I made more
Doodles for a fanfic "open my eyes to everything (there must be something more)" by @zinder-fox
Dazai will never know his ultimate prank
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If you saw that post, back then I discovered the shipping container. And guess what. This post gets a bonus too:
WHICH ISNT A LOT BUT HOW THE HECK IT HAPPEN TWICE
Moral of the story:
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what does it mean when people say stuff like individual morality or action is incompatible with class analysis or class struggle?
alright so like one of the key ideas about class analysis is the idea that classes (as a whole) have economic interests that affect all their members but don't extrapolate out to an individual analysis.
for example, let's say that you can't find a job, and somebody offers to pay you below the table for below minimum wage. it's in your individual interest to do this--it beats having no job! but as a member of the working class, once this practice becomes normalized, suddenly the standards of pay for everyone are lower because people know that they can just pay less than minimum wage under the table. competition between workers for jobs drives wages down for everyone, leaving them all in a worse situation overall even if each individual choice to scab, to accept lower pay, to resist unionization, etc, leaves the person who makes it better off. cf. karl marx on what happens when wages and working conditions deteriorate:
The labourer seeks to maintain the total of his wages for a given time by performing more labour, either by working a great number of hours, or by accomplishing more in the same number of hours. Thus, urged on by want, he himself multiplies the disastrous effects of division of labour. The result is: the more he works, the less wages he receives. And for this simple reason: the more he works, the more he competes against his fellow workmen, the more he compels them to compete against him, and to offer themselves on the same wretched conditions as he does; so that, in the last analysis, he competes against himself as a member of the working class.
— Karl Marx, Wage Labour & Capital
similarly, any individual member of the working class is completely dispensable and replaceable by capital. if one person refuses to work unless they're paid a higher wage, they'll be fired and replaced with somebody who doesn't. the individual worker has no economic leverage whatsoever. but the working class has incredible economic leverage! and so does the intermediate stage between the working class and the individual--organized segments of the working class (e.g. trade unions) have economic leverage. if one person strikes, the capitalist can fire them. if 40,000 people strike, your industry is going to shut down.
so the reason why class analysis is compatible with individual action is that your incentives measurably change when you start organizing--it's in the interests of the individual to compete, but in the interests of the class to cooperate. and obviously you cannot just expect everyone to spontaneously coordinate! you, the individual, are disposable to capital! if you, personally, refuse to take the under-the-table offer, either on moral grounds or because you recognize your class interest, your neighbour's going to take it--unless you and her get together and agree that neither of you will take it. that's the only way that the guy making the offer is going to have to give in and offer the job for a living wage.
and this is what organization is--trade unions (although they have severe limitations!), communist parties, and other worker's organizations allow the working class to pursue their collective interest--which can only be pursued by collective action, because engaging in the strategies of collective action as an individual, without the cooperation of your peers, is high risk for no reward.
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I kept him locked away on Patreon for long enough, here is our little guy!
Artist is @/CGcrescent on Twitter/X !
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its so hard to watch time pass when things like careers and assignments exist. what do you mean im supposed to take that seriously
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have you guys heard of ocs. crazy stuff
casey belongs to koby @wiihtigo
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eeeyyyy, got bored and tried to draw you from memory.
how good is my memmory?
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Hello 👋
Swallowing my nerves at last to send you an ask! I was just wondering, what inspires your designs? Are their inspirations in stuff like movies or games? Or just things you come up with yourself?
i .. honestly its kinda hard to tell, sometimes i just randomly think of something, like some detail, or color combination and try to incorporate that into a design somehow; it can come from anywhere, like the color scheme of a pithaya/dragonfruit is something i have been wanting to make a design with for ages but havent come up with anything good in all those years ;O;
im a very easily fascinated by color, espeically in nature, like sometimes i just stop and stare at something like i froze in time bc i just woooooooooooooah color! i probably look like a weirdo doing that though
its really hard to pinpoint anything specifically, the most is probably .. other artists? i guess? which always makes me nervous bc my memory is shit in most areas of life and i worry myself to pieces whether i unintentionally "stole" an idea and just dont remember and think it was my own, it goes further that sometimes i see something that makes me want to draw a similar concept but dont bc i dont want to 'steal' even if that couldnt be further from my intention (have been accused of that before ..)
