Mina:
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Yoichi to Kudo:
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Interesting parallel between two pairs who have a lot in common with our main characters. Something you want to tell us, Horikoshi?
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helga-grinduil · 5 months
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'I love how there’s basically no reason for AFO being the way he is.'
But.
But there is a reason? We were literally shown it in this chapter?
A kid having to survive literally from the moment of it's birth, and somehow not only managing to do exactly that, but also being able to keep his weaker twin alive as well. Having to chew on the corpse of their mother not to starve. Not only no food, no proper clothes, no home, no names, but also no parents, no adults, no socialisation, no protection in the world where people with quirks are feared, hated, and seen as 'infected', no one to properly socialise him or tell him 'no' or explain why he can't have something, no one to teach him what caring or affection is, no anything. Literally just him and his brother together their entire childhood. Taking. Providing. Taking. Killing the danger. Taking. Because you have nothing and no one (except for this one little useless thing you do not really understand why you are keeping alive and taking it with you everywhere, but it's the only your thing you had since your birth and you don't want to be alone).
Y'all really think that Horikoshi would just drop the ball with the themes of storytelling, and AFO wanting to be seen as a character, and the dangers of dehumanisation and the idea that quirks made people 'evil'? That one Tartarus guard who said that villains are not entirely human and more like animals was wrong, but not about this one guy in particualar, I guess! /s
P.S. Yoichi having normal clothes and even shoes while AFO wears a garbage bag. Protruding ribs visible. A hungry baby screaming for a mother’s (corpse’s) comfort, but learning that no one will respond to his cries, so he has to claw and bite and use force.
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snubulous · 5 months
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Who else had literal feral child AFO on their bingo card? Cause I sure as hell didn’t
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z-mizcellaneous-z · 11 months
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Deku's possessiveness V.S. Kacchan's protectiveness
Bkdks. We've all read countless fics with bkdk pining after each other, of them getting jealous and whatnot. Usually, the fandom labels Kacchan as the possessive one and Deku as the protective one, but I (respectfully) disagree. I say that Deku is the possessive one and Kacchan is the protective one.
Now, when I say Deku is possessive and Kacchan is protective, I'm not saying that they don't have the other trait. bkdk are both protective and possessive of each other. HOWEVER, the way I see it is:
Deku is possessive. When he gets possessive, it feeds his protectiveness.
Kacchan is protective. When he gets protective, it feeds his possessiveness.
When you read fics from Deku's POV and he's seeing Kacchan being happy with someone else (both platonic and romantic), he gets possessive. Why not me, why THEM, I know him better, I've known him for LONGER, etc. There also is a kind of "indulging" in the "selfishness" of wanting Kacchan all to himself if that makes sense. Like yes, he'll feel bad about being jealous over Kacchan having friends, but also he can't bring himself to stop being jealous/possessive of Kacchan. Deku's possessiveness has the message of "I know Kacchan better than anyone else ever has/will, I've worked hard to stay by his side and I'm not gonna let some EXTRA take him from me."
However, when you read fics from KACCHAN'S POV, and he's seeing Deku being happy with someone else, he gets protective. He also kind of attacks himself in the sense of "I want the best for Deku and I am not the best. I hurt Deku countless times in countless ways, [person] hasn't hurt Deku like I have, and [they] will make Deku happier than I ever could. If they ever hurt him though [they]'re dead." Kacchan's protectiveness has the message of "I want Deku to always be happy. If he's happy with someone else, then I'm happy."
Again, Deku does have moments where his protectiveness shows more than his possessiveness. A prime example is the training camp arc, when Kacchan is kidnapped. It starts as possessive, with Deku basically going "Give my Kacchan back!" and Compress commenting on this and saying that Bakugo doesn't belong to anyone.
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However, as his possessiveness increases, Deku's protectiveness also increases. He's a lot more self-sacrificial and desperate in reaching Kacchan to save him. To protect him.
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On the other hand, Kacchan also has moments where his protectiveness gives way to more possessiveness than usual. The first example is when Kacchan is stabbed by Shigaraki. He sees Deku about to get severely injured, and he becomes protective and takes the hit instead of Deku. However, after getting stabbed, he says "stop trying to win this on your own." This is where his possessiveness shows, in which he's trying to fill the role of being a Symbol of Victory. "Let me be YOUR Symbol of Victory."
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There's also the fact that Bakugo carries guilt because of his actions from the past. This has him being more prone to leaning away from being as possessive as Deku is because "I hurt Deku. I don't deserve him. Deku isn't mine. He doesn't belong to me, he never has." Because of this he leans more towards protectiveness in the sense of wishing for him to be always happy in the ways that he prevented when they were younger and whatnot.
