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#i'm listening to falsettos act two right now
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The Revenge Of Two Hands One Mouth - O2 Academy Bristol (November 27, 2013) by Adam Gasson
After 11 years of not finding a single photo from this show, I found these yesterday! I can not begin to express what this means to me, I nearly cried and I couldn't sleep last night. I was still a rather new fan and this was my first time going to a show in the UK, the first show I went to see with a friend, and my first time meeting that friend, too. And these above photos are SO GOOD! Not much was preserved from this show at all, there was no recording allowed (no charcoal drawings either), and to my knowledge not even the full setlist for this specific show was preserved anywhere. So better late than never, but here's what I remember (with some help from these photos!) and the things I've puzzled back together:
If there was opening music or an opening act, i don't recall, but Russell entered the stage alone. It was dramatic and impactful, and it went quiet as he gave an intense stare into the audience and did a drawn out "ahhh" into the microphone. After a little moment of quiet, it turned out the microphone had been connected to a sequencer which now started repeating "ah ah ah ah ah ah". Suspense, excitement. Russell added: "Hold, hold, hold, hold". (...I was definitely freaking out.) While that started looping on top of the ah ah ah sequence, he made stop signs with his hand as we all listened. A few repeats passed. "I'm getting mixed signals, mixed signals - mixed, mixed, mixed signals".
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^ the only seconds of this show I recorded as I didn't yet know it wasn't allowed - security signed at me and I put the camera away. It was fine. (Here's a recording of it made during the US tour later that year - recording seemed to be less frowned upon at that point.)
I don't recall when Ron entered the stage at this show, whether it was during the song or after, but what a way to open! And what an amazing song choice!
The performance that left the biggest impression on me at this show though was Nicotina. It was a choice I didn't see coming, but also the way Russell sang it! Falsetto heaven. (Sadly not a single video is to be found of Nicotina from this tour. But for your falsetto heaven needs, I hope you can find a video of Here In Heaven that they also performed on this tour, because that will also kill you.)
As everyone here probably knows I am quite big on Bergman, which at the time was heavily promoted during the tours, and, the excerpts they played on this tour were different from what they played during Two Hands One Mouth! They played "I Am Ingmar Bergman", The Studio Commissary (my favourite song on Bergman), Limo Driver (but sang by Russell, and HOW!) and "Oh My God". (Here's a video of it from one of the American shows. It's extremely good. People who've been around for a while have seen me lose it over this video many times.)
The most unexpected song choice was probably Katherine Hepburn. Me and my friend had been joking for absolute months that we were going to see Sparks and they'd play Katherine Hepburn (as if that would ever happen, we were obsessed with that song though!). And here we were, and they were playing Katherine Hepburn right in front of our eyes. (What is reality.)
Falling In Love With Myself Again had me losing it over the organ sounds, always a fan of Ron on organ, and I LOVE that song. Russell sang a line in my direction (I died), and he managed to throw another line at me during Those Mysteries ...I died a few times that night. As you might expect. That was kind of the whole THOM/TROTHOM experience anyway. Lots of dying. But the variety of dying where you end up in heaven. (You're at a Sparks show after all.)
They wrote a song especially for this tour, which was not released but only ever played live: Revenge Of Two Hands One Mouth. What a thing to experience! A very dark song, but wonderful. (REVENGE! REVENGE REVENGE!)
At the end of the show Ron took a photo of Russell with the audience. I don't really remember that happening, but the photo exists and it really was not a thing they did often back then. We had been a good audience :)
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Here's all the songs that were probably played that night in random order:
Your Call's Very Important To Us. Please Hold., B.C., Good Morning, Here In Heaven, Academy Award Performance, Those Mysteries, Falling In Love With Myself Again, Big Boy, Nicotina, Popularity, This Town Ain't Big Enough For Both Of Us, excerpts from The Seduction Of Ingmar Bergman, Tryouts For The Human Race, Katherine Hepburn, Revenge Of Two Hands One Mouth. They likely also played The Number One Song in Heaven, When Do I Get To Sing 'My Way' and Suburban Homeboy. (I see mentions of How Are You Getting Home? and How Do I Get To Carnegie Hall? in setlists for this tour as well, which they very well might have played but I very sadly have zero memory of ever hearing those songs live.)
This tour had a real air of mystery, possibly even more so than Two Hands One Mouth, as the lack of existing footage definitely adds to it. But luckily some of it *is* out there, and I am so grateful for these photos :) On top of the songs I especially mentioned above, I would also advise people to look for recordings of Tryouts For The Human Race and Popularity from this tour, because the arrangements are probably not going to be the way you expect them to be. And as you might expect: B.C. is stunning live. (I could start a whole rant about Good Morning and Suburban Homeboy live but I think I sufficiently screamed about both in my personal notes on THOM the year prior.) Final note: I know Russell had some sort of dance move for Big Boy because me and another friend couldn't stop talking about it for months. I don't remember what he did, but both THOM and TROTHOM were wonderful for Russell dances <3
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nolita-fairytale · 8 months
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don’t want to walk alone | carmen ‘carmy' berzatto | chapter three: september
summary: the moment we've all be waiting for: you and carmy get married.
warnings: swearing, eventual smut, lots of tooth rotting fluff, marriage, no use of y/n, second person pov, she/her pronouns
wc: 7.1k
listen to: the official don't want to walk alone playlist. there is SO much music in this chapter, so per the playlist, it starts with 'it takes two' and ends with 'love story.'
a/n: ok so this chapter was a behemoth to write and i am in fact in love with it. it's taken me days, really weeks, to get what i wanted out of it and i still feel like i could've gone deeper. however, i'm also kind of just happy to have this out in the world and give these two the wedding they wanted me to give them. each moment was curated and thought out, down to the music selection so this chapter is really just a product of me stewing on this idea for quite a bit of time. this is a part of my make my heart surrender universe so check out the masterlist if you haven't read the series! next up? their long weekend at the langham where we really get carmy x reader and moments for just them. please let me know if you'd like to be added or removed from the taglist.