that said for my ocs specifically .. most are rather old and have just kinda evolved out of their awkward first iterations (shargons first iteration was a hauro-howl- copy that was really just some human covered in feathers .. another oc was once a hellboy copy but in green- havent drawn nor redeisgn them in ages lol), the biggest inspirations for them is a mix of animals, bonus if you dont see them often- im a big shark, whale and sea creatures in general nerd so i tend to take from them as a priority but always trying to be less directly animal and mostly just .. features that work together
Eadrya is one of the newer OCs- i started to write but then looked at my folders and oh they are from 2017 .., i even made a design timeline for them how much they, and my art, have changed back in 2020, so thats also way outdated now lol (they apparently started as a whale .. thing? its like a pokemon evolution lol)
this is them now (i like this sketch still, though shargons design is now also outdated lmao)
this ones from early 2023 so also outdated now but you get the point
for demons i try to be a bit more wild on shapes and colors while still adhering to the rules of how they work (humanoid form, demon form, animalistic, one element each and more or less made to fit that, 4 arms is very common, look to be bost scary and wild but also something that would make you stop in tracks and stare in awe and fear if you crossed paths)
often times designs just kinda .. happen, i have maybe the idea ok i wanna make something with a white and red pattern also moose or those big horned cows are cool and kinda scary so maybe sth akin to that (though this one is technically a redesign too- its also pretty much entirely different)
for non demons but still non human i go for a much more restrained design, mainly inspired directly by an animal and giving the color scheme a good spin, plus adding unconventional body shapes, like ki'ita is also a good example, her old idea was just orca anthro pirate and just by making the white green instead in her most recent redesign already adds that little spin to it
that can have its pitfalls though, as i often fall into the big arm small head small legs scheme over and over xD
alot of it is trial and error, deciding on the colors can take me hours bc im always searching for my little rule of having one contrast color that shows up in very few places to draw attention to it (like with Eadrya its those bright yellow eyes and thingy at their tail)
and that is all about myy own ocs, when its fandom stuff it works kinda similar though, either in the connections i wanna draw or just thinking it further- like how deities in destiny work also just kinda .. happened like an ever derailing train
like for demise i was at first really just im gonna give him horns bc horns are cool and he got those on the starting mural in the game- so how his hair work? well maybe it isnt hair actually and just unbound energy, im making him a deity too and fit hylias design to his so, yeah, then so how does it work, ok he gotta have a skeleton still, but what if his entire actual body is made up of pure magical energy with its core in the ribcage? with the core in the ribcage >:3c
and the scales you see are just like cooled down lava as an armor bc his thing is fire and earth !! the normal blood? is a thin layer of skin imiated from mortals to keep the scales together and flexible so if he ACTUALLY gets hurt hed bleed magic that looks more like lava and any normal blood you see is just the armor- so why does he have a skeleton still instead of being just energy? maybe its gotta be bound to something OH and what if all of the deities started as mortals like a mirror to the trio later on and the gods cannot have direct influence to the worlds so they needed a right hand that is neither god nor mortal but both by killing a mortal by whatever their element will be (demise burned, hylia drowned etc) and their skeleton and spirit is kept but put into a body of magic- OH what if their spirit core is like almost piloting their bodies like a mech in a way bc if youd look close youd see that every strand of magic is actual a hand of their spirit so it makes it more weird and other bc hed be able to reach out with thousands of burning claws of all shapes and sizes like the beheaded forest god at the end of mononoke- SO if hed lose and arm or something all those strands would untangle and rearrange his bones back together-OH MY GOD the whole armor idea works so well for ghirahims dark armor so what if demise had two swords once and lost one and since has forged an armor similar to his own for ghirahim out fo fear of losing him t---
and that all is a process that happens over several weeks and months not rarely while i am drawing something mindlessly and suddendly *have a thought* and omg that makes so much sense-
so "what" inspires my designs? an ever derailing train of thought about making cool thick monsters that arent the evil thing to get rid of for once? cool color schemes? idk it just kinda happens??
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I've been drawing this moron for 8 months straight... dang
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If megumi asked uzhsjdhshd omg I totally see it tbh him wanting you, but I don't think megumi would ever ask yuuji to share you, in any type of way at all. (not trying to push my own hc here!!) I feel like yuuji himself would be the one asking megumi. Yuuji knows that he's yours just as much as he knows you're his. And he loves you too much, a lot, it's purest type of love he has ever felt for anyone. And megumi is his best friend, he loves him just as much, right? Yes, not the same love between you and him ofc but yes. And I have no idea what they were doing but yuuji's just says, kind of out of the blue, that he'd let megumi fuck you. The reason being exactly cause he knows you're his, and you're just so so good that he needs to have someone to talk to (about you and always so respectfully) and who better that his best friend?
you’re opening the pandora’s box that is itfs + reader…. god…..
