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#character development prompt
neverprince · 25 days
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[ COLORS ] red. brown. orange. yellow. green. blue. purple. pink. black. white. teal. silver. gold. grey. lilac. metallic. matte. royal blue. strawberry red. charcoal grey. emerald. ruby. navy blue. crimson. cream. mint green,
[ ELEMENTS ] fire. ice. water. air. earth. rain. snow. wind. moon. stars. sun. heat. cold. steam. frost. lightning. sunlight. moonlight. dawn. dusk. twilight. midnight. sunrise. sunset. dewdrops.
[ BODY ] claws. long fingers. fangs. teeth. wings. tails. lips. bare feet. freckles. bruises. canines. scars. scratches. wounds. burns. spikes. feathers. webs. eyes. hands. sweat. tears. feline. chubby. curvy. short. tall. normal height. muscular. slender. trained. piercing. tattoos. strong. weak. struggling. athletic. lithe.
[ WEAPONS ] fists. sword. dagger. spear. scythe. bow and arrow. hammer. shield. poison. guns. axes. throwing axes. whips. knives. throwing knives. pepper sprays. tasers. machine guns. slingshots. katanas. maces. staffs. wands. powers. magical items. magic. rocks. mud balls. rifles. cannons.
[ MATERIALS ] gold. silver. platinum. titanium. diamonds. pearls. rubies. sapphires. emeralds. amethyst. metal. iron. rust. steel. glass. wood. porcelain. paper. wool. fur. lace. leather. silk. velvet. denim. linen. cotton. charcoal. clay. stone. asphalt. brick. marble. dust. glitter. blood. dirt. mud. smoke. ash. shadow. carbonate. rubber. synthetics.
[ NATURE ] grass. leaves. trees. bark. roses. daisies. tulips. lavender. petals. thorns. seeds. hay. sand. rocks. roots. flowers. ocean. river. meadow. forest. desert. tundra. savanna. rain forest. caves. underwater. coral reef. beach. waves. space. clouds. mountains.
[ ANIMALS ] lions. tigers wolves. black panther. eagles. owls. falcons. hawks. swans. snakes. turtles. ducks. bugs. spiders. birds. whales. dolphins. fish. sharks. horses. cats. dogs. bunnies. praying mantises. crows. ravens. mice. lizards. werewolves. unicorns. pegasus. dragons. foxes. phoenixes. peacocks.
[ FOODS/DRINKS ] sugar. salt. candy. bubblegum. wine. champagne. hard liquor. beer. coffee. tea. spices. herbs. apple. orange. lemon. cherry. strawberry. watermelon. vegetables. fruits. meat. fish. pies. desserts. chocolate. cream. caramel. berries. nuts. cinnamon. burgers. burritos. pizza. ambrosia.
[ HOBBIES ] music. art. watercolors. gardening. smithing. sculpting. painting. sketching. fighting. fencing. riding. writing. composing. cooking. sewing. training. dancing. acting. singing. martial arts. self-defense. electronics. technology. cameras. video cameras. photography. video games. board games. RPGs. computer. phone. movies. theater. libraries. books. magazines. cds. records. vinyls. cassettes. piano. violin. cello. guitar. electronic guitar. bass guitar. harmonica. harp. woodwinds. brass. trumpet. flute. drums. bells. playing cards. poker chips. chess. dice. motorcycle riding. eating. climbing. running. hiking.
[ STYLE ] lingerie. armor. cape. dress. suit. tunic. vest. shirt. boots. heels. leggings. trousers. jeans. skirt. jewelry. earrings. necklace. bracelet. ring. pendant. hat. crown. circlet. helmet. scarf. neck tie. brocade. cloaks. corsets. doublet. chest plate. gorget. bracers. belt. sash. coat. jacket. hood. gloves. socks. masks. cowls. braces. watches. glasses. sun glasses. visor. eye contacts. makeup. implant. artificial parts. wearable tech. robes.
[ MISC ] balloons. bubbles. cityscape. landscape. light. dark. candles. war. peace. money. power. percussion. clocks. photos. mirrors. pets. diary. fairy lights. madness. sanity. sadness. happiness. optimism. pessimism. loneliness. family. friends. assistants. co-workers.enemies. loyalty. smoking. drugs. kindness. love. hugs. time. questions.
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cityandking · 6 months
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oc asks: not-so-nice edition
alone: How does your OC deal with loneliness? Have they ever been completely alone before? How do they act when there's no one around to see them?
betrayal: Has your OC ever been betrayed by someone they thought they could trust? Has your OC ever betrayed someone who trusted them?
bound: Has your OC ever been imprisoned or captured? What happened? How did they get out? Did the experience leave any scars?
break: What would cause your OC to break down completely? What do they look like when that happens? Has anyone ever seen them at their lowest?
desire: What's one thing your OC wants more than anything in the world? Are they open with that desire? Why or why not? What would they do to fulfill it?
failure: What's your OC's greatest failure? Have they been able to move past it? Does anyone else know about it?
fear: What is your OC's greatest fear? What do they do when confronted with it? Are they open with their fear, or do they hide it away?
future: What's the worst possible future for your OC? Are they taking steps to avoid that outcome? Are they even aware it's a possibility?
ghost: Who or what haunts your OC? What happened? How do they live with their ghosts?
guilt: What is your OC guilty about? How do they handle their guilt? Do they try to avoid guilt, or do they accept it?
hate: What does your OC hate? Why? How do they act towards the object of their hatred?
heartbreak: Have they ever had a relationship that ended badly? Experienced some other kind of heartbreak? What happened?
hide: What does your OC hide? Why do they hide it?
hunt: Who or what is your OC hunted by? A person, a feeling, a past mistake? Is your OC able to let their guard down, or are they constantly alert?
mask: Does your OC wear a mask, literally or figuratively? What goes on beneath it? Is there anyone in their life who gets to see who they are under the mask?
midnight: What keeps your OC up at night? Do they have nightmares? Fears? Anxieties? What do they do in the small hours of the morning when they should be sleeping?
mistake: What's the worst mistake your OC ever made? What led to them making it? Have they been able to fix it? How have they moved on?
monster: Is your OC monstrous in any way? Is there something that makes them monstrous? Are they aware of their own monstrosity? Do they accept it or reject it?
nightmare: What does your OC have nightmares about? How do they deal with their nightmares? Do they tell people, or keep it to themself?
pain: What's the worst pain your OC has ever felt? Do they have a high pain tolerance?
secret: What's one secret your OC never wants anyone to know about them?
skin: How comfortable is your OC in their skin? Do they grapple with anything that lives inside them—a beast, a curse, a failure, a monster? How do they face the smallest, weakest, most horrible version of themself? Are they able to acknowledge it at all?
torture: Has your OC ever been tortured? Would your OC ever torture someone else?
wound: How does your OC handle being wounded? Are their wounds mostly physical? Mental? Emotional? What's the worst wound your OC has ever experienced?
