#every alice is both unique and the same at the same time and its so good

[blues824]

im surprised this hasn't been requested yet,, but could you please do malleus, jade, floyd, silver and trey with a reader who is like alice kingsleigh? im talking about the live-action alice, not the animated one (im unsure if they act the same, its been a while since i watched the animated one).

The LA and the animated versions are quite different. Gender-neutral reader.

Trey Clover

You were as brave as you were adventurous, and he appreciated that about you. However, your sense of adventure often ended up with you in trouble with Riddle, and this baker had to bail you out with a Get-Out-of-Jail-Free card (a strawberry tart) more times than he can count. You loved standing up for what you believed was right, and you didn’t think the Queen’s rules were just at all.

Trey loved hearing about your own world. The different cultures and how you were seen as crazy always amused him. However, whenever you got to the parts where you were either going to have a spouse chosen for you or you were going to be thrown into a mental asylum because you had the ability to travel through mirrors and get from Twisted Wonderland back to your world… or so you claimed, according to your world, he was in disbelief. Your land seemed even more twisted than anything Twisted Wonderland has to offer.

All that aside, you do have to admit that the treats your beloved baker makes are better than the Eat Me! pastry that you had consumed however many months ago. It did increase your size by a very significant amount… you almost destroyed Heartslabyul. However, you just drank the Drink Me! potion and you shrank down to the size of a pencil. Trey took it upon himself to make sure that you weren’t squashed, and you sat on his shoulder.

The Vice Housewarden knows of your distaste for the patriarchy, but this man was written by a woman (literally and figuratively). When he threaded his fingers through yours and brought the back of your hand to his lips for a gentle kiss, you could tell that it was genuine love that he felt for you. He had no intention to ‘tame’ you. No, he wanted to be the person you returned home to, and you were grateful for that.

Jade Leech

He was intrigued by you, to say the least. You marched so bravely into Azul’s office that day and you demanded that your friends be freed of their contract. Considering you were a sea captain and knew much more about shady deals with pirates than Azul knows about making shady deals, you were able to find loopholes within the loopholes created. You took your time and read through the fine print and pointed out errors, and seeing the cecaelia so riled up in anger made the eel’s heart beat quickly.

That is how you both became friends, actually, and romantic partners. Your sense of adventure aligned with his, and you both swam and hiked with each other. You lived an active lifestyle, something that doesn’t quite fit within the societal standards of your world, so keeping up with Jade was no challenge for you. Every single time you make it up a mountain, you always ask about the different mushrooms and their properties, and this eel is more than happy to tell you.

Your Unique Magic was definitely strange, as you had the ability to travel between entire worlds. For any holiday break, you were able to go back home. However, you rushed back into Twisted Wonderland in what seemed to be a tattered straitjacket. Your eyes were a bit sunken in, and you seemed a bit woozy. That’s when you told him, with slurred speech, that you had been sent to a mental asylum and injected with a bit of medicine to make you go to sleep before you pulled the syringe out and stabbed it into the doctor.

Jade took you to his room where he helped you take off the straitjacket, offering you one of his own shirts and hoodies. Then, he tucked you into bed so that you could sleep off the medicine’s effects. Oh, he definitely wanted the doctor who did this to you to pay, but for some reason, he was not able to go to your world like you were able to. But your tired ramblings of forced marriage and societal standards made him want to find a way so he could make those humans pay for touching his beloved.

Floyd Leech

He, too, was intrigued by you when you marched into Azul’s office and demanded to read your friends’ contracts. He did get bored when you sat down and read the fine print, but when you pointed out a loophole that managed to get your friends out, Floyd was genuinely surprised. No one has ever managed to do that before, which made his hyperfixation on you even more apparent and present.

But, that ‘hyperfixation’ wasn’t a ‘hyperfixation’... it was a crush. Your adventurous personality both aligned with and contradicted his. You never made him bored. You liked playing basketball with him so that he could get extra practice. You loved sneaking him away during his 15 minute break at the Mostro Lounge just so that you could hang out with him a bit more. Also, when he was in a bad mood, you were not afraid of being squeezed because you faced an entire jabberwocky before. A grumpy eel was nothing to you.

During that break where you were originally going to go home, he did not want you to leave. Well, just a few days into the break, you jumped back through the mirror in a straitjacket and you were stumbling about. You ran as fast as you could to Octavinelle and into the [closed] Lounge. Floyd rushed to see what was wrong, and you went on and on about how you were thrown into a mental asylum and injected with medicine that would put you to sleep. He picked you up and over his shoulder and took you to his room where you slept off the medicine’s effects. He cuddled close to you, and you would never know how angry he was.

Even though it doesn’t seem like he pays attention, he knows that nothing matters to you more than continuing your father’s legacy as a sea captain. However, he never wanted you to go back to your world if it would kill you. After all, he can’t function without his shrimpy. Anyways, you could be a sea captain in Twisted Wonderland, and he would even go with you. He could swim as much as he wanted, he could sail as much as he wanted, and he would get to be with you.

Malleus Draconia

He knew you were different based on the way you walked up to him and just introduced yourself. You held no fear of him, but you didn’t know who he was. When he told you to call him what you will, this intrigued you even more. You both found yourselves excited to meet up each night, as you got to know more about this mysterious new friend that you had made yourself acquainted with.

When you inevitably discovered who he truly was, you understood where he was coming from. Nothing really changed, but you often teased him about keeping more secrets from you. Eventually, a flower of romantic interest bloomed between the two of you, and every single time he brought you back to Ramshackle, he would wish you farewell by placing a polite and loving kiss on the back of your hand. When he looks back up at you, you can feel your heart flutter a bit because of the amount of love he looks at you with.

Malleus had no intention of ‘taming’ you either. If you were to rule beside him, you would do wonderfully as-is. Your world did not share the same view, and one night you had told him about your winter break when he came back. You were taken in by Octavinelle when you ran back through the mirror from your world in a straitjacket and you had some medicine injected into you at that point. The dragon prince was absolutely angry, and a storm was starting to form as you went on and on about the happenings.

If you think you are ever going back to your world, you are sadly mistaken. He is not letting you go back just so you can be tossed back into an insane asylum. He knows about your desire to carry out your father’s legacy, but you can do that here. Actually, he still hates the idea of you being away from him, but it will do because at least you would be in Twisted Wonderland. Plus, there is no chance that you are going to fall for someone else, so he has nothing to worry about.

Silver

He reminded you of the dormouse that you had met. He always fell asleep, which was unfortunate when one was as adventurous as you were. But you were not going to let him lie in the middle of the hallway just to be trampled. It was with a tad bit of difficulty that you pulled him onto a chair and off of the floor. However, he miraculously woke up because of all the extra movement, just to see you really close to his face. To say he was startled [and flustered] would be an understatement.

This was a start to a rather interesting relationship. Since he was a knight, you compared him to the card knights in Underland, but found there to be no comparison at all. After all, he was not rushing to paint the roses red. He was very serious compared to your first year friends (excusing Jack and Sebek), but that was what you liked about him. He, too, was the constant in your life, even if you had only known him for a short period of time.

Silver appreciates peace, but he appreciates you even more. So, when he comes back from Briar Valley, and he hears whispers about you being thrown into a mental asylum back home, he is running around trying to find you. He found you at Ramshackle, staring at a straitjacket with a look of absolute betrayal on your face. That was when he realized that all the whispers were correct. He pulled you into his arms, grateful that you were okay. 

From that point on, he kind of treats you differently. He doesn’t want you going back to your world if that is how they are going to treat you. No, he will keep you safe because he doesn’t want you to get hurt. He supports your dream of being a sea captain, and he will help you learn the different lands from a multitude of different maps so that you could be confident in the geography of Twisted Wonderland.

#twst #twst x reader #twisted wonderland #twisted wonderland x reader #disney twisted wonderland #disney twst #twst wonderland #trey #twst trey x reader #trey clover x reader #trey x reader #twst trey #trey clover #twst trey clover x reader #twst trey clover #jade #twst jade leech #jade leech x reader #jade x reader #twst jade #jade leech #twst jade leech x reader #twst jade x reader #floyd leech #twst floyd leech #floyd leech x reader #floyd x reader #floyd #twst floyd #twst floyd x reader

[pastamansta]

🔥 Tim Burton (him as a person or his aesthetic, your choice!)

"Beetlejuice" (1988) reminds me a lot of another film I watched recently; "Tombstone" (1993). Sold by an aesthetic and a FANTASTIC performance from a side character, audiences were conned into loving a mediocre film. I'm not Lindsey Ellis, so don't expect me to talk about the cartoon.

"Batman" (1989) and its sequel is proof that Burton will not be giving up his aesthetic for God or money. Gotham is heavily disconnected from both the film and its source material, with little reason other than its director. There's a reason no one calls these "Keaton's Batmans," they call them "Burton's Batmans." Jack Nicholson is great as The Joker, but that's no hot take. The hot take is that Devito is too horny as The Penguin, and it makes me uncomfortable for a film that's already so sexual.

"Edward Scissorhands" (1990) is a bitter, bitter film where artist finally meets muse. Not, like, in the plot, but in the production. Depp and Burton were made for eachother... or at least that's what I'm supposed to think. This movie's just too messy, however, and can't decide where its focal point lies and leaves me wishing I had just watched "How the Grinch Stole Christmas" (2000) instead.

"Sleepy Hollow" (1999) leaves me, a fan of the original text, I know that's probably a weird thing to say, miffed, even if understanding. Outside of some pacing issues, it's a bold reimagining that feels like Burton attempting to get out of his comfort zone... but I just didn't need this story to be turned into an homage to B-horror. Go watch that Disney short, eh?

"Big Fish" (2003) is his best film. I am hardly qualified to speak on it, and even if I did, I would cry. So, you know, just go watch that shit.

"Charlie and the Chocolate Factory" (2005) is destined to be compared to "Willy Wonka & the Chocolate Factory" (1971), and why wouldn't it? In thirty-four years since the making of the original, not a single person worth listening to said "i need this done right," including Burton himself, which is why he tries to add so much, but no amount of additions changes the fact that he casted his muse instead of someone who could, you know, act like Wonka? So, you know, destined for failure and to be loved by everyone who won't watch movies made before 1987.

"Corpse Bride" (2005) is one of only two claymation films that Burton would actually direct, and he uses this time to steal a Jewish story and make it less Jewish. I don't like the ending or the songs and it feels like it could be cut in half and achieve the same effect.

"Sweeney Todd: The Demon Barber of Fleet Street" (2007) literally doesn't have the iconic opening number from the stage play??? Overall, there's rarely a pairing of source material and director that works as well as this one... If only I enjoyed the source material, eh? So dark, so bitter, so edgy, so... nothing. I never think about this movie. When I do, I think of Mrs. Lovett's dream sequence and remember the good old days of "Big Fish" (2003) when Burton liked to use color.

"Alice in Wonderland" (2010) is one of my guiltiest pleasures in all of film. It is the reason why every time Disney announces a live-action remake, my ears perk up. If all of them were as wild, unhinged, original, creative, and inspired as this one... Well, I think Disney might not be fucking bleeding money right now. No one ever even mentions that it's a sequel to the original animated film. A SEQUEL, not a remake. Sometime movie-goers surprise me with how little they think.

"Frankenweenie" (2012) blows. I don't care how unique it is, I do not like it.

"Miss Peregrine's Home for Peculiar Children" (2016) is one of the funniest remnants of the teen dystopia genre. Like, it hardly applies, but is trying SO HARD that it's unbelievable. Also, props to Mr. "Black People Aren't My Aesthetic" for casting Samuel L. Jackson as a dude who eats white babies. (I do not mean that.) Seriously, this is proof that Burton, as a modern director, should no longer be taken seriously.

"Dumbo" (2019) is AAHAHAHAHAHAHAAAAAHAHAAAAHAHAHAHA I FUCKING HATE THIS DUDE HOLY SHIT

If I didn't mention, I haven't seen it. Yes, I know I skipped some big ones. I may watch them one day, but I am in no rush.

[surroundedbypearls]

‘CLOSET PUN’ - Excerpt #15

Hazel: The Changeling Draft 1

[Excerpt below the cut!]

Hazel beckoned him over and Jet crammed into the circle beside her. Junie began murmuring her magic words again, over and over, her face downturned, her legs tucked in close to her body. She was otherworldly when she did things like this. When she showed Hazel just how talented she was, how connected to the world she was.

“Did it work? Jet asked, after a few moments. No one around the room reacted, and after a moment, Toby gave a thumbs up from the bed. Junie was still focused, eyes closed, lips barely moving as she kept the spell going.

“She’s amazing, isn’t she?” Hazel didn’t recognise her own voice. “I mean, she - her power is incredible.”

Jet glanced at her, amusement lacing his usually dour features. “Right, yeah. Her power.”

She wanted to retort, but she had no defence. And they had no time. “Let’s just get this thing open.” She practically shoved the box into his hands.

Still smiling, Jet gripped the lock, took a breath, and yanked. He barely flinched as it snapped in his hand, clattering onto the floor. She half expected the spirit of Sarah to descend on them with fury immediately. But nothing happened. Jet opened the box and placed it on the floor before them. There were some old crystals, a little cloth bag of what she hoped were herbs and nothing more nefarious, and there. A book.

It seemed in pretty good condition, though its pages were yellowed. The box and the stone of the mausoleum had kept it well guarded from the elements. She opened it up onto the first page, heart pounding. “Read with me. You’re faster.”

And so they read.

Alice’s ailment is a unique one and seems to be spreading. She will not speak to me of how it pains her, but I see the signs every day of how it worsens. A witch cannot heal herself the way other creatures of the night can. Perhaps there is some secret to what makes them that could help Alice heal as well.

Sarah never seemed to write entire passages without losing focus. Her thoughts flitted from one subject to another in this notebook. Even her notes were sporadic.

All of this would be easier if Alice would just change her body. But she won’t agree to it and I promised I wouldn’t try to force her. The alternative solution may be to examine the properties of what makes others self-heal. They are all immortal in some way but for us.

Hazel read on.

Out of the werewolf volunteers I worked with in the laboratory, the longest healing time on the same injury - two broken kneecaps and two broken wrists - was 37 minutes, while the shortest was 18 minutes. Both reported no more pain at this time.

Bones were broken. Blood extracted. Werewolves and vampires and changelings could all drown, and be pained by burns, but werewolves and vampires would heal from a burn. Changelings would not. Goosebumps slid down Hazel’s arms.

If one creature could have all the attributes that make us greater than humans, perhaps that would be the ideal solution. No one would turn down being such a creature, not even Alice. But the question is how to create such a creature?

Notes were scrambled. diagrams , scribbled with frantic notes. It seemed like no creature could regrow a limb once Sarah Proctor had sawed it off. They could close up the wound, of course, and perhaps the pain went away, but the limb never came back, and the phantom pain might remain forever.

“Well? What is it?”

Hazel looked up. She hadn’t even realised the circle had fallen apart around them, Junie panting like she’d been running for miles. The others were staring at her and Jet. She didn’t quite no where to begin.

Luckily, Jet started to explain for her.

More on Closet Pun here! Leave an ask or a comment to be added to the taglist.

#writeblr #writers of tumblr #am writing #my writing #supernatural fiction #ya fiction #queer fiction #original writing #original fiction #original characters #wip: closet pun #oc: hazel #oc: jet #oc: juniper

[tinderbox210]

After watching the Picard finale yesterday for the 2nd time, and tearing up just as much as watching the first time, I think my brain is finally functioning enough again to pen down some of my thoughts.

Season 3 – what a ride!!!

I did have my ups and downs with the show. While I overly enjoyed s1, I was frustrated and disappointed with s2, mainly due to the way most of the new characters got sidelined (Soji, Elnor) or written off (Rios, Jurati). I always expected for Picard and the new characters to part ways eventually, to let the hatchlings have their own adventures, but I didn’t expect it to happen like this. Apparently it was a budget decision (also the reason why there weren’t more cameos) because they couldn’t afford keeping the new characters while bringing back the old TNG crew, which imo is a real shame. Especially the Raffi/Worf interaction this season showed that more new and old characters interacting could have been fantastic, and no lying, I would have loved so much to see the Stargazer under Rios’ command aiding the Titan last minute against the assimilated fleet – seeing those two legendary ships fight side by side... it could have been even more spectacular than what we got!

This all lead to me being very torn with reservations prior to s3. TNG was the first Star Trek show I’ve watched as a kid, it introduced me to the franchise and shaped me growing up. The show and the characters will always have a special place in my heart and I was very worried they would mess things up like other shows had (*cough*GilmoreGirls*cough*). But thankfully for me, that wasn’t the case – while I’m still sad for what we lost and could have been, I’m also very happy and grateful for what we got.

I loved season 3 and I think the finale was incredible on many levels and a more than worthy send-off for my beloved TNG gang.

There were so many moments I choked up with emotions while watching, so many impressions that stayed with me even after the ending. I think both DISCO and SNW delivered amazing season finales, but neither got the same reaction out of me like this one – from the mind-blowing cinematic action sequences to the intense emotional beats, it had a very natural flow and felt like the fitting accumulation not just of this season but of a lot what came all those years before.

Was it a perfect season/finale without any flaws? Of course not, because nothing is ever perfect and peoples’ opinions/reactions will always be subjective, but I hate the developed culture in fandoms that everything is black and white – that it’s either holier than thou and you’re not allowed to find a single flaw in it, or it’s the shittiest shit to ever exist with people trash talking every chance they get. I understand where some people are coming from being disappointed with this season and I share some of the criticism, but neither the show nor the finale deserve the hate it gets from some parts of the fandom imo (neither did the previous seasons, especially s1).

Vadic was an amazing villain (Amanda Plummer killed it in every scene) and bringing back the Borg made absolute sense to me. The Borg have been such a huge part of TNG, its legacy and Picard’s personal journey, but they’ve also been a strong focus point in Picard since the beginning. S1 had the ex-Bs, s2 had the alternative collective, so it didn’t feel contrived at all but rather inevitable for the prime Borg to be the final boss villain. And seeing that monstrous Borg queen in her nest (with the chilling voice of Alice Krige!), which reminded me lot of the xenomorph queen scene in Aliens, was truly something else! I think the whole plan to team up with the rogue changelings to infiltrate Starfleet so that they can assimilate the fleet via transporters was quite clever, unique and terrifying as transporters were never weaponized like this before.

I loved the emotional beats between the characters and that everyone got their moments to shine in the finale. Of course, I loved that we saw the Enterprise-D back in action and all its glory, taking one final flight to save the day (and what a mind-blowing flight it was!) before it got the well deserved resting place among the other legendary vessels at the fleet museum. I feared the ship would get destroyed along with a few familiar characters dying in the end, but thankfully that didn’t happen as I don’t think I could have handled it (Shaw’s death was heartbreaking enough). I’m actually glad the show decided against the common “kill half the characters in the finale to show it’s the end” trope to give everyone the happy ending they deserved.