okok i agree. if you’re dating yuuji, megumi would never ask, yuuji would be the one to bring all three of you together. definitely because he loves you and you’re his, and he loves megumi too, so it just makes sense that his two favorite people also get to have each other—but also, yuuji can tell megumi likes you, and he can tell you think megumi is attractive and since yuuji’s so nice, what kinder thing to do than to set you two up so he can watch (: he definitely enjoys being the mediator, also enjoys the somewhat awkward air between you and megumi, how yeah, maybe it’s a little taboo that the two of you are about to make out while you’re boyfriend watches, but yuuji likes that too… also he likes knowing that you both like him. like how lucky is he that his best friend and his girlfriend adore him so much :(( you two together makes so much sense in his head, because he talks to megumi about you, and he talks to you about megumi, and now, he can just pour all his love for both of you out at the same time
but also…. i’d like to think that yuuji’s maybe not so nice when it’s the other way around—when he and megumi get together first, and you’re megumi’s best friend. he’s not mean, but he does like to tease... how naughty of megumi to ask out yuuji knowing he’s still got a crush on you, and god does yuuji like to tease him about it :/ jerks him off and taunts about how he knows megumi’s dirty little secret—that he’s in love with his best friend and fantasizes not just about having you, but about watching his own boyfriend fuck you too…
yuuji knows megumi would take his feelings for you to the grave if he could (he’d have done the same with his feelings for yuuji if yuuji wasn’t the one to ask him out), but where’s the fun in that! you and megumi are sooo cute together after all, so yuuji doesn’t mind trying to get you two to confess to each other too. uses his proximity to megumi to get closer to you, takes advantage of his bubbly disposition to be physically affectionate with you, uses megumi’s feelings to his advantage to tease, to wink, to smirk whenever you and yuuji hug a little longer, when he texts megumi that he’s meeting up with you for lunch, when he gives you his jacket and doesn’t ask for it back… there’s so much fun in watching megumi blush and whine and get off at the thought of his best friend and his boyfriend together. and the thing is, yuuji genuinely does like you, too, he sees what megumi sees in you, and he thinks megumi is crazy to have not asked you out before, but he supposes everything happens for a reason, because now, this way, yuuji gets to be there and watch it all happen under his guidance. there’s something about the power, about being the bridge between you two even though you and megumi have known each other for much longer, about being in control of a dynamic that could have, but wouldn’t exist without him…
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This is miserable but I think we need more Kaeya Afraid of Diluc. Like, yeah, Kaeya will antagonize him on purpose (he calls it playing with fire. Nobody else thinks it's funny) but the second Diluc gets Actually Angry (usually not at him) Kaeya is halfway across the city suddenly very busy with his knightly duties. Naturally, rather than deal with the intense guilt, Diluc goes the other direction and starts doing vigilante justice.
The avoidance does not help them reconcile lmao
this is like a more fun rendition of the relatively common headcanon i see that kaeya's afraid of fire because of The Fight. really good concept
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do we know how old jellie is ?
I have a message in a liveblogging channel in discord from last year where I say something about Scar saying Jellie was 14 or 15, so by now she'd be 15 or 16. Assuming I was referencing a real stream I was watching at the time, haha.
She's a little old lady kitty!
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I kinda want to get into digital painting, how do you make your paintings look so good? Do you have any tips?
its really all about practice id say, and understanding shadows and light sources.
my mom has studied art for years, she no longer does it, but she told one of the most important advices when it comes to shading. draw a small ball on where you want the light source to come from, and draw from there. imagine how it will effect every small thing in the drawing, how little or lots of light it will have.
this is something i made while explaining this to someone a few months ago, this is what my mom told me what to do, and i learned a lot about shading from this. studying from real life is also very important, seeing how light interacts with objects, how light is reflected off to other objects, how blurry or sharp the shadow can be. its endless amounts of knowledge when looking at real life subjects.
when rendering, light sources are one of the most important things, learning the fundamentals can help you in the long run. thinking of what you want your shadows to look like too, do you want them soft or sharp, or even a mix of both? finding something right for you is important, and that's why experimentation is key for finding what you're happy with. trying so many different techniques is possible when going into digital art, take things from artists you like, redraw your favorite piece to see how they've made it, try new brushes or programs, its all up to you!
color is important when it comes to rendering, that could be said for any piece. color dictates the feeling of the piece, using many different colors in your shading can make it pop out. going back to experimenting, trying new different colors and palettes is very helpful too! play with saturations, values, try using only one hue. i stick to warms usually, but seeing what else you could be using can be fun too! color is limitless, try all that you can :D
in art, i believe experimentation is one of the most important things, it leads to your growth as an artist. i would be nowhere without it, and i very much encourage anyone to try all they can. digital art is one of the most expansive artforms, you can get almost any look with it, you can do so much with it that makes creativity limitless.
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I have to imagine something to this effect has been asked before, but how’d u come up w the name Smunker?
i dont like giving fursonas names because it took me forever to pick my nickname Cheye as a name for myself bc nothing else fit, I don't often like any other names for myself. And refering to a sona as self would be embarrassing considering I self ship with ocs.
So my sonas all have funny names like Skunker, Quacker, or no names at all, etc.
A few yrs ago this image was posted in a subreddit I was in and that was It
I think its funny ppl always send me this like no way...smunk..., bc this is literally the origin of me calling him smunker LOL
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