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judasrpc · 2 years
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WEIRDLY SPECIFIC BUT HELPFUL CHARACTER BUILDING QUESTIONS
What's the lie your character says most often?
How loosely or strictly do they use the word 'friend'?
How often do they show their genuine emotions to others versus just the audience knowing?
What's a hobby they used to have that they miss?
Can they cry on command? If so, what do they think about to make it happen?
What's their favorite [insert anything] that they've never recommended to anyone before?
What would you (mun) yell in the middle of a crowd to find them? What would their best friend and/or romantic partner yell?
How loose is their use of the phrase ‘I love you’?
Do they give tough love or gentle love most often? Which do they prefer to receive?
What fact do they excitedly tell everyone about at every opportunity?
If someone was impersonating them, what would friends / family ask or do to tell the difference?
What's something that makes them laugh every single time? Be specific!
When do they fake a smile? How often?
How do they put out a candle?
What’s the most obvious difference between their behavior at home, at work, at school, with friends, and when they're alone?
What kinds of people do they have arguments with in their head?
What do they notice first in the mirror versus what most people first notice looking at them?
Who do they love truly, 100% unconditionally (if anyone)?
What would they do if stuck in a room with the person they've been avoiding?
Who do they like as a person but hate their work? Vice versa, whose work do they like but don't like the person?
What common etiquette do they disagree with? Do they still follow it?
What simple activity that most people do / can do scares your character?
What do they feel guilty for that the other person(s) doesn’t / don’t even remember?
Did they take a cookie from the cookie jar? What kind of cookie was it?
What subject / topic do they know a lot about that’s completely useless to the direct plot?
How would they respond to being fired by a good boss?
What’s the worst gift they ever received? How did they respond?
What do they tell people they want? What do they actually want?
How do they respond when someone doesn’t believe them?
When they make a mistake and feel bad, does the guilt differ when it’s personal versus when it’s professional?
When do they feel the most guilt? How do they respond to it?
If they committed one petty crime / misdemeanor, what would it be? Why?
How do they greet someone they dislike / hate?
How do they greet someone they like / love?
What is the smallest, morally questionable choice they’ve made?
Who do they keep in their life for professional gain? Is it for malicious intent?
What’s a secret they haven’t told serious romantic partners and don’t plan to tell?
What hobby are they good at in private, but bad at in front of others? Why?
Would they rather be invited to an event to feel included or be excluded from an event if they were not genuinely wanted there?
How do they respond to a loose handshake? What goes through their head?
What phrases, pronunciations, or mannerisms did they pick up from someone / somewhere else?
If invited to a TED Talk, what topic would they present on? What would the title of their presentation be?
What do they commonly misinterpret because of their own upbringing / environment / biases? How do they respond when realizing the misunderstanding?
What language would be easiest for them to learn? Why?
What’s something unimportant / frivolous that they hate passionately?
Are they a listener or a talker? If they’re a listener, what makes them talk? If they’re a talker, what makes them listen?
Who have they forgotten about that remembers them very well?
Who would they say ‘yes’ to if invited to do something they abhorred / strongly didn’t want to do?
Would they eat something they find gross to be polite?
What belief / moral / personality trait do they stand by that you (mun) personally don’t agree with?
What’s a phrase they say a lot?
Do they act on their immediate emotions, or do they wait for the facts before acting?
Who would / do they believe without question?
What’s their instinct in a fight / flight / freeze / fawn situation?
What’s something they’re expected to enjoy based on their hobbies / profession that they actually dislike / hate?
If they’re scared, who do they want comfort from? Does this answer change depending on the type of fear?
What’s a simple daily activity / motion that they mess up often?
How many hobbies have they attempted to have over their lifetime? Is there a common theme?
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saraswritingtipps · 10 months
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Tips to help you describe love and attraction in your novel:
1. Show, don't tell: Instead of directly stating that a character is in love or attracted to another, demonstrate their emotions through their actions, thoughts, and interactions. Describe their reactions, gestures, and expressions to convey the depth of their feelings.
Example: "Her heart raced as he entered the room, a smile spreading across her face that she couldn't contain. In that moment, she knew she was helplessly in love.
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2. Engage the senses: Use sensory details to immerse readers in the experience of love and attraction. Describe the sights, sounds, scents, tastes, and textures associated with the characters and their interactions to create a rich and immersive atmosphere.
Example: "As they danced, the soft melody filled the air, intertwining with the sound of their laughter. She caught a whiff of his cologne, a mix of warmth and familiarity that sent a shiver down her spine. The touch of his hand against hers was electric, igniting a flame of desire she couldn't ignore."
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3. Use metaphor and symbolism: Employ metaphorical language and symbolism to convey the intensity and depth of love and attraction. Compare the characters to natural elements, use imagery to describe their connection, or associate their emotions with colors, seasons, or other evocative symbols.
Example: "Their love blossomed like a garden in spring, vibrant and full of life. Each touch was a brushstroke on the canvas of their hearts, painting a masterpiece of desire and longing."
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4. Explore internal thoughts and emotions: Provide insights into the characters' internal dialogue, thoughts, and emotions to convey the complexity and nuances of their love and attraction. Show their vulnerability, doubts, and the transformative power of their connection.
Example: "Her mind was filled with his presence, his voice echoing in her thoughts. Doubts melted away as her heart whispered, 'This is love, undeniable and all-consuming.'"
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5. Highlight the unique qualities and chemistry: Describe the unique qualities and characteristics that draw the characters to each other. Focus on their shared interests, intellectual connection, shared values, or the sparks that fly between them to emphasize their compatibility and chemistry.