Of course, during his apology, he also expresses how they all will help him. However, you also have the moment where Izuku stumbles and falls. Kacchan's protectiveness comes in as he rushes to grab him and hold him steady. Izuku apologizes for the things he says, and Kacchan says "I get it." Not we, because his possessiveness comes forth in that moment. It also comes forward when he talks to Class 1A and Endeavor.
"You know nothing about Deku."
"I know Deku more than anyone else."
Those are very possessive statements, which are very similar to Deku's possessive mentality.
However, Deku doesn't carry guilt. This has him lean more towards being possessive of Kacchan. "I've ALWAYS stuck by Kacchan, you must be stupid if you think YOU can take him from ME."
However, I also think that once bkdk enter a relationship and Kacchan truly, wholly believes that he is worthy of Deku's love and the relationship in general, he'll allow himself to be a lot more possessive. Like once he's had the realization of "Izuku deserves the best and he chose ME, and I trust his judgement so that means I'm the best for him," he'll go, "Anyone who tries taking him from me will lose a couple fingers. I bite bitch," which is how I feel a lot of people think he's like from the get-go, when that more blatant possessive comes later on.
Again, it all circles back to the good old "bkdk are two halves of a whole, they complete each other."
Win to save, save to win.
Victory and peace.
Protectiveness and possessiveness.
Anyways.
Thank you for coming to my Ted Talk, bkdk is canon I will kill AND die on that hill and I do not take criticism. Have a great day.
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darkcircles4lyfe · 7 days
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it's a story about hands (reprise)
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Yeah, okay, today's the day.
I gave my blog that title for a reason, you know, and it has loomed over me for years because the hand motif is absolutely everywhere and you could go on about it forever.
Maybe that's something I'll never actually attempt to do, but this chapter, we reached a breaking point.
Before I continue, I need to give a big, big disclaimer: I do not have a physical disability, so I'm not able to speak about that from the standpoint of representation as a first-hand perspective. I have at least listened to enough disabled people to know that fictional characters who become amputees only to miraculously gain their limbs back is, um, a trope. Disabled people in general being "healed" is a conception we would really prefer to avoid here. Not to call people out, but I don't think we're giving enough space to acknowledge that.
I don’t feel comfortable making the judgement call about what should happen. I’m leaving that open. I also don't want to downplay people's emotional reactions. Honestly, I don't know if I can accurately define the line between acknowledging real pain vs. ableist pity. But I’d like to talk about the possibilities of what could happen. Other characters have definitely gotten permanent disabilities as a result of their hero work, or even just the side effects of their quirk. But, for better or worse, I don't think this case is really about representation. Not that Horikoshi won't do that justice. He might. What I'm saying is that's not his purpose for having Izuku lose his arms. It's meant to be symbolic, so we can explore what it means. The other thing I’m keeping in mind here is that Horikoshi is notorious for playing with our expectations, like, alllllll the time. I mean, just take a few chapters ago for a classic example. Eri appeared at the end, and we all assumed she was about to take some sort of action to save someone with her quirk. Then, immediately following, we were given an explanation for why that wouldn’t be happening. And now it’s clear he wanted to do that “fake out” not just as a silly cliffhanger prank, but specifically so we would know not to suspect that Eri could be the miraculous solution to Izuku’s loss of his arms. Rest assured, there is no easy way out of this.
The expectation at play in this particular instance is an old one. It’s very understated, but its subtext has burned so brightly, you’d be a fool not to notice it. It sits with anticipation like one half of a call and response. Man, I was so certain. Lots of people still are. I was really looking forward to printing the panel where it happened onto a t shirt and wearing it proudly. All the hand motifs in this story radiate thematically from a single moment, the one that started it all for Izuku.
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It raises all kinds of questions about the act of saving, who needs saving, why, what does it mean, what are the dynamics of power, politics, honesty, exploitation, compassion, pity, disdain, sacrifice. Katsuki has dealt with many of these since he first rejected Izuku’s hand. While Izuku was the one who was convinced Katsuki would keep on rejecting him…
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…Katsuki was the one who kept that moment in his mind all these years and eventually came to regret it.