Additional, some things I absolutely went feral and emotional about:

- Seven taking command of the Titan with Raffi right beside her and her speech to the bridge crew

- the Titan going berserker on the assimilated fleet as the last bit of Starfleet left (I wondered why no one else came to help despite the warning of staying away, because that felt a little weird considering Earth’s importance to the Federation, but since Prodigy already did that version, I can understand why they chose a different way here)

- the nods to Anton Yelchin and Majel Roddenberry

- seeing the TNG gang operate their old stations, with addition of Beverly taking over tactical and her raining fire and fury on the Borg cube!

- the flight of the Enterprise through the cube reminiscing Star Wars

- Riker and Troi’s epic love help save everyone and Deanna flying the Enterprise again (I loved that scene with the ship showing up above Picard and co. so much!)

- the chilling inside of the Borg cube and the Borg queen giving such strong Alien vibes

- Picard letting himself get assimilated again to save his son and their emotional scenes in the collective were just so powerful (Ed Speleers delievered so much!)

- the real human love of his family breaking Jack out of the queen’s hold

- the final shot of the Enterprise-D’s bridge reminiscing the ending in Generations (sleep tight, my love, you deserve it!)

- Seven getting promoted to Captain by Tuvok (I know, we all hoped for a Janeway cameo, but I’m happy Tuvok survived) and Raffi becoming her No. 1 (I was sad they broke up, but now the future seems full of possibilities with them finally staying on the same ship)

- Raffi and Worf’s goodbye (I really enjoyed their interactions) and Raffi finally getting the second chance with her family she worked so hard for

- the Titan getting renamed Enterprise-G (though I can’t recall what happened to the Enterprise-F – was it destroyed or renamed or do we have 2 Enterprises now?)

- Jack stepping into his parents’ footsteps (with Beverly being Admiral!) and joining Seven and Raffi on the Enterprise-G (now we need for Elnor to get transferred, because I really want him and Jack to become brothers!)

- the setup for the potential spin-off (give me Star Trek Legacy now!!!)

- the wholesomeness of final scene with the TNG crew at 10 Forward bar just reconnecting and playing poker

- the soundtrack!!!!

#star trek: picard #spoilers

[victoriazanaademi]

Heartstopper is the most fantastic comic I have ever read...so I am gonna ramble about it

So last year in November at Stockholm Comic-Con I bought a box set of the three first volumes of Heartstopper and it was only in January I finally decided to start reading them. I finished volume 1 already as I read during my lunch breaks at work, so I have just started reading volume 2. I bought volume four on Monday, I have the yearbook, coloring book, and the Nick and Charlie novel so I have all of the Heartstopper books thus far. Also @aliceoseman your art style is so gorgeous . It is unique and stunning.

I'm going to read more here in case I accidentally spoil the comic for someone who hasn't read it yet. Also, I really need to ramble.

Volume 1

Ok so everyone who has already read the comics knows that Charlie and Nick started in the same form and became friends. And seeing their friendship develop with every page is just..aahhhh it made me squeal. They are both precious bois that need protection. Also, I really relate to Charlie. I was bullied n school too...not because of my sexuality but for other reasons so I kinda relate to when he was questioning why Nick decided to interact with him in the first place.

Also, do not get me started on Ben...eugh just eugh and the audacity he had trying to apologize for how he treated Charlie at Harry's party. I don't think it was a genuine apology! A leopard never changes its spots. Also didn't like how the volume just ended with Charlie being all sad and in tears, thinking how he might've fucked up their friendship.

Volume 2 (What I have read so far)

Again do not like that it starts with Charlie, in bed crying. But then again he is going through some things and I get that. But Nick walked in the rain to talk to Charlie and his breakdown, telling Charlie how confused he had been feeling and how he needed time to figure things out. ALICE WHY ARE YOU SO GOOD AT STORYTELLING!?!?!?! Anywhoozle I haven't read that far into volume 2 so these are my ramblings thus far.

In conclusion. I love Heartstopper and I cannot wait to see what is in store for my absolute favorite fictional couple

#heartstopper #victoria is rambling #rambling

[yurimother]

The Best Yuri of 2020

2020 was hell in every way, and many of us are looking forward to new possibilities and advances in 2021. However, the year brought us many small moments and gifts worth celebrating. Among these, the explosive growth and change within the Yuri genre are among the most precious and most outstanding achievements. This second century of Yuri opened with a bang, as phenomenal new works, creators, and moments made their mark and helped change the future genre.

This annual list is a celebration of just a handful of the fantastic titles, people, and events in Yuri. There are likely some even greater ones that did not make the list because there is so much content in both English and Japanese that even I cannot keep up. However, among the troves of treasure, these titles stood out as shining examples of Yuri excellence. Some were released this year, others were recently adapted into English, and still, others are established titles that rose to prominence to dominate the conversation and my mind this year, but every one of them is worthy of being on this list and in your heart.

Here is the Best Yuri of 2020!

15: The Curse of Kudan Remastered

Japanese Yuri visual novel developers show no sign of slowing down as they continue to push to new heights and try new ideas. These are the same amazing people who brought us the delightful educational Yuri game The Expression Amrilato and the hilarious and surprisingly queer OshiRabu: Waifus Over Husbando’s. However, this most recent release, The Curse of Kudan Remastered, is their best work yet. Released near Halloween, this game brings a new edge of dark mystery and the occult to Yuri audiences worldwide.

The Curse of Kudan is available on MangaGamer, JAST USA, Denpasoft, and Sekai Project.

14: Adachi and Shimamura

English audiences were finally treated this year to Hitoma Iruma’s long-running and wildly successful Yuri light novel series, Adachi and Shimamura. Although the story struggles to gain traction, dedicated readers’ have their patience rewarded with a sweet tale full of gay pining. Alternatively, you can jump into its stellar anime adaptation, with gorgeous visuals and realized characters you will actually be willing to put up with the annoying Yashiro just to see where the title characters go. The series shows no sign of slowing down either, as the manga adaptation is coming to Western audiences next year.

Adachi and Shimamura is available to stream on Funimation. The light novel series is published by Seven Seas - https://amzn.to/3rTSZTK

Honorable Mention: Happy Go Lucky Days

The OVA adaptation of Fragtime got most of the attention this year. Still, director Takuya Satou and Pony Canyon also gave us this much-overlooked “love is love” anthology movie based on Takako Shimura’s manga (Sweet Blue Flowers, Wandering Son). The first short in the film, “Happy,” is easily the best Yuri anime of the year. It follows the beautiful yet realistic queer love story of two women hooking up at a mutual ex-girlfriend’s wedding, only for the relationship to blossom and warm viewers’ hearts. Sadly, while stylized, the budget demanded the animation cut a few too many corners. Additionally, the subsequent stories are at best tedious and at worst alarmingly problematic, which is why Happy Go Lucky Days only gets an honorable mention.

The OVA is streaming on HIDIVE

13: Mieri Hiranishi

The Yuri scene has many colorful creators with a breadth of different ideas and stories in the genre, yet few have provided as much humor and joy as Mieri. This talented creator spectacularly tumbled into the scene with her manga essay The Moment I Realized I Wasn’t Straight, which embodies the brutal honesty and realism of Nagata Kabi and matches it with exaggerated hilarity. She continues to chronicle her painful struggles of being a butch girl in love with butch girls in the monthly series The Girl that Can’t Get a Girlfriend. Alternatively, you can follow her on Twitter for just as much heart and laughter.

Read The Girl that Can’t get a Girlfriend on Tapas and Webtoon.

12: My Next Life as a Villainess: All Routes Lead to Doom!

My Next Life as a Villainess has what can only be described as volcanic bisexual energy. Every character protagonist Catarina Claes encounters is entirely enthralled by her. Of course, she is far too preoccupied with her quest to avoid doom flags and change her ultimate fate to notice any romantic interest. The series is rewarding and well structured, as views are just as focused on how Catarina plans to avoid certain doom as they are with the various romantic misses her band of companions cooks up. While the “friendship ending” did not capitalize on its Yuri potential, it was perhaps the most satisfying possibility for this crazy harem, at least until season two comes out, which looks, unfortunately, to be significantly less queer.

My Next Life as a Villainess is streaming on Crunchyroll

11: Love Me for Who I Am

Kata Konayama’s manga series is less Yuri than a general LGBT work, but it has a lesbian character and explores her identity and struggles in great detail. Few titles before have captured the exciting and nervous waves of emotions that young people feel as they explore gender and sexual identities and try to find themselves. This heartfelt and extremely queer series rubberbands between cute moe dress up to tragic and gripping backstory, keeping readers on their toes the whole time.

Love me for Who I Am is published by Seven Seas - https://amzn.to/3rTSZTK

10: A Summer’s End – Hong Kong 1986

Oracle and Bone’s debut visual novel, A Summer’s End, is set in a vibrant and electric 1980’s Hong Kong. Drawing inspiration from classic Asian cinema, music, and fashion. The worlds of Michelle, a young office worker, and a free-spirited woman named Same collide. The two struggle to comprehend and accept each other’s feelings just as they struggle against society’s expectations and prejudices. An incredibly thoughtful and touching adventure, the creators incorporated vital contemporary elements include Asian LGBTQ rights and growing political unrest in Hong Kong, into this illustrious game.

The visual novel is available on Steam.

Honorable Mention: Goodbye, My Rose Garden

In the same vein as A Summer’s End, Goodbye, My Rose Garden is a beautiful period piece that incorporates LGBT views into its shattering narrative. The story follows a bright-eyed immigrant, Hanako, wanting to make a new life in England as an author at the dawn of the twentieth century. She takes a job as a maid to noblewoman Alice, but their relationship takes a turn when Alice asks Hanako to kill her. This poignant tale is beautiful and an honest depiction of love and its conflict with responsibility and society.

Goodbye, My Rose Garden is published by Seven Seas Entertainment - https://amzn.to/3hFSyaG

9: Shio Usui

Usui’s hit Shaikaijin Yuri manga Doughnuts Under a Crescent Moon could easily take this spot even though it is not even out in English until February 2021. The manga is already making waves and receiving constant praise. The characters and their journey to discover love and self-acceptance are as charming as they are relatable and grounded. However, it is the creator, Usui, who really deserves acclaim. Not just for their work on Doughnuts, but having a second serialized story, Onna Tomodachi to Kekkon Shitemita, in monthly Yuri magazine Comic Yuri Hime simultaneously. It is even more remarkable when you consider these two iconic stories are Usui’s first long-running works, as they only contributed one-shots before.

8: Bloom Into You: Regarding Saeki Sayaka

Bloom Into You is possibly the most iconic Yuri series in the past decade, and while the manga deserves its own place on this list, the best thing to come out of the series as a whole is easily the light novels. This trilogy by Adachi and Shimamura creator Hitoma Iruma dives deep into supporting cast member Sayaka. Readers are treated to a delightful journey as she discovers her sexuality, experiences heartbreak, and finally finds herself breaking free and falling in love. With the help of gorgeous illustrations by Nakatani Nio herself, Iruma masterfully captures Sayaka’s unique voice and emotions in this wonderful series. Whether a fan of the originals or not, every Yurijin must check out Regarding Saeki Sayaka.

The light novel series is published by Seven Seas - https://amzn.to/3hFSyaG

7: Our Teachers are Dating

The best a Yuri can get. This workplace romance follows two teachers at the start of a new relationship taking nervous yet enthusiastic first steps, including saying I love you, going on their first date, and even sleeping together. It is so heartfelt and salacious that readers will squeal the whole time. Additionally, our heroines are supported in their relationship by everyone they know, their students, colleagues, and even the principal. It is a perfect world for these two lovebirds! Our Teachers are Dating would easily be number one or two in any other year, but the competition is fierce in 2020. So even though this is only number seven, it is still a master class Yuri manga.

The manga is published by Seven Seas Entertainment - https://amzn.to/38XY3O9

6: Amongst Us

Who would have thought that a comedy alternative universe story spinoff of a fantasy action series would be the single best Yuri webcomic this year? Shilin’s astounding artwork illustrations the hilarious and irresistible journey of girlfriends Blackbird and Veloce. These two eccentric young women get into all kinds of everyday mischief that bounces between tender and touching romance, completely outrageous comedy, and downright thirst-inducing sorcery. Seriously, you should buy the first volume for Veloce’s back muscles alone. The storyline skips between time, but both their established relationship and their meeting as teenagers are adorkable and captivating.

Amongst Us is available online free on Webtoon and the comic’s website. The first volume is in paperback on Shilin’s site.

Honorable Mention: Éclair

There are a lot of Yuri anthologies out there, and they have done some beautiful things. Many focus on themes like Syrup. Others collect a series of stories by an author into one bound work. However, out of all of them, Éclair is the most successful. ASCII Media Works took some of the genre’s most extraordinary creators and let them do whatever they wanted, and the results are spectacular. The incredible talent behind Éclair somehow packs a full volume’s worth of story and character into just a few pages with every chapter. While the first volume came overseas a few years ago, Yen Press gave Yurijin a gift this year by releasing the entire rest of the series in which readers can get lost.

The anthology series is published by Yen Press - https://amzn.to/38XY3O9

5: I’m in Love with the Villainess

A small trend of isekai Yuri with villainesses emerged recently, and I honestly had few hopes of I’m in Love with the Villainess. The series is pretty popular, but I often find that this does not denote quality, and with isekai having some institutional issues, I suspected this would fall flat. Then the volume three cover showcased an incredible accomplishment, allowing for a lesbian relationship to blossom into a family with children, and it blew me away. Finally, I read volume one and realized that the series has incredible character, some of the best world-building I have ever seen in a light novel, thoughtful discussions of inequality and societal issues, and most impressively, open and frank discussion of queer identity and life Yuri has ever seen! This one is something special.

The series is published by Seven Seas Entertainment - https://amzn.to/3nedvdZ

4: The Last of Us Part II

Yes, I know this one is not Yuri and that a portion of the population despises this game and will likely be exceptionally angry at me for including it. However, I maintain that it was an incredibly challenging masterpiece. Naughty Dog did not take the easy route out and delivered one of the most devastating media experiences I have ever seen. As I said in my article about the game, playing it changed me, and it sticks with me to this day. The Last of Us Part II earns its spot on this list because it pushed boundaries more with LGBTQ inclusion than any other AAA game. From brave inclusion of LGBTQ themes to queer characters and storylines at its center, the game changes gaming and it will never go back.

The Last of Us Part II is available on PlayStation 4

3: She-Ra and the Princesses of Power

She-Ra feels like the culmination of all the LGBTQ progress western cartoons have made over the past few years. From The Legend of Korra to Steven Universe, young people are finally seeing more LGBTQ people represented on the small screen. This epic fantasy concluded with an amazing and powerful lesbian romance, delivering on its queer promise and revolutionized representation in a trope-defying crescendo.

She-Ra and the Princesses of Power is streaming on Netflix

2:  The Conditions of Paradise

The greatest single Yuri work of all in 2020 was the English release of Akiko Morishima’s breakthrough manga, The Conditions of Paradise. Initially released in 2007, this anthology detailed the love between adult women. It was in every way a manga ahead of its time, and seeing it finally get a small piece of the recognition it deserves overseas is a true gift. The fact that we can own this legendary piece of Yuri history and Morishima’s other anthologies is nothing short of a blessing from the Yuri goddess.

The Conditions of Paradise is published by Seven Seas Entertainment - https://amzn.to/38bh4xq

Honorable Mention: Otherside Picnic

This eerie sci-fi horror series combines the best of pulse-pounding thrillers, complex and intelligent hard science fiction, and exciting Yuri romance. Author Iori Miyazawa spends as much time crafting a well-paced and intriguing narrative about a mysterious world where occult creatures roam as he does establishing two believable and grounded heroes in Sorawo and Toriko. The romance between the two may be slow to start, but their chemistry is undeniable and as the stakes and story build, so too does their relationship. Not only are the light novels incredible, but the series’ manga adaptation is coming soon to the West as well as an upcoming TV anime in early 2021.

Otherside Picnic is streaming on Funimation. The light novels are published by J-Novel Club - https://amzn.to/3niiv1g

1. Yuri subgenres

For a long time, Yuri was not a genre of its own, but elements of romances or bonds between women found in other works. Now, thanks to an increasing library of works, the advent of social media, and a wider audience, Yuri is a genre on its own, with many creators telling different stories in different styles. However, 2020 saw the continued emergence of something extraordinary, subgenres. Yuri is now so vast, we can actually categorize the works within. Depending on their characters, like classic schoolgirl romances or spicy shakaijin office affairs, their world, such as fantasy or isekai series and thrilling science fiction adventures, and even other elements within. One of my personal favorites is the feminist Yuri that emerges from titles like Sexiled, where women celebrate the accomplishments of other women and dismantle power structures stacked against them. Now, no matter what kind of Yurijin you are, there is something for you to love.

I am happy to leave 2020 behind, but I bring with me a renewed love and admiration for Yuri. 2021 looks to be a somehow even better year for the genre, and I am thrilled to experience every minute of it that I can. Yuri has transformed into something far greater than I ever thought it would be, and let us all enjoy its evolution and expansion together in 2021.

#yuri #manga #anime #top 10 #lgbt #lgbtq #lgbtq+ #queer #gay #girls love #gl #adachi and shimamura #otherside picnic #lists #2020 #happy new year #2021 #new year

[heartstabyuldaisuki]

Thoughts on the Twisted Wonderland world+time loop theory

Mild spoiler for prologue+chapter 5

After reading @mionie Twst theory post about Ace,I suddenly inspired to write about what’s on my mind.The whole thing is too long and I will be separating them to parts.Now onto part 1.

What if the question Crowley asked was the reason why Yuu is brought to Night Raven College.I’ll be using the time loop theory too to explain my thoughts.It’s just a fun idea,nothing too serious.Here is my guess.

Perhaps,Crowley is not satisfied about the villains endings,there are no happily ever after for them.Twisted Wonderland is either 

1)already existed,or 2)Crowley is the one who created it.

Since I still believe Crowley’s unique magic is the time loop,I think 1 is a more possible one.We’ll go deep with explanation 1.It’s because Crowley looks up the seven villains so much that he decided to establish a school worshiping them.Their backstories are how that crow view them as.After a long time,Night Raven College became a school.Most if not all know/believe Crowley’s version of the villains,even calling them The Great Seven,perceiving that as the history.

However,history might not be the entire truth of everything,some are the pieces and bits found by.In chapter 5,Kalim said these.

-The legend of the street rat turned prince is also pretty famous back in my hometown, you know?

-One day, the little street rat met the Princess and he fell in love.After that, he started regretting all the petty thefts and lies he made back then and had a change of heart.Next thing you know, he saved the Sultan and the Princess from an evil usurper!And then, he and the Princess got married, so he turned into the next Sultan. A happy ending, right~?

Sounds familiar right?That is the version of Aladdin we know.Therefore,I think that in Twisted Wonderland there are people who oppose/not agree to the idea of the Villain being describe as...um..that noble(?).Maybe that’s why Royal Sword Academy was established.It’s to tell people about the life story of the protagonists,namely Alice,Simba,Ariel,Aladdin,Snow white,Hercules and Aurora.If we ever get to see more about Royal Sword Academy,I hope their main street will have their own great seven statues with their versions of odd titles.