Example: "Their conversations flowed effortlessly, their minds dancing in perfect sync. They understood each other in ways no one else could, their connection a magnetic force that pulled them closer with each passing moment."
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6. Capture the range of emotions: Love and attraction encompass a wide range of emotions, from joy and passion to longing and vulnerability. Capture the various emotional states the characters experience, both the highs and lows, to create a multidimensional portrayal of their relationship.
Example: "In his arms, she felt a sense of belonging she had never known. The world melted away, leaving only the euphoria of their love. But as the distance grew, an ache settled in her chest, a yearning for his touch that consumed her thoughts."
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alannah-corvaine · 9 months
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GET TO KNOW THE OC ASKS
1. What kind of person is your OC in a crisis? Are they calm and collected? Do they panic? Or are they chronically the cause?
2. Is your OC a loner or a social butterfly? Are they satisfied with how they come across to other people?
3. What is your OC's financial status? Are they just scraping by, making enough to live comfortably, or wealthy? Has there ever been a drastic change in their status? If so, what happened?
4. Does your OC have a failed friendship or relationship they still think about? What happened? Is it an unresolved regret or is there a chance for reconciliation?
5. Does your OC have a signature weapon and/or attack? How long did they train to master it?
6. Does your OC know magic? Were they born with magical ability or did they train to acquire it? What is their favorite type of magic? Least favorite?
7. Does your OC like their natural hair color or do they dye it? What styles do they prefer?
8. What was your OC's most embarrassing moment? Does it still bother them or are they able to shrug it off?
9. Is your OC laid back or do they thrive on drama? What role do they play in their group of friends/associates?
10. Is your OC sentimental or pragmatic? Do they keep mementos or only what they need to survive? Have they always been this way or did something happen to make them change?
11. What does your OC believe in? God(s)? Monsters? Love? The power of unbreakable bonds of friendship to overcome any obstacle? The ability of money to open any door? Or are they indifferent?
12. Is your OC cynical or optimistic? Who or what shaped their outlook on life?
13. How important are romantic relationships to your OC? Do they prefer casual sex, short flings, or long term relationships? Do they want to get married or are they content with what they have? Or do they have no interest in romance whatsoever?
14. How important is friendship to your OC? Do they prefer to have one or two close friends or a large group of casual friends? Or do they prefer their own company over that of others?
15. What places hold significant meaning or memories for your OC? Do they have a positive or negative association with those places?
16. How does your OC make money? Do they have a respectible profession or work a series of odd jobs? Are they a criminal? Or do they get creative in the pursuit of coin?
17. Does your OC have an enemy? What happened between them? Is it mutual or one-sided? Is it petty or serious? Is one party seeking revenge? Does one person want the other dead or are they content to hate them from afar? 
18. Has your OC ever had a prophecy made about them? Was it a big deal or did they ignore it? Was it straightforward or cryptic? Did it ever come to pass or did they circumvent it?
19. Has your OC ever had an experience with the paranormal or the divine? What happened? Was it a one time encounter or is it a normal part of their life? Did they find it terrifying or thrilling?
20. Has your OC ever done something terrible and lied about it? Did they run away or blame someone else for it? How long did they maintain the lie and did the truth ever come out?
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luxaofhesperides · 3 months
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For ghostlights: baby Ellie + tired Danny + Duke the baby whisperer?
He has no idea how his parents did it. 
Babies are exhausting. Toddlers more so. Any infants in the strange stage in-between? Doubly so. 
Ellie is wonderful and sweet and cute and such a terror that Danny genuinely has no idea how his parents managed to raise not one, but two kids. For all their eccentricities and absent-mindedness, he and Jazz turned out pretty well. Ignoring the whole halfa thing because that’s more his fault than theirs even if Jazz says they shouldn’t have created the dangerous environment in the first place.
That environment is exactly why Danny refuses to let Ellie go to his house in Amity Park. His parents say they’ve disabled all the weapons and ecto-sensors since he’s had to reveal himself as Phantom, but he knows that things slip their minds and if they can’t guarantee that the house is safe, then Ellie isn’t going in there. Simple as that. 
This means that they live somewhere else now. Danny had thought about it, during the hours Ellie was asleep and he was awake, exhausted and worn down to his bones, and took Jazz’s advice to accept Vlad’s offer of buying a house for him. Except he argued Vlad down to an apartment in a city of his choosing where he wouldn’t stand out too much and he would be safe, or as safe as he can be, from anyone trying to hunt down ghosts. 
So here they are. Standing in the empty living room of their new apartment in Gotham. 
Gotham may not be very safe as a city, but it’s good for two ghosts trying to pass as normal. 
Danny sighs yet again, and looks at the space he’ll need to fill. At least Vlad is footing the bill. It’s the least he can do for creating Ellie. Frostbite was the one who was able to stabilize her, though it was almost too late and resulted in her reforming as a baby, just one and a half years old. Jazz is the one who’s choosing most of the furniture, thankfully, so it’s something that Danny doesn’t need to worry about it.
It’s a new start to their lives and it feels so empty. So overwhelming. How did his parents do it? How do any parents do it?
Ellie smacks a small palm against his cheek and babbles lightly.
“I know, Ellie,” Danny says, giving her a tired smile. “Don’t worry, we’ll have this place looking good in no time.”
He adjusts her in his arms, then heads towards the bedroom. It’s the only room that has any furniture, and all that’s there is a bed, a crib, and a bookcase. There are a few boxes on the floor, labeled ‘bedroom’ and ‘clothing’ and ‘books’. Most of it came from his bedroom in Amity Park, but he’s pretty sure he caught Jazz sneaking a few things in before they closed the boxes and loaded them up into the car. 
“Can you be good for five minutes?” he asks Ellie. 
She babbles again and smacks his shoulder.
“I’m taking that as an agreement. Just let me open these boxes and start unpacking before you start causing trouble, okay?”
Ellie makes another sound, but it seems agreeable so Danny carefully lays her down in the crib and gets to peeling off the tape on the boxes. The opens the one labeled ‘bedroom’ first, finding blankets and sheets folded and stacked in vacuum sealed bags. One of them is his old childhood blanket, the one he carried around everywhere that was faded with age, barely blue, with white bunnies decorating it. 