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part two | masterlist | part four
“It takes two to make a thing go riiiiight.”
You never pictured the night before your wedding like this, you think to yourself, as you listen to Fak sing, to the best of his ability in a somewhat-decent falsetto, along to the 90s hip hop classic. 
Hell, you’re not sure you really ever pictured your wedding, but as you sit, surrounded by the people you love, you can’t see it going any other way than this. You watch as Richie rallies up as many people as he can for shots of Mallort, recounting that infamous morning at Ceres – a story he’s told over and over again, yet still manages to tell as animated and boisterously as the first time you heard it. 
You groan as you watch Richie successfully convince Gary to take a shot with him, Gary’s face twisting into a look of disgust in response to the foul taste of the Chicago liquor, as Sugar reminds him that he should know better by now. 
Carmy gives your knee a squeeze while simultaneously brushing off Richie’s attempt at shoving a shot in his direction. You laugh, a warm feeling filling you to the brim (could be the beer, could be being surrounded by your people), while Sydney jumps right into her best Rob Base impression. 
It just so happens that your continuously put-off ‘let’s shoot for next month’ karaoke plans with a few staff members from The Bear coincided with plans to go out with friends before the wedding, which is how you’ve found yourself here. 
After a lovely dinner at The Bear, your parents went back to the hotel for the night, insisting that you two go and have your fun. And as much as you would’ve loved to have brought your mother-who-has-a-doctorate-in-music-theory to karaoke night, she much preferred a good night’s sleep. 
The crowded bar claps enthusiastically as Fak and Sydney wrap up their song, finishing their truly-made-up-only-for-comedy dance moves. You giggle, exchanging another glance with Carmy, as your friends take their bows, before shuffling off of the stage. 
You hear the loud boom of the emcee’s voice through the microphone as he says:
“And up next we got… Tina!”
“Let’s go, T!” you shout through hands crowded around your mouth, in an effort to increase your volume of sound. 
Carmy cheers, clapping his hands together as Richie enthusiastically chants Tina’s name while Tina makes her way to the stage. 
“This is gonna be good,” Sugar nudges you, from where you are, seated in between the Berzatto siblings. 
You nod your head in agreement before settling in a little closer to Carmy. 
“The queen, herself,” Sydney remarks, gesturing towards the stage as she and Fak both return to your table. Sydney pulls up a chair next to where you and Carmy sit while Fak joins Richie on the other side of it. “And the ONLY act that could follow our exceptional performance.” 
“Well, exactly,” you agree, playfully. 
You exchange a laugh with Syd, while Carmy playfully rolls his eyes at the two of you. 
The crowded bar room goes quiet as soon as Tina reaches the stage, smiling nervously as she grabs the mic. 
“This one goes out to our favorite Jeffrey. And his lady Jeff,” she begins, earning a round of cheers and hollers from the group you’re with. Tina blows a kiss you and Carmy’s way, before nodding at the emcee to begin. 
“I love you guys.”
You hear the beginning notes of the iconic Etta James tune, gasping in anticipation of her song:
“at last my love has come along my lonely days are over and life is like a song.”
You sigh in admiration, a hand over your heart as Tina continues to sing. Her voice is powerful, soulful – perfect for the song, really – as she continues into the second verse. 
“at last the skies above are blue my heart was wrapped up in clover the night I looked at you.”
This time, it’s Carmy who steals a glance your way, his mind taken back to that fateful night at a bar in Hell’s Kitchen, when he spilled his drink on you so many years ago. You’re entranced, enchanted, with Tina’s performance, and he thinks to himself, that maybe this is the best it’s ever going to get: being here with you, getting to love you, on the cusp of promising you ‘forever’ tomorrow. 
Never had he expected that you’d make it this far. You’d always been so much cooler than him – well-liked, talented, funny – in and out of the kitchen, that he had no idea how the hell he was supposed to talk to you without vomiting all over your shoes out of nerves. 
He can remember that night so vividly: standing there in the restroom of the bar he can barely remember the name of, while you stood across from him with the kind of glare on your face he swore could kill him. But you didn’t, and after many attempts to push you away, you asked him to be your friend, deeming it the day that started it all – a friendship that would teeter the line of friendship and something more, one that would bloom into the greatest love he’s ever known. As much as he hates to give Nate fucking Walker any kind of credit, he’ll the be first in line to say he’s glad the jagoff pushed him into you, setting it all in motion. 
You can see that Carmy’s become distracted, lost in thought as the song finishes, something behind your favorite pair of blue eyes as the entire bar ignites into a huge round of celebratory claps for Tina’s performance. 
You look up over at him, setting your beer bottle down on the table before leaning over to whisper in his ear.
