Tumgik
#east asian
incognitopolls · 4 months
Text
We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.
1K notes · View notes
kaalbela · 4 months
Text
Tumblr media
Marc Riboud | The Antique Dealer's Window. Beijing, 1965.
917 notes · View notes
letsatomicbanana · 6 months
Text
Ink!Sans Cultural Character Coding
Tumblr media
art by @/sakuramochi64 on twitter
Disclaimer!
This post is meant to present and analyse obvious and obscure East Asian (Jpn-Chi) ethnic and cultural influences on Ink!Sans character. If any of the material in this essay is incorrect and/or considered morally offensive, please contact me!
Ink!Sans by @comyet
↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓
/Despite the fact that Ink is a non-human monster skeleton character, he is often portrayed with human-like traits and characteristics that range between a bunch of topics. One of them that's portrayed as very predominat to his character is his etchnic cultural background/inspiration. Again, this post is meant to analyse and to discuss such inspirations and how it affects his character./
.
.
.
INSPIRATIONS
According to Ink's creator, Comyet, the concept of Ink!Sans was conceived by a Japanese and Chinese ink calligraphy brush. These are known as Fude brushes (筆) and Xuan brushes (宣笔 Xuān bǐ) respectively. This ultimately inspired his ink abilities and powers, just like his concept of being an 'artist' (In simple words, it inspired Ink as a whole).
'The history of ink brushes and the ink material is a long and complicated journey to cover, but it's important to know that these were invented in ancient China around 300 B.C (traditional Chinese: 毛筆; simplified Chinese: 毛笔; pinyin: máo bǐ) and are used in a vast variety of East and Southeast Asian countries, like Korea; Vietnam and Japan.
Tumblr media
example of the brush Ink!Sans was inspired by.
At glance, ink (the material) is an enduring medium that still surrounds society till this day and it's used in multiple cultures across the world.
Writing with ink calligraphy brushes are common in the Europe and the Middle East as well, but the material was crafted of iron salt and oak galls. When written, ink is often a dark color but fades to brown tones of rust'. Such phenomenon was detectable in the Middle Eastern Bible manuscripts and even ancient European literature as an example.
Ink!Sans was based of the ink material created in East Asia, most commonly made with carbon-base black substance, which preserverd the dark coloration even after hundred of years.
Tumblr media
↑ Example of an ancient Japanese painting, such arts are called 'Sumi-e' (Japanese, 墨絵) or ' Shuimohua' (traditional Chinese,水墨畫).
Unlike iron gall ink, carbon based inks are still very common to this day.
'Throughout the long history of East Asia, writing with ink was a very important ability to have. The Materials were made with precision, long traditions of training in calligraphic skills were developed, and writing and literacy were often wrapped up in questions of social status and class.
Although the development of major Chinese calligraphic scripts was completed by the fourth century, the art of calligraphy continued to evolve over the millennia. Master calligraphers with years of training and dedicated practice were recognized for their personal styles, and later generations of artists often adapted brushstrokes and designs to their own style. This stylistic evolution of scripts continues to enliven Chinese calligraphy to the present day.
Calligraphy was an important mark of personal learning and aesthetic sensibility in Japan. Portable, lacquered wood boxes were designed to hold an inkstone and water dropper in the base, with trays to hold writing brushes and solid ink sticks. Inkstone boxes (硯箱,suzuribako 'ink stone box' ) could be easily carried to a pleasant location, even outdoors in fine weather, to write correspondence, diary entries, or poetry.'
Fun fact: Ink's font 'Note This' is inspired by such ancient writing.
Tumblr media Tumblr media
Example of Ink's canon speaking font and Japanese calligraphy (書道, calligraphy)
'However, when it comes to the subject of painting with the material, different schools of painting existed in China, the scholar-painters of Song-dynasty China generally preferred ink-based paintings over the more colorful, pigment-filled paintings produced historically and at the painting academy. Chinese painting manuals and commentaries from the Song (Sung) and Yuan dynasties (rarely mention pigments, possibly because it was assumed a painter’s skill shouldn’t depend on the use of colors.
Japanese artists are known for using media appropriate for the subject matter. Images depicting traditional Japanese narrative tales were typically rendered in opaque colors with outlines created in ink and later obscured by color overlay. Ink monochrome was closely associated with Chinese styles, particularly those transported to Japan via Zen Buddhism. Ink-based forms created with modulated strokes and layered washes suggested introspection and spiritual exploration.'
Tumblr media Tumblr media
Ancient Japanese paintings that uses dull colors and ink outlines.
Tumblr media Tumblr media
Exhaustive examples of ancient Ink paintings. Dragons and Clouds 雲龍図屏風 (左隻)and Seitei kachō gafu 省亭花鳥画譜
.
.
.
