#curtis magazines

[all-action-all-picture]

The Savage Sword of Conan No. 23, October 1977. Cover by Earl Norem.

#curtis magazines #marvel #the savage sword of conan #conan the barbarian #conan #red sonja #earl norem #1977 #01oct #octopus

[mrrubbersuitman]

https://www.etsy.com/.../savage-tales-vol-1-5-bronze-age... VF- Savage Tales 5, last Conan issue, first Ka-Zar issue, Neal Adams cover. Available through the link for $35.00

#savage tales #conan #conan the barbarian #ka-zar #neal adams #marvel comics #roy thomas #curtis magazines #comics #comic books #bronze age comics #comics for sale

[browsethestacks]

Haunt Of Horror (Digest)

House Ads + Covers

Art by Grey Morrow / Arthur Byron

Curtis Magazines / Marvel Magazine Group (1973)

#Comics #Marvel Comics #Haunt Of Horror #Grey Morrow #Arthur Byron #Horror Comics #Horror #Advertising #Ads #House Ad #Vintage #Art #Digest #Digests #Magazines #Marvel Magazines #Curtis Magazines #Curtis #Harlan Ellison #Denny O'Neil #Anne McCaffrey #Lin Carter #Fritz Leiber #Robert E Howard #Ramsey Campbell #1973 #1970s #70s

[missjaneeyre]

In 1963 photographer Bert Stern photographed some of the top actors/actresses at the height of their fame playing their dream roles for a photo series in LIFE magazine's December 20, 1963 issue.

Cary Grant as Charlie Chaplin's Tramp / Audrey Hepburn as Pearl White in 'Perils of Pauline' / Tony Curtis & Natalie Wood as Rudolph Valentino and Vilma Bánky in 'The Sheik' / Paul Newman as a Douglas Fairbanks Sr. swashbuckler / Frank Sinatra & Dean Martin as Judah Ben-Hur and Messala from 'Ben-Hur' / Bing Crosby & Bob Hope as 1930s gangsters / Jack Lemmon as a war pilot / Shirley MacLaine as one of Busby Berkeley's showgirls / Rock Hudson as Dr. Jekyll and Mr. Hyde.

#cary grant #audrey hepburn #tony curtis #natalie wood #paul newman #frank sinatra #dean martin #bing crosby #bob hope #jack lemmon #shirley maclaine #rock hudson #bert stern #life magazine #old hollywood

[twixnmix]

Tony Curtis and his daughter Jamie Lee Curtis at home in Beverly Hills on January 7, 1959.

Photos by Allan Grant for LIFE magazine

#tony curts #jamie lee curtis #1959 #hollywood #1950s #actor #classic hollywood #life magazine #father and daughter

[celebratingwomen]

Jamie Lee Curtis photographed by Bonnie Schiffman, 1986

#1986 #80s #actress #actor #model #magazine #photoshoot #fashion #style #famous #celebrity #hair #makeup #jamie lee curtis

[may8chan]

Fangoria

#Fangoria #Hellraiser #Jamie Clayton #Halloween Ends #Jamie Lee Curtis #Nick Castle #Terrifier 2 #David Howard Thornton #Magazine

[fayegonnaslay]

Janet Leigh and Tony Curtis in Photoplay Magazine, 1962.

#janet leigh #tony curtis #jamie lee curtis #1960s #movie stars #photoplay #old hollywood #fan magazine #classic couples

[all-action-all-picture]

The Savage Sword of Conan No. 47, December 1979. Cover by Earl Norem. Black and white magazine from Curtis Magazines / Marvel that ran from 1974 to 1995.

