I have been doing so much reading on ao3 lately and have come to realization conner has to be one of my favorite superman characters of all time.
Not only is there so much to break down from his character but he's so wildly different that I love it.
It's also kinda sad but also refreshing to see superman so outta his depth about the fact he has a half son with lex luthor of all people.
It's honestly really sad to see the fact he doesn't actually know how to handle conner though. Like Kal just happens to be disturbed by him and it causes a rift between them that can't be mended. Of course it's not Conners faults but the fact he has no idea what to do to make superman like him kills him on the inside but he tries to still do right and make him proud.
It's honestly so sweet and yet so sad at the same time. Which is why I love that he has the young justice league and his boyfriend to always support him. It really seems like we glazed over their relationship and don't do any real development which is a blessing as it is a curse.
Honestly I love seeing where superman kinda just accepts him and acts like a divorced parent sharing custody but I just absolutely with all my heart LOVE when we get to see more break down fics of their relationship and the seems of what makes Conner and Clark's bond.
I'm only updating this because so I could say in other words this:
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send me "be honest..." with a question your muse has been dying to ask mine and they'll answer truthfully.
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I think people need to realize that it was sheer luck that they have been born in developed countries with decent living conditions, away from the threat of war or civil conflicts. It is by pure coincidence at times that you end up being a citizen of a developed country, rather than one with an impoverished population experiencing man-made (because it is man-made in this day and age) famine, diseases that have been long eradicated or war (be it a civil conflict or due to selfish interests of developed nations who profit from these, at the cost of civilian lives). You could have been born into these conditions.
The point is: NO ONE should ever be made to witness the horrors of war, famine, poverty, disease or any other trauma inducing situation in which they have no free will or say about its outcome.
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Revisiting Designs
Featuring Luka and Lily along with some commentary.
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new game idea, building off of gubat banwa's THUNDERING TACTICS SYSTEM. ULTRAVIOLENCE AT THE END OF TIME [UV@TEOT] is very angry and very grungy and its hard distorted electric guitar riffs playing alongside light nujabes flutes and everyone is trying to kill the gods (capitalists)
extreme buddhacore aesthetics mixed with slipstream dirty grungy cyberpunk a la Digital Devil Saga where you play as Black Flame Wielding God Devouring Devil Fucking Martial Artists
DECAPITATE THE GODHEAD
Character Generation is based off an axis of your Zodiac-Tarot (known as KARMIC BURDEN) and MARTIAL COMMUNES (the ones that safeguard your consciousness so you can die multiple times, and also teach you and give you equipment)
Communes are inherently anarchist who steal from HEAVEN to get you equipped. They need Pros like you, so you fight in the grueling gladiatorial matches to get CLOUT, the universal currency. You will never survive without them
character advancement is based on your CLOUT, a la Runes or Souls in Souls-like. its both currency and XP, because you need CLOUT to learn new moves and get new augs. getting new shit is integral to gaining a new following
MARTIAL COMMUNES are slick philosopher-martial art communities that piece together esoteric martial arts. Each commune has a signature martial art that you learn. So far there's THE HEAD OF MARX, TWIN TRUNG ELEPHANTS, SAKAY'S SHADOW FLITTING STYLE, LIVING BODY CANVAS, FLOATING HUAYAN VIDEOMANCY, and THE DIAMOND BODY OF CHRIST-KRISHNA
k6bd is a huge huge inspo of course but unlike k6bd which is a bit more gnostic-buddhist UV@TEOT is more full on Esoteric Vajrayana Buddhism, Shingon Buddhism and an intense Techno-Animism, here's some aesthetic pegs
also no playable cops. they're souls chained to physical demons
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There is fire in the flint and steel, but it is friction that causes it to flash, flame and burn, and give light where all else may be darkness. There is music in the violin, but the touch of the master is needed to fill the air and the soul with the concord of sweet sounds. There is power in the human mind, but education is needed for its development.
Frederick Douglass, "Blessings of Liberty and Education (1894)"
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Do you have a favorite of your own characters? Or certain ones that you feel particularly connected to? I feel like creators tend to put bits of themselves into their characters--are any of them like that for you? Just wanna say your work is a huge inspiration to me and really helped shape my art and taste in media growing up, thanks for putting your work out into the world!!!
Theoretically, I love them all.
They're all a part of me in some way.
I've discovered over the years that I just can't handle characters I can't relate to. Most specifically, Billy, Mandy, and Grim are major facets of my personality. I purposefully related them to Freud's Id, Ego, and Superego, but they're all very specifically also a part of who I am. Billy is my fun-loving lust for freedom from schedules and consequences. Mandy is the part of me that realizes that Billy will destroy us all, so there must be structure. Grim is just trying to live his life. He wants to watch TV and pet cats, but life (unlife?) just won't give him a break. He's the viewpoint character to my Asperger's.
Irwin is the sad-sack/misguided hero redeemed, which is always a trope I love.
Eris is specifically the Discordian Eris, but also the extreme end of that Billy lust for freedom and the will of the RNG gods. (Good gravy -- my current BG3 playthrough)
Nergal is my love for Lovecraftian/Howardian Mesopotamian deities as has-beens.
Jeff the Spider (quite literally me at the time of his inception) was Too Nice, and therefore a sucker.
Hoss Delgado is the knowledge that if you gaze too long into the abyss... you end up with a chainsaw for a leg.
Then (because this is a collaboration) you've got characters who are primarily created by and representative of other people. For example, Fred Fredburger was created by C.H. Greenblatt. Sperg was created by Gord Zajac (as was Hoss, really). Boogey was created by Spencer Laudiero. All of these artists infused some piece of themselves into the character.
This is (IMO) where it gets fun. It's the ultimate Role Playing Game. It's childhood play made manifest. I've got my Luke Skywalker figure and you've got your Darth Vader figure and we've got two COBRA H.I.S.S. tanks and a Muffy from Battlestar Galactica and we're gonna hash this shit out.
Ideally, I think I'd want a "Simpsons World". A world where there are zero (or as close as possible) extraneous characters. Everyone represents something and everyone matters. I was so close with B&M. Fingers crossed I get there one day.
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Classification of countries according to IWF and the UN.
by geography_worldmaps
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"I hear that goblins believe that the railway engines have a soul, elf," she said softly. "Tell me, what kind of soul have you? Do you run along your own elvish rails? With no time or place for turning?" She looked at the kelda and said, "Granny Aching told me to feed them that was starving and clothe them as is naked and help the pitiful. Well, this elf has come to my turf--starving, naked pitiful--do you see?"
The kelda's eyebrows rose. "Yon creature is an elf! It has nae care for ye! It has nae care for anyone--it disnae even care for other elves!"
"You think then there is no such animal as a good elf?"
"Ye think there is such a thing as a gud elf?"
"No, but I am suggesting that there is a possibility that there might be one."
Terry Prachett, The Shepherd's Crown
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