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Katsuki is the one yearning for that hand-hold, the one who has imbued it with so much more weight than it ever originally had. Izuku, in contrast, does not allow himself to dwell on what he wants. To illustrate this difference, we need to look at another piece of foreshadowing:
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Ugh, do y'all remember when lots of folks were complaining about how there never seemed to be actual consequences for Izuku's destructive treatment of his own body? I don't blame them, I was concerned and confused about it too. There were several "fixes" along the way. Recovery Girl healed him, but left a physical reminder. Then he started training to fight with his legs… sometimes. Then he got support items. All of these were unsatisfying non-conclusions because they didn't present Izuku with a lasting enough impression to change in a meaningful way. They didn't address his core, his origin.
Of course, that all changed this chapter. Now it looks like our frustration was inflicted intentionally. With the current context in mind, all of these moments look more sinister, like this day was always gonna come because they kept putting bandaids on a deep emotional and psychological wound. The problem is pretty much spelled out for us here:
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As Katsuki put it, he just doesn’t take himself into account, ya know? He doesn’t care what happens to him. And he lies about it, to keep others from worrying, to keep them safe. To keep them from returning the favor and putting themselves in harm’s way for his sake. His motivations are noble,
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…but what about the little boy inside Izuku? Who saves him?
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This is all about Izuku giving himself up to the point that he literally has no more to give. The thing is, I bet he saw this coming. He knew his limits and decided to keep going anyway, because his personal safety and wellbeing are not important. Now that way of thinking has come back to bite him because the fight isn’t over yet, and he’s already made his sacrifice. So now we know who will be more distraught over this. Not Izuku—Katsuki.
It’s not about Izuku becoming disabled, it’s about how Katsuki wanted to use the intertwining of their fingers to communicate that he would never let go. Never stop valuing him most. Never let himself make the mistake of rejecting him again. Never let Izuku be so reckless with his life. To say: “we are in this together.”…if only Katsuki believed he deserved to be able to say such things. To reach out his hand would have been the ultimate way to simply imply them and let Izuku be the one to decide. Then, to feel their hands clasped together would be more than either of them dared hope for, but so beautiful, so right. A moment they’ve waited their whole lives for.
Yeah. That’s what we were expecting. We’ve been so comfortable. Horikoshi gave us all the signs. He tempted and teased us over and over. BUT. You know he does this thing were he gives us a desirable, completely plausible and simple thing to look forward to, and then he snatches it away. And THEN he replaces it with something much better, something we were not expecting at all because it seemed too good to be true. That’s exactly what happened when Himiko snatched Izuku away, and we were robbed of the chance to see him and Katsuki fight together. In hindsight, though, I’m glad things went a different way because now there’s so much more depth and angst on display. Likewise, in the present moment, we may consider how, as one door closes, another opens.
As wonderfully meaningful as the hand-hold would have been, perhaps it is still too simple a resolution for Izuku, for his and Katsuki’s relationship. Tbh, it could have been done like 100 chapter ago. At this point, there’s so much more potential. There are a couple of ways it could go. If Izuku stays armless, Katsuki will be forced to use other methods to get his point across. He’ll have to do something else, or say what he means, or both. Yes, I’m talking about what you think I’m talking about. If I say it, I just might jinx it (lol), but I mean it. I’m being serious. Either way, if Izuku did get his arms back in the end, I’m sure that it wouldn’t be an easy fix. It would be hard-won against Izuku’s self-destructive mindset, and/or by Katsuki’s conviction. Again, I say this knowing it is not meant so much as a representation of disability, but as a representation of Izuku’s greatest character flaw taken to the extreme. I know this might sound harsh, like, hasn’t he been through enough? I get that, but… I’ve said it before and I say it again: Izuku is stubborn as hell.
I wish I had a resounding final note to end this on, but I kinda don’t. I’m not sure what’s best. Now we just have to wait and see what Horikoshi has in mind.
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featherstorm2004 · 11 days
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Me realizing the reason AFO is so obsessed with Tenko is because he is the reason Tenko was born, therefore making Tenko his the same way Yoichi was. which explains why he was so adamant with making him just like Yoichi, down to even wanting to be a hero just like his predecessor. Whilst also giving Tenko the same trauma AFO experienced making him a true fusion of the brothers the way AFO always wanted.
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makeste · 5 months
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Plus One For All
so guys. can we talk about how there’s somebody chilling out inside of Katsuki’s mind who’s not supposed to be there.
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hello there Mister All Might Vestige sir. you should not exist, just FYI. you’re not some Nighteye-type plot hallucination. because if you were, you would not be appearing here as Cloud Might, a version of yourself whom Katsuki has never met and has no frame of reference for. ergo he did not imagine you. ergo you are, in fact, real.
which means Katsuki has One For All.
because that’s the only way he could have a Vestige -- which is indisputably what this is -- inside of him. he has OFA. so. where did he get it. how does he have it. and why is it only making its presence known now.
let’s discuss.
okay so I’m going to try and lay this all out as clearly as possible while also attempting to be as succinct as I can. but knowing me, I’m probably going to wind up sacrificing the latter in pursuit of the former. I’ll do my best though. here goes.