“I can hear you thinkin’ over there, Berzatto,” you tease him quietly, pulling him from his trip down memory lane. “It’s only the night before the biggest day of your life. Relax.”
Carmy rolls his eyes playfully in response, but before he can properly respond to your jab, the emcee has begun introducing the next karaoke singers to the stage. 
“Alright. Looks like I’ve got uh… three singers here this time,” the emcee says, his voice cutting sharply through the crowd of remaining cheers. “Let’s welcome Sydney back to the stage with… Sugar and… the bride to be!” 
“What!?” you exclaim, your eyes wide with surprise as Sydney jumps to her feet.  
“But I didn’t-,” you begin to protest, as Sugar pulls you to your feet, tugging on your arm. 
“Oh there’s no way in hell we’re letting you sit this one out,” Sugar orders you, as Sydney rushes to your side, ushering you towards the stage. 
“Yeah this was your idea!” Sydney simultaneously reminds you. 
“Babe! Help!” you call out to Carmy, only to be met with a shrug and a look that says ‘don’t think I could if I tried.’ 
“Oh, he’s in on this,” Sydney adds, which does explain why he didn’t even attempt to help you when your friends began dragging you out of your chair. “So don’t even think about asking him for help.”
“Wh-? But I don’t even know what we’re singing!” you continue to protest, looking from Sugar to Sydney as they push you onto the stage with them. 
“Trust,” Sydney reassures you, her face serious, while Nat slides a sash over you (one you’ve refused to wear all night) that has the word, ‘BRIDE’ printed over it in huge gold lettering. You groan, sending a glare in Nat’s direction, even though you know it’s all in good fun. 
You hear Richie shout, while Fak and Marcus clap loudly, and Carmy laughs, shouting words of encouragement your way. 
You know there’s no use in putting up a fight, especially since this was your idea anyways, as you begrudgingly take one of the three wireless mics. Before you can ask once more, what the hell Syd and Nat signed the three of you up to sing, a distinct slide of piano keys comes in, lighting up the karaoke screen in front of you. 
You grin immediately, in recognition, and to your two best friend’s delight, as they smile too, raising the mics to your lips to sing:
“friday night and the lights are low looking out for a place to go where they play the right music getting in the swing you come to look for a king.”
You laugh as your friends point towards Carmy on the last line. The three of you continue to sing the next part with reckless abandon, and all is forgiven. 
You could care less about how the three of them conspired against you to get you up here. All that matters now is that you’re here, singing one of your favorite songs with your best friends, grooving and dancing to the ABBA classic, as you prepare to marry your best friend. 
“you can dance you can jive having the time of your life ooh, see that girl watch that scene digging the dancing queen.”
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"what good is love without any strings?" dayglow, 'close to me'
“Baby.”
Carmy groans in response, as soon as he hears the low hum of your voice. 
“Good morning,” you say, a soft smile on your face as you watch him begin to blink his eyes open. 
Carmy turns his head towards you, and he can’t believe he gets to wake up to this – to you – every single day. 
“Hey,” he says back, a soft smile spreading across his lips. “Good Morning, sweetheart.” 
“Guess what?” you ask him with the kind of glee and anticipation as a kid on Christmas morning. 
“Hmm?” he hums, as you smooth a hand over his chest, your body pressed against his side as you look at your soon-to-be husband. 
“We’re getting married today,” you grin, a giddiness that bubbles inside of you. 
“‘S that so?” he mumbles, playfully. 
“Uh huh,” you nod with a chuckle, this time playing along. “Don’t tell me you forgot.”
Instead of replying with words, Carmy swiftly wraps an arm around you, before flipping you so that you’re the one on your back this time. You let out of a shriek and a laugh as he leans down, pressing a gentle kiss to your lips before adding:
“How could I ever?”
You shrug casually, “Weeeelll…. you just have so much going on up there.” You reach up to where Carmy hovers above you, brushing a golden curl out of his eyes as you continue your little dance. 
“You know, between the restaurant and all that time spent being a genius,” you joke, bantering with Carmy. “Don’t know how you have the time to remember silly little things like wedding dates and what not.”
“You’re ridiculous,” Carmy laughs, shaking his head incredulously, before pressing another kiss, this one much deeper to your lips again. 
And this time, as he pulls away, he gives you one of those languid looks that pierces right through your soul replying much more seriously this time with:
“I could never forget you.”
The way he says it with such conviction takes your breath away, and you know that Carmy means it. The double meaning isn’t lost on him either. 
It’s one of the reasons he called you all those years ago to come teach Marcus; it’s why you ended up in Chicago:
Because as much as he tried, as damn good at compartmentalizing as he’d always been, he really could never forget you. Carmy shakes his head once more, a playful smile on his face as he leans down to kiss you again, wondering when the hell he got this fuckin’ sentimental. As he places his mouth over yours, you’re more than happy to switch gears into doing this dance for a little longer. 
 Carmy traces light shapes against your skin, his mouth pouring love into yours with every kiss, with every drag of his tongue. You gasp as he grinds his hips into yours, making it clear where he’d like this all to go. You pull away, only for a moment, giggling cheekily. 
“Babe, I-,” you begin to protest, as Carmy chuckles, continuing to kiss you with zero intention of stopping “We… we’re going to be late.” This time, you feel his hands snake underneath the t-shirt you’ve been sleeping in, sending chills down your spine. 