After centuries and centuries,both Night Raven College and Royal Sword Academy became successful.They are the most powerful magical school of Twisted Wonderland.These days had been so peaceful but it was all gone because of one monster.Now here’s where the time loop theory came.

It is possible in the first timeline,Grim crashed in the ceremony and had been thrown out for quite many times already.However,maybe due to Grim’s perseverance,Crowley gave in to Grim’s wish and allow its enrollment as a student.And everything is the same as the game,like the overblots and stuff,including Grim’s possible overblot,except that Ace and Yuu were not involved in all that.

I’m sure you all know why Yuu was not involved but you may wonder.Why do I think Ace was not involved in that timeline.That’s because other than the start at the entrance ceremony,everyone’s name is shown to the player in their first appearance,except for Ace,Leona,Malleus and technically Mickey.Hence,I think Ace did not have an active role in the first timeline.

As for Malleus and Leona,I have been wondering why their names are not shown to the player.And I think the reason is that,along with Ace,they will be important figures to break the time loop.I am not going to talk about that in this post,maybe I will later.And back to my thought on the time loop theory.

I think the time loop is caused by Crowley.He wants preventing Grim to destroy Night Raven College,and even the whole Twisted Wonderland.Therefore,he had been using his magic to time loop,repeating everything again and again in order to reach the happy ending,which is the timeline where Grim does not destroy everything.

About the "For me. For them. For you. We are all running out of time." part,I think for me refers to Crowley,For them refers to his students and staffs,possibly everyone in Twisted Wonderland.For you refers to Grim.With this in mind,here’s my interpretation of the line,Crowley’s magic is almost out of limit.He is running out of time.He wants to save everyone,including Grim.However,after countless tries and trials in many timelines,he failed every single time.Still he doesn’t want to give up yet,so Crowley asks the mirror,for its help,which is the first scene we saw in the prologue.

We don’t know what Crowley asked about the ”Who is the most...” part yet.But whatever it is,I think that caused Yuu to be brought to Twisted Wonderland and specifically in Night Raven College.I think Crowley is genuinely shocked by Yuu’s presence,however,he might be or not aware that he/she/they can help him breaking the time loop.Now with Yuu’s presence here,everything is starting to be different.

Here are the things I think Yuu changes and could possibly alter because now he/she/they being involved in the current timeline.

#1 monitoring Grim as its caretaker -> the main reason Crowley let us stay for

#2 Befriending Ace Trappola -> getting him actively involved with Grim in our current timeline

#3 Befriending Malleus Dragonia 

#4 Befriending all the first years->all of them as a peer group + willingly cooperate with one another if the situation calls for it

#5 Could be a great help/support to Leona Kingscholar’s investigation

#twisted wonderland theory #twisted wonderland thoughts #twisted wonderland ace #twisted wonderland leona #ace trappola #leona kingscholar #malleus draconia #twisted wonderland malleus #twisted wonderland grim #twst ace #twst leona #twst malleus #twst grim #twst theory #twst thoughts #grim #disney #mickey mouse #mickey #disney villains #twst #chapter 5 spoiler #twisted wonderland #night raven college #royal sword academy #grim overblot #dire crowley #mc/yuu #twst spoilers #twst ambrose 63

[headinthestaticsky]

The Fire of the Innocent Sun: Jasper Hale x Fleur Hale, Chapter 4.

Twilight does NOT belong to me, all rights go to Stephenie Meyer.

SHORT CHAPTER FOR NOW. I am going to be able to write more next week so hopefully, you guys can get more than one chapter a week next week! :)

You can tell by the sores on my feet That I've traveled far, still nothing is mine to keep You said you were lonely, first time around and I lost my mind 'Cause I know both you and me were born under a bad sign

Devil by, Ida Maria

Timeskip: 2 days later

Our group of witnesses was growing faster it seemed we had scoured the world looking for anything that could help us. Each of them was won over. Each was made to see. Carlisle convinced his Irish friends to make the journey to Forks. Although we were grateful for their help, their thirst for human blood complicated the situation. The nomads Rosalie and Emmett sent were even more unpredictable. Especially Peter who had fought alongside Jasper as a newborn.

At times I felt guilty and confused wondering why everyone was through so much trouble for me when they had never met me before. In my own thoughts, I was a leaf flowing meaninglessly through the breeze, nothing too important to them. Regardless of what they thought of me or the situation we were all in I was nothing but grateful for them.

Benjamin was one of the most interesting vampires I had ever met and his ability was one of the most unique ones out of all of the vampires I had ever met. Ezra had taken a liking to Benjamin immediately being completely enamored by his gift. Zafrina and Senna were intimidating at first but after getting to know them a little more I had a great appreciation for their strength and resourcefulness. They weren't exactly around other vampires or humans for that matter so I wasn't going to shun them for their like of social skills. It was nice knowing that our plead was being heard in some of the most remote sites in the world. I learned that Zafrina had the same gift as I did. We were able to manipulate the mind and make anyone see what we wanted them to.

I had been pulling Bree and Jasper aside every day of the week, training Bree to defend herself and gain control of her power which was Telekinesis. If we had to fight I knew the skill would come in handy. Bree had begun to gain the ability of control over the entire body, stopping anyone in their tracks. I thought Carlisle was delusional in a way... I know he didn't want to fight the Volturi. He knew that people would die if they did... those people being his friends. But the Volturi were too dangerous and abusive of their power we were never going to be able to live in peacefully. I hadn't heard a thing from Alice or Dean since they had left... their absence was concerning. It was as if they had completely disappeared from the face of the Earth, hiding deep within its core waiting for the aftermath of the confrontation with the Volturi to come. I just hoped the aftermath of that wouldn't leave Ezra without Jasper and I.

I was standing in the Cullens' house observing all of the vampires interacting with one another. The tension and uncertainty were all over their faces. Red eyes were all over the house and their thirst for human blood really complicated the situation. Leah had walked up to me, I knew being around so many vampires were getting to her.

"Lotta red eyes around here," Leah commented.

"They agreed not to hunt in the area," I replied.

"But they'll feed somewhere..."

I turned my head toward her and smiled sadly at her.

"Yeah, I know... how many more of them have turned?"

"We had 6 more turns this morning alone... They said we haven't had this many turn since the Cullens first stepped in Forks. At least that's what the legends say."

"We're going to need as many wolves as we can get... I know you and Sam are on board but I think I need to talk to Jacob. He's one of the best in your pack."

"He's in the same place he's always been... I'm sure Billy would like to see you too."

"But what about the treaty... Sam is really strict on that."

"Oh you know he's going to give you a pass...ever since Carlisle helped Jake out he's had a change of heart."

"I think I'm gonna head out now... just tell Jaz I needed to take a drive."

"Will do."

I hope this trip would go well.

#twilight imagine #twilight #twilight saga #fanfiction #jasper hale #jasper hale x oc #jasper hale x reader #carlisle cullen #edward cullen #esme cullen #alice cullen #bella swan #rosalie hale #emmett cullen #breaking dawn #cullens

[100hearteyes]

Part 2 of Clarke And Lexa Make a Porno, because why the fuck not.

Part 1.

"No. Absolutely not."

Anya's wolfish grin is no good omen. Lexa feels a sense of dread wash over her and tries in vain to assuage her nerves by holding her friend's gaze. Anya wouldn't look this sure if she didn't have some card up her sleeve.

Lexa throws a furtive glance around, checks that her co-workers are still focused on the German porn telenovela. It's only when she's sure that the action on-screen will keep them rooted for a while that she turns back to Anya, trying but failing to meet her eyes.

She overcompensates with another glance around the room and a low hiss. "I can't believe I'm saying this, but am I not too," she licks her lips, gathering the courage, "'vanilla' to do it?"

Anya shrugs like it's a no-brainer; crosses her arms and props her booted feet on Lexa's desk. "That's exactly the point. You're a lesbian Disney princess. Pretty sure if you started singing the whole fucking fauna of Capitola would follow you around."

Lexa levels Anya with a glare and tries to push her feet off the desk, to no avail.

(Seriously, what's it worth being editor if she can't even have her subjects' respect? She wishes this job was less about the headaches and more about the self-indulgent moments of microscopic tyranny.)

The feet might not budge, but Anya will. Lexa is sure of it. She draws herself taller and tucks on her most authoritative scowl. "I won't do it."

Anya plucks an imaginary cigarette from her mouth and throws it away without a care in the world. She reaches behind her and drags forth a heavy wooden box, filled to the brim with—

"My vinyls."

Lexa is in a daze.

She thought she'd lost all her vinyls to time and moving. She mourned each one of them for at least a year, cried many a night away clutching her record player to dear life, lamenting their shared loss.

They had a real connection.

But it turns out her vinyls weren't lost after all, and her tears were for naught. They were safe all along, albeit in different hands, and she'd known nothing of it, like a mother who lets her children wander about without aim nor authority.

How can she ever have kids if she can't even take care of her prized vinyls?

Lexa feels a prick of self-righteous indignation at the betrayal and puffs out her chest. "Why do you have all my vinyls?"

"I think you mean all my vinyls," Anya corrects with a lazy flurry of one hand towards the box.

"You don't even own a record player."

"How the fuck would you know?"

Lexa raises an eyebrow at her friend. "I come over all the time?"

"I could hide it while you're there."

"And then you'd never find it again, because that's what happens every time you try to hide something from me."

Anya shrugs and watches as Lexa picks one of the vinyls and turns it over in her hands, reading the track list on the back with the reverence one would a millennium-old parchment. Then she looks up at Anya with a stern glare.

"Over half of these were stolen from my house."

Anya shrugs again with infuriating nonchalance and Lexa wishes she had a pencil nearby just so she could snap it in two with one hand. Or stab one of Anya's eyes with it.

"Maybe I just rescued them from the actual malefactor," drawls Anya.

"We both know the real culprit sits across from me and has been wearing the same socks for the past three weeks."

Nailed it.

When she looks at her friend, however, all she sees is that same old resting bitch face that never seems to go away.

"Wow, Lexa," Anya deadpans. "Now you've really hurt my feelings."

Sometimes, Lexa wonders if Anya really has a rock where her heart should be. A supernatural, blood-pumping rock, of course, but a rock nonetheless. Or, maybe, Anya is a psychopath. Maybe the blood money theory wasn't so far-fetched after all. That would explain the brazen lack of empathy for everyone else's feelings, most of all Lexa's. What does it say about Lexa that her one true friend is someone who sneezes literally every time Lexa says 'I love you'?

Not that Lexa says it a lot. Only once or twice every few years.

Just enough to have noticed the pattern.

"Are you really trying to blackmail me with vinyls?"

Anya fakes an affronted gasp, laying a hand on her heart. "Would I ever. Think of it as... an incentive."

Lexa really does love Anya, despite her friend's... unique demeanor. Anya helps her come out of her shell — by taking up all the space and forcing her out of her own metaphorical home — and every once in a while she likes to make sure Anya is aware of her gratitude. Sometimes, though, things get really fucking weird.

Lexa would still do anything for her best friend.

"Let's imagine, hypothetically - very hypothetically," she stresses, although Anya's burgeoning smirk tells Lexa she isn't so easily fooled, "that I agreed. What would happen next?"

Anya takes her feet off Lexa's desk and sits up straighter, perhaps aware of the importance of this moment. This, Lexa decides, will determine her answer.

"Well first, I'd have to get you a costar. Then we'd sign some legally binding shit, find a crew, and make the damn movie. Simple as that."

Anya leans forward, looking into her eyes. In Anya's, she sees honesty and a pressing need to reassure. It takes some of the pressure off her shoulders right away.

"Look, Lexa, you can say no. But your name won't be on anything related to the movie and I promise no one in this shitty town will ever find out you did this."

This is why Anya is Lexa's best friend. And it's why Lexa would do anything for her.

Even star in a porno.

"Okay."

Anya's inner smile must be really, really big, because Lexa knows how hard she tries to tamper its outward expression — and still her lips manage to lift into a grotesque grimace. Coming from Anya, it's the equivalent of a blissful grin.

"Okay?"

Lexa nods and closes her eyes, bracing herself for a bone-crushing hug. It never comes. When she opens her eyes, Anya's resting bitch face is back on.

"What, did you want a fucking hug?"

It's a blessing to have her rude friend back, Lexa guesses, because seeing Anya almost smile is fifty shades of unsettling. So she rolls her eyes and rolls with it.

Her next question demands her full focus, lest she makes an even bigger fool of herself than usual.

Lexa breathes in, makes sure all her co-workers are still otherwise entertained, breathes out. Smooths out a non-existent wrinkle in her pants, wets her lips for courage.

"Anyway," she treads with caution, "do you have someone in mind for the other main role?"

It's fitting that Harper McIntyre's hit song One More Betyreyal (one of her less inspired titles, if Lexa may say so) starts playing in that moment, for the look in Anya's eyes speaks of nothing but danger. Lexa wonders how much planning went into this conversation, so Anya could plan all her gut punches in advance.

"Clarke Griffin."

No. No. Anyone but her.

Clarke Griffin is the new recruit, although Lexa hardly understands how there can be someone new considering the station is broke and they’re already overstaffed — and none of them make nearly enough money for how much they laze around all day.

Clarke came from out of town with a fancy degree and was directly hired as an editor. She voices the early afternoon newscasts and Lexa curses the one-hour period during which she's forced to cohabitate with Clarke every day.

Apparently, Clarke had taken a liking to unnerving her, be it by smirking at her every time she catches Lexa staring or by making all sorts of inappropriate comments — to her ear. Lexa hates how much it affects her, but how can she possibly focus on reporting about Lionel "Real Sight" Foster swallowing his own wooden eye or how Jasper Jordan rescued his own private parts from the jaws of two slats of an unassuming park bench if someone keeps doing everything in their power to distract her?

Lexa has a theory (an iron-clad theory, if she may say so herself), and it's that Clarke is trying to get her fired so she can take her shift. It's the best shift of the day. There is no other possible explanation.

"You know what, I take it back. Now you need to convince two people to star in your porno."

"Oh, there's no need." Anya waves her argument away with staggering nonchalance. "Clarke's already said yes."

Wait, what? "But you told me we'd need to get me a costar."

Anya shrugs and Lexa is now seriously considering revisiting her psychopath theory. "I lied."

"You conniving, lying b—"

"Careful," Anya cuts in with a raised eyebrow. "I am under protection of the Capitola Astrologers Union."

"Of which you are president, treasurer, and the only legal member," Lexa reminds her. "And I think any upstanding judge would love to know how exactly every other name on the list has joined said union posthumously."

"I am an astrologer, Lexa. I can communicate with the dead. It's in my job description."

"It scares me that you're not even aware you're describing an entirely different profession."

Lexa sits back, staring at the ceiling (and the chewing gum Murphy glued there a year ago — he could've been an Olympic jumper if he committed to work the way he does to being an asshole), trying to come to terms with a single, harrowing probability: she's going to star in a porno with Clarke Griffin.

"l don't understand why it has to be Clarke."

Anya leans forward, propping her elbows on her knees, expression serious and ready to talk shop. The last time Lexa saw her like this was— actually, Lexa doesn't think she's ever seen Anya like this.

"Look, I've done some market analysis and most girl on girl pairings are a blonde and a brunette." Anya raises both her hands and starts counting off fingers, "Brittana, Petramos, Holstein, Wayhaught, Supercorp, Joanarty, Choni, the inaptly named Shoni, Deanoru, Dana and Alice, Bette and Tina, Catradora, Villaneve, Clexa—"

"What's Clexa?"

"I don't know, some chicks from this fucking terrible CW show."

"Do you like it?"

"Do I like what?"

"Clexa."

"Dude, I don't even know their fucking names!" Anya exclaims, exasperated. As if she's the victim here. "The only Clexa I ship is you and Blondie. Naked. On my porno. Clarke and Lexa. Clexa. Havin' very hot sexa."

"Smart," Lexa deadpans.

"I know."

"Why can't it be Niylah? She's blonde, too."

Anya's smirk is five hundred shades of gross. "I know you'd love to get up close and personal with Niylah's knick-knacks, but no."

Lexa decides to let the comment fly for the sake of her own sanity.

"Why Clarke, though?"

"Because you two have chemistry, you fucking dimwit."

Lexa snorts. Chemistry. Lexa has never heard of something so absurd. She and Clarke have as much chemistry as Harper McIntyre and any semblance of originality.

Which is to say, none at all.

"She makes very inappropriate comments," she argues instead, knowing full well that pressing on the topic of chemistry will only open way for some trademark crass joke from Anya.

"Yeah," her friend agrees, like it's obvious. "Because she knows you love them."

She most certainly does not.

"I most certainly do not."

"You do. Your freakishly tiny ears go red whenever she flirts with you. Your step falters when she makes one of those comments, for fuck's sake," Anya observes, pointing in Lexa's general direction, before leaving forward and laying a hand on her shoulder. "I'm sorry to tell you this, but you, my friend, are a walking lesbian cliché."

Lexa takes Anya's hand off her shoulder. "Can you please stop insulting my tragically conspicuous homosexuality?"

"Oh please," Anya scoffs. "I'm bisexual, I can say whatever I want."

"If my step actually faltered - which they don't - it would be because her comments are annoying, off-putting, unprofessional, inopportune, and... and inappropriate", she finishes lamely.

"And you fucking love them."

"I don't."

Anya leans back on her chair with an evil smirk, propping her feet on the table and crossing them at the ankles. Lexa tries to push them off to no avail.

"Legalities aside, it's very simple. Clarke has already said yes. I just recorded you saying yes."

Lexa sputters, "You what--"

"You're both legally bound now." Anya shrugs. "Look at it this way: it will be very educational. You'll finally learn how to make a girl come, and get paid for it. Sort of."

A beat of silence.

"Anya, are you aware that you say something at least vaguely criminal every five sentences? Something that could actually put you in prison?"

Anya clicks her tongue, sinking farther into her chair, and lowers her sunglasses to her eyes.

"I've got friends everywhere, Lex. Let's just say I've dipped more than my fingers in my fair share of pies, if you catch my drift." A second later, she lowers her sunglasses just enough to reveal her eyes. "That means my tongue. My tongue's been in a lot of pies, too."

Lexa doesn't doubt that for a second.

"What I need to know is," Anya adds, taking off her sunglasses and throwing them across the room, "will you dip your fingers in the porn pie?"

Like this conversation hasn't caused enough trauma for thirty lifetimes.

"If I say no, will you still give me back my vinyls?"

"Absolutely fucking not."

Lexa swallows, clenches her jaw, and thinks of all those lonely nights spent in the couch clutching her record player and sharing cookie dough ice cream with it, longing for long-gone times when she'd dance to the mellow voices of the likes Billy Ocean and Ella Fitzgerald.

"My answer is yes."

#that moodboard is way too serious for this lol #clexa #clexa au #clexa fic #clexa fanfiction #clexa fanfic #calmap #my fics #mine

[letterboxd]

After Agnès: Ten French Filmmakers to Watch in 2021.