1. Heroes Rising is canon.
which is a fact we’ve recently been reminded of not once, but twice -- first with the appearance of Katsuma and Mahoro in chapter 405, and then in chapter 406 with the “Bakugou no Kacchan” callback. the timing of this almost certainly isn’t coincidental. Horikoshi wants this to be fresh in our minds.
mind you, it is extremely unusual for movies, even technically!canon ones, to actually be relevant to the plot. but BnHA may be one of the few exceptions. we’ve already seen movie 1 impact the series both with Star & Stripe’s backstory, and with Deku’s new gauntlets. so there’s precedent, and it’s something I am paying very close attention to.
2. Deku giving OFA to Bakugou is canon.
just in case anyone here hasn’t yet seen or been spoiled for Heroes Rising, that is in fact what happens in that film! so yeah, that certainly seems like an extremely relevant detail right about now.
3. we never found out why and how Deku got OFA back at the end of the movie.
okay so I was looking for a clip to link before we discuss this next part, but I unfortunately couldn’t find one that hadn’t been edited to avoid copyright issues, so you’ll just have to make do with this.
skip ahead to about 7:10 for the relevant part. for the purposes of this theory, we’re just going to ignore everything All Might says here, because tbh he has no fucking clue what’s actually going on and is just guessing wildly lol. however, I do want you to take note of one thing which will be important later. and that’s the fact that, when OFA “returns” to Deku’s body, it’s only his body which starts glowing, and notably not Kacchan’s. the latter just keeps lying there unglowingly. nothing to indicate any kind of transfer is actually happening between him and Deku, in other words.
moving on.
4. OFA and AFO are probably the same quirk.
as summarized here and here. which is relevant because if they are the same quirk, or close to it, then OFA can most likely do anything AFO can do. so file that away for later.
5. AFO was able to split his quirk and give it to Tomura while still keeping a piece of it for himself.
what’s more, he was able to do the same with Garaki/Ujiko’s quirk, and presumably other quirks as well. while it’s possible that this quirk duplication has nothing to do with AFO and is simply something Garaki was able to figure out using ~*~Science~*~, I think it’s more likely that the two of them used AFO’s quirk in some way to accomplish this feat. particularly since Tomura not only received AFO, but a bunch of its stored up quirkdata as well, such as the information stored in Ragdoll’s stolen Search quirk.
6. OFA responds to Deku’s feelings and desires.
or at least this is the case according to Banjou in chapter 213. recall this interesting conversation on how Deku first activated Blackwhip.
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he was thinking that he wanted to capture Monoma, and so OFA obediently activated his “capture Monoma” quirk. despite him being unaware he even had said quirk. it responded to his need, even though he wasn’t consciously trying to activate anything.
now then, let’s revisit that scene in Heroes Rising one more time.
7. during the climax of Heroes Rising, Deku was NOT thinking, “I need to give OFA to Kacchan.”
here’s the scene one more time for reference. this time you’re gonna want to skip to about 3:57.
here’s where we are going to get extremely technical, because this scene right here is the key to everything. Deku’s lines in this scene are, and I quote: “a way we can protect [everyone]... there’s just one way...!” but he very notably does not specify exactly what that “one way” is.
until we get to this scene a minute or so later, which spells it out for us very clearly.
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two One For Alls. as in, “with two One For Alls, we could win this battle and save everyone.”
that’s what he was thinking at the moment of the “transfer.” NOT, “give OFA to Kacchan.” but, “we need two One For Alls.”
which, I think, may have made all the difference.
8. OFA created a copy of itself to share with Kacchan, so that both of them could have OFA and use the two OFAs to defeat Nine.
let’s recap. OFA is AFO. AFO can clone itself. so it stands to reason that OFA can presumably clone itself as well. and that’s exactly what Deku wanted to do. make a second One For All.
he didn’t know that he could do that. but as previously established in the Blackwhip incident, OFA is more than capable of making its own executive decisions in key moments just like this in order to help him out.
which would mean that what we saw at the end of Heroes Rising was not OFA being transferred from Bakugou back over to Deku. it was actually just Deku’s OFA briefly self-activating (possibly in response to his delirious apology to All Might -- kind of a “no worries bro, you’ve still got your quirk actually, so go back to sleep and stop stressing over it” type of thing). and Kacchan’s OFA doing... absolutely nothing. it didn’t actually transfer back into Deku. it didn’t actually go anywhere.
let me repeat that: it didn’t actually go anywhere.
in other words, Kacchan still has OFA. and has had it ever since Heroes Rising. he just didn’t realize it. and neither did anybody else.