“And-, Carm-, I-, I have to do my hair for-, … and what about-, my parents, they’ll-,” you stammer through, your thoughts becoming all kinds of disorganized with the way Carmy’s lips move against your neck this time. 
“I’ll be quick,” he answers with an aplomb you didn’t know he had in him. 
“I don’t know if that’s the flex you think it is,” you tease him as his hands begin to cup your breasts, your body responding with an involuntary arch of your back. 
“How fast I can make you come? I think it might be?” he murmurs against your lips, cockily.  
“Carmy,” you moan, as he begins to pull your t-shirt up higher, making it incredibly difficult to think of your to-do list for much longer. 
“Oh fuck it,” you sigh, deciding that, perhaps there’s no harm in getting the honeymoon started a little early anyways. 
“That’s my girl,” Carmy whispers against you, grinning like a Cheshire cat as you surrender to him. 
And he’s right about this too. 
How fast he can make you cum deserves all kinds of bragging rights, awards – a Nobel Peace prize, even – and you’re not sure why you thought getting a head start on doing your hair would’ve been the better idea in the first place. You spend the morning in the arms of the man you plan to spend forever with as he writes love letters, promises to give you the world, declarations of adoration with the pleasure he brings you. And besides, you’re not running all that behind on time anyways – something you realize, as the two of you get out of the shower (a round two, really). 
It takes a little longer than expected – mostly due to the fact that you and Carmy can’t seem to keep your hands off of each other – but against all odds, the two of you pull up to the courthouse right on time. 
It’s a sight for sore eyes: you, running hand in hand with your husband-to-be in a white, halter-cut wedding dress while Carmy follows along, in a classic black suit – no tie around the neck – as the two of you hurry into the courthouse. 
Sure, you could’ve tried to get here early – saved a little time and stress – but where’s the fun in that?
The two of you approach your families, hand in hand, to the sounds of your heels clicking against the marble floors of City Hall. The actual ceremony at City Hall, you’d both decided, would be family only. 
Since you weren’t making a huge deal of it, you viewed this part as necessary paperwork, while the party itself could function as the ceremony and reception. But as soon as you see the look on your parents’ faces, you know this is more than just a few signed papers. You watch as their faces change, from impatient, waiting, eager, to in awe and emotional as you walk towards them. 
You hear Ava shout your name, immediately dropping her dad’s hand as she runs towards you. 
“Ava!!” you exclaim, bending down in your heels and white dress to scoop her up into a hug. You spin her around, just for a moment, before setting her back down on the floor. 
“You look like a princess,” she says, completely in awe, her eyes wide as she looks up at you. 
“You look like a princess, sweetie,” you reply, before giving her another hug. “And you know I can’t wait to hear your song, right?” 
“I picked the best one,” she grins, proudly. 
“I’m sure you did,” you reply confidently, with a playful wink. 
“Oh-ho! Pay up, Rick,” Sugar mutters smugly, to Richie, as Carmy busies himself with greeting both of your parents.
Richie groans, muttering something profane as he not-so-discreetly hands Nat a $20 bill, earning a quizzical look from both of your parents that travels from Carmy and then to you. 
“Sorry,” Richie apologizes, this time directing this one towards your parents as he holds up both hands, respectfully bowing his head. 
You send a playful glare Richie’s way, earning a sardonic laugh from Natalie, as you push right past him and over to your parents. 
“Oh sweetie,” your mom gasps, pulling you in for a tight squeeze. 
“Hi, Mom,” you grin, as you hug her. “Dad!”
“My God, honey, you look beautiful,” your dad says, as it’s his turn next. You hug your dad, exchanging a few words about the morning, asking how they slept, how the hotel is, as your mom and Carmy hug it out. 
This time, he turns his attention towards Carmy, so you release him, letting the two of them have their moment. 
Taking your chance, while your parents are otherwise distracted, you make your way over to where Sugar and Richie stand. 
“What? You guys were betting on whether or not we’d be late?” you ask Sugar, an eyebrow quirked in Richie’s direction. 
“Listen,” Sugar sighs, cupping your face in her hands, endearingly. “You and Carm are nothing if not consistent.” You exchange a laugh with your almost-sister-in-law because you know she’s right. “And for the record, I bet that you’d be-.”
“Just in time!” the judge says, as he approaches the six of you, slipping his judge robe over his shoulders, black leather fold pressed against his chest. “You guys ready to get started?”
Carmy looks over at you, as if he’s waiting for you to take the lead here, and you nod, before the both of you turn back to the judge. 
“Yes.” 
“Great,” he smiles, clapping his hands together once. “Then let’s get you two married!”
"sooner or later, you'll find yourself right where you were, on the corner went looking for her, she had somethin' to tell you, she can't quite remember, but wait for a second, it always comes back to her, you always come back to her." -- the japanese house, 'morning pages'
And after dotting all appropriate i’s and crossing all necessary t’s, with one signed marriage license later, you, Carmy, your parents, Richie and Ava, Sugar, and Judge Thompson find yourself on the green roof of City Hall. 
Carmy stands across you, his hands in yours, offering you a lifetime with one look from the most expressive blue orbs you’ve ever found yourself in. 
“If you’d like to say something, if you prepared any vows… now would be the time,” Judge Thompson says, offering you and Carmy both the space to do so. 