He was so small when he had this. It makes him oddly emotional to unpack it and pass it on to Ellie, draping it over her so her pudgy little hands can grab at it. 
This is no time to cry, though! He forces himself to focus and makes his own bed, shaking out the sheets and fluffing up the pillows. He’ll worry about washing everything later; Vlad made sure to get an apartment with an in-unit washer and dryer, which means he was actually sensible while apartment hunting for Danny. 
He doesn’t mean to flop onto the bed once it’s made, but he ends up there anyways. He’s barely gotten a full six hours of uninterrupted sleep since Frostbite deemed Ellie healthy enough to leave his care. The drive up to Gotham was long and wore him down to his bones.
He doesn’t mean to fall asleep, but he does, drifting off as he wonders, distantly, when Jazz will be back from getting them dinner.
Ellie wakes him up at dawn with a loud cry. Danny jolts awake, heart pounding in his chest as he panics because Ellie isn’t here, she’s supposed to be in his arms, where is she? And then he sees the crib, where Ellie is staring at him through the bars, and he nearly collapses with relief. 
“Morning, El,” he says, voice rough from sleep, as he picks her up. She just stares up at him, then leans forward and rests her head against his shoulder.
It’s quiet moments like these that make his heart melt. Ellie’s had a hard life already; he wants to give her a better one, this time around. 
A quick check of the time on his nearly dead phone shows that it’s barely past six in the morning, and Jazz texted him a few times. All about furniture, saying that she didn’t want to wake them and that food is in the fridge. 
It’s only the mention of food that makes him realize how ravenous he’s feeling. Danny makes a beeline for the kitchen, ignoring everything else, and pulls out the boxes of take-out Jazz left stacked in the fridge. He devours it like he’s been starving for weeks, then gives Ellie her Ecto-Jello, the only food she’s allowed to eat until Frostbite gives the okay for solid, human food. 
Once he’s got her burped and cleaned up, Danny looks out of the kitchen and realizes that Jazz was very productive while he was asleep. The living room isn’t empty anymore; a dark green couch is against the wall, a low, rectangular coffee table made of dark wood in front of it. Two armchairs are on both sides of the couch, and a television has been installed, fixed into the wall. 
Jazz is asleep on the couch. Her legs hang off an armrest and she’s drooling slightly. 
Her phone is charging on the floor, so Danny takes it and snaps a picture of her for later teasing, then sends it to himself and writes a note to her that he’s going out with Ellie to explore the neighborhood.
He’s finally feeling more settled, energized from sleep and food.
In the warm dawn light spilling in through the windows, Danny looks down at Ellie and thinks that they’ll be just fine after all. 
. . .
Four months ago, Danny had hope. He was optimistic. 
Gotham was a fresh start, a new lease of life for Ellie. It is Danny’s attempt to be a single parent, sacrificing college for Ellie, and he’s planning to go out and beat the gangs black and blue if they start anymore shootouts in the next year.
He had just gotten Ellie to sleep. She was actually peacefully taking a nap.
And then a drive by shooter raced down the street, gunshots echoing down the road, and Ellie work up crying. She still hasn’t stopped, despite how Danny rocked her, soothing her as best he could.
They had been outside when Ellie fell asleep, her head on his shoulder. He had been catching up with Sam and Tucker when the car drove by, people ducking and crying out to avoid the bullets. Danny instinctively covered Ellie and made them both intangible, saving them from any stray bullets, but they ruined her nap and he needs to make them pay for that. 
“Shh,” he soothes, “You’re okay. We’re both fine. It’s okay, El, it’s okay.” 
Her little hands clutch at his back, twisting the fabric of his shirt, and she lets out a heartbreaking wail. He pats her back, hurrying down the street to get back to his apartment building, ignoring the looks people were giving them as they passed by. 
“I know it was scary, but you’re alright. You’re always safe with me, El.”
Ellie’s cries down down a little, but they don’t stop. She whimpers, burying her face against his shoulder as he finally reaches their apartment building.
The door’s locked, which wouldn’t be a problem except Danny can’t get his keys from his pocket. He knows he has them! But his pocket refuses to relinquish them and he has to stop every few seconds to pat Ellie’s back, trying in vain to calm her down. 
“We’ll be inside in a second,” he tells her, trying to keep the frustration out of his voice, “as soon as I can get these freaking keys!”
“Hey, you alright?”
Danny startles, whirling around so fast it makes Ellie go quiet, clinging to him so she doesn’t get flung into the air. There’s a guy standing before him in a gray hoodie, looking at him with clear concern. It speaks to Danny’s level of constant exhaustion that he hadn’t clocked someone sneaking up behind him. 
The guy offers an awkward smile. “Sorry, didn’t mean to scare you or anything. Um, do you need me to open to door? I live here too.”
Danny wonders for a moment if this someone dangerous, someone hoping to hurt Ellie, but she starts to cry again and he steps to the side. “Please. I can’t get my keys.”
“I’m Duke, by the way. I don’t think I’ve seen you around here before.”
“Danny,” he replies, watching as Duke pulls out a large key ring, jangling with the amount of keychains on it, and easily opens the door. “I’ve been here a few months, but I’m usually inside. Or walking around in the mornings with this little monster.”
“That would explain it,” Duke says as he holds the door open, letting Danny in first. “I’m usually in classes at GCU, but I decided to take a mental health day after my lab, so here I am.”
Danny walks in and waits for Duke to follow, making sure the door closes properly behind them. “Thanks. How is GCU? What do you study? I was thinking of going there myself once she gets a little older and can go to school.”
“Oh, I’m majoring in English and Human Services.” He goes to say more, but Ellie wails again and Danny winces.
“I’m so sorry. That drive by woke her up and it’s really rattled her.”
“Hey, no need to apologize. I get it, Gotham is rough to kids.”
Danny tries rocking her back and forth, but it doesn’t help. He resigns himself to another hour of her crying before she exhausts herself, and makes for the stairs, going up to the fourth floor. Duke holds open the door again, then follows after them. It makes Danny wonder if Duke is planning to do something to them, then decides he can beat Duke in a fight, so it’s fine.
Duke doesn’t try to hurt them or steal Ellie away. He opens the door to their floor and stops before they do. “I’m in here,” he says, “If you ever need me to open more doors.”