9. Kacchan’s OFA went dormant once Nine was defeated.
okay, so. remember all of this exposition from chapter 304?
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basically, if someone who already has a quirk receives OFA, using it will slowly destroy their body until it kills them. the Vestiges learned this from All Might while he was researching the past generations of OFA in chapter 241, incidentally. Heroes Rising takes place right around this same time (immediately following MVA if I recall). so by the time the film’s climax rolled around, the Vestiges would have known that giving OFA to Kacchan could have devastating consequences down the line if they did not take action immediately after the fight.
so they did.
once Nine was defeated, the Vestiges shut the whole thing down. the crisis was averted, and they no longer had need of a second OFA. they have this boy who is way too similar to Deku in terms of his willingness to put himself in harm’s way in order to achieve his goals. and they absolutely do not want any harm befalling this boy. more on that momentarily.
so they go dark. and they even seal his memory so that he’s no longer aware of even having the quirk. they are essentially in sleep mode. and if circumstances hadn’t eventually become desperate enough to force their hand, they might have remained inactive for the rest of Katsuki’s life.
now, you might be wondering to yourself, “why is OFA willing to go to such unusual lengths in order to protect Katsuki?” and well, the answer to that is pretty simple.
10. Kacchan does not have the same version of OFA as Deku.
Deku is ninth gen. Katsuki, however, is tenth gen. which means that his version of OFA has one additional Vestige. a Vestige whose presence immediately explains why OFA is so goddamn determined to protect him at all costs.
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:’)
long story short, while Deku’s version of OFA has proven itself all too willing to enable him in his increasingly suicidal mission, Katsuki’s version of OFA is very much a different story, on account of it being under the management of what I’m guessing is the most willful Vestige ever to exist. and said management being just the slightest bit unhinged when it comes to Katsuki’s safety in particular. seriously, you can’t tell me this is not exactly how a Deku!Vestige would behave. “oh hell no. no OFA for you!! and no memories either, because you can’t be trusted, goddammit. we never should have done this. what the hell were we thinking. if anything happens to him I will kill everyone in this room and then myself.”
so yeah. dormant.
right up until they literally couldn’t afford to be anymore.
11. OFA can self-activate in moments of crisis to protect its user.
Sports Festival. chapter 33. Deku vs. Shinsou.
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aw yeah. it’s all coming together.
12. OFA reactivated itself in order to save Katsuki’s life.
I would now like to briefly draw your attention to this scene from chapter 405, in which Edgeshot explains how Katsuki was finally saved. please note my man is very clear that he did not restart Katsuki’s heart himself. he was basically just performing quirk CPR up until Katsuki’s own quirk returned him to life apropros of nothing.
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“what brought you back... was the power you’ve honed.”
except... that should have been impossible. because Katsuki was dead. meaning he should not have been able to activate his quirk on his own, on account of the whole “being dead” thing.
however, if he by chance had a quirk with just enough of a mind of its own to activate in critical situations in order to help its user. situations like being forced under mind control. or, perhaps, being stabbed through the heart. well then. that would certainly go a long way towards explaining all of this.
and oh hey, when exactly was it that we saw this guy, again?
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oh? it happened at the exact moment when his heart was stabbed through? you don’t say. well that certainly is interesting.
in summary:
Deku cloned his quirk in Heroes Rising and gave Kacchan a copy of OFA. owing to the hyperprotective Deku!Vestige inside Kacchan’s copy of OFA, it shut itself down once Nine was defeated, and all of Katsuki’s memories of having OFA were deliberately wiped, or sealed away. OFA itself remained inactive until TomurAFO stabbed Katsuki through the heart, at which point OFA was forced to reactivate itself to save his life. which it did, by forcibly restarting his heart.
that’s it. no idea how close to the money any of this is, but I think it would explain most of the lingering mysteries and questions about what exactly is going on with Katsuki. and I’ll throw in one last observation as well -- Katsuki has a nine in his name (BaKUgou), but not a ten. which I know sort of contradicts what I was saying earlier about him being the tenth gen, lol. but he both is and isn’t. if Deku split his quirk, Kacchan would in theory receive everything that’s currently in Deku’s quirk right now, and that includes Deku’s own power that he’s been adding to the mix. so he’d still have the Deku!Vestige. but he’s also still ninth gen, because he and Deku are sharing that distinction now. or at least I think the argument could be made at any rate.
so yeah. I’ve been obsessing over all of this for the past few days lol. what do you guys think?