“Oh I think we-,” you begin, ready to decline the opportunity since you figured you’d save it for the reception. 
“Actually uh, yeah. Can we?” Carmen interjects, sending you a look of reassurance. 
“Of course,” Judge Thompson nods, giving you and Carmy the floor. 
“Carm, I didn’t prepare anything for-,” you begin, but he’s quick to put your mind and heart at ease and he interjects with:
“It’s okay. I did.”
“Oh.”
You hadn’t expected this, since you both agreed you’d save any kind of speeches that may or may not happen today during the reception. But as Carmy’s palms grow clammier, a nervous look in his eyes as he searches for the words he’s practiced over the last few days, it becomes clear that he’s been planning this. 
“As you know… I’m not always great with words,” he begins, almost apologetically, letting out a small laugh as he looks to Richie for reassurance. In turn, Richie gives Carmy a sympathetic nod, and you’re practically melting over the fact that he probably asked Richie for help with this. 
Let it rip.
 “I just uh-,” Carmy stammers, because he really, really wants to get this right. “Well, I’ll keep it brief.” He takes a breath, letting all of his nerves out on the exhale before beginning again. 
Let it rip, buddy.
“I have loved you for so long – I think maybe since the day you brought me soup after I uh… you know, spilled my drink on you,” he states, earning the sweetest laugh from you, your friends, and family that came to witness. 
“-- so I promise to love you for even longer, for forever. You changed my life.”
You exhale, trying your best not to cry right here and now, thankful for the mysterious powers of waterproof mascara. 
“Jeez, no pressure,” you joke, dryly, before taking another breath, this time approaching your words with much more seriousness.
“Carmen. I’m so happy… that I changed your life,” you begin, cheekily, earning a laugh from your witnesses once more. “Because you changed mine. And I promise to love you forever.” 
‘I love you,’ Carmy mouths to you, before nodding towards the judge to signal that you’re both done with your vows. 
“Alright then,” Judge Thompson smiles, looking from you and then to Carmen, before uttering the question that will change the course of your life forever. 
“I do,” Carmy replies, his voice even, sure, ready. 
Natalie steps up this time, handing Carmy your ring, and you watch, teary eyed and full hearted as he slides it onto your left ring finger. 
“And do you take Carmen Anthony Berzatto to be your lawfully wedded husband?” Judge Thompson repeats the question, this time for you to answer. 
“Yeah, why the hell not?” you reply, earning a groan from your mother and a playful chuckle from your father. 
“Yes. I do.” 
At Richie’s encouragement, it’s Ava this time who steps up, handing you Carmy’s ring, with the sweetest most excited smile on her face as she looks from you to Carmy. You thank her, before returning your attention to Carmy once more. His eyes search your face, and there’s something so soft, so genuine in them that you think you’re going to cry as you help him put on his new piece of jewelry as well. 
“Then by the power vested in me by the State of Illinois, I now pronounce you, husband and wife,” Judge Thompson concludes, contently.
“Should we-, do we kiss?” Carmy asks, looking from you to Judge Thompson. 
“I’m just a civil servant but you may, yes,” he answers lightheartedly. 
“Let’s go for it,” you shrug, taking a step towards Carmy. 
Instead of answering, he smiles, stepping towards you before planting one on you in front of your friends and family that were invited to this brief ceremony. 
While Sugar claps gleefully, Richie claps along muttering a ‘get a room,’ while you remind Carmy to keep it PG enough for your parents. You giggle, slowly pulling away from the kiss that begins the rest of your life with the man that you love. 
“We did it, baby. We’re married,” you chuckle, in disbelief. 
“Finally,” Carmy sighs, and you can see his smile from his lips to the crinkles in the corners of his eyes. 
It doesn’t take long for your mom to usher both you and Carmy over to a spot in the garden she thinks will be best for pictures, just as the photographer arrives. She wasn’t wrong when she insisted you hire one, that you’d want to remember this day for the rest of your life. The photographer, who is incredibly talented, gets the shots needed up here in the garden, then downstairs, and outside, before you’re all off to Sugar’s place for the reception. 
As you and Carmy sit in the car, having taken a separate one than your parents, you’re giddy with anticipation. 
It’s all so surreal. 
Never in his life did Carmy picture it ever getting this good, but as he looks over at you, your head resting on his shoulder, he presses a kiss to the top of your head, smiling to himself. 
“We did it, sweet girl. We’re married,” he says, repeating your words from earlier. 
“Yeah,” you grin, lifting your head off of his shoulder. 
“We are, Bear.”
"give your heart and soul to me, and life will always be la vie en rose."
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“No, Sugar! That’s not supposed to go out yet. Everything’s goin’ out family style. Let’s just take out the apps for-,” Carmy exclaims, stressed over the execution of your wedding reception-slash-brunch, because he just can’t help himself. 
“Fuckin’ Christ, Bear!” she snaps at her brother. “Will you calm down and let us handle this?” 
“I just want everything to-,” Carmy begins, his face blushing a shade darker. 
“To go right. We know. And we know we’re just taking out apps, alright? Everyone else is outside, and everyone’s having a good time so just… relax,” she suggests, her tone serious because she’s just about to kick Carmy out of the kitchen. 