#marvel #conan #conan the barbarian #earl norem #01dec #1979 #curtis magazines #robert e howard

[mrrubbersuitman]

https://www.etsy.com/.../savage-tales-vol-1-8-and-9... Mid condition lot of of Savage Tales 8 and 9. Available through the link for $18.00

#savage tales #ka zar #shanna the she devil #mike kaluta #curtis magazines #marvel comics #comics #comic books #bronze age comics #comics for sale

[browsethestacks]

Original Art - Planet Of The Apes Magazine #02 Pg 17 (1974) by Mike Ploog

#Comics #Marvel Comics #Planet Of The Apes #Planet Of The Apes Magazine #Mike Ploog #Vintage #Art #Original Art #Science Fiction #Fantasy #Film #1974 #1970s #70s #Marvel Magazines #Curtis Magazines #Marvel #Curtis

[rolandrockover]

Reprise Vol. 1 - Master & Slave

I think it's no big secret that Paul doesn't have much good to say about Kiss' Carnival of Souls. To put it mildly. Or he simply does everything imaginable to at least create such impressions whenever this album title should rarely enough become the subject of an interview question. Of course, he's welcome to do as he pleases, but personally, from my humble perspective, I think it's a bit of a shame, because I can also remember times when he spoke a tiny bit differently about it.

For example, I can still remember the time when the subject of a reunion was still treated as fictitious, and it wasn't on anyone's horizon, least of all Paul's and Gene's. That was back in 1994/95, when Kiss' laudable motto of perseverance and giving their best was for a change increasingly emphasized in their new music.

I still remember very well that regular little Kiss feature in the German Rock Hard magazine, which was supervised by their Kiss Die-Hard (0), and from whom one got the vivid impression that he regularly got a certain insight into the world of our favorite band. I think it must have been February or March 1995 when Paul and Gene (1), but also Eric Singer (2), apparently got in touch with the interviewer directly from the rehearsal room in a telephone interview and Paul confidently said, not without his usual side-swipe at Gene, that his songs were much more melodious and heavier than Gene's. There was a certain pride in that. At some point later he even went so far as to claim that the new album was the best and heaviest since Creatures of the Night.

Oh my! What I mean, since that's a rather thoughtful and equally rare tribute to their own music, which was previously only outspoken to give a very special shine to the indeed excellent Revenge, and the return to form associated with it. And I must add to this Paul seemed quite proud of Revenge in 1992 regardless of how hard he had contributed to the previous albums in the 80's anyway. But who knows, once again, it was probably just the latest sensationalization of the upcoming album (3). Promotion is a double-edged sword, but to wipe Revenge away so succinctly because of it, I really don't know. But maybe and probably because it wouldn't have sounded so good to say their new album was the best since... their last one.

But to get my act together and to at least briefly talk directly about Master & Slave in this context.

So, as I already mentioned in my original entry, Master & Slave had the working title: Paul's Riff. In my perception, this suggests pride and respect, not necessarily from Paul himself, but clearly from his band environment. And the fact that such a meagre, yet all-saying no-name was chosen as accepted as a working title, if not even honored from everybody involved clearly speaks for itself.

And because this is a reprise, I'll simply feature an excerpt from my original text about what I see in this song:

"What begins in Not For the Innocent with a few approaching, ominous tones, continues in Unholy as a small extension in a slightly different pitch, and a much more compact back and forth oscillation of these tones, which thereby does not form the entire riff, but only a complementary part of it. In Master & Slave the whole thing gains in drasticness, and the motif is doubled to a lower pitch, added to the previous one to secure its terrain, only to turn into a Black Sabbath motif a la After All. An endlessly repeating highly dynamic acrobatic feat in loud and quiet/guitar and bass contrast."

When writing Master & Slave, Paul must have thought to himself: Ok Gene, a dark album full of Unholys shall it be? This time I'll listen to you, then you shall get Unholy. Which must have stimulated his ambition to try to outdo Gene in terms of Unholy by more than a small margin. I think the result shows in all strength what the right ambition can achieve.

"To conjure up this wet dream of riff Paul must have really tried hard and done his very best to achieve such a result - regardless of what he claims about Carnival of Souls as a whole today."