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misplacedgamer · 2 years
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The fucking poetry of AFO calling Bakugo nothing but Izuku’s shadow-the thing Bakugo has struggled with since he was 4 years old???? When we KNOW Izuku actually feels the opposite??? And how that’s been the root of their miscommunication for the whole story?????????
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ace-touya · 4 months
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I really like how important friendships are in MHA, especially as an asexual person. And like - you can romantically ship whoever you want, I have my own headcanons about romantic ships that aren’t canonically romantic. But when looking at the canon, it’s nice to see how important platonic friendships are.
The league of villains are a found family.
Katsuki and Izuku are childhood friends (to enemies to friends) who mean the absolute world to each other.
Rooftop trio and the Pussycats are so close with their friendship groups that they made/planned to make their hero agencies together.
All of Class 1-A have a tight-knit bond.
The Bakusquad and the Dekusquad exist.
Ochaco, Izuku and Tenya became really good friends really quickly.
Having friends saved Shoto.
Aizawa and All Might go from being work colleagues to bring friends, and this makes a huge impact on All Might’s life.
Like Idk, I know the fandom tends to focus a lot on the shipping aspects, but I would love to appreciate the friendship more, because it’s so important to the characters, and, as an aroace person, it’s really important to me too.
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oshiawaseni · 2 months
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Alright guys here’s some Hori-brand freshly juiced bkdk meta.
Before chapter 415, I was writing a post on twitter about how I really love the “Dokun” of Shigaraki’s heart beat when Izuku punched him and how it’s the same sound effect for Izuku’s panic attack and also when Katsuki’s bead of sweat brought his heart back to life.
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at the end of my post I casually wrote: It definitely feels like this is being written in a way that gives: “memories are bringing Shigaraki’s heart back to life.” and then it just freaking hit me about the other place DOKUN showed up… chapter 403… Katsuki’s first appearance after reviving.
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I realised OH. OH SHIT!! “DOKUN” is the onomatopoeia Hori has been using for their hearts being brought back to life…
Katsuki in the literal sense, Shigaraki in the spiritual sense, Izuku in the ROMANTIC sense.
Now that we have Shigaraki's example of it, we can see this pattern that “DOKUN” is Horikoshi's chosen sound for hearts being revived.
And if we look back to after Izuku's panic attack, with this retrospect, we can surmise that the one last big “DOKUN” was drawn when Katsuki was finally revealed alive because Izuku’s “heart” had revived.
And so through the narrative’s subtleties, we are once again being told that Kacchan is Izuku’s heart. 🧡💚
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Thinking about the plot parallels in bnha again, this time as they relate to Izuku's goals--because he's had a specific goal for a long time, and it's not just being the number one hero. Saving is Izuku's half of heroism, after all, and yet from his perspective, it could be said that he fails in one continual regard: saving Katsuki.
It seems to start with the sludge villain. He doesn't exactly fail; he has a positive effect on the situation, at least physically, and Katsuki survives unscathed and more or less emotionally intact. From a literal standpoint, Katsuki has been saved, but Izuku isn't directly the one to save him (and is indirectly the one who put him in danger).
Then training camp happens, and Katsuki is a victim again. And Izuku is frozen there in the forest, unable to keep reaching for him. (And when he plots the rescue, he can't be the one to enact it.) Katsuki is rescued in the end, but Izuku doesn't save him before damage is done--because this time, Katsuki is physically okay, but the psychological effects make themselves known at Ground Beta.
Then there's the next time. Katsuki takes the hit for Izuku, and this time, although he survives, he sustains physical harm. It isn't as though Izuku can prevent this, but Katsuki's only there because Izuku told him about OFA, and is only putting his life in danger because of Izuku. From Izuku's perspective, he hasn't protected Katsuki.
And then there's the final battle, a bigger, more catastrophic reflection of what happened before. Except this time, Katsuki doesn't survive. And once again, Izuku hasn't saved him.
Izuku wins to save; saving is what motivates him. And although he's been victorious time and time again, he has never decisively saved Katsuki from a true threat. This is a pattern his entire life.
His entire life, because it didn't start with the sludge villain.
It started with the river. Katsuki didn't take his hand, and Izuku wasn't able to help him. It's the start of Katsuki's internal conflict with weakness and victimhood, and the start of Izuku trying to be there for him.
Katsuki has to contend with needing to be saved. Izuku has to contend with failing to save him.