It’s not every day that a grass-roots fandom inspires a Letterboxd Easter egg, but the love for Portrait of a Lady on Fire was so strong that those flames are here to stay. With a new Céline Sciamma fairytale on the horizon, we invited Sarah Williams—one of the #PortraitNation instigators—to highlight ten femmes de cinéma with new works due out this year, and suggest films from their back catalogs to watch now.

Among many dramatic moments in cinema in 2020, there was the resignation of the entire César Academy board, following protests about the nomination of filmmaker and child rapist Roman Polanski (dubbed ‘Violanski’ by French feminists). Then there were the walkouts at the 45th César Awards ceremony itself, led by actress Adèle Haenel, after Polanski won there. Firm calls for change followed from Le Collectif 50/50, a movement that has urged parity on festival selection committees, after seeing how few female filmmakers were allowed into competition categories. (They have had some success, particularly with Cannes, where selection committees have moved towards more transparency and a better gender balance.)

Actress Adèle Haenel has a message for the 2020 César Awards, shortly before walking out of the ceremony.

This year’s Césars were tame, by comparison: actress Corinne Masiero stripped on stage, using her brief spotlight to focus on the pandemic and the crisis of shuttered cinemas across France. May they open as soon as it’s safe, because many of the filmmakers prominent in these social movements have new movies on the horizon. As the older generation retires, this newer group of progressive filmmakers is making waves on the festival scene, working from perspectives often denied or overlooked in mainstream cinema. French cinema is at a sort of crossroads, and the next Portrait of a Lady on Fire, Divines or BPM could be just around the bend.

Letterboxd members are well schooled in the power of Agnès, and Céline Sciamma has entered the worldwide critical sphere—and Letterboxd’s highest ranks—thanks to the success of Portrait of a Lady on Fire (🖼️🔥 forever), but there are many more French storytellers worthy of your watchlists. Alongside Sciamma, here are nine more for your consideration.

Céline Sciamma’s ‘Petite maman’.

Céline Sciamma

Coming soon: Petite maman Watch now: Water Lilies, Tomboy and Girlhood

Before her worldwide hit Portrait of a Lady on Fire, Céline Sciamma helmed a trilogy of acclaimed coming-of-age stories, Water Lilies, Tomboy and Girlhood. Her fifth feature, Petite maman, both lives in the world of this trilogy, and radically differs from the trio.

Petite maman premiered at the 2021 Berlinale, where the North-American rights were snapped up by NEON, Sciamma’s partner on Portrait’s release. In the film, Nelly (Joséphine Sanz) is eight years old when her grandmother dies, and she goes with her parents to help empty the house. One morning, her mother, Marion (Nina Meurisse) disappears, and she finds a young girl also named Marion (Gabrielle Sanz) building a fort in the same place her mother had as a child. A non-traditional view of motherhood, Petite maman’s supposed twist is never meant to be a twist at all, as this Miyazaki-like fairytale never tries to hide where Nelly’s mother really is.

Unlike other time-travel films, Petite maman is not concerned with physics. It’s a gentle act of love that blurs generational lines, answering the question of what it would be like to see life through your parents’ eyes at your age.

What Sciamma does here is radical even for her, creating an entire film that lies in a safer place of childhood. Where in Water Lilies, Girlhood and, especially relevant, Tomboy, shot in the same forests of Cergy, she depicts the full violence that comes with adolescence, the two young girls here console each other, and don’t have a camera on them for the rougher events of their childhoods.

Sciamma’s earlier films about youth feel like personal catharsis, but also unflinchingly show coercion, a child being outed, and teenage gang violence. With Petite maman, the two young girls are allowed to live in the more innocent parts of their childhoods, and though they deal with grief, worries of abandonment, and one nervously awaits a major surgery, Sciamma now tells a weighty story without needing to show pain on screen.

The end result is a warm, nostalgic film that isn’t bound by time period or the specifics of setting. It’s a live-action Ghibli fairytale that, despite having Sciamma’s youngest leads, has matured from her earlier work. The plays acted out by the children sometimes parallel their own stories, and once, in a scene of a countess and maid, almost seem to be calling back to past films, in this case Portrait of a Lady on Fire. Many times, including at the film’s Berlinale Q&A, Sciamma has said she does not write characters, but stories and situations to enter. This feels more than true with this latest effort, a steady hand extended to an audience, promising us that it will be okay, some day.

Alice Diop’s ‘We’.

Alice Diop

Coming soon: We (‘Nous’) Watch now: Towards Tenderness (‘Vers la Tendresse’)

Through the many shortcomings and scandals of France’s César Awards, a memorable win of recent years was Alice Diop’s 2017 award for best short film for Vers la Tendresse (Towards Tenderness), a prize she dedicated to victims of police violence. The film is a 38-minute poetic exploration of how men view sex and romance in the French banlieues (suburbs). One line in the film summarizes Diop’s central thesis: “It’s just hard to talk about love. We don’t know what it is.” These young men struggle to conceptualize love from what they are taught, and their flaws are laid bare in the name of understanding the limitations of masculinity.

Though more abstract, Diop’s new film, We, which had its premiere in the 2021 Berlinale industry selection, comes from a similar desire for collective understanding. The train line of the RER B crosses Paris from north to south, and with it, so does an attempt to connect fragmented stories around the city. The film heavily recalls the Varda tradition that a documentary can be made just by walking and waiting. Using a series of suburban vignettes, Diop is able to piece together a wildlife conservatory of ordinary lives, looking at her own community and trying to capture the warmer side of society. She talks to a mechanic, a writer, and even her own father, in a sort of David Attenborough of human landscapes. We weaves through parts of the city with overwhelmingly Black and immigrant populations, building a nostalgic breed of documentary not focused on the gotcha! reveal.

Rebecca Zlotowski’s ‘An Easy Girl’ (2019).

Rebecca Zlotowski

Coming soon: Les enfants des autres Watch now: An Easy Girl (‘Une fille facile’)

Writer and director Rebecca Zlotowski has steadily released a film every three years since 2010. Her stories have centered on Jewish and North-African characters, and her television series Savages, based on a series of novels from Sabri Louatah, focuses on the attempted assassination of a fictional Arab President-elect in France. Very little has been spilled about Zlotowski’s newest film, Les enfants des autres, which began shooting in March. We know that Virginie Efira and Roschdy Zem are attached, and there were casting calls looking for children, and for extras for a scene set in a synagogue.

Though each of her four previous features have their strengths—and I’m even partial to Planetarium, an overzealous magical-realist film about American sisters with a supernatural gift, set in the Parisian film industry around the rise of anti-semitism—2019 Cannes selection An Easy Girl, readily accessible on Netflix, is a choice pick. Notable for its controversial casting of Zahia Dehar, who became infamous for relations with the French national football team while an underage sex worker, this choice proved to be a clever deception in a film about how women said to be easy with men are dismissed.

Dehar plays the older cousin to newcomer Mina Farid’s Naïma, a sixteen year old who longs for her cousin’s seemingly glamorous lifestyle. Naïma soon learns this life isn’t just fashion, but about learning to please wealthy men in order to get what she wants, while never having to give too much of herself away. While most of the director’s closest contemporaries are pioneers of a coherent movement of female gaze, Zlotowski chooses here to shoot through a decidedly male gaze, challenging her audiences’ perceptions of how they treat her characters before we come to understand them.

Also noteworthy is Zlotowski’s debut feature Dear Prudence, based around a diary she’d found in the street. Starring a very young Léa Seydoux as a seventeen-year-old girl who joins a motorcycle gang after the death of her mother, the film’s unique source material makes this Zlotowski’s most intimate film.

Julia Ducournau’s ‘Raw’ (2016).

Julia Ducournau

Coming soon: Titane Watch now: Raw (‘Grave’)

Julia Ducournau’s cult-favorite, coming-of-age, cannibal gorefest Raw quickly made her a name to watch. When Garance Marillier’s Justine tastes meat for the first time at a veterinary-school hazing, it awakens a cannibalistic desire within her. Shot as one would an erotic realization, Raw is at its essence an uncontrollable thread of self discovery.

Already backed by NEON for US distribution, with a possible mid-2021 release date, Ducournau’s follow-up Titane looks to be a wild thriller, if somewhat more traditional than the teenage “monstrous feminine” body-horror of her early work. Much of the production has been kept under wraps, but we know Vincent Lindon stars alongside newcomer Agathe Rousselle. Lindon plays the father of a mysterious young man named Adrien LeGrand, who is found in an airport with a swollen face, claiming to be a boy who had disappeared ten years before. Ducournau is a filmmaker unafraid to shy away from the provocative, and Titane is all but guaranteed a major platform come premiere.

Catherine Corsini’s ‘La Fracture’ (2021).

Catherine Corsini

Coming soon: The Divide (‘La fracture’) Watch now: Summertime (‘La belle saison’), An Impossible Love (‘Un amour impossible’)

Coming a generation before many of the other filmmakers here, Catherine Corsini is best known for her complex romantic dramas. Her most recent are the 1970s feminist-tinged Summertime (2015), starring Cécile de France and Izïa Higelin as a couple torn between rural farmlands and Paris, and An Impossible Love (2018), a novelistic chronicle of a couple (Niels Schneider and Virginie Efira) as their relationship sours from 1958 to the present day.

Summertime, which is currently available to rent or buy in the US, is Corsini’s first film to consciously depict a relationship between two women (though 2001’s Replay is ambiguous as to what is happening between Pascale Bussières and Emmanuelle Béart’s characters). The young lovers learn what freedoms they gain and lose between the pastoral countryside, and the feminist organizers they run with in Paris. It’s a fairly standard romantic arc, but illuminates a fiery counter-culture feminist era, and is a staunchly progressive film from a national cinema built so firmly upon a more traditional view of seduction.

La fracture, Corsini’s latest (and the third film produced by her life partner Elisabeth Perez) centers on yet another couple (Marina Foïs and Valeria Bruni-Tedeschi) who are on the verge of breaking up when a demonstration outside causes tensions to rise at the hospital they’re confined within. A relationship under strain alongside French protest culture? Extremely French subject matter indeed.

Claire Burger’s ‘Real Love’ (2018).

Claire Burger

Coming soon: Foreign Language (‘Langue étrangère’) Watch now: Real Love (‘C’est ça l’amour’)

Most likely known for her Clouzot-tinged music video for Kompormat’s ‘De mon âme à ton âme’, starring Adèle Haenel, Claire Burger is a filmmaker heavily rooted in location. Her past films, including a graduation short and two features, have been set in the north-eastern town of Forbach, where she grew up, just fifteen minutes from the German border. This looks to be a thread that runs through her next film: Foreign Language is about a friendship between two girls who live on either side of the French-German border. BPM producer Marie-Ange Luciani is set to produce; a poster for BPM made a cameo in Burger’s last feature, Real Love.

A personal story, Real Love is one of non-traditional fatherhood and a family that does not rely on masculinity. When his wife leaves, Mario (Bouli Lanners) is left to raise his two teenage daughters in their small town, all while taking part in a community-theater production. Most of the film is told from the perspective of the younger daughter (Justine LaCroix), experiencing first love with a girl from school, who doesn’t seem to want anything serious.

Notably, after her debut and a lengthy series of short films, this was the first time Burger, who edits her own films, cast professional actors, in the case of Lanners and Antonia Buresi (as a theater director). Yet it is the performance of the actresses playing the sisters that most touched the hearts of Letterboxd fans—as Lyd writes, “Maybe it was the opera music or the fantastic performances by Justine Lacroix and Sarah Henochsberg as the daughters, but it just affirmed so many things about life choices and the tipsy-turvy nature of love as just, everything.”

Marie Amachoukeli’s ‘Party Girl’ (2014).

Marie Amachoukeli

Coming soon: Rose Hill Watch now: Party Girl

A rare non-Sciamma project backed by producer Bénédicte Couvreur, Marie Amachoukeli’s solo debut is much anticipated, after Party Girl, where she was one-third of a directing trio with Claire Burger and Samuel Theis (who is shooting a feature of his own titled Petite Nature). Outside the collaborations with Burger, which began in film school, Amachoukeli is screenwriting for a number of films including Franco Lolli’s The Defendant, and has collaborated with animator Vladimir Mavounia-Kouka on two shorts, The Cord Woman and I Want Pluto to Be a Planet Again. A synopsis has yet to be released for Rose Hill, but in an old interview with Brain magazine, Amachoukeli mentioned searching for backers for a lesbian spy comedy.

Party Girl is essentially docu-fiction, with actors cast as versions of themselves building an authentic troupe of real people. Though it’s a collaboration, Amachoukeli shines as a screenwriter, introducing the story of a bar hostess who still lives the partying, single life of a woman in her twenties, despite having reached sixty. She is thrown when a man asks her to marry him, and she must reconstruct her outlook on love. From such young filmmakers, Party Girl is a sensitive portrait of an imperfect, ageing woman, which feels so rare in a cinematic landscape that longs for a fountain of youth.

Audrey Diwan’s ‘Happening’ (2021).

Audrey Diwan

Coming soon: Happening (‘L’evenement’) Watch now: Losing It (‘Mais vous êtes fous’)

French memoirist Annie Ernaux works by reconstructing her life over and over as time passes. One of her more well-known books, L’évènement, retraces her experiences trying to get an abortion in 1963, during a time when the procedure was banned in France.

Audrey Diwan—whose 2019 debut film Losing It follows a pair of young parents (the always-charming Pio Marmaï and Céline Sallette) working through the father’s spiral into addiction and recovery—has a knack for solid performances. She’s able to write a relationship under strain with nuance, and Céline Sallette’s character shows strength as a mother choosing between protecting her children and repairing her relationship to their troubled but good-hearted father, whom she still loves dearly. This skill for writing family should pair well with Ernaux’s deeply personal prose.

Happening sweeps up a small army of promising young actors: Being 17 star Kacey Mottet Klein, and Portrait of a Lady on Fire and School’s Out supporting breakout Luana Bajrami, appear alongside lead actress Anamaria Vartolomei. Her character, Anne, is a bright student who risks everything once her pregnancy starts showing, so that she can finish her studies. Audrey Diwan’s film isn’t the only Ernaux adaptation currently, with Danielle Arbid’s Passion Simple having premiered at Venice in 2020.

Claire Simon’s ‘I Want to Talk about Duras’ (2021).

Claire Simon

Coming soon: I Want to Talk About Duras Watch now: Mimi

One of few figures to bridge cinema and literature equally, Marguerite Duras was a social commentator on her world; she grew up poor in French-colonized Vietnam, took on a staunch leftist perspective, and developed a singular tone in her observational assertions. Duras’s 1975 film India Song, based on her novel of the same name, was a landmark in feminist film. Through a hypnotic structure (“a viewing experience like no other, one that touches all of the senses,” writes Carter on Letterboxd), India Song delivers a strong criticism of class and colonialism through its story of Anne-Marie Stretter (Delphine Seyrig), a French ambassador’s wife in 1930s Kolkata.

In I Want to Talk About Duras, writer-director Claire Simon (best known for her documentaries on the seemingly mundane) adapts a transcript of conversations between Duras (Emmanuelle Devos) and her much younger partner Yann Andréa Steiner (Swann Arlaud), in which the pair break down the codes of love and literature. These conversations were published in a book named after Steiner, who met Duras when he approached her after a screening of India Song.

The highlight of Simon’s previous work is Mimi, in which she settles down in the countryside with an old friend, and tells her life story over 105 minutes. Recently programmed as part of Metrograph’s Tell Me: Women Filmmakers series, it’s clear the film was selected for its authenticity. However, many Letterboxd members may heavily benefit from seeing The Graduation, her 2016 documentary about the famous Parisian film school La Fémis, and its difficult selection process. Most of the other filmmakers in this list passed through its gates, and Claire Simon’s Wiseman-lite documentary sheds light on the challenges these young people take upon themselves for a chance at a world-renowned filmmaking education.

Amandine Gay’s ‘Speak Up’ (2017).

Amandine Gay

Coming soon: A Story of One’s Own (‘Une histoire à soi’) Watch now: Speak Up (‘Ouvrir la voix’)

Amandine Gay has much to say about access to film school—and opportunities in the film industry—for those outside the mainstream. Initially on the radar for her Afro-feminist activism, Gay arrived on the cinema scene with Speak Up, a narrative reclamation focusing on the diaspora in France and Belgium.

Talking to Francophone Black women who may not be considered formal scholars, allowing her subjects to speak as experts on their own experiences, Gay disproves the idea that France is a race-blind society. She shoots mainly in regal close-ups and using natural light, allowing her subjects the clarity to speak for themselves, unfiltered. (And to put to bed the misconception that Black performers are harder to light, one of many important angles discussed in an excellent interview with Letterboxd member Justine Smith.)

Using family photos and home videos from subjects, Gay’s engaging documentary work is a mouthpiece to spark conversation. Her next documentary, Une histoire à soi, centers on transnational adoption and will likely take a similarly conversational approach in exploring a unique cultural divide; putting the microphone in front of those who can provide a first-person point of view. Though not officially backed yet, she’s also—for years!—teased a Black lesbian sommelier film on podcasts and in interviews. That’s a story that I hope won’t need much more maturing before we see it. A votre santé.