Carmy shifts nervously, hyper-fixating on the happenings of the kitchen, his eyes tracking the movements of one of his caterer, Derek’s, sous chefs. It’s almost as if he needs to give himself a distraction as he asks, blankly:
“Do you uh… you think Mom is actually gonna show?”
Sugar pauses, the question throwing her. 
“I… I don’t know. I called her yesterday. She never picked up. What do you think?” she replies, her voice quiet. 
With your encouragement, you and Carmy had sent his mother an invitation to the brunch, only it’s been Sugar who’s followed up with her. 
“We did what we needed to and if she doesn’t come, then she doesn’t come. I’m not pushin’ it,” Carmy had explained, justifying his actions, or rather, lack there of, to you. 
She’s doubtful, but Nat can’t help the tiny glimmer of hope she has in her heart that Donna might show, even if she knows it’s unrealistic. In fact, her mom had barely been interested in stopping by as of late, ever since she’d told the Berzatto matriarch that she was pregnant. She keeps telling herself that it doesn’t matter – that it’s probably better if Donna doesn’t show – but it doesn’t help ease the disappointment she feels about the situation as a whole. 
“Doubt it, honestly. Never even got an RSVP so,” Carmy shrugs, his eyes following one of the caterers as the woman plates a few Hors d'oeuvres on a large serving platter. 
Before Sugar can say anything else about their mom, Carmy’s impulse takes over as he opens his mouth to give feedback to one of Derek’s assistants. 
“Carmy!” she snaps, blocking his pathway with her body, before repeating one more time:
“Let. Us. Handle this.”
“I mean, are any of us actually surprised, Nat?” Sydney adds, as soon as she enters the kitchen from where she’s been outside in the backyard, in search of another plate to bring out. “He’s a control freak! We know this!”
“I-,” Carmy starts, knowing it’s no use protesting, as both Sugar and Syd begin guiding him out of the kitchen and into the living room. 
“C’mon, Carm. Why don’t you go see what your wife is up to?” Sydney suggests, emphasizing your new title, earning a snicker from Natalie. 
“Who’s wife? This wife?” you ask, as soon as your feet hit the bottom of the staircase. 
“Woah,” is all Carmy says. He can’t help but stare, gawking at you in your new dress. 
You’ve changed out of your near-floor length wedding dress into a sleeveless white blazer dress that’s much more friendly to hanging out with your friends and family outside, kept your hair the same, and put on one of those super stay red lipsticks that you’re eager to put through its paces. 
It’s as if time stops when he sees you, and Sugar and Syd both notice, using this time to retreat back to their duties. The only thing that can break his focus right now is the way that you let a carefree laugh fly from your lips, as soon as you see that Natalie’s using the future baby’s baby gate that Nat must’ve purchased early, to officially block Carmy from coming back to the kitchen. 
“What?” Carmy asks, only to be met with a gesture towards what Natalie is doing. 
He frowns, immediately seeing the baby gate his sister has put up. 
“You know, I’m not a baby,” he pouts at his sister. 
“Then stop acting like one!” she parries right back, before disappearing into the kitchen to help out your caterer. 
Quick to console your husband, you wrap your arms around your neck, pressing a gentle kiss to his lips. 
“They’re only trying to make sure we have a good time, Bear,” you offer, sympathetically, only to be met with a heavy sigh because you know it feels near-impossible for him not to be in the kitchen. 
“You trust Derek right?” you ask this time, referring to the caterer that Carmy hand-picked for your wedding. 
“Yeah,” he nods. 
“Okay. Then let’s go out there. Make our grand entrance,” you suggest, a playful smile on your lips. 
“Yeah,” Carmy nods again, this time a little more sure about taking a step away from what’s happening inside the kitchen. You take his hand, leading him towards the back door that opens up to the backyard. 
You’re truly amazed at what everyone involved has been able to do this morning, while you and Carmy were off at the courthouse getting married. Long tables pushed together and covered with tablecloths function as the main attraction of the you-and-Carmy-wedding-reception-brunch, filled with ceramic plates, printed menus, apps on serving platters, taper candles and flowers in all kinds of little to big vases. 
The minute the two of you enter the backyard area that’s been transformed into a wedding venue, you’re met with cheers, ooo’s and aaaaah’s, claps, and congratulations by your friends and family. 
“Sugar really knocked this out of the park,” Carmy says, in awe as he takes in the scene. “Okay, fine. I’ll just have to trust, I guess.”
You nod, happy to hear the confidence in his voice as you agree, “That’s my guy!”
There’s a banner that hangs across a much smaller table, the one that holds the stunning wedding cake Marcus has made for you that reads, Congratulations, Mr. and Mrs. Berzatto.
“See? I told you I couldn’t wait to be Mrs. Berzatto,” you joke with Carmy, as the two of you walk hand in hand towards the table. 
“I think I like the sound of that more than I should,” Carmy smirks, a glimmer in his eyes that says ‘I can’t wait to get you alone.’
“Can’t wait for you to show me later,” you wink, referring to the long weekend you plan on spending with Carmy as a pre-honeymoon. “C’mon. We should probably go say hello.” 
“So… you two married now or what?” Marcus asks, as soon as the two of you approach the table. 
You hold up your left hand, showing off your new ring, earning grins and more cheers from your friends and family. 
“That’s what I’m talking about!” he celebrates, while Tina simultaneously and enthusiastically cries out: “Congratulations, babies!”