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helga-grinduil · 4 months
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First reminder: MHA is written by a Japanese man for a Japanese audience, and if you can’t even for one second at least try to look at it from the perspective of Japanese cultural and spiritual beliefs instead of projecting your own western ones… good luck, I guess?
Second reminder: MHA is a meta story about the art of fiction, escapism, fantasy vs. reality, and theatre. It’s quite literally a three-act play about fantasy, reality, and the balance of both. It’s about a stage, and character masks, and actors, and the real world outside of the stage, and about fighting against the writer who is too lost in his own fantasy.
Third reminder: visual storytelling is a tool sometimes used to contradict the lines of the story, which invites readers to think about what is actually the truth here.
Fourth reminder: MHA is anti-darwinism and anti-biological essentialism.
Fifth reminder: Hero system was literally created to control quirked population in the post-apocalypse. It’s FOR quirks. Heroes exist to keep population’s quirk usage in check by being the only profession that allows you to use them, and strictly for ‘good’, while also showing off those quirks to keep population entertained and content with the lie that quirks are accepted, actually! (Aren’t heroes so cool and their quirks are so flashy? See, we like quirks! We accept and allow quirks! Only if you use them for the good of society, of course! You are still not allowed to use or express them if you’re not a hero though, sorry). So. No, you can’t be a ‘hero’ (job) without a quirk, having quirks is A REQUIREMENT for this job.
Sixth reminder: MHA is a sci-fi with fantasy elements. Some concepts in sci-fi aren’t meant to be 1:1 parallels to real life. Quirkless people aren’t a disability allegory, it’s an allegory for any minority in general. MHA is a story about a person from a minority becoming one of people in power and about what effect a person with the experience of being a part of minority can have on others in power, acting as the first falling domino that ends up completely rewriting the script of the story.
Seventh reminder: MHA is about one person’s small actions affecting the world like a chain reaction. One action affects another person, and that person also makes it’s own small action. Everyone performing their small actions together, those small actions eventually combining and creating big results. Concepts of karma and butterfly effect. That’s literally what the idea of OFA is about. Everyone thinking about everyone else even just a little, doing their parts, creating a web and changing the world little by little.
Eighth reminder: the themes, good lord, the themes. Remember the fucking themes, you dumbfucks. My god. One of those fucking themes is the real person vs. the mask, by the way. Which, by the way, circles back to the first reminder, since it’s all about the Japanese concept of honne and tatemae.
Ninth reminder: touch grass and stop projecting.
P.S. ‘Izuku doesn’t want to change the status quo’ - Izuku wanting to save Shigaraki is literally him going against the narrative of the story. Saving Shigaraki IS changing the status quo - it’s another (very big) falling domino that will have a huge effect on the world and the status quo as the result.
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legendoftherisingtide · 5 months
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[intro]
Bakugou is a prideful, arrogant person. He holds himself to the highest standard; he is the best and everyone else is simply below him. Everything he has ever done was in pursuit of being number one, shining above the rest. He has to have a perfect victory, he has to be a perfect student, he has to win to save.
He pushes and pushes and won’t let anyone see his weaknesses or his insecurities. He can never lose, he can never fail, he can never show that he regrets or hesitates or that he hasn’t thought everything through. He must never be vulnerable in every sense of the word.
Then why is he standing in the rain.
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To apologize shouldn’t be a sacrifice, but it is for Bakugou. To pour his feelings, to admit his wrong, to let down all of the walls he has built and be vulnerable. And in front of his whole class.
He is willing to sacrifice his pride, to fully sacrifice any superiority he could have, to bare his soul and even risk rejection. Because he knows Midoriya is more important. Because he wants him to come home, he wants him to know his true feelings, because he wants things to change. 
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Because Midoriya has changed him. Midoriya has opened his eyes; by showing him he’s allowed to be open, that his feelings should be expressed, that he has so much to learn, and so much of that was learned through Midoriya just existing.
He isn’t sacrificing his safety frivolously because he’s expected to as a hero; he is doing it because he has grown. He is doing it because he has finally admitted to himself that he wants Midoriya to be with him and safe.
So I will sacrifice this for you. Not because it will change anything, as much as I want that I know that I can’t just fix all the wrong with just this. And I am willing to do as much as it takes to earn your forgiveness. But I don’t need that from you, not now and not ever if you don’t want that, I just need you to rest. I did so much wrong. And I am sorry for everything. You don’t have to do this alone. Lean on us. You are so strong and being supported doesn’t discount that. You’ve taught me that. 
I hate the rain. But I will brave it for you. 