Related content

Feature-length French films by Women—Sarah’s list

The Official Top 100 Narrative Feature Films by Women Directors—featuring Portrait of a Lady on Fire at number one

Little White Lies: 100 Great Movies by Female Directors

Follow Sarah on Letterboxd

#sarah williams #portraitnation #portrait nation #portrait of a lady on fire #celine sciamma #petite maman #cannes #cesar awards #adele haenel #berlinale #berlinale 2021 #french filmmaker #directed by women #french female filmmaker #female french director #french woman director #la femme du cinema #french cinema #french new wave #julia ducournau #alice diop #claire burger #letterboxd

[asfaltics]

attended to his letters; a course of reducing exercises

  or did you hear commentaries [     ] over the radio? I don’t have the time to do it. You don’t have time to do it.       1 and that, of course, you don’t have time to was taught the game       2   increasing the feed for / my dope, but you don’t have time       3 You don’t have time to investigate them fully yourself? No       4   It was hard work?   — Yes, sir. You have to be fast and do the best you can. You don’t have time       5 for nearly everything; you don’t have time       6   You don’t have time to bother about your neighbors, and you don’t       7 enjoy our own com . pany , as we never have any chance to see friends around home, for you don’t have time after and before       8   And in some cases wastefully?   — Not wastefully. Does not one involve the other?   — I don’t see it in that light. A man applies for relief. You don’t have time to see that man.       9 you don’t have time to spend one hour in thinking every day to see your business in a bigger, better, and cleaner way than it is today. [     ] desk covered with papers, unfinished business, no time to see       10   the “ticket” for large swamps. You don’t have time       11 You see, when you’re on the news end of a thing like this you don’t have time to get worked up.       12   “Well,” she said, “I suppose you are so busy at the office you don’t have time.       13 you are so terribly busy that I suppose you don’t have time to feel lonesome. Why can’t girls do something like that, too?       14   “How did you like it down there?” he asked. “Well” — she paused thoughtfully — “down there you can keep busy. There’s something to do all the time; you can keep so occupied that you don’t have time to stop and think and feel.”       15 you don’t have time to think of danger” But one foggy morning not long after...       16   today. always say you don’t have time to read. ward, like a girl       17 By the time he had days. When you’re busy you don’t have time to attended to his letters.       18   a course of reducing exercises, you don’t have time to think of that. I don’t believe I’m abnormal, perhaps I am, but       19 Well, I use two formulas; saying you “don’t have time” is part of the world of citation. Saying you “have time” is part of the world of translation. I think that the questioning typical of translation has always been absent in the plastic arts.       20  

sources   ( “you don’t have time,” all but two pre-1923 )

1 ex reporters’ transcript, April 20, 1959, The People of the State of California, Plaintiff, vs. Louis Estrada Moya, et al., Defendent, being part of the Transcript of Record, Supreme Court of the United States, October Term, 1960, No. 186, Luis Estrada Moya, Petitioner, vs. California on write of certiori to the Supreme Court of the State of California (petition filed June 9, 1960; granted June 27, 1960) : 200 aside — Google misdated this 1832; 1960 was outside of my search range. A well-known case (I was too young at the time to know it). Some sources : ◾ “A mother-in-law’s murder for hire scheme results in death penalty for all three participants” at vcdistrictattorney, in which this : “What made the case unique? The hired killers testified against Mrs. Duncan without commitment [that] the District Attorney would not seek the death penalty in exchange for their testimony... In fact, all three received the death penalty and were executed. Of course, today’s appellate courts would likely reverse a case in which a defense attorney failed to seek sentencing concessions in exchange for testimony.”   ◾ Arlene Martinez, “Love, scandal and murder: Ventura County case drew national attention,” VC Star (June 29, 2013)   ◾ Alice de Sturler review of Jim Barrett his definitive Ma Duncan at Defrosting Cold Cases (October 17, 2020)   ◾ Cecelia Rasmussen, “A Mother’s Love Was the Death of Her Daughter-in-Law,” Los Angeles Times (January 20, 2002; paywall)   ◾ Joan Renner, “Dead Woman Walking: Elizabeth Ann ‘Ma’ Duncan,” parts 1-4 (2013) at Deranged LA Crimes (True 20th Century tales of murder, mayhem, political corruption, and celebrity scandal) and, finally,   ◾ wikipedia 2 OCR cross-column misread, at Annie Eliot, “John Emerson Gaines’s Love Affairs,” The Manhattan 2:5 (November 1883) : 467-475 (468) snippet view only, opens to hathitrust. Annie Eliot Trumbull (1857–1949), author of novels, short stories, and plays; associated with Hartford, Connecticut’s “Golden Age”. wikipedia 3 OCR cross-column misread at H. E. Browing on “Pig Tails,” at The Swine World (Google titles it Poland China World) 5:2 (September 1917) : 11 4 ex Statement of William E. Johnson, chief special officer, United States Indian Affairs, before Committee on Indian Affairs, re: Senate Resolution No. 263 (Washington, 1910) : 367-400 (392) an intense exchange, on sale of alcohol on reservations. William E. “Pussyfoot” Johnson (1862-1945) was an energetic and resourceful prohibitionist and law enforcement officer. (wikipedia) 5 here, Julius Baum, examined by J. R. Lamar (January 29, 1896), in Contested Election Case of Thomas E. Watson Vs. J.C.C. Black, from the Tenth Congressional District of the State of Georgia, and published in/by the U.S. Congress, Committee on Elections (Washington, 1896) : 535 aside — an episode in the dismantling of Reconstruction institutions and Black suffrage.   ◾ Thomas E(dward). Watson (1856-1922) (wikipedia).   ◾ Watson is discussed in Jo Ann Whatley, her remarkable MA thesis Pike County Blacks : the spirit of populist revolt and White tolerance (1891-1896) as depicted in the Pike County Journal and other related sources (Atlanta University, 1984), available here   ◾ Watson was succeeded by James C(onquest). C(ross). Black (1842-1928) (wikipedia). “Black was declared the winner of the election but Watson charged that the vote was fraudulent. Black agreed to resign his seat just after the opening of the 54th Congress so that a new election could be held. In the October 1895 special election, Black prevailed over Watson again, and thus took his seat back to fill the vacancy caused by his own resignation.” J.C. C. Black entry, at Biographical Directory of the United States Congress 6 ex Investigation of Hazing at U. S. Military Academy, being “Testimony taken by the Select Committee of the House of Representatives appointed to investigate and report on the alleged hazing and resulting death of Oscar L. Booz, late a cadet at the Military Academy, and upon the subject of the practice of hazing at the said academy.” (1901) : 776 7 another contested election, here Mrs. Louise Roller under cross-examination by Mr. Goldsmith, in Scholl, Charles L. Vs. Bell, Henry A. Jefferson Circuit Court (Louisville, Kentucky), Chancery Branch: First Division, Chas. L. Scholl, Plaintiff Vs. Henry A. Bell, Defendant. No. 41519. / Second Division, Arthur Peter, Plaintiff Vs. Chas. A. Wilson, Defendant, No. 41524. : “Contested election cases heard together,” Transcript of Record, Volume 8 (10 volumes in 9) : 39 (snippet only, but in full at hathitrust) 8 ex report from Washington Division (by Cert. 9730), 23:5 (May 1906) [number/month uncertain, could be June] : 712 (opens to hathitrust; found via google snippet view) 9 ex the “Poplar Inquiry,” here an examination of Mr. P. G. Miles, Relieving Officer, in Transcript of Shorthand Notes taken at the Public Inquiry held by J. S. Davy, C.B., Chief General Inspector of the Local Government Board, “into the general conditions of the Poplar Union, its pauperism, and the admnistration of the guardians and their officers.” Presented to both Houses of Parliament... (London, 1906) : 141 On the Poplar workhouse, see workhouses.org.uk (scroll down (near bottom) to “The Poplar Union Scandal and Inquiry”).   ◾ Poplar is a district in East London (wikipedia) 10 ex E. Elmo Martin (Cleveland, Ohio), “How to hand the day’s work,” in National Lime Association Proceedings (Twentieth Annual Convention, Cleveland, Ohio; June 13-16, 1922) : 68-76 (73) (snippet view; full view at hathitrust) 11 ex H. Stimmons (Stark Co., Ohio), “More about coon hounds,” Hunter-trader-trapper 25:3 (December 1912) : 87-89 (88) (snippet view at Google, but full view at hathitrust, NW second paragraph) 12 ex Wayland Wells Williams (“author and artist,” 1888-1945), The Whirligig of Time (Frederick A. Stokes, 1916) : 335 Wayland Wells Williams papers at Yale YCAL MSS 551 13 ex T.I.M., “Dimpleton Stays at Home : A Story with a Real Moral,” in Life (July 25, 1907) : 155-158 (156) 14 snippet view only, at The Cactus (Austin, Texas; 1908) : 275 A journal “published by and for the students of the University of Texas”; 1907 and 1909 (but not 1908 alas) at hathitrust. 15 “down there” being Chicago, ex Henry Oyen (1883-1921), chapter 36 of “Big Flat,” in The Country Gentleman 84: (March 8, 1919) : 20, 22, 57-59 The novel was published in 1919, same passage at p 204 (NYPL copy)   ◾ Haven't located much information about Oyen; his published work is listed at his Online Books page 16 Homer Randall. Army Boys in the French Trenches Or, Hand to Hand Fighting with the Enemy (New York: George Sully & Company, 1918) : 199 Six “Army Boys” titles were produced by the Stratemeyer Syndicate 1918-1920, all under the pseudonym Homer Randall : Army Boys in France, Army Boys in the French Trenches, Army Boys on the Firing Line, Army Boys in the Big Drive, Army Boys Marching into Germany, and Army Boys on German Soil (stratemeyer.org)   ◾ The Stratemeyer Syndicate records (1832-1984; bulk 1905-1984) are at NYPL  ◾ See also Stratemeyer pseudonyms and series books : an annotated checklist of Stratemeyer and Stratemeyer Syndicate publications / compiled and edited by Deidre Johnson (1982); Deidre Johnson, Edward Stratemeyer and the Stratemeyer Syndicate (Twayne Publishers, 1993); and wikipedia 17 OCR cross-column misread at Harriet Winton Davis, “With the Children : Don’s Knitting,” in The Congregationalist and Advance (August 29, 1918) : 241 Other (not this) issues at hathitrust 18 OCR cross-column misread (extended here), ex H. D. Morgan, Ph. C., “The Kid,” in the section Original and Selected : From the best writers, and the leading drug, medical, chemical and scientific publications of the world, in Practical Druggist and Pharmaceutical Review of Reviews (November 1908) : 529-534 19 Frank R. Adams (1883-1963), “The Heart Pirate,” (illustrations by Charles D. Mitchell), in The Cosmopolitan 72:3 (March 1922) : 43-48, 117-118 (44) — snippet view, but opens at hathitrust More — “... yell for a diet and start doing a course of reducing exercises, you don’t have time to think of that. I don’t believe I’m abnormal, perhaps I am, but just since this afternoon I have come to the conclusion that if you want to put down crime you’ve got to suppress more than just alcohol — you’ve got to suppress the modern flapper. They’re so damnably desirable...” (It gets worse...). See wikipedia; author’s papers at Oregon 20 ex Giuseppe Caccavale : in giardino, a buon fresco (content by Laura Cherubini, Giuseppe Caccavale, Chiara Bertola and Claudia Gian Ferrari; Charta, 2009) : 77

Needed another line, and thought Samuel Beckett might provide. Search yielded no Beckett, but the above passage, fitting in its way and no more nor less ambiguous than anything else here. something recent — Giuseppe Caccavale « Projet Paul Celan », Residence Concordia, Parigi gennaio-ottobre 2020; testo e foto dell’artista. (1 February 2021)  

method

A friend reminded me, recently, that I don’t have time (for what is irrelevant here). Have been ruminating on (avoiding the consequences of) this, since. And thinking too about the place dimension of time, as discussed by Veronica O’Keane in her The Rag and Bone Shop : How we make memories and memories make us (2021) — “One’s sense of time is inseparable from events, but this is a sense of time. Might time have something to do with place cells?” (107) and “The whole concept of time is generally unhelpful in understanding science, be it physics or neuroscience... From the perspective of recording events, the present is consciousness. In a seemingly ironic twist, I myself think that the only place that time does not exist is in the moment of consciousness...” (113)

The encountered lines — all included above from my search in pre-1923 sources — have found their respective though non-chronological places in a kind of rocking, panning motion, in which sediments settle into their respective ripples / couplets.

Would, could, does this — sequence — work (whatever “work” means) without the anchorings / tetherings / bibliographic wastefull(ness; line 9 above) that follow it? They were needed in the making, anyway, and for there to be sufficient distraction for the making to sustain.

all subject to change.  

#contested elections #couplet #time #swamps #waste #Poplar Inquiry #Giuseppe Caccavale #William E. Pussyfoot Johnson

[harrysweasleys]

sunflowers // h.p

Summary: Hi dear! Could you write a Harry Potter x reader? The reader has a bubbly/kind personality like Alice (Alice in wonderland) or Rapunzel (tangled) and Harry loves her company and has a crush on her? Also it would be cool if the reader is a Hufflepuff and has some sort of pet (your choice) thanks in advance and have a nice day/night!

Warnings: none

Word Count: 2.2k

A/N: this request was so so so sweet. i am not overly familiar with alice’s characters tho, so i based the reader more on rapunzel! also, for some reason, all of my harry fics start with an S. i don’t know why. anywyas, hope you enjoy! :)

——

Harry quite adored going to Care of Magical Creatures.

Yes, he liked Hagrid and enjoyed his presence and comforting mannerisms, but his mind was on something else as he strolled down to the hut for class.

You.

Harry also quite adored you.

You with your bright eyes, bubbly personality, and love for all things around you.

Harry, who was constantly checking behind his shoulder for signs of danger, admired your love for life and the way you were always eager to learn and experience things. A trait he wished he was able to share as well.

His heart stuttered in his chest as he came to the front of Hagrid’s hut and saw you. A yellow sunflower in your hair, your smile bright, and your eyes holding all signs of curiosity. Though Harry found he didn’t know much about you, he knew how much you loved all the strange creatures Hagrid showed off to the class.

Harry thought you perfectly fitted the Hufflepuff stereotype. Not that he wanted to believe in stereotypes — he often found them misleading and false — but when it came to you, he found you fit every Hufflepuff characteristic. Sweet, kind, curious, smart. 

“Gather ‘round, you lot!” Hagrid waved his gigantic hands to the crowd of students, causing Harry to snap his attention away from you, “Today we’re gonna be in the forest. I’ve got a magnificent creature.”

“Hagrid’s definition of magnificent creature usually means danger,” Ron leaned over and muttered in Harry’s ear, a slight chuckle in the tone of his voice.

“Right,” Harry replied, his mind not really focused on Ron or Hagrid as he walked into the forest behind the group of students. Though he hated being distracted in class, especially when Hagrid was the one teaching it, he really couldn’t help himself. 

After nearly five minutes of walking through dense bushes and towering trees, the group came to an opening of trees where sunlight streaked down and illuminated the group.

“Stay here, I’ll be righ’ back!” Hagrid grinned, taking off behind some trees, leaning the students gaping around blankly.

Harry looked over at you, your glow somehow still radiating in the thick shadow of the trees. He didn’t understand how someone could be so effortlessly beautiful.

“Mate, if you keep staring with such burning intensity she might just evaporate,” Ron leaned in and muttered in his ear, Harry’s cheeks burning at the comment.

“I’m not staring,” he defended, narrowing his eyes and trying his best to look anywhere but you.

Ron raised an eyebrow, “Right. Sure.”

But Harry chose not to answer this comment, turning back to you. And he was glad he did or else he would have missed the brilliant way your face lit up at the sight of the creature Hagrid returned with.

Large, white, horselike and covered in feathers, Harry thought it looked rather odd. But the way your face broke into a massive grin, your eyes sparkling, Harry would have thought you were looking at the most beautiful creature ever to exist.

“This is a Hippogriff, his name is Buckbeak,” Hagrid pat the large animal on the back, “Anyone wan’ to come say hello?”

Harry, too busy fighting off his blush, hadn’t noticed the entirety of the class move backwards. Well, everyone except for him and you.

“Y/N, Harry, come on forwards,” Hagrid grinned, clapping his hands together with excitement.

Harry felt his heart give a jolt as he walked towards the Hippogriff, unsure if his nerves were stemming from his close proximity to you or the large creature. He wiped his hands on his robes and tried to fix his unruly hair in the short span before he was standing next to the creature.

“Oh, Professor Hagrid, he’s beautiful,” your smooth voice complimented.

“You have to bow,” Hagrid said, “Bow and if he returns the gesture, you can approach.”

Both you and Harry obeyed, bowing low and waiting for the creature to do the same. When it did, your face broke out into a massive smile and you walked forwards, placing your hand on its side and rubbing your fingers through its massive feathers.

“Yer a natural!” Hagrid grinned at you, causing your cheeks to turn a slight shade of pink, “Go on, Harry. He won’ bite.”

Harry, too overcome with a strange sense of giddiness, raised his hand and placed it on the creature’s back, surprised at how soft it felt to the touch.

“Isn’t he gorgeous?” you asked, voice directed towards Harry.

He stuttered as he tried to find his breath, “Yeah, really is.”

Though this wasn’t his first time talking to you, he felt as nervous as he did then. His belly fluttered with butterflies and his head was fuzzy and he really wished he could push past the fact that all of his senses were betraying him by focusing on you.

“I’ve never seen a Hippogriff in person before,” you smiled, lifting your hand to pet it over it’s head, “Only in books.”

Harry nodded, “Me neither.” He wished he had the courage to actually strike up a reasonable conversation, but he couldn’t. 

“Right, you two, I’ll get back to teaching,” Hagrid raised his hands, motioning for the two of you to return the rest of the group. You both complied, standing next to each other as Hagrid talked about the life of a Hippogriff.

He wasn’t paying as much attention as he should be, however, as his mind was fuzzy with how close you were standing to him. He could smell you — was it... roses? Sunflowers?

It was flowery, that’s all he could say. And it was intoxicating. Something about you reminded him of a fresh spring morning with the sun beaming down on the grass and trees. He found it rather refreshing. 

Too focused on trying not to make a fool of himself, he hadn’t noticed class was over until you called his name.

“Hm?” he spun around.

“Your friends left,” you pointed to where Ron and Hermione were walking away with knowing grins.

Harry frowned, “Oh. Thanks.”

He began to walk away, a slight trudge in his step, until you caught up to him. Your hair was bouncing with every step you took and the yellow flower in your hair glowed brightly as the two of you exited the forest and stepped into the sunlight.

“We have Herbology together too,” you smiled at him, “We can walk together. Unless you want to walk alone.”

“No, we can walk together,” he replied rather quickly, sounding incredibly eager. However, he was pleased to notice you seemed oblivious to his romantic longing — your eyes were too focused on the scenery of the Hogwarts grounds.

“Always something in the fall, isn’t it?” you asked, “The colours, the smell. It’s my favorite season.”

“Hm, yeah, mine too,” Harry agreed with you, though lucky for him it was truthful. He did always enjoy the coziness that came with the autumn season.

You turned to face him, your eyebrow quirked and a smirk ghosting your lips, “You don’t say much, do you, Harry Potter?”

He was honestly caught off guard by the question, your sudden bold tone of voice rendering his mind blank as to how to answer.

“Sorry,” you giggled, “It’s fine if you don’t say much. I don’t either. Usually. But you seem like a good person to talk to.”

Harry smiled to himself, turning to face you while trying his best to hide his warm cheeks, “It’s alright. I enjoy your company.”

The walk to the Herbology greenhouse was rather silent, but Harry’s mind was swirling with all the different ways he could try and talk to you. He knew that that was why Hermione and Ron had taken off without him, but he somehow couldn’t find the guts to do it. The last thing he wanted was to look like a fool.

“Before anyone sits, we need to partner up for the class!” Professor Sprout shouted once the Hufflepuffs and Gryffindors had all entered the warm room.

Harry scowled as Ron and Hermione grabbed each other’s hands and smirked at him.

“Er — Y/N, do you — want to be partners? Maybe?” Harry asked, rubbing his hand at the back of his neck.

You flashed him a breathtaking smile, “Of course! Here, let’s sit there.”

He followed you to the nearest empty desk where a strange plant sat atop.

“Oh, look at it,” you smiled, peering curiously at the plant, “So unique.”

Although Harry never really had a fascination for plants, or Herbology in particular, he found himself enjoying this class more than usual. He could hear you complimenting the strange plant multiple times as the class went on, your sparkling eyes and wide grin never faltering.

Harry had a weird déjà-vu of every conversation he’d had with Neville, who was also a Herbology enthusiast. But, he had to admit, he much rather enjoyed your rambling than Neville’s.

