noah kahan really said growing up in a small, bitter hometown is about the rage and the hatred that's been sung about many times before but it's also about love and devotion and the 'all three of us were drowning and we didn't know how to save each other but there was an understanding that we were all drowning together' of it all and knowing people so intimately yet not being able to help anyone and he's morally grey at best in a lot of his songs and objectively the bad guy in others and that's just how it is and it's about substance abuse and normalised crime and teen suicide and country roads and failed exams and leaving and being left and love and hate and love and hate and love and
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Okay so I promised myself that I wasn't gonna talk about this show(at least not on this app) but the way people are reacting to all of the love triangles in X-men 97 is fucking hilarious. I’m sorry but if you can’t handle the Jean/Cyclops/Wolverine or the Rouge/Gambit/Magneto love triangles then X-men(or comicbooks in general) is not the franchise for you. I’m so sick of people on this app calling Rouge and Jean every derogatory name under the sun because they can’t handle a little conflict. Comic-books are full of Soap Opera levels of drama, if you’re gonna be a fan please get use to it
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Suddenly thinking about an AU where Vox erased his memories about Alastor and how that might affect the show's timeline.
Though to be honest I just want to think about how Alastor is going to react and feel about waiting for Vox to eventually find out about his return...
Only to find out in the Overlord meeting that Vox completely forgot about him as he smiled at him and offered his hand with a practiced professional air.
"Nice to meet you. I'm Vox from Voxtek, the Leader of the Vees. Are you new around here?"
In this AU, Episode 2 changes drastically. There was never a "Stayed Gone" segment nor was Sir Pentious sent to the Hazbin Hotel to spy on them. Which means that a lot would've changed in this timeline since the First Redeemed would be mostly out of the picture.
And Vox not giving Alastor the time of day means that if Alastor launched his radio show again, he has to slowly win back his viewership instead of having free advertising in the shape of a tv-headed obsessed fool.
Honestly, with how Vox's obsession on Alastor gives him a reliable source of attention and entertainment, he would be rather upset that the TV Overlord wouldn't give him the time of day. Not only that but he completely forgot about him! New? What do you mean new? He has been an Overlord far longer than he had! He is The Radio Demon. And he dares to ask him if HE is new?
What the hell happened to Vox? Why doesn't he remember him? Is this the reason why Vox never gave him the attention he knew he would give him once he realized he returned? What was he supposed to do now?
His feelings are hurt. His ego was bruised.
Vox was never like this.
And he'll be damned if Vox stays that way.
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I just think Tallulah gets to be upset about this. “It’s not Wilbur’s fault” “He’s not a bad dad” “He loves his daughter so much” yes! These are all true! And it’s not his fault! But he’s still not there. And Tallulah has gone through so much and still hasn’t seen him, the one time he was around was the one time she wasn’t, and all she has are letters and “I’m thinking of you always” and things that used to be theirs together, but he’s still not there. She’s waited and she’s been patient and she’s loved him all the same, and he’s still not there. Like yesterday, and the day before, and the day before, from the happy milestones to the traumatic events, he’s still not there.
She knows that it’s not his fault, but it doesn’t change the fact that he’s absent. That in and of itself just adds to the sorrow, because she knows why he’s gone, and she’s been told time and time again it doesn’t mean he doesn’t care, she knows this - it doesn’t mean it doesn’t sting, that it doesn’t hurt, that she doesn’t yearn for her father to be there more than anything in the world, and he’s just not there.
So yes, she gets to be upset, and be caustic, and stomp her feet and write bitter messages, and be angry and vitriolic, because she’s a little girl missing her father, who feels things with her whole heart and soul - and that means she gets to feel the ugly parts of it, too.
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Christina Ricci, 1998
HELP A GOOD GIRL GO BAD - a portrait by Bruce Weber
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