“Thanks. Um, actually, I might need help opening mine?”
Duke just smiles and makes his way back to them, following them farther into the hall until Danny stops in front of his apartment. 
“If I could just get my keys,” he starts.
“Here, let me hold her for a second so you can get them,” Duke offers. Danny wants to insist that it’s fine, but Ellie cries directly into his ear and Danny, at the end of his rope, passes her over. 
Like magic, Ellie settles as soon as she’s in Duke’s arms. She sniffles and hides her face away, clutching to Duke’s hoodie, but she stops crying. They both go still, surprised, and stare down at her. 
“Seriously?” Danny says as he finally pulls out his keys, “Are you trying to say that I’m the problem?”
Ellie babbles lightly, and Duke turns his head to futilely hide his grin.
He grumbles as he unlocks the door and pushes it open. Ellie is acting as if she’s never been upset before a day in her life, making herself at home in Duke’s arms. 
“I can’t believe this. Betrayed by my own blood.”
Duke laughs as he follows Danny into his apartment, lightly patting Ellie’s back. “It’s always the smallest, cutest ones that do this.”
“Yeah? Do you work with a lot of kids or something? Used to being betrayed by the little ones?”
“I don’t work with kids per se,” Duke says, “But my foster family is a hot mess and the youngest of them likes to keep us all on our toes.”
“Family,” Danny says in a tired, fond tone.
“Family,” Duke agrees.
With his door open and Ellie calm, Danny’s ready to just lay face down on the floor for the rest of the day and not deal with anything else. He moves to take Ellie back, holding his arms out, and Duke tries to pass her over.
The key word being tries. 
Ellie tightens her grip and kicks at Danny. She refuses to be taken away from Duke, making him awkwardly try to pry her off his hoodie. Danny really hopes Duke doesn’t notice how she goes slightly intangible to make his hands fall through her arms and legs. It shouldn’t be noticeable, but it’s hard to focus on anything but a kid that clings to you, so Danny holds out for Duke’s goodwill and silence.
“As nice as it is to meet you, you need to go back to your… parent?” Danny nods when Duke looks at him in askance. “You need to go back to your parent. Okay? Come on, kid, he’s waiting for you.”
Ellie shakes her head, makes a frustrated noise, and then turns and reaches out a grabby hand towards Danny. 
She still refuses to be taken from Duke when Danny tries to pick her up again, so he settles with just letting her hold two of his fingers. 
“I’m so sorry about this,” he says to Duke, face burning. This is why he hasn’t been going out and being social since he moved in; Ellie is a handful even on the best days, and Danny doesn’t want someone to judge him as unfit to parent her and have her taken away.
Duke shakes his head, stepping closer. “It’s all good, man. I don’t mind. It’s not like I had any plans today. I’m already skipping my classes, might as well spend it with you two than sleep all day.”
“Are you sure? I’d be happy to invite you in, but I know Ellie can be a lot and not everyone wants to spend their day off with a baby.”
“I’m sure. Besides, I’d just be down the hall anyways. It’s no skin off my back, man.”
“Well,” Danny says, stepping to the side to give Duke full access to his open doorway, “Come on in, then.”
Ellie keeps them connected, one hand in Duke’s hoodie and the other holding Danny’s fingers, and though her cheeks are still red from how hard she had been crying, she’s calm now with her eyes shining with mischief. 
As the door closes behind them, Danny realizes that this is the first time someone he’s not related to has been inside his apartment. Not even Vlad has come in, always choosing to invite Danny and Ellie out for lunch instead. 
It should make him nervous, but Duke is calm and easy going and kind. 
He’s making silly faces at Ellie to make her laugh, completely at ease with her in his arms, as if he’s done this a thousand times before. 
Gotham is a second chance at life for Ellie. It’s a sacrifice for Danny, to be alone and without friends or family around. He’d been ready to give up everything for Ellie, to focus solely on raising her, but with Duke filling his apartment with laughter, he thinks that he can make a life here too.
All he needs to do is take that first step, reach his hand out, ask Duke to stick around.
He can do this.
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visvivathms · 9 months
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THE TINIEST DETAILS: CHARACTER DEVELOPMENT QUESTIONS
do they drive? if so, do they enjoy driving or do they hate it? or somewhere in between?
if they drive, where is their favorite location to drive to?
if they drive, do they own a vehicle? if so, what make and model?
what bumper stickers do they have on their car?
what paintings and/or posters are on their walls?
what is a song they listen to with the windows rolled down, turned all the way up, on the highway?
is there an artform they've always wanted to try (glassblowing, woodworking, painting, ect) but never have? if so, what about that artform speaks to them?
what time of day do they usually start getting sleepy?
do they catch a second wind? if so, what is their method for catching it (napping, drinking coffee, exercising, ect)?
are they a nap person? if so, how long are their naps? do they set a 20 minute timer and wake up before it? or set no timer and wake up in the middle of the night?
what is the most obscure book they've read?
what is a book that interested them so much they took it with them to the bathroom?
what did the air smell like during their childhood?
what is a core memory from their childhood that they look back on fondly and for comfort?
when was the last time they were held, and truly held, for several minutes? who was it with?
do they meditate? if not, have they ever tried? how did it go?
how many pennies and quarters do they have in their couch?
how dusty is their home? spotless, lived-in, dust bunny haven?
what is their favorite chocolate bar?
do they like their brownies fudgy or cakey? or not at all, and only want the crusts?
whats that one weird food combination that everyone else thinks is gross but they think is delicious?
where do they put their shoes when they come home from a long day?
after a vacation, do they immediately unpack or slowly retrieve items from their suitcase until its empty?
how often do they do self-reflection?
are they more afraid of being alone with themselves or with others?
have they ever had a near death experience? if so, what was it?
out of all the subjects in school, which was their favorite? which one did they excel at?
how many alarms do they have set on their phone? what is their alarm ringtone?
do they fart in front of other people? or do they hide their farts?
do they have to see any specialist doctors? if so, do they have a strong bond with their doctor or do they dislike them?
what is their favorite seasoning?
what is their favorite sauce?
how spicy is spicy for them? (pepper, jalepeno, ghost pepper, ect)
how long do they let the dishes go unwashed?
how much laundry do they accumulate before doing it?
what shampoo, conditioner, cologne/perfume and deodorant do they use?