He was disappointed when class ended and he knew the two of you would have to go your separate ways until whenever your next shared class would be. This was the most he had ever really spoken to you and he could barely muster up the guts to have an actual conversation.  

“I’ll see you around, Harry!” you waved at him as you left the class, huddled amongst a group of your house mates.

He brought up his hand, “See you!” and waved back as you took off. He watched you disappear around the bend and into the crowd heading back towards the castle.

“Oh, the look of love,” Ron pat him across the shoulder as the three of them made their way back to the castle, Hermione chuckling silently on his other side, “Young romance blossoms at the—”

“Shut up, Ron,” Harry groaned, causing his ginger friend to burst out laughing. His ears felt hot and he had a strong urge to take off without his friends, as they had just done to him.

“Talk to her outside of class, Harry,” Hermione urged, “She seems quite lovely. And interested.”

Harry scoffed, trying not to get his hopes up, “Don’t think she’s interested in me, Hermione.”

“You’ll never know unless you find out, Harry,” Ron said, his head held high.

“That’s how it works, yes,” Hermione rolled her eyes, “Just talk to her.”

——

For the rest of the day, and the next day, and the next week, Harry had become too preoccupied with Quidditch practice and homework to really focus or think about anything else. His mind was feeling constantly swamped and he barely had time to take a breather.

Which is why the first day he had nothing to do — and luckily for him, it was a Saturday so he didn’t have classes either— he decided to take a stroll throughout the castle. Rain was pouring down, therefore students were hidden away in their common rooms and dorm rooms and Harry decided he needed a moment to be alone and unwind. The stress of the upcoming Quidditch match — that Oliver Wood was not helping with — was beginning to send Harry into a bit of a frenzy. Not to mention Snape and McGonagall’s essay assignments that Hermione had refused to lend a hand with. 

Harry couldn’t help but want some alone time.

He had left Ron and Hermione back in the Gryffindor tower and made his way down to the courtyard, where the heavy sound of the rain was somehow relaxing him. The dark clouds made him feel like Hogwarts was in its own little bubble outside of the world and the thought was soothing.

He began to walk around, thinking that maybe he should head back up soon, but stopped in his tracks when he found himself nearly stepping on a toad.

Harry stared at it as it sat on the stone floor, perfectly still.

“Sunnie!”

A soft voice called throughout the empty corridor, echoing over the sound of the rain. The toad let out a loud croak and the distant footsteps grew louder as the person followed the sound of it.

Before he knew it, Harry was face to face with you.

“Oh, hi Harry,” you smiled, leaning over to pick up the toad, “Sorry. Sunnie ran away.”

Harry looked at the little creature sitting in your hands, “No problem. You named it Sunnie?”

You nodded, “After my mum. Her favorite flower was a sunflower.”

All of a sudden, things clicked. This is why you always wore one in your hair, why you smelled like them — the yellow wasn’t just because you were a Hufflepuff. 

Harry stared at you like an idiot, slightly captivated by your beauty and partially unsure of what else to say. For some reason, just you mentioning the fact of the sunflower made him understand you just a tad more.

“Well, thanks for helping me find her,” you raised your hand in a small salute and began to walk away.

“Wait!” Harry called out before he could think of a plan. You spun around on the spot, eyebrow raised, and Harry wanted nothing more than to disappear. He didn’t have a plan and now he was going to look like a fool.

“Yeah?” you asked.

“Er — do you want to walk together?” he asked, placing his hands in his pockets and grinning awkwardly.

However, his heart was set to ease when you nodded and bit your lip, “I’d love to.”

So the two of you walked through the halls, making small talk and laughing about random things.

Maybe one day, Harry would work up the courage to tell you. Maybe one day.

—

taglist

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#harry potter #harry potter imagine #harry potter imagines #harry potter one shot #harry potter one shots #harry potter fic #harry potter fics #harry potter x reader #harry potter reader insert

[terrific-togekiss]

What if there was a Walt Disney Fighting Game? [Video Game Concept]

Note: I am well aware, that Disney would probably never say yes in a million years to this idea. Taking their beloved, child friendly characters and having them fight?!

OH THE HORROR?!

I am also aware there have been concepts for this in the past.

Final Fantasy Dissidia was supposed to be a Kingdom Hearts fighting game, but Nomura felt uncomfortable portraying Disney characters in such a violent atmosphere.

And there are sketches of what a Walt Disney fighting game could've been, inspired by Super Smash Bros, before it was canceled. It would've focused on more violent characters such as Gaston, Beast, Ursula, Captain Hook, Captain Silver and the Horned King. But the idea was dropped.

Here's the link.

This entire post is just building and putting together what a Disney fighting game would look like to me, if one came out in today's world. It's all merely speculation and ideas that's been in the back of my head for awhile.

(Special thanks to @mayflower-gal for helping me set this up. 😁)

Anyways, let's get started!

Part 1: The Plot

For the plot, I believe it would have to be something simple, since this an idea for a first game. It's the start of a potentially huge franchise, so I wanna keep it not only simple, but an aspect that helps kick off the potential series. And pull in many fans, old and new of Disney.

Let's take into account one thing: what's a recurring theme across various Disney movies (and overall media)?

Is it the lovable, comic relief sidekick that makes audiences laugh? Is it the songs that kids find themselves singing, long after the tale is done and the curtain has closed? Is it perhaps, the clever celebrity choices for important side characters?

No, It's the one defining aspect that draws in audiences, both new and old, bringing you to fall in love with the characters as the story is told:

Wishes.

Pinocchio wishes to be a real boy. Beast and all his servants wish to be human again. Tiana wishes to have her own restaurant. Ariel wishes to see the world beyond the sea.

Everyone wishes for something more in their life and have dreams that they wish come true.

What if all those wishes were counted? Collected?

Watched over. Much like a parent to their children. Or a teacher to their students.

Found engaging. Found entertaining. Found comforting. Found peaceful. Found introspective.

Looked at with childlike wonder and glee when accomplished.

But frowned on when those wish for selfish desires. And an even deeper disappointment at those very same inhuman desires, coming true.

Good and bad exists inside every person, it's just a matter of what one chooses to act on and stand by at the end of the day.

What someone wishes for is reflective of that.

Now imagine that same being coming to life and wrecking havoc across the Disney universe. Judging for themself, if any of these colorful, imaginative characters, truly deserve their...

Happily,

Ever

After.

Yep, the main plot of the story mode is all the various Disney characters literally fighting for wishes and dreams to come true...

against the LITERAL embodiment of wishing upon a star.

Each playable character having their own unique ending.

Some endings being repeats of your favorite Disney movies, with some minor changes to acknowledge the game's plot. While others are original due to the wide cast of characters that are available, besides your favorite Disney Heroes.

For example, you beat the story mode as say, Pinocchio, he wishes to be a real boy.

I know it sounds very redundant since a majority of these things already happen in the Disney movies, but I feel as though relieving them would be fun. In addition to some original ones that didn't happen with either the villains or less major characters.

It's only the hypothetical first game and I wanted start with something simple, that fans could easily get into. More complex plots, with more character interactions should be saved for any possible sequels.

Part 2: The Gameplay

The game would be your typical 2D fighting game. You have,

Combos exclusive to every character that requires practice.

Playstyles that make each character feel unique.

Special moves for each character to get the upper hand and the main focus in besting your opponent in 1 VS 1 matches.

Of course, there's dialogue before fights in the character intros. With so many to pick from, it had to be put in somewhere.

It resembles 2D fighting games that you've all no doubt heard of, such as Marvel VS Capcom or Street Fighter.

But what would a Disney fighting game have to offer on the table, in order to survive the overall video game market?

It would have to be something unique and a feature that not only gives it originality, but a chance to stand out with so much creativity and innovation. Practically begging fans for more.

Which is why I present to you: Disney Songs.

Or as this game prompt will call them: Musical Finales.

The highlight of many Disney movies and overall media, the music is what leaves a lasting impression on many audiences. Which is not surprising, since Disney is mostly a musical. At least in terms of most of their films.

With so many iconic songs from throughout the company's history, of course I'll be squeezing them somehow!

Each character has a music meter, that can only be filled up with how the player times and follows the beat of the character they play as. Follow the rhythm and beat of a character, and it will fill up quicker. Get cut off by the opponent and it doesn't fill up.

That beat being the music of the stage each player fights on, by attacking to the music and the same time. Think of it like the Sound Battles mechanic in Mother 3.

Every character has four different kinds of attacks: Neutral, Musical, Wonderful and Special.

Neutral Attacks are normal attacks that are mostly used to set up combos.

Musical Attacks are attacks that deal more impact, when timed with the music of the stage.

Wonderful Attacks can be seen as character oriented attacks, that embody the personality and charm of the character you play as. And can be used to entertain the audience. We'll get into that later.

Special Attacks are unique finisher moves that require a separate meter to be filled up, as with most fighting games.

Now what happens when the music meter is full? A Disney Song starts playing of course!

Say you filled up Cinderella's music meter for example, then "Bibbidi-Bobbidi-Boo" starts playing, granting some unique abilities for Cinderella.

Each song would grant different outcomes and bonuses for the various characters. They're not Special Attacks, as that's already a separate mechanic already.

For example, "Part of Your World" starts playing if you're playing as Ariel, filling up the stage with water and slowing down the opponent, giving Ariel a chance to either take advantage of that, bump items into them or create big waves of water.

But what happens if BOTH characters trigger the music meter at the same time?!

Well, that's where this gimmick becomes a fight for which song keeps on playing!

Both songs would start playing, both at the same time and volume. Except, both characters have to compete to see which is stronger.

This is done by the two characters fighting, before triggering a rhythm game between the two. Once one is the victor, the other song fades, while the other stays playing. Doubling the duration of that character's Musical Finale.

Another mechanic is the Entertainment Meter. Every level you fight on has one, that determines which fighter the audience likes more. Via Wonderful attacks, you can charm the audience into supporting you more. This activates things like getting healing items or stat boosts in power and speed. Some of your favorite Disney sidekicks even provide aid from the audience!

It's almost like watching a Disney movie live and being able to interact with the story!

Or the battle system in Paper Mario: The Thousand Year Door.

I feel as though this is the best way of keeping the game interesting, giving it an identity of its own and still embodying that magic people will grow to love. It can also lead to some entertaining interactions in the background or foreground of a stage, as the music meter also brings in characters that would not be playable, but support playable characters nonetheless. Like Flounder and Sebastian.

Of course, either feature could be turned off if you're not a fan of that sort of thing, but that's a given.

Part 3: The Stages

With many Disney movies pick from, it's no wonder there's plenty of choices to pick from. Since this is the first game, I chose to focus more on the movies. Here's my take.

Steamboat (Mickey Mouse cartoons)

Duckberg (Ducktales)

Spoonerville (A Goofy Movie)

Dwarven Forest (Snow White and the Seven Dwarves)

Wonderland (Alice in Wonderland)

Monstro (Pinocchio)

The Prince's Ball (Cinderella)

Neverland (Peter Pan)

Forbidden Mountains (Sleeping Beauty)

The Coliseum (Hercules)

Andy's Room (Toy Story)

Elsa's Ice Castle (Frozen)

San Fransokyo Institute of Technology (Big Hero 6)

Atlantica (The Little Mermaid)

House of Mouse (House of Mouse)

The West Wing (Beauty and the Beast)

Cave of Wonders (Aladdin)

Pride Rock (The Lion King)

Ant Island (A Bug's Life)

Tamatoa's Trove (Moana)

Hawaii (Lilo and Stitch)

Headquarters (Inside Out)

Mor'du's Ruins (Brave)

Big Ben (The Great Mouse Detective)

Notre Dame (The Hunchback of Notre Dame)

Merlin's Cottage (Sword in the Stone)

Emperor's Palace (Mulan)

The Great Before (Soul)

Todayland (Meet The Robinsons)

Paradise Falls (Up)

Zootopia (Zootopia)

Monsters Inc (Monsters Inc)

Nomanisan Island (The Incredibles)

The Bayou (The Princess and the Frog)

Atlantis (Atlantis: The Lost Empire)

Halloweentown (The Nightmare Before Christmas)

Oakey Oaks (Chicken Little)

Spirit Mountain (Brother Bear)

Sherwood Forest (Robin Hood)

Treasure Planet (Treasure Planet)

Horned King's Castle (The Black Cauldron)

The Secret Lab (The Emperor's New Groove)

Bald Mountain (Fantasia)

The Grid (Tron)

World's End (Pirates of the Caribbean)

Radiator Springs (Cars)

Grandmother Willow's Forest (Pocahontas)

East High School (High School Musical)

The Axiom (WALL-E)

Regent's Park (101 Dalmatians)

New Mushroom Town High School (Onward)

Happily Ever After Castle (Walt Disney Opening)

Part 4: The Roster

The bread and butter of many fighting games, the roster is no doubt one I had a bit of trouble putting together. With so many characters from over the years, it's no surprise. But since this is the outline of a possible first game, here's my interpretation.

Also, the cast is big to avoid being too barren or dull.

And because I had a lot of fun putting it all together.

Mickey Mouse (Mickey Mouse): The all around character of the game, he mostly fights by a series of cartoonish tricks, magic tricks and his paintbrush from Epic Mickey. His Special Attack would have him break the fourth wall like and rewind the fight like an old film projector in reverse. Except he heals, while the opponent receives twice the damage. His Musical Finale "Sorcerer's Apprentice" has him use Yensid's Sorcerer hat to its fullest and give his overall moveset more flashes to distract the opponent and slow them down.

Donald Duck (Donald Duck): Everyone's favorite, greedy mallard and the world's angriest duck. Donald would fight mainly with toon force, his fists, his bad luck and his anger. The more damage he takes, the angrier he gets. His Special Attack would have him don the Duck Avenger persona from his PK days and use a series of superhero gadgets to finish the opponent. His Musical Finale "The Three Caballeros" trades his anger for Jose Carioca and Panchito Pistoles showing up, making him happy. As they hurt the opponent, each time they hit Donald, to keep him happy.

Goofy (Goofy): Everyone's favorite Disney dad, Goofy joins the fight as not the brightest but with the biggest heart. He has toon force to aid him in some unconventional ways. His Special Attack would have him become Super Goof from his older days. His Musical Finale "Eye To Eye" would restore health everytime he dodges an attack, with a dancing flair to it.

Snow White (Snow White and the Seven Dwarves): The first Disney Princess, Snow White makes her debut and she's not alone. The Seven Dwarves direct most of her attacks, such as tossing rocks, mining tools as weapons and even just grabbing the opponent and tossing them. Snow White herself can sing and command woodland animals to tie up opponents or just fight to defend her. Her Special Attack would have the Dwarves try to roll a boulder, only for lightning to strike on the opponent and the boulder as extra damage. Her Musical Finale "Whistle While You Work" will call on a huge number of forest animals, as they tidy up the stage and Snow White, slowly replenishing her health and slowing down the opponent.

Pinocchio (Pinocchio): Don't lie in his presence, as that nose is not only for show. Pinocchio fights mostly by using his nose as a staff, the Blue Fairy bringing other toys to life to aid him and Jiminy Cricket distracting the opponent with music. Pinocchio's Special Attack would have him wish upon a star and turn himself into a real boy, as the opponent is turned into a puppet and loses damage as a result. Pinocchio's Musical Finale "I've Got No Strings" would cover the stage in thin lines used for puppets: if the opponent touches one, their frozen briefly. If a projectile attack hits, the same happens.

Cinderella (Cinderella): The bell of the ball and someone whom never gives up on kindness, Cinderella will use the dance moves she showed off at the ball for her moveset, having a dancing and musical feel to how she plays and flashy dances to win against the the opponent. With her Fairy Godmother using her magic to help her, such as flashes of light. Her Special Attack would have the clock strike midnight and she leaves behind her glass slipper: once the opponent touches it they get weighed down by a giant magic dress. Cinderella's Musical Finale "Bibbidi-Bobbidi-Boo" would have the Fairy Godmother cast a series of spells over the stage, as a new carriage pops up every time Cinderella pulls off a combo. The carriages run over the opponent and can even carry Cinderella to safety.

Peter Pan (Peter Pan): Leader of the Lost Boys and Captain Hook's second biggest pain in the butt, Peter Pan and Tinkerbell are here. Peter Pan has a pocket knife with him and Tinker Bell's pixie dust for aerial attacks. His Special Attack would have him toss a bunch of gold on the opponent, as the rest of the Lost Boys tackles them and beats them up for the treasures. His Musical Finale "You Can Fly" would create a trail of pixie dust behind him, that randomly causes the opponent to either jump too high or too low.

Captain Hook (Peter Pan): Keep all 'ticks' and 'tocks' away from this pirate! Captain Hook has a wide array of hooks to switch between, a flintlock pistol and his sword to win the battle. His Special Attack would have him run away from the Tick-Tock the Crocodile, as said crocodile attacks the opponent instead of Hook. His Musical Finale "A Pirate's Life/Elegant Captain Hook" would call his ship the Jolly Rodger onto the stage, as the pirates on the ship occasionally throw knives at the opponent and shoot at them, everytime Hook is caught in a combo and can't escape.

Aurora (Sleeping Beauty): Aurora, sleeping beauty herself, is doing anything but sleep and her guardians are making sure of that! Her attacks has the Good Fairies use their magic in numerous ways, such as moving objects, animating objects and even petrification. Her Special Attack has Prince Philip show up with the Sword of Truth and the Shield of Virtue, to deal heavy damage on the opponent. Her Musical Finale "Once Upon A Dream" boosts her stats everytime she's hit.

Maleficent (Sleeping Beauty): The Mistress of all Evil, Maleficent uses a wide array of magic powers from cursed, throny vines, to her iconic green fires, she's one tough fighter from a distance. Her Special Attack would have her turn into a dragon and breath fire down on the opponent. Her Musical Finale "Once Upon A Dream" would have her make the opponent more drowsy, each time they hit her, until falling asleep, unless they keep moving.

Robin Hood (Robin Hood): The sly fox of England and one talented theif, this fox focuses on disguises, archery, swordsmanship and woodsmanship to make his way. His Special Attack would have authorities show up to arrest him, as they rain down arrows on the opponent in the process. His Musical Finale "Running Through The Forest" would allow him to dodge all attacks, without needing to hit the controls or input buttons.

Basil of Baker Street (The Great Mouse Detective): World's greatest detective! At least in the mouse world that is. Basil would investigate the stage of the fight, much like a crime scene and even pick up clues that double as weapons, such as a propeller or a mouse trap. His Special Attack would have him investigate a crime scene that hurt the opponent, before pushing them aside as 'worthless' evidence. His Musical Finale "Let Me Be Good To You" would have him require no further evidence and counter each hit with a deduction on his opponent's crime and even stop them from performing combos. Doing damage in the process.

Professor Ratigan (The Great Mouse Detective): Never call him a rat. Ever. This crime boss of the miniature crime world be no stranger to fist fights and gleefully take a swing at your demise, whether it's his fists, cane or traps. If not him, then his minions are more than happy to drown some orphans! His Special Attack would have him call his pet cat, Felicia to devour the opponent. His Musical Finale "The World's Greatest Criminal Mind" would give him more durability to hits, more destruction to the stage and traps cover more range on the stage.