The plan is to divine and conquer. While you chat with Gary, Carmy lets himself become enveloped in Tina’s arms and praise, as the two of you make your way down the table saying hello to your guests: your parents, Marcus, Tina, Ebra, Fak, Gary, a few others from the restaurant, while. 
Carmy’s glad you decided to keep this wedding small: close friends and family only, because he’s not sure he could’ve done any more of this. It’s just close friends from the restaurant and your parents. You’d even decided earlier that this weekend would be chill enough that you’d celebrate with Maya and Liz a few months later when you and Carmy stop in New York before the official honeymoon, planning another celebration with your New York people for later. 
Besides, you don’t mind celebrating you and Carmy a few more times, after all. 
Finally, you’re both able to settle into the empty chairs seated right next to your parents in the middle of the table labeled ‘bride’ and ‘groom.’ It’s a Saturday well spent, being celebrated by some of your favorite people in the world on a day you made a promise to your favorite person in the world. It doesn’t take long for everyone in the kitchen to join you at the table: Sugar, Richie, Sydney, and Pete, and once the meal is served, family style, you’re pulling up chairs and insisting that Derek and his team join you as well. 
The menu is perfect, and you can see why Carmy’s been trying to get this guy to come work for him for so long. Next to Carmy’s, this carbonara might be your second favorite carbonara on the planet. After all the eating, drinking, and merry-making, it’s Richie who steps up to start the speeches, gently tapping a butter knife against a champagne glass as he stands at the table. 
“Can I get everyone’s attention?” he asks, his voice loud. Richie raises his champagne glass as he begins his speech with:
“Now as the best man and this Bobby Flay-motherfucker's cousin, I think I earn the right to kick this thing off, eh?” earning a laugh from everyone around the table. 
“To Carmy and his much, much better half,” he continues, earning a laugh from everyone around the table. Your mom squeezes your hand under the table, and out of the corner of your eye you can see Sydney nudging Carmy softly as Richie addresses you. 
“You once made me $150 richer.” You laugh, exchanging a look with your now-husband, as you fondly remember the day you returned to Chicago, only to learn that the entire restaurant staff of The Bear had been betting, not on if, but on when you’d return.
“You see, we all took bets – all of us – that you were comin’ back after that first week you spent here in Chicago, and you know why? I think it was obvious to any jagoff with a pair of eyes that what you and Cousin had was something special – something not to be missed, or overlooked, or skipped over. And thank God you two idiots woke up and figured it out yourselves. You did good, cousin. And I know your brother would’ve wanted to be here for this. I love you, man. I love you both.”
“To this very special day, and to the rest of your lives. Cheers.”
“Cheers!” everyone repeats, raising their glasses, clinking in celebration. 
The upside to having a small wedding party is having a small wedding party, and the downside is that everyone who feels the need to get in a word does so. While Ebraheim waxes on about love as a metaphor, Marcus keeps his toast short, leading to the cutting of your wedding cake:
Vanilla bean cake, with a clementine curd, a swiss meringue buttercream, decorated with delicate flowers, citrus, and dollops of curd to finish. 
Richie slips out with Pete momentarily, earning a few quizzical looks from both Carmy and Nat as she gets up from the table to make sure they’re not trading punches in the driveway. It’s not till Richie returns with Pete, carrying a rented little karaoke machine for Ava. Hand in hand, you watch as Natalie guides Ava up and out of her chair, and over to the head of the table, handing her the microphone. 
“You ready, sweetheart?” she asks, earning a confident nod from Ava. 
The beginning of the famous Taylor Swift begins to play, and you and Carmy exchange a knowing look as she begins to sing along. 
“we were both young when i first saw you i close my eyes and the flashback starts i'm standin' there on a balcony in summer air.”
As Natalie and Pete watch on, Pete hugs his wife close to her, tears in his eyes as he whispers: 
“This is going to be us very, very soon.” 
“Yeah,” Nat nods, holding back her own tears as she notices how proud Richie looks, and how happy Ava seems to be. 
It’s not that she wants Donna here. Realistically, she knows that it would be a nightmare, most likely descending into drama and chaos from the minute she walked in, but she can’t believe that her own mother didn’t come to her son’s wedding. She shouldn’t be surprised, but it hurts more than she imagined, doing this, watching Carmy get married, having this baby with Pete, all without her. 
Ava finishes her Taylor Swing song to a resounding and enthusiastic round of applause. Marcus cheers her on while you and Carmy share a soft, chaste kiss, welcoming Ava with open arms as she runs towards you. 
“That was so good, baby,” Richie exclaims, when it’s his turn to scoop Ava up into his arms as you get out of your seat. Allowing Richie to sit next to Carmy while the two gush over her performance, you get up, eager to help put the karaoke machine away. 
As she watches, Nat reminds herself that this is what family looks like – this is the family she wants for her baby – even if it means something, someones, are missing.
And it’s as if she can’t hold back her tears anymore, excusing herself as she jerks her body away from Pete’s grasp, hurrying back inside so as not to cause a scene. 
“What just-?” Pete begins. 
“I’ll go,” you assure him, having witnessed the whole interaction. “I-, it’s not you, Pete. I’ll go.”
It doesn’t take you long to find Nat, though she’s not where you expected her to be, having run all the way upstairs when you find her sitting on the floor of the baby’s nursery – one you helped paint and get ready over a month ago. 