DESIGN
Also clarified in an ask on her main blog, Comyet describes that traditional Japanese clothing inspired Ink's 2020 outift redesing, such inspirations are very obvious in first and second analysis.
Tumblr media
Ink!sans reference sheets for the 2020 design, which can be found in Ink's official F.A.Q
Starting off, the pants.
Ink's pants were inspired by Hakama pants (袴), a traditional Japanese garment designed as a skirt-like pants often worn over any type of kimono. His pants seems to be inspired by umanori (馬乗り)Hakamas, whose had a division in the middle and often used in horse-riding activities.
Tumblr media
Example of a Hakama.
The Hakama is a wide pleated pants (seven pleats, five in front and two behind), with a rigid backrest (腰 板,koshi ita) placed at the level of the lumbar region. It is tightened with four straps, on the left and on the right, as well in front as behind.
Historically, the origins of the Hakama dates back to the Sui and Tan dynasty were this garment was worn by the Chinese imperial court. Later, the Hakama exported itself to Japan during the Kamakura period (1185 to 1332) and became a traditional garment for the upper classes of Japanese society as well as for samurai warriors who wore it over a kimono (Hakama-shita).
During the history of Japan, the Hakama took on different styles and was mainly made for men, although in the beginning it was a unisex garment. During the Asuka and Nara era (6th to 8th century), the Hakama came in two versions. The first one was open on the front and was tied on each side of the waist with two straps. The second one was open on the left side and closed on one side only.
During the Edo period, the Hakama was worn by the nobles as a complement to the outfits of the time such as the noshi and the kariginu (狩衣; a sleeveless jacket with very pronounced shoulders). Very functional, these pants were also adopted by samurai warriors who usually wore them as Kamishimo (上下/裃). It is a combination of kimono, Hakama and kataginu. When the warrior visited the shōgun, he wore a Hakama called naga-bakama which greatly restricted his movements.
Edit:Currently, hakamas are both worn by men and women.
However, under the scarft, Ink also seems to use a jacket that features a collar that has striking similarities to a Mandarin collar (or Mao collar)
Tumblr media
Ink!sans reference sheets for the 2020 design, which can be found in Ink's official F.A.Q
Mandarin collars originated in ancient China and were worn  by Qing-era bureaucrats.
Tumblr media
Picture of a Chinese man in a traditional Mandarin collar (early 1900's)
These are short, stand-up collars and sometimes fasten in the center with a small hook. Such collars are still used today for both fashionable and practical reasons. One example of modern usaged of the clothing is seen in the U.S Amry combat uniform, that features a stand-up collar of Chinese origin.
Tumblr media
Picture of the U.S Army combat clothing
Regarding of color palette, Ink!Sans redesign uses soft but dull colors and a sinple silhouette and fabric for the outift, such design choises are similar to male kimono's dressing codes which uses dull colors (like dark blue, grey, green and occasionaly brown). Male kimonos are always more simple in design compared to female kimonos.
Tumblr media
Photo that shows the difference of kimonos used by men and women
Although not specified, Ink seems to wear brown thigh-high socks, also known as 'tights' under the outfit. Japan has a long-standing cultural tradition of wearing such piece of clothing, this trend is particularly popular among young people and is often associated with the "gyaru" subculture, which emphasizes fashion, beauty, and individuality. Additionally, thigh-high socks are often worn with school uniforms, and are considered a symbol of youth and innocence. Additionally, it is also considered fashionable and trendy in Japan, and you can see many young people wearing them.
In regards of physical appearance, Ink also seems to follow ancient Japanese and Chinese beauty standarts, specially one's targeted towards women.
In ancient japan, specially towards the Nara (奈良時代, Nara jidai), Heian (平安時代, Heian jidai) and Edo period (江戸時代, Edo jidai) the beauty standarts for Japanese women were of those with slim eyebrowns, flat oval face shape and narrowed eyes.
Such attributes can be observed on Ink!Sans apperance.
Tumblr media
Visual representation of old Japanese beauty standarts
/Keep in mind that some of such standarts presented are now out of fashion due to the westernization of asian countries. Specially regarding eye shape/
.
.
.
MUSICAL THEMES
Ink!Sans has a long history of being associated with East Asian music, specially those of Japanese origin.
Themes that comyet associated with him includes, 'Code Wu- Asia River Album 江水/Asia River' ( post can be found here), 'Dullahan under the willows' and 'Futatsuiwa from Sado (二ツ岩で佐渡) both from the japanese game 'Touhou'. (post can also be found here.
He's also associated with East Asian musical instruments, something quite noticeable in Ink!Sans theme for the the web-series 'Underverse'. Such theme is called 'Brushwork'.
The theme starts with an instrument similar to a Shamisen (Japanese-三味線) and a Guzhen (Chinese-古筝) and also uses a traditional flute.