Ariel (The Little Mermaid): Princess of the Sea, everyone's favorite mermaid is ready to explore beyond the sea. Armed with her father's trident, some amazing swimming skills and various sea animals at her command, she's more than ready. Her Special Attack would have her conjure a giant wave, that also covers the opponent in sea creatures. Her Musical Finale "Part Of Your World" fills the stage with water and can have Ariel bump floating objects into the opponent.

Ursula (The Little Mermaid): The last sea witch you would want to cross paths with, Ursula has eels to do her biding, poisonous ink clouds and even thunderclouds. Her Special Attack would have her turn giant via King Triton's trident and use the added power to attack the opponent. Her Musical Finale "Poor Unfortunate Souls" has her disguise herself as the opponent and slowly regain health from all souls being eaten by her. As a bonus, if she's infront of a mirror that's on the stage, her reflection will be her true form.

Belle (Beauty and the Beast): My, quite an odd girl, reading books and getting on the field of battle?! Belle's entire moveset would revolve around books; not magic books, just books on the rest of the cast and fairytales overall. She would be able to switch between each of these books and use what she's learned from them. For Example, 'Romeo and Juliet' gives Belle immunity to stat changes and rose themed weapons that hurt the opponent, like throwing weapons. 'Aladdin' gives her a magic ring that can conjure up magic smoke, furniture on the foe and teleport her. 'Jack and the Beanstalk' plants vines that can raise her up or entangle the foe. There's more books at her disposal, but that's just the general idea. Her Special Attack has her father ride in on his invention, chopping up an entire forest until the opponent is covered and crushed by chopped up logs. Her Musical Finale "Tale As Old As Time" gives her the power to 'skip' a fairytale, turning each of her attacks into the endings from the books. For example, 'Aladdin' would trap the opponent in an oil lamp, leaving room for her to attack.

Beast (Beauty and the Beast): The poor and cruel prince, turned into a monster as evil as the one in his heart. Beast has his boost in strength from his beastly form and claws to defeat the opponent. The curse not only affected him: his servants are by his side. Lumiere can incinerate the opponent or plant fires on the ground, Cogsworth can distract them with timed clock sounds, Mrs. Potts can spill tea to slip up the opponent, Chip will knock over bookshelves and Wardrobe can block attacks. His Special Attack would turn the opponent into a piece of furniture, leaving them open for attacks: each opponent having a different transformation. His Musical Finale "Be Our Guest" would have every attack with one of his servants, also heal Beast in addition to hurting the opponent.

Gaston (Beauty and the Beast): Nooo oooone's slick as Gaston! Quick as Gaston! No one's neck is as incredibly thick as Gaston! He's especially good at combo breaking! Boy what a guy that Gaston! Gaston has his inconic blunderbass and his fists, along with a bow and quiver and a hunting knife to deal with an opponent, almost as if they were an animal he's hunting. His Special Attack would have an angry mob charge at the opponent and beat them up. His Musical Finale "Gaston" gives him a strength boost, everytime he pulls off a combo successfully.

Aladdin (Aladdin): Everyone's favorite street rat and theif, he's not alone on the field of battle as Abu and Genie are here to help him. Abu can cling to the opponent and hit them repeatedly, Magic Carpet can be used for aerial attacks, Aladdin has a sword that he 'borrowed' from a guard and Genie can shape-shift in a variety of ways to best the opponent. Aladdin's Special Attack would have Genie distract the opponent, as Aladdin steals something off them and uses it to beat them. Aladdin's Music Finale "Friend Like Me" would have Genie grant a wish, each time Aladdin gets a combo, such as a stat boosts and healing.

Jasmine (Aladdin): The sultan's own daughter that would rather be anything than a prize to be given away. She has learned self defense skills, her father's guards and her pet tiger Rajah in her moveset. Her Special Attack would have the guards arrest the opponent and toss them into prison, as they struggle to escape and take damage. Her Musical Finale "A Whole New World" has one the Seven Wonders of the world occasionally pop up in the background to hurt the opponent, as the fight goes on.

Jafar (Aladdin): The Sultan's Royal vizer of Agrabah and one whom believes he should rule Agrabah. Jafar has his magic staff to hypnotize and cast spells onto his foe. Occasionally tapping into the phenenomal, Cosmic power of his Genie form to do some real damage. And Iago is here as well... mostly to complain. His Special Attack would have him become an all powerful Genie and Iago wishing for ways to 'hurt' (not kill) the opponent. His Musical Finale "You're Only Second Rate" would boost all of his stats and attacks, except he can't KO the opponent until the Musical Finale is done.

Simba (The Lion King): King of the Pride Rock and son of Mufasa, the Lion King himself is more than prepared with his claws and iconic roar. His roar can even control the weather to strike lightning and cause windstorms. His Special Attack would have him call on the spirit of his father, Mufasa, as the two of them roar at the opponent. His Musical Finale "Circle Of Life" will have him remember, how we are all connected and draw on the life-force of nature, slowly healing him and giving his roars more range.

Scar (The Lion King): Mufasa's little brother and King after his timely demise, Scar has his claws and his hyenas to make short work of his foe as if their nothing more than a light snack. His Special Attack would toss the opponent of a cliff, into a Wildebeest stampede just like in the movie. As a bonus, he would say 'long live the king's son' if Simba is the opponent. His Musical Finale "Be Prepared" has him do damage without needing to attack the opponent and just walking into the opponent.

Pocahontas (Pocahontas): Daughter of Chief Powhatan, this Disney Princess has the skills necessary in order to survive and win. Her Special Attack would have her people come in to fight alongside her and best the opponent. Her Musical Finale "Colors Of The Wind" gives her attacks more launching power and each dodge she does generates winds that hurt the foe.

Governor John Ratcliffe (Pocahontas): The main villain of Pocahontas, this greedy scoundrel will do anything to claim what he believes is rightfully his. He has a sword and uses his position of power to call his men into the fray. His Special Attack would have his men charge like in the movie at the opponent. His Musical Finale "Mine, Mine, Mine" prevents the opponent from interrupting his attacks and tripping over any gold sticking out of the ground.

Quasimodo (The Hunchback Of Notre Dame): The hunchback of notre Dame himself and quite the sweetheart, he just wishes to see the outside world. His job as the ringer of the bells comes in handy to stun them, swing bells at them, his talented acrobatic skills and surprising strength. His Special Attack would have him reenact the Festival of Fools and have the opponent be caught up in all the chaos. His Musical Finale "Out There" turns all of his bell attacks, into soothing sounds, that heals him.

Esmeralda (The Hunchback Of Notre Dame): An outcasts, like many other outcasts of Notre Dame, she's picked up on a multitude of tricks to evade capture. Such as illusionary tricks to trick opponents and various circus acts from the Festival of Fools. Her Special Attack has Phoebus teleport out of a field of smoke and beat the opponent. Her Musical Finale "God Help The Outcasts" plants multiple pillars of light over the stage, that burn the opponent and heal Esmeralda.

Judge Claude Frollo (The Hunchback Of Notre Dame): Someone whom believes only he can purge the world of evil and that all he does is for the greater good. Frollo, due to his old age mostly uses his sword, his horse and his 'fears' to end the opponent. Those 'fears' being cloaked figures that defend Frollo and burn the sins of his opponent. His Special Attack burns the stage, with the opponent caught up in the flames being tied to a stake. His Musical Finale "Hellfire" burns the opponent every time they hit and touch Frollo.

Arthur (Sword in the Stone): The rightful king of England, proven by pulling the sword in the stone, Arthur is ready to be king. Merlin's apprentice is armed with the sword of legend: Excalibur and his mentor Merlin is there to provide some magic aid by turning Arthur into various animals and predict the opponents attacks with foresight. Arthur's Special Attack has Merlin turn into a germ to infect the opponent. Arthur's Musical Finale "Higitus Figitus" grants Arthur increased weight, almost as if he's the sword in the stone and making him harder to launch and knock away.

Hercules (Hercules): The son of the Greek God Zeus, Hercules goes to prove himself as a true hero and this brawl may be his greatest trial yet. With his power as a Greek God, granting him immeasurable strength, agility and endurance. And his pet Pegasus shows up for aerial attacks. His Special Attack has his father Zeus come in and hurl his thunderbolt at the opponent. His Musical Finale "Zero To Hero" increases his durability each time he pulls off a combo, making him immune to attacks at times.

Hades (Hercules): Greek God of the underworld and lord of the dead, Hades will claim victory. In addition to mastery of fire and smoke, Hades can shift between generally calm and collected, to angered and enraged, which affects the range and power of his attacks. Pain and Panic also shapeshift to provide some help. His Special Attack has the Titans show up and attack the opponent. His Musical Finale "My Town" floods the stage withdead souls that slowly deplete the health of the opponent.

Mr. Incredible (The Incredibles): One of the greatest superheroes whom ever lived, in spite of an unneeded early retirement from the government. Robert "Bob" Parr, known to the public as Mr. Incredible, has his moveset revolve around his superstrength and invulnerability, also being able to use the environment to his advantage like uprooting trees. His Special Attack calls in the rest of The Incredibles; Dash, Violet, Elastigirl and Jack-Jack to help take down the opponent as a family. His Musical Finale "The Incredibles" has his attacks all release shock waves that occasionally make debris hit the opponent, like it's the intensity of a comic book.

Syndrome (The Incredibles): You better catch him while be monologues as he does not play around! The wannabe superhero uses zero point energy to toss the opponent and send objects flying their way. His Special Attack calls in the Omnidroid to make short work of the opponent. His Musical Finale "Kronos Unveiled" forces the opponent to not stand still for too long or repeat the same attacks, or else the Omnidroid will fire lasers at them almost as if their being analyzed.

Mulan (Mulan): From lying to save her father's life, to saving all of China to joining other famous Disney heroes on the field of battle, Mulan has been through a lot. She has a sword, fireworks, a staff and a fan to best her foes. Mushu tags along, spitting fireballs at the opponent and tricking them into attacking smoke illusions that resemble Mulan. Her Special Attack has fireworks hit a snowy mountain, crushing the opponent under an avalanche. Her Musical Finale "Reflections" has Mulan disguise herself and blend in a crowd that slowly came onto the battlefield. The opponent attacking a random person will have them retaliate and hurt them.

Jack Skellington (The Nightmare Before Christmas): The pumpkin king and the patron of Halloween, his title comes with a wide array of pumpkin bombs, a flexible and detachable skeleton body. His Special Attack would have him trap the opponent in a series of giant pumpkin bombs, before his pet dog Zero lights them up. His Musical Finale "This Is Halloween" plants a series of tricks and treats all over the stage: treats for Jack that heals him and tricks that leave the opponent in a scared state. They take more damage while scared.

Oogie Boogie (The Nightmare Before Christmas): A literal burlap sack of nothing but bugs, Oogie Boogie has those very same bugs come out and harm the opponent. From spiders that tangle them up, to tarantulas that poison them to flies that hoist them up, he's as gross as sounds. His Special Attack would have him inhale the opponent and let his bugs do the work. His Musical Finale "Oogie Boogie's Song" increases his luck of landing higher damage, by also hitting a dice on the stage.

Tarzan (Tarzan): A man raised by apes, Tarzan has the strength to even keep up with apes and survive in the forest. In addition to his amazing strength, Tarzan can also swing from vines, use his impressive smell and hearing to counter attacks and a spear. His Special Attack has him command an army of apes to beat up the opponent. His Musical Finale "Son Of Man" puts fruits on the trees he swings from that he can heal himself with: since the opponent is not Tarzan the same fruits either poison them or make them dizzy.

Yzma and Kronk (The Emperor's New Groove): The former advisor of Emperor Kuzco and her most loyal henchman. Kronk does the fighting with his astounding strength and Yzma will be in the background, occasionally throwing potions on the opponent. Kronk will pull the lever, that will do a variety of things such as drop a bust of Yzma, a giant rock, a vase, etc. Their Special Attack has Yzma yell 'PULL THE LEVER KRONK!' sending the opponent and Yzma down a trap door to below the stage. Leaving it up to interpretation what happens, as Yzma casually walks back to the stage with a crocodile biting her leg. Their Musical Finale "Snuff Out The Light" replaces Yzma's potions with singing that prevents the health bar from going any lower.

Milo J. Thatch (Atlantis: The Lost Empire): An orphan that grew up to be quite the cartographer to even finding the lost city of Atlantis. Since he's not much of a fighter, the friends he made on the trip will do the fighting for him. Vinny plants explosions, Mole digs holes and attacks from the ground, Sweet heals Milo and boosts his durability, Audrey sends vehicles at the opponent and Cookie leaves food for people to trip over. He's even picked up on some Atlantean magic from Kida. His Special Attack has him pilot an Atlantean cruiser, shooting lasers at the opponent. His Musical Finale "Where The Dream Takes You" reverse the opponents controls, every time Milo lands a hit, almost as if their lost without a map.

Kida Nedakh (Atlantis: The Lost Empire): Princess of Atlantis and the current Queen, Kids is armed with a spear and a connection to the Heart of Atlantis, granting her forcefields and runes that dish out the ancient city's might. Her Special Attack summons a giant tsunami with the opponent being hit as Atlantis sinks. Her Musical Finale "Kida Returns" has the stage covered in runes, as the guardians of Atlantis will hit the opponent if they step on a rune.

Stitch (Lilo and Stitch): Experiment 626, also known as Stitch is an alien that befriended the kind-hearted Lilo Pelaki. Stitch is indestructible, has four plasma blasters, can roll up into a ball and lift up to 3000 times his own weight. His Special Attack calls in his cousins to each hit the opponent once, before Stitch himself smacks them with a car. His Musical Finale "Hawaiian Roller Coaster Ride" doubles the strength of any attacks timed with the music.

Captain Jack Sparrow (Pirates of the Caribbean): Captain Jack Sparrow comes to the battle with his signature sword, musket and flintlock pistol. His Special Attack has the Black Pearl ram the opponent and shoot cannonballs at the opponent. His Musical Finale "He's A Pirate" makes him impossible to KO, he can still take damage though.

Sulley and Mike Wazowski (Monsters Inc): The dynamic duo and best friends, Sully and Mike fight with the former scaring the opponent and the latter being pulled from the background, used as a ball to hit opponents. The more combos they land, the more scare is generated as energy: this energy being used to power machines to attack the opponent. Their Special Attack has the stage be overloaded with scare energy, to the point of canisters bouncing all over the stage and hitting the opponent, much like in Monsters University. Their Musical Finale "If I Didn't Have You" makes the opponent laugh each time they hit Sulley, generating energy and leaving them open to attack.

Jim Hawkins (Treasure Planet): Jim Hawkins, someone with the 'makings of greatness' according to Captain Silver has a chance to prove that here. With his solar surfer to pull off some amazing tricks, a knife and a blaster, he can hold his own just fine. His Special Attack would simply be Treasure Planet blowing up, with the opponent caught in the explosion, as he flies away on a ship. His Musical Finale "I'm Still Here" gives him the markings of greatness, in the form of stat boosts everytime he pulls off a trick on his solar surfer.

Captain John Silver (Treasure Planet): The fearsome pirate cyborg and only real father figure to Jim Hawkins, Captain Silver is ready to use those pirate skills from over the years to claim his treasure. As a cyborg, he has a wide selection of tools and weapons, such as lasers, a cybernetic eye, guns, a sword, a cleaver, a battering ram, the list goes on. His Special Attack has the opponent fly into space, while he leaves on a pirate ship. His Musical Finale "I'm Still Here" fills the stage with comets that can freeze the opponent if they come into contact with them and increases the strength of Silver's lasers if they pass through.

Merida (Brave): The Scottish princess and daughter of Queen Elinor and King Fergus, enters the battle with her archery skills and swordsmanship to win the fight. Her Special Attack has her ride in on her horse Angus, delivering a series of arrows to finish off the opponent. Her Musical Finale "Touch The Sky" makes all her arrows hit the opponent, without fail.

Kenai and Koda (Brother Bear): The bear brothers, one born a bear and the other cursed to turn into a bear. Kenai and Koda fight as a team of bears from claws to wilderness skills they picked up. Even the Great Spirits watch over and protect them, by influencing nature to protect the brothers. Their Special Attack has the spirits of Sitka and Koda's mother come in to protect them and deal with the enemy. Their Musical Finale "On My Way" increases the range of their block, with the Great Spirits protecting them.

Tiana and Naveen (The Princess and the Frog): A hardworker that believes the only way you can make it in the world, is through hardwork. Even if that meant kissing a frog. Tiana has a wide assortment of cooking utensils to win. With Naveen distracting them with singing and dancing. They can switch to being frogs, where they use their tongues to tangle up the opponent and hop off lily pads. Their Special Attack has Mama Odie turn the opponent into a series of animals, before sending them away with her Voodoo magic. Their Musical Finale "Almost There" gives Tiana a golden glow that greatly increases the range of their attacks and distracts the opponent with golden glows.

Dr. Facilier (The Princess and the Frog): The Shadow Man himself and one whom turned Naveen into a frog, Dr. Facilier fights with his cane, Voodoo magic, shadows and spell casting. His Special Attack has him pull the opponent into a deal, as their dragged down by the Voodoo Spirits. His Musical Finale "Friends On The Other Side" let's him take a gaze into the opponent's future, turning all of his attacks into counters, if they hit the same time as the opponent's attacks.

Rapunzel (Tangled): The lost princess of the Kingdom of Corona, blessed with magic hair and has quite the efficient frying pan. Her hair can not only heal herself a bit, but can be swung from, tie up the opponent and makes for a surprising whip. Her Special Attack has Flynn and Maximus ride in, with Rapunzel hitching a ride, as the three take down the opponent. Her Musical Finale "I See The Light" fills up the stage with lanterns, that can blind the opponent if they touch any.

Hiro and Baymax (Big Hero 6): The child genius and the helper robot turned fighter have become quite the crime fighting duo, that honor Tadashi's wish of wanting to help people. Baymax does the fighting, with Hiro on his back, such as martial arts, rocket fist, an energy blade and sonic blaster. Their Special Attack calls in the rest of the Big Hero 6, as they teamup and take down the opponent. Their Musical Finale "Immortals" assuming they get the rights to the song has Baymax dodge every attack that comes, without needing to move the controller and slowly heal up.

Judy Hopps (Zootopia): A young bunny from Bunnyburrow that came to Zootopia to pursue her dreams of being cop and help people. Her bunny physiology grants her enhanced hearing, quick agility, high jumping and she has trained herself to take down foes much bigger than her. Her Special Attack has her do her job as a cop and arrest the opponent, with the entire police force joining in to help. Her Musical Finale "Try Everything" plants tourist attractions all over the stage, that can hurt the opponent and heal Judy.