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projecttreehouse · 2 years
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how to write relatable characters
writing relatable characters may seem like an easy task, especially when you’re constructing your protagonist. but what if you want to make your antagonist likeable? what if you want people to hate your protagonist but still root for them? all of this and more requires that your characters be relatable. they need to feel real, so how do you do that? here’s how:
- flaws: this is probably obvious. everyone has flaws, so we should give our characters flaws, too. this applies even if your character is non-human; they cannot escape the personification that we as writers or readers project onto them. we are humans reading, so we expect to see human qualities everywhere we look. if you’re having trouble of identifying your character’s flaws, here are some prompts for ways to think about flaws beyond a list:
what skills do they lack? what do they struggle with?
can their strengths be turned against them as a weakness?
what makes them react emotionally or impulsively?
are they aware of their flaws? if so, do they want to improve them or change them?
- quirks: these are what make your character unique or special, and no, i don’t mean purple eyes or unique physical traits. i mean: what makes your character authentically themselves? what traits define them that few others have? some ways to think about this are:
how do they react when nervous? do they have a tell? similarly, how do they react on behalf of any emotion?
what skills do they have that hardly anyone else has?
what obscure thing are they obsessed with?
do they have a unique outlook on life compared to their peers?
- values: these come from life experiences: where we were raised, our family and friends, our community, religious affiliations, etc. i suggest identifying eight to ten values that define your character and then narrowing that list down to five values that mark their core or essence. think about how these values influence their choices, decisions, and ultimately, the plot of the novel. here are some more prompts to think about values:
how do they react when their values are challenged? are they one to speak up or do they sit back in the shadows?
what, if anything, will change or shatter their values?
are their actual values misaligned with their believed values?
- stakes: what is at risk for your character? what is motivating them? stakes don’t need to be over the top or life or death; they can be as simple as maintaining a relationship or reaching a goal. unless there’s an outside influence (ie. percy’s mother being kidnapped in The Lightning Thief), most stakes—especially those relatable—tie back to values. even those influenced by outside factors can tie back to values: the only reason percy is motivated to get his mother back is because he cares for her and she is the one person who has always advocated for him and cared for him. he values family and riordan uses his family to motivate him and incite the plot. generally, there will be one overarching stake for your character, but throughout your novel, there should be several smaller stakes. these may not service the plot but should elaborate on your character nonetheless. some ways to think about stakes include:
how can i use internal or external factors to create convincing, relatable stakes that tie back to basic values?
why does the overarching stake matter to my character? why do they care?
how can i raise the stakes or introduce new ones that are relevant to my character and illustrate them as a relatable being?
- connection: even if your character is an introvert, they will still be connected to someone, something, or even an idea. we, as humans, look to certain people, pets, objects, and ideas to maintain our sense of reality whether we realize it or not. if your character prides themselves in having no attachments, think about the ideas or themes that mark the cornerstones of their reality. most human beings strive for some form of connection, so here are more prompts for thinking about your characters and connection:
what does connection mean to my character? how do they show how they value their connections or relationships?
how does my character’s behavior change when around different connections?
what connections define my character and their reality? how will these connections influence my character and/or the plot?
how will removing or challenging a connection change, influence, or motivate my character?
a good rule of thumb is to treat a character as a human, not a plot device. there is a time or place in which a character must act as a plot device, but if you’re wanting your readers to be compelled by your narration and the characters within them, you should strive to write your characters as human (aka as relatable). one of the greatest pleasures i find in writing is when other’s identify themselves in my writing.
you’re not just here to tell a story, you’re here to connect with others through the illustration of your characters. let the reader navigate your prose as a detective, to search for and identify the evidence provided by you. that is to say, show us how these things manifest in your character. don’t tell us.
happy writing! hopefully this post gave you some ways to start thinking about how to show the relatability of your character. if you have any questions about implementing these tools or about writing characters, our ask box is always open.
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questionprompts · 10 days
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1. If your OC could live anywhere they wanted, where would they choose?
1a. If their ideal location is not where they currently reside, what is preventing them from moving there? Is it financial, situational, scientifically impossible, etc.?
1b. Have they ever been to this location before? If not, is it a real place they've read about/seen pictures of, or is it a hypothetical place they daydream about?
2. If your OC does not have any particular place in which they'd like to stay, do they prefer life on the road?
2a. If so, is that a lifestyle they currently enjoy, or are they stuck somewhere and wish they could take up traveling?
2b. If not, what is their preferred living situation?
2c. If they travel for work/obligation but don't enjoy it, would they enjoy it more if the traveling was on their own terms or through a different mode of transportation?
2d. When traveling, does your OC have any favorite spots they like to revisit when they can?
3. What mode of travel would/does your OC prefer? (Ex: RV, spaceship, hiking, train, etc.)
3a. How common is it for their setting? How would someone make arrangements to travel by this method (is it expensive, cheap, free, exclusive to a contract, etc.)?
4. How many times, if any, has your OC moved [to live somewhere else]?
4a. What were the circumstances?
4b. What is the longest they have ever lived in the same place? If they have lived in the same place their whole life, how old are they?
4c. If applicable, what is the shortest amount of time they've stayed at a place?
5. When moving or traveling, how many belongings does your OC typically take with them? What do they consider essential?
5a. Who else, if anyone, is with them? Are they agreeable traveling/living companions, or do they not get along? Do they travel together often or rarely?
5b. Who else, if anyone, would your OC prefer to have as a traveling/living companion?
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daily-prompts · 3 months
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I think having a writing playlist is so important, if only because it trains your brain to get into the right headspace for your wip.
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OC Questions on the Seven Forms of Love.
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A little list of OC questions based on the seven types of love identified in Ancient Greek thought. Obviously this is a highly simplified presentation of some quite complex philosophical concepts from Classical History, intended more for the purposes of entertainment than education. I also left out Mania, which is arguably an eighth type of love (Obsessive), because I'm keeping it mostly positive in these tricky times!
Eros – Romantic, Passionate Love.
Is your OC romantic in the traditional sense? Do they enjoy giving or receiving gifts of flowers or confectionary? Or are there other courtship traditions from their culture of origin that are important to them?