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He would do everything in his power, admit so many things, just to get Midoriya to take care of himself. We see him being the most vulnerable he has ever been in front of people that aren’t Midoriya. He does so much completely out of character, all in pursuit of being there for Midoriya. 
For Izuku.
He finally gets over himself and finally tells Midoriya the feelings he has felt for so long.
He lets go of this idea he is inherently better and finally acknowledges that his hatred for Midoriya has always been about his own shortcomings and insecurities. But he still wants to be better, they are still rivals. He isn’t going to sacrifice that part of him because that is just who he is; he is still going to push to number one.
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But now it’s different.
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There is verbal and vocal acceptance and respect. Before it was unspoken; their relationship had changed ever since Ground Beta. They were proper rivals, with mutual respect and care, they were actively making each other better.
But Bakugo finally verbalizes it and tells Midoriya, not only is he sorry, but he wants to actually have a proper friendship; he wants to continue to become better and earn his forgiveness. He wants them to push each other to be better, he wants to continue to fight for the top spot, he still wants to be the best.
But when did it become something else? 
When was the turning point when it started to shift from wanting to surpass Midoriya and be the best, to wanting to keep up with Midoriya and stay by his side?
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Bakugou has already sacrificed himself for Midoriya before. His body moved on its own; with no hesitation, he would save Midoriya. He has already risked his life for him. But there is a layer to it that I don’t think people talk about. 
He tells Midoriya he shouldn’t try to win this on his own. 
He disguises his concern with an insistence that he’s in it to fight for himself when he initially joins the battle. But it is to fight by Midoriya’s side and support him.
But taking the hit for Midoriya, jumping in the way isn’t just support. This is sacrifice. This is giving yourself to ensure the safety of someone. And it was second nature. 
There are two reasons and both are a sacrifice of something in the moment.
It is knowing someone is so valuable, so great, in all senses of the word, that they must be protected. Bakugou is sacrificing his body and admitting that Midoriya needs to stay alive, for personal reasons and/or for the world. He needs Midoriya to be okay, Midoriya can’t fight alone and Bakugou will do anything to make sure he will be okay. 
But the sacrifice of ideology. 
With every development, he has relinquished parts of himself. When he sacrifices himself he is not only sacrificing his body but is admitting that he can’t do this on his own; he needs Midoriya too. This isn’t him wanting to be better than Midoriya, it’s him wanting to do it together.
Midoriya changed him.
He doesn’t die for Midoriya. He wakes up and just as his last thought was Midoriya, so was his first as he woke up. He runs to his side. People are dragging him back, trying to have him rest, knowing before he even said anything that he would lose his mind over Midoriya’s situation. 
Everyone sees how Bakugou feels about Midoriya.
He sacrifices himself because Midoriya can not die on him. Midoriya has to stay alive. Midoriya has to keep fighting. 
There can not be a world that doesn’t have him in it.
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This is the culmination of what has been developing ever since the final exam where Bakugou finally works with Midoriya; the day that win to save, save to win was noticed. Then furthered after Ground Beta where they finally talked to each other and something changed within them both.
But the final sacrifice is the culmination of Bakugou’s character.
He knows what this decision will mean. Everyone screams for him not to. He knows that he is going to die. He knows he will not win this fight.
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This isn’t dying for the cause. This isn’t just a hero complex. This is because he can help Midoriya and he will. This is for Izuku.
I will sacrifice myself for you. To give you more time, to give you even the slightest chance of winning. I will sacrifice myself for you because you are who can win. I am going to die. I am going to die and in my final thoughts, I will ask if I will still be able to be by your side.
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It is no longer can I beat you. It is no longer can I surpass you. It is can I still catch up to you. It is can I still even be equal to you. He has already sacrificed the idea that he could beat Midoriya, that isn’t what he wants anymore. What he wants is to stay here with him.
I will sacrifice everything I am. I have wanted to be the best. All my life I have wanted to surpass you and everyone around me. But you. I will let that go for you. I let it go in my mind for so long now and I have never wanted to admit it. Is it even possible? Is it even possible for me to catch up to you? Is it even possible for me to stay by your side. I can’t be that anymore. I am sacrificing even that now. I will never be number one now. I will never become the person I always dreamed to be. I will never surpass you. I am forever sacrificing that now. I will die here.  
But can I still be with you?
The sacrifice of his life is him fully relinquishing everything he is, admitting that he can’t keep up, losing all of the progress he has made, letting go of everything that made up his character.
And the last thing on his mind is if he can still be able to be by Midoriya’s side.
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He won’t let him go again. 
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