Tumblr media Tumblr media
Photo of a Guzhen and a Shamisen, respectively
.
.
.
TRIVIA
On Underverse's opening for season 2, Ink!Sans can be seem between a field of Sakura trees or Cherry Blossoms (桜).
Cherry blossom trees are an icon of Japan. Some people even call the cherry blossom Japan’s informal national flower. The Japanese school year starts in April, during cherry blossom season. The flowers symbolize good luck, love, and springtime. Since they bloom for such a short time, cherry blossom trees also represent human mortality. They remind us how short and precious life is.
In the same series, Ink is also drawn in a Sumi-e inspired style for the 'Soulless Heart Instrumental' video. Such artwork features Japanese writing in black ink.
Ink's canon instrument is the flute. Although invented in ancient germany, the flute is highly associated with East Asian cultures and it's music, chinese and japanese culture are the main ones . Other than that, Comyet already made a connection to Ink's asian influence and the instrument itself.
According to research made by the University Microfilms International (UMI) affirms that the moderny performance and melody of the instruments has clear East Asian roots, mainly from Chinese and Japanese style of music.
'The flute is a particularly appropriate instrument for such a study because of its versatility of pitch and timbre, the latter being one of the most important elements in Eastern music; it is capable of 'pitch-bending' and infinite changes in tone quality which are impossible to achieve on instruments of set pitch.
The flute music selected for stud/ shows varying degrees of Eastern influence. Depending on the nature of the composition, the Eastern elements may be extremely subtle and difficult for the untrained to decipher; in other instances the composer makes clear those sounds or concepts with Eastern roots, either through accompanying explanation or within the context of the music.'
Sources
1.National Museum of asian art (materials & techniques. Ink section)
2. Asian Brushpaper (an-overview-of-chinese-ink-history)
3. Wikipedia (wiki Hakama-pants)
4. Aikido Journal (Hakama-101)
5. Wikipedia (Mandarin-collar)
6. Kirrin finch (What-is-a-mandarin-collar)
7. University Microfilms International (UMI) (east-asian-presence-in-modern-flute-music)
280 notes · View notes
arthoehin · 2 years
Text
Tumblr media Tumblr media
Tony Leung for K-100 magazine
3K notes · View notes
Text
Tumblr media Tumblr media Tumblr media
Joy Jiwon Park
476 notes · View notes
transfemme-sys · 11 months
Text
Addressing A Racist Issue In The MOGAI Community (TW : discussion of racism, sexualization, and mentioned SA)
hey. this blog isn't active, and the part behind it isn't active in my system either, but i do still exist. this used to be a MOGAI blog, as i am someone who considered myself (and still do consider myself) a part of the MOGAI community. unfortunately, i kept losing motivation to make flags and the blog has since been abandoned.
that's not what i'm here to discuss. i'm here to talk about an issue i've noticed in the community that has been irritating me for a while : yandere related genders.
for those who don't know, a yandere is a japanese anime trope used to a describe an individual (most often, a woman) who is madly and unhealthily in love with someone, often going to extreme lengths to try and achieve that person's attention.
i am a japanese trans woman with BPD. those who self identify as yanderes most often claim its a label exclusive to those with BPD or OLD, but this is where i see an issue begin. out of everyone i've seen 'reclaiming' this label, *none of them are japanese*. they say the term yandere is harmful against those with BPD and OLD and romanticizes the disorder, which i don't even necessarily disagree with, but here's the thing; the term yandere, most often, is used to sexualize, oppress, and stereotype japanese women. i have experienced things like this myself, firsthand, and i'm sure i'm not the only one out there.
we are fetishized, treated like objects of nothing but attraction. every white weeb wants a yandere anime girlfriend, it'd be so cool to be loved like that to them, but they see a japanese woman on the street and catcall her and call her slurs. asian fishing white women love to cosplay yanderes, but constantly steal and appropriate japanese culture without a second thought to it. the white man may joke with his friends about his new japanese girlfriend, calling her kawaii and yandere and unique for showing even the slightest bit of affection and love for him.
i have never been called a yandere for my BPD. i have seen myself and plenty of others be called yanderes for being japanese. it is, in my opinion, not your term to reclaim. you are not viewed inescapably as 'nekos', 'lolis' 'anime girls', and yes, 'yanderes' in the way that we are. you are not sexually assaulted and harassed and hatecrimed for your BPD like we have been.
i ask, respectfully, that non japanese people stop self identifying with this term. please help spread awareness to this issue with me, share this post in any way you can. i am tired of experiencing constant racism even in safe spaces like the MOGAI community, and i ask that you help me bring an end to it.
thank you, and please be mindful of your actions.