How important is sex to them in a relationship? Do they see it as something essential to their happiness? Would they be able to remain in a monogamous relationship with someone they loved without sex?
How do they feel about public displays of romantic affection? Does it make them uncomfortable? How do they feel if a romantic partner kisses them in public?
Do they believe in love at first sight? Have they ever developed a crush or romantic (or erotic) fixation upon a stranger based on their appearance alone?
How closely is their opinion of their own beauty (or lack thereof) linked to their confidence? Do they see themselves as more or less worthy of love or sex based on how attractive they feel?
Philia – Affectionate, Platonic Love.
Does your OC have a Best Friend? If they do then how long have they known each other and how did they meet? If they don't then do they have a close group of friends they love equally? Or are they more of a loner?
Does your OC find it easy to make friends? Or are there barriers to them doing so? If so then are these due to issues of inclination, communication, or something else entirely?
What qualities does your OC most value in a friend? Loyalty? Shared sense of humour? Or something else?
Is your OC able to build close friendships with people very different from themselves? Perhaps in terms of culture, age or personality?
What is their most fervent wish for their best friend(s)? How far would they go to make it happen?
Storge – Unconditional, Familial Love.
Did your OC's parents love them unconditionally? If so then has this helped them feel confident as an adult? If not then how has this affected them? What were the conditions their family attached to their relationship?
Does your OC have children? If so then how fiercely do they love them? If they have more than one then do they love them all equally? If they do not have children then is this part of their future plans?
How far does parental approval (imagined or expressed) impact upon their current sense of self-worth? What might they sacrifice or attempt to achieve in order to ensure the approval of their parents?
Does your OC have any siblings? If so then did their parents have a favourite growing up? Has their relationship with their sibling changed in adulthood? If they don't have any siblings then do they perhaps feel they have missed out on an important relationship? Do they have any especially close friends who go some way towards filling that role?
Is your OC able to love without necessarily needing or expecting reciprocation or reward? Or are all their relationships to some extent transactional? Have they ever loved another person unconditionally, whether a child or another adult?
Agape – Selfless, Universal Love.
Does your OC wish to make the world a better place? How far do they see that as being their responsibility? What lengths would they go to in order to help achieve this?
Does your OC feel a spiritual connection to the world around them? Do they have a particular love for nature or living things?
To what extent does your OC believe in the value (or even existence) of true altruism? Do they see an unselfish concern for the welfare of others as being naïve or foolish? Or as a moral quality to which people should aspire?
Does your OC have a religious faith which emphasises the importance of a love for all people? If so then do they try to follow these teachings authentically? Or do they just pay lip-service to them? If not then do they follow a more martial or mercantile faith? Or none at all?
Does your OC find it easy to empathise with their enemies? Or do they see it as important to dehumanise them in order to combat them with sufficient determination?
Ludus – Playful, Flirtatious Love.
Does your OC have any particular favourite chat up lines? If not for themselves then perhaps ones they have suggested to a friend? How effective do these tend to be?
Is your OC particularly skilled at flirting? Have they had to practice this or does it just happen naturally?
How does your OC feel about one night stands? Have they ever enjoyed a night of passionate romance with a stranger? Is this something they are quite keen on recreationally? Or only something they might engage in under specific circumstances (such as the eve of a battle or after a difficult breakup)?
Who was your OC's first crush? How do they feel about it now?
What seduction techniques are most likely to be effective when it comes to your OC? Are there some things guaranteed to get them going? Or are they immune to such things?
Pragma – Committed, Long-Lasting Love.
Is your OC in a committed long-term relationship (or relationships)? If so then what has contributed to this relationship lasting so well? If they are not in such a relationship, then is this something that saddens them or which they regret?
What is the biggest challenge that your OC has had to overcome in a long-term relationship or friendship? What helped them get through this?
Are your OC's parents still together? To what degree do they look to their own parents as a model for their own ideal relationship?
After the initial fires of passion cool to some degree, what would keep your OC engaged in a relationship? Shared goals? Similar values? Or contented companionship?
What importance or value does your OC attach to marriage? Do they believe that it is important to make a public statement of commitment to another person (or persons)? Or are they more concerned about inheritance rights and security for their family? Or do they not see marriage as a necessary signifier of commitment and loyalty?
Philautia – Self Love.
Does your OC have a healthy sense of their own worth and value? Or do they see themselves as failing to live up to their original potential? Perhaps they are convinced of their own sinful or inadequate nature?
Does your OC believe that it is important to love themselves in the first instance? Perhaps in order to be able to give and receive love authentically? Or because they believe first and foremost in "looking after number one"?
Does your OC judge themselves by the same standards as they apply to others? Or are they sometimes hypocritical in condemning others for faults they also possess? Or perhaps they find it easier to forgive others for things that they cannot abide in themselves?
Which of your OC's qualities makes them the most proud? Do they think more people should be like them in this regard? Or do they quite like being rare in possessing it?
Has your OC always had the same opinion of themselves or has this changed over time? Have they learned to love themselves - perhaps with the help of others - as their journey progressed? Or have the consequences of their actions only served to erode their sense of self-worth?
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judasrpc · 8 months
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THE MAJOR ARCANA
a collection of character development questions based on the arcana and their themes !! this is part of a collection of tarot-themed asks. if multi, please specify which muse(s) the question is directed toward !!
[THE FOOL] - Do they weight their options when making a decision, or do they impulsively make a choice?
[THE MAGICIAN] - Are they resourceful? What skills do they possess that help them navigate the world around them?
[THE HIGH PRIESTESS] - Do they meditate? Would they be considered "in tune" with themselves, or do they struggle with personal growth?
[THE EMPRESS] - Do they participate in or have a self-care ritual? If so, what does their routine look like?
[THE EMPEROR] - Is your muse a leader? If so, what kind of leader are they? Do they take a hands-off approach, or do they micromanage?
[THE HIEROPHANT] - What are important traditions to them, if any? Do they stay true to these traditions, or do they adapt them to fit their current situation?
[THE LOVERS] - What do they consider to be the "perfect partner", be it romantic, platonic, alterous, etc.? Is there someone like that in their life?
[THE CHARIOT] - Are they confident? If so, what makes them the most confident in themselves/their abilities?
