Slow morning today so I filled a meme.
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The love interest when an mlm romance is written by a straight woman:
A prince
A high school boy
The boy next door
The love interest when an mlm romance is written by a gay man:
An artificially intelligent computer
Artist you killed after commissioning a portrait
The demon who owns your soul
A hallucination <3
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I could've sworn I read somewhere that "sweet" in Elizabethan parlance is essentially the Old English version of "queer". I can't find any reliable sources to back up that claim but if that context is to be believed, Faust calling Meph "sweet mephistopheles" gives off the same vibes as "gay bowser"
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Wherever you are is my Heaven.
"Hell hath no limits, nor is circumscribed
In one self-place; for where we are is hell,
And where hell is, there must we ever be."
That was really well played, Good Omens 2. Loved that particular turn of phrase.
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So, Faustus, you have signed your deed. Ask thy questions.
Tell me, Mephistopheles, what good will my soul do thy lord?
kit marlowe every frame challenge (7/?)
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So this afternoon while I was waiting for some files to transfer I read the Google Books preview of Magus by Anthony Grafton, a new book (it seems sort of scholarly/popular crossover) on the cultural significance of the magician in Renaissance Europe, and of course, as one might expect, the intro chapter focuses on the Faust legend as a case study. It looks like a pretty good book but I mostly wanted to share this anecdote related in it, which I hadn't seen before (the footnotes, alas, were cut off, so I'm not sure of the source; it's not in the English Faustbuch which iirc is a pretty direct translation of Spiers 1587) but is instantly one of my favorites:
Once, at a gathering of scholars, Faust offered to conjure up a bunch of lost classical plays, so that the scholars might copy them down. The scholars were, of course, tempted--who wouldn't want to recover lost knowledge? But then they concluded that, while the plays were in whatever sort of textual afterlife lost classical plays go to, demons could have tampered with them, and who knows what kind of ungodly things they could have put in there? And so, displaying a truly frightening amount of willpower, they respectfully declined.
I love that so much: the focus on lost classical knowledge as a site of temptation, the idea of dramatic/literary texts as something that can be summoned, the idea that surviving texts by classical pagans are totally fine but lost ones are vulnerable to demonic tampering--I also love versions of Faust who are (or at least were at one point) actually serious about scholarship on some level. I think Marlowe (a Cambridge man) was the first to really get into that idea, of Faustus as a legitimate but discontented academic, and I think he would have liked that story. He did make his Faustus ask:
When I was doing my first Master's degree I studied Doctor Faustus with the late, great Renaissance drama scholar David Bevington, at a point in my life where I was trying to treat serious undiagnosed depression with observant Catholicism, and his empathetic treatment of the play has always stayed with me. He asked us: can any of us say we wouldn't be at least a little tempted? And I've always remembered that.
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Men will literally summon demons instead of going to therapy
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I think that Lucifer being in love with God makes all of existence the most tragic heartbreak we can imagine. When the devil speaks of the divine, it must be through tears. When Hozier said, "Do you know I could break beneath the weight of the goodness, Love, I still carry for you?" and John Milton lied, "Better to reign in Hell than serve in Heaven," and Christopher Marlowe said, "Think’st thou that I, who saw the face of God, And tasted the eternal joys of heaven, Am not tormented with ten thousand hells In being deprived of everlasting bliss?" I think they were saying the same thing
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wanting so badly: a shirt that says “I sold my soul to the devil and all I got was 24 years”
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coward
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this is what the submitter had to say about it:
here is my favorite book!!! It's a little slow for like the first 50 pages but don't worry, there's more than 550 more to go! After that point it turns into a horrifying, genteel, massive train crash moving in microscopically slow motion with each little tiny piece so visible you can't look away, but you also can't see the train until like the very last part of the book so you only see the crash for the longest time. So tragic and so riveting!
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Cover of the Day:
Amazing Spider-Man #170 (July, 1977)
Art by Ross Andru, Frank Giacoia, and Danny Crespi
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All the gays of the Classics ever did, was to make pacts wth the devil, indulge in hedonism, and die dramatically
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Thinking about that time Faustus told a literal demon from hell that it was ugly and needed to shapeshift before rooming with him.
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