My Synopsis: Are you ready to cry your eyes out over a plot point you can guess from the literal title? Well grab your tissues and step right up to meet our main character: Lin Qingyu, a man who thinks the worst thing that can happen to him is being forced to marry a terminally ill young master who claims to be from another world and also to have the ability to be reborn into different people. Journey with him as he wades through court and courtyard politics, wielding his genius in medicine in order to protect himself from remaining a pawn of the royal family—and struggles with the practical knowledge that all the power and medical expertise in the world cannot stop death.
My Actual Review: Yes it’s literally in the title and official synopsis that the LI is gonna die a few times. Yes I cried every time, anyways; what of it? The story can be split into two interweaving plots: 1) Lin Qingyu fighting his way into becoming a physician against the interference of multiple royal family members and 2) the main couple falling in love as the LI works in between deaths to help Lin Qingyu achieve his dream instead of meeting his end as some book’s minor cannon fodder villain. This feels like a lot, but it works really well because Lin Qingyu, who the story focal point sticks with, still has things to do while the LI is… indisposed, so to speak. He’s not just waiting around for the LI to be reborn, and the story doesn’t stop or skip around to the LI’s return since the romance is not the only story focus. However, that doesn’t mean that the romance takes a backseat or is unimportant: each death brings the main characters closer as a couple, and each new life gives them new ways to work together as a well-oiled machine—which also makes the deaths hit especially hard despite readers knowing it’s coming.
On another note, this book has a lot of extras, to the point where they almost start to feel like too much of nothing? Especially since it just takes our cast and punts them into the modern world with no rhyme or reason (or sending them back), but they’re cute if you just mentally think of it as a modern au of the main story, for all intents and purposes.
Who was that Roy-Jamie fight over Keeley for? Who did the writers think wanted that scene?
After 33 episodes of largely avoiding that tired love triangle/jealous fighting trope, we’re doing it in 34? The final episode?
Jamie was sensitive enough about the video leak to comfort Keeley and then he uses it as some sort of evidence on the “she belongs with me” side? Roy smugly brings up their one-night stand? There can be backsliding on the road to becoming better people, but that whole scene felt more like free falling.
It also really detracted from the lovely and sincere conversation between Jamie and Roy that immediately preceded it.
Thanks, but no thanks. Gonna join the masses is pretending the bar conversation ended with the clinking of bottles.
I need to know more about this attempt at a fourth Emily book
Oh gosh, I really haven’t thought about this for YEARS, this was a product of me being like 15 and naive enough to try and write an Emily x Dean happy ending without realizing that a purely romantic Dean was neither in the spirit of how LMM wrote him nor very interesting.
Basically, I erased a few of the years that passed between Ilse calling off the wedding and Teddy coming back to New Moon, so that the year after Emily and Teddy married, WWI began. Naturally, both Teddy and Perry would have been drafted. I envisioned Ilse moving back to PEI, and she and Emily would do comic and Rilla-ish things for the war effort. Meanwhile, Dean—who of course wouldn’t have been able to fight—comes back as well. He writes a book of pacifist poetry or something not particularly patriotic, which doesn’t endear him any better to the locals. In my teenaged mind, he and Emily would then resurrect something of romance. Whether or not it’s actively something consummated, Emily would have betrayed Teddy in spirit if not in body.
Now, though, if I were to follow this war-themed plot thread, I think I absolutely wouldn’t go that route. I think Emily’s attitude to Dean and to herself would have completely changed as she grew older and seen more of the world. She would understand him better and perhaps pity him just a little—she was so nearly him, losing the love of her life to someone else. I’m not entirely settled about how Dean would react to this change: On the one hand, I’m tempted to think that he would miss not being able to patronize her anymore (I'm sure he would try and it wouldn't work the way it used to). As with many Gothic pairings, their relationship relied on inequality. On the other hand, if underneath his possessive jealousy he really does care genuinely for Emily—which we might infer if only from the final scene when he admits that she can write—they might be able to negotiate a new kind of friendship, where Dean can claim his corner of her life without it being unnecessarily fraught. Even now, I'm not sure how much of this is possible--despite Emily's newfound cynicism, she still seems a bit naive at the end of EQ about what he intends about claiming a corner of her home--but I do believe that her own literary achievements would be able to help her hold her own against him.
In the end, I always intended Teddy and Perry to come home—as much as I enjoy tragedy, I couldn’t sacrifice either in good faith—though I assigned Perry many heroic war wounds. Emily also would have written a Great Canadian Novel based on the war that would have been set up as a counter to Dean's pacifist poems. In some ways their literary output would mark more than anything the divergence in their lives.
Thinking about this now is really interesting though in terms of our previous discussions of Walter in a pairing with Dean! I’m tempted to start writing fanfic scenarios about this instead now.
did GOT even have JonCon in it?? prob not since they cut fAegon, right? damn that sucks…what did they eventually reveal Varys up to? Nothing? Was he just a shifty guy for no reason?