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#i have found it
cressida-jayoungr · 9 months
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One Dress a Day Challenge
July: Blue Redux + Green Redux
I Have Found It (Kandukondain Kandukondain) / Aishwarya Rai as Meenakshi and Tabu as Sowmya
When I first designated the theme for July, I knew I had to include shots from this sequence, probably the most gorgeous riot of blue and green I've ever seen on film. I am including wide shots of most of the scenes to show the costumes of the chorus and extras as well. Note that when the two sisters are onscreen at the same time, the background characters divide themselves up so that those in blue are on Sowmya's side and those in green are on Meenakshi's.
(This is an adaptation of Sense and Sensibility, by the way. Sowmya is the equivalent to Eleanor and Meenakshi is Marianne.)
See the whole sequence here, because it's even more amazing with motion:
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devoted-tiefling · 8 months
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Persuasion adaptations' poll
Emma adaptations' poll
P&P adaptations' poll
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lands-of-fantasy · 1 year
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Sense and Sensibility
Classic and loose adaptions from 1971, 1981, 1995, 2000, 2008, 2011(x2)
The first of Jane Austen’s novels, first published in 1811, has had many adaptions over the years. The ones pictures above are detailed below:
Sense and Sensibility (1971 Miniseries)
4 episodes x 45 min Written by Denis Constanduros, directed by David Giles
Starring Joanna David as Elinor Dashwood, Ciaran Madden as Marianne Dashwood, Robin Ellis as Edward Ferrars, Richard Owens as Colonel Brandon, Clive Francis as John Willoughby, among others.
Sense and Sensibility (1981 Miniseries)
7 episodes x 25 min Written by Alexander Baron, directed by Rodney Bennett
Starring Irene Richard as Elinor Dashwood, Tracey Childs as Marianne Dashwood, Bosco Hogan as Edward Ferrars, Robert Swann as Colonel Brandon, Peter Woodward as John Willoughby, among others.
Sense and Sensibility (1995 Film)
Written by Emma Thompson, directed by Ang Lee
Starring Emma Thompson as Elinor Dashwood, Kate Winslet as Marianne Dashwood, Hugh Grant as Edward Ferrars, Alan Rickman as Colonel Brandon, Greg Wise as John Willoughby, among others.
Kandukondain Kandukondain (I Have Found It) (2000 Film)
Indian Tamil-language musical film. Loose adaption set in modern India Written by Rajiv Menon and Sujatha, directed by Rajiv Menon
Starring Tabu as Sowmya (Elinor), Aishwarya Rai as Meenakshi (Marianne), Ajith Kumar as Manohar (Edward), Mammootty as Major Bala (Brandon), Abbas as Srikanth (Willoughby), among others.
Only Meenakshi, Manohar and Srikanth have singing parts (Sowmya appears in a few musical numbers).
Sense and Sensibility (2018 Miniseries)
3 episodes x 50 min Written by Andrew Davies, directed by John Alexander
Starring Hattie Morahan as Elinor Dashwood, Charity Wakefield as Marianne Dashwood, Dan Stevens as Edward Ferrars, David Morrissey as Colonel Brandon, Dominic Cooper as John Willoughby, among others.
From Prada to Nada (2011 Film)
Loose adaption set in modern Los Angeles, USA Written by Fina Torres, Luis Alfaro, Craig Fernandez; directed by Angel Gracia
Starring Camilla Belle as Nora Dominguez (Elinor), Alexa Vega as Mary Dominguez (Marianne), Nicholas D'Agosto as Edward Ferris, Wilmer Valderrama as Bruno (Brandon), Kuno Becker as Rodrigo Fuentes (Willoughby), among others.
Scents and Sensibility (2011 TV Film)
Loose adaption set in modern US Written by Jennifer Jan, Brittany Wiscombe; directed by Brian Brough
Starring Ashley Williams as Elinor Dashwood, Marla Sokoloff as Marianne Dashwood, Brad Johnson as Edward Farrirs, Nick Zano as Brandon Hurst, Jason Celaya as John Willoughby, among others.