138 notes · View notes
video-recipes · 8 months
Text
King Crab 3 Ways
dannygrubs
54 notes · View notes
lostinmac · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Breaking Ice (2023)
Dir. Anthony Chen
35 notes · View notes
beemovieerotica · 10 months
Text
the perception of kids of color (especially east asian kids) being starved of parental affection isn't an issue of "our affection just looks different" --- we know that kids need hugs, they need positive affirmations, that's universal --- the issue is fundamentally about the collapse of intergenerational family households, alienation from extended families, and the separation from other trusted adults who would otherwise share childcare cooperatively and help provide those affirmations.
because it is such a recent, western concept that a home is two parents and X number of kids, and everything --- everything --- all discipline, all teaching, all affection, all care, comes exclusively from these two adults and no one else in the world.
east asian parenting genuinely is harsh when all your aunties, uncles, grandparents, and family friends live hours or even an entire ocean away, and you're stuck in a single household with one or two adults who have, correctly or not, determined that strict rules and discipline are probably the only thing that can keep their kids from screwing up in a world with no other safety net.
57 notes · View notes
zomibom · 1 year
Text
Tumblr media
A strange druid not of this land and a silent man who bares heavy scars, ask you where the nearest gas station is.
Characters:
Mun-sa (Zomibom) Kynn (@theniftytable)
92 notes · View notes
ibreathhere · 10 months
Text
Nimona for asian gay parents
We just had our big great Asian Gay couple representation, and its two kind of asian, South Asian and East Asian. Nimona thankyou, what a good shark you are.
46 notes · View notes
writingwithcolor · 1 year
Text
Fantasy Race Character Coded Asian with Light Eyes (+ PSA)
creatingstories asked:
I'm writing a fantasy book and one of the main characters is an half Japanese-coded character. But he is also a half elf too so he has some magical characteristic, like clear eyes, but just because elf has some specific characteristic ( to be clear elves are not coded to any existing ethnicity, they have just specific fantasy characteristic ).
I do not want it to seem offensive. In particular I read the article about the "green-eyes Asian" and the "colored hair asian". I do not want to give him particular features to make them stand out to readers so that they’re marked as ‘special’ and not like the ‘other East Asians, as you said in the article. He is a major character and has an extremely complex arc.
Submission has been abridged for clarity.
Still green eyes in my book unless you can tell us how the clear eyes relates to magical characteristics and the magic systems of the story. It's changing eye color for an Japanese-coded character to demarcate their uniqueness in some way. OP can either give up on Japanese coding, provide us with further info, or just give the character regular colored eyes that turn clear when using magic abilities to more explicitly link the magical ability to the ~ Special ~ eye coloring.
- Marika.
Announcement: Please consider this the final Ask on East Asian characters with light/green/blue/etc. eyes, as Marika has presented a clear workaround for this trope in the case of fantasy worldbuilding.
317 notes · View notes
nuitdhiverasa · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Rosa Saito,,, more
Merci à ce merveilleux notion pour ses ressources et ses belles découvertes, merci aux personnes qui ont su mettre en place ce projet <3
16 notes · View notes
temperancemoon · 2 years
Text
Tumblr media
331 notes · View notes
transenbyconfessions · 11 months
Note
cw for discussions of internalized racism (?), dysphoria
so... i'm a half-white, thin, able-bodied, U.S.American transman. i'm not quite white-passing but my non-white half is east Asian so people basically treat me like i'm white. to the point that i often forget i'm not.
between being gay, kinda feminine, treated like i'm white, and being pretty twinkish in stature, i basically feel like the transphobic stereotype of "cutesy afab uses neopronouns to feel special uwu". but then at the same time i look in the mirror and i'm short, i'm hairless, i'm tan, my nose is wide. sometimes i spend so long in online trans circles that i forget i'm not white, i forget that my trans body isn't just some effeminate anime twink.
...and i just wish i could love all my marks and all the stuff i actually have on my body. i spend so much time in my head that i forget to love how i am instead of how i wish i were, or how the internet idealizes people like me.
i can't even imagine how much harder it is for like, actual poc. i mean trans people already don't get a lot of rep but..... i dunno. i just feel like everything is so...... white twink trans femboy transmasc dominated. and even i, who basically very nearly qualify for that .... like if it doesn't work for me, how on earth are we gonna actually help anyone feel good about themselves like that..?
Submitted May 29, 2023
28 notes · View notes
nananarc · 1 year
Text
Tumblr media Tumblr media
Some work in progress of the final project for school.
The Tale of Kiều is an epic poem in Vietnamese written by Nguyễn Du (1765–1820), considered the most famous poem and a classic in Vietnamese literature. The original title in Vietnamese is Đoạn Trường Tân Thanh (斷腸新聲, "A New Cry From a Broken Heart"), but it is better known as Truyện Kiều (傳翹, lit. "Tale of Kiều"). [Wikipedia]
67 notes · View notes