It is a real pity that he no longer stands by it. Gene and, above all, Bruce (4) seem to have fewer problems with this.

Side Notes:

(0) Jan Jaedike.

(1) Gene emphasized the psychedelic component and compared Carnival of Souls to the Rolling Stones' Satanic Majesties Request (1967) (5) , and that they couldn't explain either why it sounded different from the previous album.

(2) Eric said the album was super heavy and exactly the kind of music he wanted to play. I love to mention this because he had also clearly distanced himself from Carnival of Souls over the past few years. Klassik.

(3) Can anyone still remember how they loud-mouthedly advertised Crazy Nights as a mixture of Animalize and Destroyer back then? There's even a Youtube video of it, but don't ask me where. Anyway, that was still was something different.

(4) Or the last of the Mohicans, as I like to call him.

(5) Hmm, which Stones album did Ace's cover of 2000 Man actually come from?

Master & Slave starts from the beginning. Unholy and Not For The Innocent are highlighted. Turn up the volume and open your ears, I assume no liability:

Master & Slave (1997)

Unholy (1992)

Not For The Innocent (1983)

I'll add After All by Black Sabbath on top.

After All (1992)

#Kiss #Paul Stanley #Bruce Kulick #Last of the Mohicans #Curtis Cuomo #Gene Simmons #Vinnie Vincent #Master & Slave #Carnival of Souls #Lick It Up #1997 #1992 #1983 #Revenge #Bob Ezrin #Michael James Jackson #Toby Wright #Rock Hard #Magazine #1994 #1995 #The Rolling Stones #Satanic Majesties Request #1967 #Roland Rockover #Eric Singer #Youtube #Black Sabbath #After All #Jan Jaedike

[twixnmix]

Tony Curtis and Janet Leigh with their daughters Kelly Lee Curtis and Jamie Lee Curtis at home in Beverly Hills on January 7, 1959.

Photos by Allan Grant for LIFE magazine

#tony curtis #janet leigh #jamie lee curtis #1959 #kelly curtis #1950s #nursery #classic hollywood #life magazine

[damailbox]

Disney Adventures, August 2003

#Disney #Freaky Friday #2003 #2000s #Lindsay Lohan #Jamie Lee Curtis #interview #movies #Disney Adventures #magazine

[celebratingwomen]

Jamie Lee Curtis photographed by Paul Harris, 1978

#jamie lee curtis #70s #1978 #actress #actor #model #magazine #photoshoot #fashion #style #famous #celebrity #hair #makeup

[luzzarm]

"The Dean Martins, Jerry Lewises, Tony Curtis, Janet Leigh at Jerry's birthday party. Stills from home movie take-off on 'Sunset Boulevard'"

1951

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

PHOTOPLAY MAGAZINE - June 1951:

Party Pranks: Have to tell you about the hilarious birthday party that Jerry's cute wife Patti gave for him. The reason it was so rib-splitting was because, a few nights before, Jerry and Dean, plus Janet Leigh, Tony Curtis, song-writer Mack Davis and a few chums had produced, acted, directed and generally "messed up" their version of a burlesque of "Sunset Boulevard". The Martin-Lewis film is titled "Fairfax Avenue" (that's not one of the Hollywood's swankier streets) and on this particular evening, after dinner, the film was flashed on the family screen for the forty guests. We just wish we had space to go into details about how funny a picture it was. Actually, this isn't the first one the boys had made. But maybe someday you'll see them in theaters. And you'll be surprised how many big stars (aside from Janet and Tony who just love "working" in them) have participated in the fun.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

#don't you love it when dean acts silly??😭💕 #the dean martins #the jerry lewises #they all be looking like super models #martin and lewis #dean martin #jerry lewis #patti lewis #jeanne martin #janet leigh #tony curtis #photoplay magazine #50s #1951 #comedy #old hollywood #vintage hollywood #retro photo #sunset boulevard