*****
Personal favorites: 2008, then 1995.
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weeguttersnipe · 2 years
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Enna Solla Pogirai from Kandukondain Kandukondain (Tamil, 2000)
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jeremybearimyy · 2 years
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finally watched hereditary. unrelated found out I don't actually like horror movies that much.
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elliesbelle · 3 months
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emily gwen, the creator of the sunset lesbian flag that we’ve come to commonly use, still continues to live in poverty.
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multi-billion dollar companies have used their design and made profit from it, and yet they have not seen a cent for their creation.
i’ve been friends with emily for years, and i have not once seen them be financially stable the entire time. i’ve seen them homeless, unemployed, starving. right now, they need our help more than ever.
please consider donating to emily’s ko-fi, especially if you’ve used their design to create something and profited from it.
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krafterwrites · 4 months
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Yo mama so inactive she deactivated
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tearlessrain · 1 month
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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little-miss-biatch · 2 months
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Went bowling last night and saw a guy in a hoodie that said “no emotions, just motion”
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gentil-minou · 10 months
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Everytime I see posts like this I get filled with such profound sadness
Cause you know who has the same brainrot as you? The same unhinged feelings as you after you've read the fic? The person who always wants to scream about the fic with you?
THE PERSON WHO WROTE IT
I never used to leave comments but since I got into the habit of commenting on everything i enjoy it's been incredible. Especially when the author gets back to me about it and we get to have a discussion of what other ideas they had. One writer replied to my comment with a 5 paragraph essay detailing the Floorplan of the building the characters lived in and it was incredible
Anyways this is all to say that if you find a fic that just makes you want to scream from the rooftops, leave a comment saying that to the author and maybe they will join you and you can scream incoherently together
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theoldaeroplane · 7 months
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worried that thing you put in your art or writing or game or music is too self-indulgent, too self-referential, too niche for anyone but yourself? fear not! you can do whatever you want forever. and you should.
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roach-works · 5 months
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pokemon theory i just thought of: new pokemon appear in the pokemon universe when they're designed in this one. they're created ex nilho but they have retroactive realness; they weren't here yesterday, but today they've always existed.
pokemon researchers have had to suss this out on their own over decades, and it's a really unpopular theory, made worse by the fact that no one can come up with a better one. from their perspective pokemon generate spontaneously but in both chronological directions, and the similarities of many pokemon seem to be detived from a conscious and creative understanding of the world--their world, though? what other world could there be?. there are ice cream pokemon and pokeball pokemon and sword pokemon and trash bag pokemon.
there are so many pokemon with both wings and a beak. is this like swords? is there an ur-flying type that this class evokes? there are so many canine pokemon. but what is a canine? is there such a thing? there's only one set of sword pokemon, right. one tea-set line. is *feline* a coherent category? would the ur-feline have two legs or four? why do so many pokemon have humanlike bodyplans-- but then again, why so few?
pichu has always been the prior form of pikachu. why didn't it get counted in order? why do we call it that instead of saying pikachu is the middle evolution of the pichu line? why can so many trainers remember finding this out well into their journeys? why didn't ash start with one?
this is why pokemon researchers do a lot of labwork, drink heavily, and use ten year olds for field research. you can't have an existential crisis if you don't even know what time is yet.
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tadfools · 4 months
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You guys are commenting on the fics you read right? You’re at least leaving kudos on the Astarion smut and the pairs that have less than 20 fics for them too? You’re bookmarking stories you really like that are still being updated and ones that haven’t been touched in over a year right?
You know that even the smallest interactions are like cocaine to fic writers right? You understand how important a string of emoji hearts left behind on chapter at three am is right?? Right????
You’re treating AO3 like a community and not a content factory….right?
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keymintt · 8 months
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a comic/zine about coyotes
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deadnotsleeping413 · 1 year
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