[STRENGTH] - What are they determined to accomplish the most?
[THE HERMIT] - What does their inner voice sound like? Is it self-reflecting and introspective, or domineering and judgmental?
[WHEEL OF FORTUNE] - Do they believe in destiny/fate? If so, what do they believe their "purpose" is in this life?
[JUSTICE] - Are they a mediator, or do they prefer to step away from potential conflict?
[THE HANGED MAN] - Would they sacrifice themselves, literally or metaphorically, for those close to them? If so, what kind(s) of sacrifice would they make?
[DEATH] - What is their view on the cycle of life? Do they believe in reincarnation?
[TEMPERANCE] - Are they a patient person, or do they tend to act on impulse?
[THE DEVIL] - Which of the capital vices is your muse tempted by? (Pride, Greed, Wrath, Envy, Lust, Gluttony, Sloth)
[THE TOWER] - Are they a destructive individual (be it literally or metaphorically)? If so, how?
[THE STAR] - What is their health like? Do they consider themselves healthy, or do they feel like they could make improvements to better their health?
[THE MOON] - If they had to choose one trait to describe themselves, what would it be? Is it a genuine answer, or the illusion/persona they put on for others?
[THE SUN] - What makes them feel good? This can be happy, energized, revitalized, etc. It's all about good vibes, so what gives them to your muse?
[JUDGMENT] - What was an epiphany/awakening they recently had? Did they realize something that they've been naive to? Did they discover something about themselves? What happened?
[THE WORLD] - How would they define a utopia? What would it consist of, and do they see it as something achievable?
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saraswritingtipps · 10 months
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Tips for portraying the chemistry between your characters in front of their friends or family:
1. Non-verbal cues: Show their natural gravitation, shared glances, and subtle physical contact.
2. Inside jokes and laughter: Highlight their shared humor and lighthearted moments.
3. Magnetic presence: Make others notice their captivating energy when they enter a room.
4. Genuine interest and support: Illustrate their caring and supportive interactions.
5. Subtle displays of affection: Include brief touches or tender gestures that hint at their connection.
6. Protective instincts: Showcase their instinct to shield and defend each other.
7. Body language mirroring: Describe how they mirror each other's gestures and emotions.
8. Genuine admiration: Show them openly expressing admiration for each other's qualities.
9. Unspoken understanding: Highlight their ability to understand each other without words.
10. Observant friends or family members: Include characters who notice and comment on their chemistry.
Remember, these moments should feel natural and add depth to your characters' relationships.
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writers-potion · 14 days
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so ive seen quite a few different character profile templates but i was wondering if you knew of anything similar to those to help us organize the key relationships in our writing?
Organizing Character Relationships
Create a Character Relationship Chart
There are two main methods I use. For a story with a relatively smaller cast, I draw a kind of mindmap or family tree type diagram with my main character in the middle. All the other characters will be a web of relationships surrounding the main character:
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made with Excalidraw
Vary the size of the character profile according to importance
Color-code the relationship type (family, friend, acquaintance)
Use different types of lines to denote different kind of relationships
Make use of icons (like a star) to mark people who belong to the same organization/school, etc.
You can use a group of people as one entity
Make it intuitive!
For stories where the cast list is long, or where all the side characters basically know each other (such as in a classroom setting where pretty much everyone knows everyone), I use a table format:
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The table is two-way. Below the gray area is what the column character thinks about the row character, and above the table denotes what the column character thinks about the corresponding row character.
Color code important relationships
Use different types of font for love, hate, mutual rivalry, etc.
You can choose to insert intuitive icons instead of text!
Mapping out Character Development
The last step is to bring in the element of time between the characters, because their relationship is going to change/evolve over time.
You can just make a different bullet point for different stages of their relationship.
You can make two of the character relationship chart: one for the beginning and one for the end.
Or, you can denote to using relationship tropes, i.e. friends-to-enemies, friends-to-lovers, enemies-to-lovers, etc.
Hope this helps :)
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develop-your-villain · 10 months
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Tag the OC who is missing an eye
Bonus points for saying why/how they lost it!
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lunamugetsu · 1 year
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Danny Phantom X DC Batman Angst prompt
Here's a little angsty fic idea for you all.
Bruce has his computer set up to notify him about anything that deals with the Lazarus Pit. He's taking no chances with that glowing green water! The batcomputer would notify him if any chemical trace from the Lazarus Pit just pops into the system. It doesn't matter where, from forensics collecting evidence from a crime scene, a criminal's drug testing, or a scientist just investigating a petri dish.
When the batcomputer notifies him that it picked up traces of the chemical that's found in the Lazarus Pit. He immediately starts investigating. He finds that it's been found in a batch of medicine in one of Gotham's hospitals (in which he funds) Investigating even more, it turns out the the chemical formula of the Lazarus pit has been modified and what's even more interesting is that the the patients that had already been administered the medicine have shown small signs of improving health with no side effects.
With some detective work, Batman is able to trace it back to Mr. Freeze. When confronting the villain on what he's found. Mr. Freeze says nothing. He's completely silent. Batman figures that whatever Mr. Freeze was working on had to do with trying to cure his wife hence the medicine that's been improving sick people's health. But Mr. Freeze has no ties to knowing anything about the Lazarus Pits. So through a bit more investigating, Batman is able to have a lead and traces it down to an apartment building. When investigating it, he finds Danny.
It turns out, Danny and Jazz moved to Gotham in an effort to prevent Danny from being taken by the GIW, be experimented on by their parents, or be controlled by Vlad. They were sitting pretty in Gotham for a couple of months until Jazz's health started to take a turn for the worse. When Batman takes a look into Danny's apartment and sees Jazz. He immediately puts it together.
Jazz has cancer.
The medicine that had traces of the modified Lazarus Pit compound was chemo drugs and they were being used on those who were going through chemotherapy. Danny was working with Mr. Freeze in an effort in making a regenerative medicine from ectoplasm in an effort to cure his sister.
(think about the glorious angst of a teenager trying to figure out how to save his dying sister while also trying to keep themselves hidden from all of his enemies)
(and also the batfamily that is totally going to try their best to help Danny and Jazz)
(You think, Batman's going to just sit there and look at a seriously stressed out kid with a sick sister and just leave them like that)
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