Elsa (Frozen): The Queen of Arendelle and the Ice Queen herself, forced to conceal don't feel, don't let them know. But she'll be doing anything but that here! Elsa has ice powers to freeze the opponent, create pillars of ice, ice slides, ice skates etc. Her Special Attack calls in Marshmallow to deal with the opponent. Her Musical Finale "Let It Go" allows her ice powers to come to life and aid her in battle.

Moana (Moana): Moana of Motuni, whom has sailed the sea to return the Heart of Te Fiti with Maui. She has a harpoon and an oar, along with the ocean helping her and watching over her. Her Special Attack returns the Heart of Te Fiti to Te Fiti, whom fully heals Moana, temporarily boosting her attack. Moana's Musical Finale "How Far I'll Go" covers the stage in water that has boats to hit the opponent and granting Moana faster speed.

Maui (Moana): The Maori Demigod of the wind and sea, with quite the number of feats from over the years. With his magic fish hook, he can shapeshift into a number of animals, his most common being a hawk. His Special Attack being lassoing the sun into the opponent. His Musical Finale "You're Welcome" makes all damage to Maui, take longer to leave an impact.

And that's that. A LOT longer than I thought it would be. Now your probably thinking, what about all the other Disney media? It's an idea for the first game, so other characters (Oswald the Lucky Rabbit, Scrooge McDuck, Goliath, Kim Possible, etc.) would appear in a potential sequel.

Or DLC, since every game these days has it.

Thanks so much for reading all this and taking the time to do! I would love to hear some thoughts and feedback! I had a blast making all this and would like to see if you're interested in hearing more video game ideas.

#video game idea #walt disney #disney pixar #very long post #mickey mouse #goofy goof #donald duck #disney princesses #disney peter pan #disney cinderella #disney pinocchio #disney sleeping beauty #disney hercules #disney frozen #disney robin hood #disney the lion king #disney the princess and the frog #disney atlantis #disney lilo and stitch #disney tarzan #disney the emperor's new groove #disney mulan #disney pixar the incredibles #disney the nightmare before christmas #disney treasure planet #disney the hunchback of notre dame #disney pirates of the caribbean #disney beauty and the beast #walt disney fighting game #terrific togekiss

[stan-joonies]

Unique Situation

[[MORE]]

Rosalie and Alice were flying through the forest, their dainty yet powerful legs carrying them quickly and effortlessly over rocks and hills and terrain.

Alice's brain still felt like it was spinning after being hit with a particularly strong vision. She had hit the floor, the impact sounding like a clap of thunder. Rosalie was at her side as soon as she realised, soothing her hair gently and whispering encouragement in her ear.

It was of Bella, surrounded by rouge vampires and being attacked, her blood splattered over their faces and fangs.

Edward had flew out the door, but he wouldn't be able to take them out alone. The rest of the Cullen's were far behind, Alice and Rosalie being two of the quickest.

They heard the faint echo of a scream and a familiar growl. Up ahead, obscurred by bushes to the human eyes, was a coven of red-eyed, thirsty vampires all surrounding a singular vegetarian vampire and his mate, who blood was rushing enticingly through her veins.

The blonde and brunette glanced at eachother before leaping with their powerful legs over the coven, landing next to Edward, who only gave them a glance.

The amount of vampires were overwhelming. They weren't brainless newborns either. They seemed to know their own way around a chase.

"Where are the others?" Edward growled through his teeth, glaring as the vampires stalked closer. His whole body was tensed and infront of Bella, yet the human was still horribly exposed.

"They wont take long. We just got to fend them off." Alice answered.

"I'm not really a fan of our chances," Rosalie snarled.

Suddenly, red eyes ripped themselves from the human they surrounded and instead focused on something behind them, on the large rock that towered over them.

"What're they looking at?" Rosalie hissed, not daring to take her eyes away from those infront of her.

Rosalie smacked Edward when he turned to look.

"Bella," she spat. "What're they looking at?"

But Bella didn't answer, she was rendered completely speechless.

Then, just as Rosalie was about to snap and launch herself into the rouges, a sharp, menacing howl broke through the tense air, cutting through the trees and wind.

A shadow jumped over them, a silhouette of a large man. The same man that ripped into every single of the rouges, nails dug deep into their porcelain skin and teeth burying into their useless jugulars.

It was brutal, screams and shouts drowned out by manic howls and feral grunts.

The coven that spiked unnatural, consuming fear into Bella were defeated in a matter of seconds by one man with his bare hands.

She was about to get up, but Alice put her hand on her shoulder and forced her back into her knees. Bella noticed with unease that they were even more tense now than they had been with the vampires.

The man turned. His skin was soiled with dirt and leaves and twigs, his hair was ruffled on his head and sticking up in all directions. His eyes were a deep black and completely feral.

Her turned, snarling hatefully at the group, taking a threatening step forward.

His eyes locked onto the two female vampires, a snarl readily building in his throat.

Then, a burning forced its way into his stomach, a raging fire residing there and making him break into an uncontrollable sweat.

Alice and Rosalie felt it too, their heart filling that empty place that they talked about over the years, a void that was cold and heartless.

He was quick. Sprinting towards them and roughly tugging them away from Edward, placing his feet firmly on the ground.

At that moment, the rest of the Cullens burst from the tree line, all crouching and snarling at him, only succeeding in making his breathing increase and his eyes to slowly bleed into red.

"Wait!" Alice cried, staying firmly in place. "He's not going to hurt anybody." They all glanced at her. "He's a werewolf, a child of the moon. He saved us. He's ok,"

Carlisle stared at Alice for awhile before his eyes floated towards the werewolf.

"Can you speak English?"

The man glared heatedly before swallowing spit and coughing.

"Course," it was raspy from lack of use and rough like sandpaper.

"What's your name?"

"Y/n l/n," He huffed, shoulders relaxing slightly. "Family?"

Carlisle nodded when he gestured to Alice and Rosalie.

"We're vampires, you know about us?"

"Your kind, yes," his eyes grew cold. "The volturi are not nice first impressions."

Emmett hid his snort behind his hand.

"Would you care to follow us to our house? We have plenty resources." Carlisle itched to speak to him. He was the only one of his kind left, the Volturi were hunting him. His thirst for knowledge consumed him.

"These stay by me," he gestured to Rosalie abd Alice with two dirty thumbs, taking them both by the hand.

The blonde doctor raised a questioning brow, shaking it off at Rosalie's glare.

"Very well, y/n. Follow behind."

-

Y/n was in the shower while the Cullens listened to Alice fill everyone in.

"So not only do you have another mate, but that mate happens to be a brooding, extinct werewolf who is being chased down by the volturi?" Emmett summarised, sighing when they nodded their heads.

"What are we gonna do? The volturi will rip us apart!" Emmett's mate exclaimed, panic not easing when Emmett laid a hand on her knee.

"Then we'll rip them apart first," Rosalie snarled, hands balling into fists.

"You think that would work?" Angie questioned, glaring. "They'll rip through us like a chainsaw through paper."

"But we have y/n," Rosalie reasoned, crossing her arms defiantly. "There's a reason he's survived this long."

"From hiding."

The two blondes hissed at eachother, being held back by their respective mates.

"They haven't tried to catch me in fifty years," came a hoarse voice.

Y/n stood at the bottom of the stairs, towel washing his h/c hair. Now he was wearing baggy sweatpants and a t-shirt. His skin was now clearly s/c and hos eyes were a sparkly e/c.

"I doubt they'll find me anytime soon,"

His eyes travelled to his two mates, smiling at them.

"Trust me, it's quite hard to kill me."

"But not impossible," Angie interrupted, chewing at her lip.

"Close enough to it," Rosalie scowled.

"Rose..." Alice hummed, rubbing her arm. "She's just worried about us."

Rosalie glared for a second longer before deflating.

"Right..."

Carlisle glanced to the trio.

"How have you survived this long?"

Y/n collapsed onto the sofa.

"It was hard at first, those stupid children are a pain in the backside. Once i realised hoe they kept finding me, that weird blonde guy, i started moving constantly. Then i came here, found out those puppies that play in the woods masked me from the volturi. I've been there eversince. I'm underground most of the time to stop myself ehen it's the full moon. I don't think I've spoken in couple years."

"You're away from them now, don't you think they'll find you?" Angie shrugged off Rosalie's glare.

"I've been living on their land for 45 years. I doubt their scent will go away quickly. Plus, I'm ceetain they must've gave up by now."

"So what now?" Angie asked, looking around. "He's here, he's Rosalie and Alice's mate. We can't kick him to the side of the road..."

"Easy," Alice grinned, skipping to y/n and linking their arms. "He's staying with us. Welcome to the family, y/n,"

A light kiss landed on his cheek, causing a blush to bloom across his face, only becoming brighter when Rosalie copied Alice on the other cheek.

"Welcome~"

#twilight #twilight x male reader #twilight x reader #twilight imagine #rosalie hale x male reader #rosalie hale #alice cullen x male reader #alice cullen #rosalie hale imagine #alice cullen imagine #fluff #angst #vampire #werewolves #poly #lesbian #x male reader #male reader

[semper-legens]

205. Midnight Sun, by Stephenie Meyer

Owned?: Thankfully not (library) Page count: Too long (756) My summary: Edward Cullen is drifting through life. High school doesn’t get any more fun on the hundredth repeat. But when new girl Bella Swan sits next to him in class, he finds himself awakened to a new reality he’s never before dreamed of. Does he follow his heart - and potentially doom the girl he now loves? My rating: 0/5 My commentary:

HATE. LET ME TELL YOU HOW MUCH I'VE COME TO HATE THIS BOOK SINCE I BEGAN TO READ IT.

Seriously. This is the worst Twilight book by a mile, and I’ve read all of them at this point. (Well, apart from the gender-swap one, but I’m assuming that’s exactly the same as the first.) Not only was this book tedious, not only was it over-long and irritating, but not once did it justify its own existence. What was the point of this book? What did it add? Ugh. Anyway. More yelling under the cut, but here’s the link to donate to the Quileute nation, please make use of it and give them some well-deserved money. I know I just did.

The first and most obvious problem with this book is its POV character. Edward Cullen is a despicable piece of shit. He’s contemplating murdering a room full of people by page 12. He spends this whole time whining about how much of a monster he is and how he’s damned and how he needs to stay away from Bella for her own good and it’s like, none of this justifies you stalking her, nothing that’s happening here is good, what the fuck. He’s dismissive to every non-vampire bar (eventually) Bella in his life, and yet he seems to think Bella’s somehow unique and special for...not instantly hating him? Having opinions? Basically just normal human behaviour that to him is so unique and outstanding. He’s so infantilising to her, constantly calling her ‘girl’ and moping about how she couldn’t possibly understand his tortured soul, while doing exactly nothing to communicate how he feels to her.

And, really, none of the extra glimpses we get into Edward’s mind mean much. Sure, we get an expansion of his backstory, and the Cullen family dynamic, but all of that only highlight the pisspoor worldbuilding. Why is Esme their mother when she’s only a couple of years older than Edward, both in looks and chronologically? Why are they pair-bonded for life (other than Meyer’s mormonism)? Why do people like Alice? She’s so annoying, once she’s seen a future where you’re friends she just insinuates herself into your life without you getting an opinion on it.

Not that it matters, because most of this book is just rehashing the first. Even for scenes where Edward wasn’t around, we get to see through him spying on Bella. And his insights from mind-reading add nothing, nothing that the reader couldn’t already have divined from their own read on the situation. So the only thing left to justify retelling this story from Edward’s POV is his own opinions which, again, we already know from a casual reading of the book. The only new things are a couple of scenes of what Edward was doing when not in Forks (moping, mostly) and the subplot about Edward and Rosalie’s relationship, which is really minor and ultimately doesn’t add much. There’s also scenes of what was happening while Bella and whatshisface were having their showdown in the climax, and what happened when she was unconscious, but by that point I was so bored and irritated that I just didn’t care. Like, objectively, Edward watching Alice make decisions based on her future vision was a pretty cool device. Did I by that point give half a shit? No! I just wanted it to be over.

It’s too long, it’s tedious, it’s infuriating, and never once does it justify its own existence. Don’t pick up this garbage even as a joke, folks. It’s just bad.

Ugh. So glad that’s over. Anyway, next up some hopefully good YA, with another story told through poetry!

#Midnight Sun #Stephenie Meyer #bookblr #book blog #book blogging #1

[rabdoidal]

i know you listen to a lot of podcasts and ive found some of my favourites from hearing you talk about them! do you have any favourites?

under the cut! my top 10 podcasts at the moment:

Alice Isn’t Dead Genre: horror, thriller, drama, Lovecraftian, Americana Episode count: 30 (completed) Description: A truck driver searches across America for the wife she had long assumed was dead. In the course of her search, she will encounter not-quite-human serial murderers, towns literally lost in time, and a conspiracy that goes way beyond one missing woman. Thoughts: This podcast is, to me at least, completely flawless in every way. I would consider myself a person that listens to a lot of horror podcasts, but Alice Isn’t Dead takes the cake for its depictions of liminal middle America, the horror that is capitalism, and the most tender, realistic depiction of lesbians in any podcast. Anything else I could say would spoil it and for this, I don’t want to spoil it because I want every person alive that can stomach horror to listen to this.

Archive 81 Genre: horror, comedy, sci-fi, Lovecraftian Episode count: 35 (ongoing) Description: Archive 81 is a found footage horror podcast about ritual, stories, and sound. Thoughts: The latest podcast I’ve tried, and it’s definitely one that grows on you. The audio mixing is some of the best I’ve heard in any podcast, and every bump and scratch and hum of frequency weaves to form moments that are truly and viscerally gory. Season 3 and Left of The Dial are my favorites because again, I love Americana horror, and anything that involves family!

Artificial Ghost Radio Genre: non-fiction, discussion, comedy Episode count: 75 (ongoing) Description: Our Sisyphean music recommendation challenge with hosts Miles (he/him) and Jupiter (she/they) challenge each other to find songs based on arbitrary themes and to spin the WHEEL OF DISCORD to talk about a random song from their library! They can be found on twitter @artghostpod. Thoughts: Gotta plug my own podcast! We’re still small, but the people I’ve met from doing AGR has made my life richer and fuller, even through the ups and downs. I recommend starting with #58: Songs about Aliens ft. our friend Liz (@thescaryjokes)!

EOS 10 Genre: medical drama, comedy, sci-fi Episode count: 34 (ongoing) Description: Doctors in space, a deposed alien prince, a super gay space pirate and a fiery nurse who'll help you win your bar fight. Thoughts: It’s been a hot minute since I listened, but as someone that inherently loves things like Star Trek and procedural comedies, EOS 10 is a quick and hilarious listen! Fair warning some of the earlier stuff is a little bit ignorant when it comes to their LGBT characters, but it gets a lot better over time.

King Falls AM Genre: horror, comedy, Lovecraftian Episode count: 100 (ongoing) Description: King Falls AM centers on a lonely little mountain town's late-night AM talk radio show and its paranormal, peculiar happenings and inhabitants Thoughts: I’m a bit behind, but again, gotta love some Alpine American horror! King Falls AM perfectly captures the feeling and sound of listening to a small late night radio show with two bros, but it really goes from typical dude dialogue to heart wrenching found family alien conspiracy real quick. Same as EOS 10, fair warning for some ignorant language and LGBT stereotypes, but they address it and it gets better as it progresses.

Not Another D&D Podcast Genre: actual play Dungeons and Dragons, TTRPG, comedy Episode count: 128 (ongoing) Description: Welcome to the campaign after the campaign! Three unlikely adventurers attempt to right the wrongs caused by a party of legendary heroes who screwed up the world while trying to save it. Thoughts: I’m only like 40 episodes in because they’re thick, meaty ‘sodes, but god is NADDPOD fucking hilarious. I’ve tried a fair few TTRPG shows, but the chemistry and care that the cast has together is unmatched by others in the genre. I’m a complete sucker for shows that are so funny and so tragic in equal measures, and the entire concept of a D&D game set after the world has been so drastically changed by a different D&D game is so unique!

The Faculty of Horror Genre: non-fiction, horror, philosophy, sociology, feminism Episode count: 86 (ongoing) Description: Tackling all things horror with a slash of analysis and research, horror journalists and occasional academics Andrea Subissati and Alexandra West are your hosts for brain-plumping discussions on all things that go bump in the night. Thoughts: A little non-fiction in this list of fiction podcasts! The Faculty of Horror is a concise and educated intersectional feminist podcast, and it’s a breath of fresh air to listen to anyone that isn’t a cishet white guy talk about horror. I highly recommend the episode on Cabin in The Woods or Jennifer’s Body!

The Magnus Archives Genre: horror, office comedy Episode count: 180 (ongoing) Description: The Magnus Archives is a weekly horror fiction anthology podcast examining what lurks in the archives of the Magnus Institute, an organization dedicated to researching the esoteric and the weird. Join new head archivist Jonathan Sims as he attempts to bring a seemingly neglected collection of supernatural statements up to date, converting them to audio and supplementing them with follow-up work from his small but dedicated team. Thoughts: TMA is, similarly to A81, a bit of a slow burn to get into, but I think once you listen to a few episodes you’ll know if you want to continue. It’s a pretty standard prompt for a narrative, but the sheer amount of individual short horror stories they’ve managed to write is insane! And I love the slow break down between recording statements and the stuff happening within the archives. Also one of the best redemption stories in a character that starts off as such a grumpy fuck!

The Penumbra Podcast Genre: sci-fi, neo-noir, romance, comedy, found family, magic, medieval fantasy, adventure, mystery Episode count: 75 (ongoing) Description: At the Penumbra, you might follow Juno Steel, a brooding, sharp-witted private eye on Mars, as he tangles with an elusive homme fatale, tracks dangerous artifacts of an ancient alien civilization, and faces his three greatest fears: heights, blood, and relationships. Or you might enter the world of the Second Citadel, where the merciless Sir Caroline must corral a team of emotionally distraught all-male knights to defend their city against mind-manipulating monsters...even the ones they’ve fallen in love with. Thoughts: On god TPP was a life changing podcast for me. Having creators that are genuinely concerned with accurately representing minorities with care and dedication makes me feel spoiled when I try listen to anything else. The two main universes are so different with their own set of histories and cultures, but I love them both so completely. If you want LGBT+ representation, this is the seminal podcast for everything non-binary, trans, queer, and people that aren’t afraid to change and have that change be known! I haven’t listened to another podcast that actually depicts transitioning like they do, absolute king shit.

Wolf 359 Genre: space drama, comedy, action Episode count: 61 (completed) Description: WOLF 359 is a radio drama in the tradition of Golden Age of Radio shows. Set on board the U.S.S. Hephaestus space station, the dysfunctional crew deals with daily life-or-death emergencies, while searching for signs of alien life and discovering there might be more to their mission than they thought Thoughts: Wolf 359 is like if you fell down the stairs and at the bottom of the stairs was a bear trap, and then after you step in the bear trap someone helps you take off that beartrap, but then they kick you in the nuts. Just replace physical pain with emotional pain. It can be so funny but also so fucking stressful and sad – w359 isn’t afraid to kill its darlings, and it will break your heart but you will still say thank you.

#personal #podcasts #podcast recommendations #long post #Anonymous