“Hey, everything alright?” you ask, as you gently push the door open. 
“Yeah, no, I’m fine,” she sniffles, wiping tears out of her eyes as she realizes she’s no longer alone. 
“Nat, what… what’s going on?” you ask her, joining her on the floor. 
But it seems as if your question only makes it worse as her face crumbles once more, beginning to cry. 
“Oh no! I-, Nat, sweetie, I’m so sorry. I didn’t mean it even worse.”
“No, no, you didn’t. It’s just these… stupid pregnancy hormones!” she exclaims, frustratedly, earning a small laugh from the both of you. 
She takes a beat, and then a breath, and then finally, she feels ready to tell you. 
“It’s Mom,” she admits, even though she really doesn’t want it to be. “I just can’t believe she didn’t show. It’s stupid, I know.” 
You nod in understanding, before scooting a little closer to her, “It’s not stupid! And I’m sorry. For the both of you, really. Carmy doesn’t want to talk about it but, I know he’s some combination of relieved and disappointed too.” 
Sugar sighs, “Yeah that uh, that sums it up pretty well. About anything involving Mom these days.” 
Nat takes another breath, and another beat, because she knows she’s safe to share this with you. 
“I just… I’ve just been thinking a lot… with the baby and everything. About family. About motherhood. I mean, your parents are so great and I-. I’m just sad for us, you know?”
“I’m sad for you too,” you empathize, rubbing soothing circles on her back, before leaning back on both of your hands instead. 
“God, I’m so sorry. It’s your wedding day and I’m causing all the drama,” Nat begins to apologize. 
“Oh, you have nothing to be sorry for!” you interrupt her, quick to dismiss any notion of that. “You lent us your house and put together all of this in your backyard on top of accompanying us to the courthouse! You have nothing to apologize for.”
Sugar nods slowly, processing what you’ve just said, realizing that you and Pete have been such big role models of unconditional love for her. 
“Wanna know what I think?” you ask, your voice a little more optimistic this time. 
“What’s up?” she asks back, stealing a glance your way. 
“I think… that now that I’m a Berzatto… and with your little Bear on the way,” you begin, painting her the picture. “We’ve got a whole new chance to write a new chapter for the Berzattos.” 
She looks your way once more, because these are the words she didn’t know she needed to hear. 
“And with that… we can make this… make our families anything we want them to be filled with love, and joy, and-, well, only a little drama because you know, you guys are… you. But… Sug. This can all start with us, you know?”
“You really think so?” she asks you, a hopeful look in her eyes. 
“Yeah,” you answer, confidently. 
She nods slowly once more, almost as if she’s letting herself believe them. 
“Thank you. For checking in on me. For… this,” she says softly, sniffling again. 
“That’s what sisters are for,” you repeat her words back to her, one’s that she’s said to you time and time again. 
“We should probably get back out there,” Sugar suggests, sitting up a little taller this time. 
“Yeeeaaaaahhhhh,” you sigh, disappointedly, this time making a joke as you continue with: “We don’t want to start any rumors about us running away together. 
Nat snorts with laughter, thanking you for always making her laugh, as you stand up, making your way to your feet. You hold out your hands, helping Nat up to hers this time, before the two of you head back downstairs. 
“Hey,” Carmy says, as soon as he sees the two of you. “Pete said you disappeared.”
“We were just talking about some stuff,” you reply, sharing a look with Sugar before releasing her hand. 
“I’ll leave the two of you to it,” she says, before slipping out through the back door. 
“Everything okay?” Carmy asks, his brow knitted together in concern. 
You nod, “Yeah, she’s alright. How’re you doing?”
“Today? I’m the luckiest man in the world,” he replies, a smile on his lips that makes you melt. 
“Damn right you are,” you reply, pressing your lips against his. 
It’s a private moment for just you two, where you can kiss him like you want to, and you have to admit that the lipstick holds up. Wrapping your arms around his neck as his hands go to your waist, you propose a grand idea to your husband:
“Now that cake has been cut… what do you say… we spend a little more time with our guests, say our goodbyes… then we get our honeymoon started early? Think uh… our room at the Langham should be ready by now.”
“Thought we already did that this morning,” Carmy smirks, kissing you again. 
You giggle, leaning your forehead against his, “You know what I mean, jerk.” 
Carmy scoffs, shaking his head incredulously as he feigns hurt, “Married for a few hours and you’re already insulting me.” Instead of adding anything else, he simply pulls you in closer by your hips murmuring against your lips:
“Alright then, Mrs. Berzatto. Then let’s go say goodbye to our guests.”
“it's a love story, baby, just say, "yes" – taylor swift, ‘love story’
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clark-reviews · 1 year
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Album Review: 👍🏼Recommend
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Lana Del Rey, Incense, The #1 Male Sex Toy in the World, and the Auto Play feature on YouTube Music?
The secret recipe for turning people into Taylor Swift fans isn't once size fits all, in fact, when it comes to the moment a talented artist grabs your attention for the first time, I think of it more like a meet cute. Cupid doesn't care who you're with either, he's sneaky like that. I had no intention of listening to "Midnights". In fact, Taylor Swift wasn't even on my Pop music radar until she infiltrated my bedroom solo act, with Lana's masterpiece, "Born To Die", as the sonic backdrop I had consented to.
As though Lana had lovingly snuck Taylor into the room and revealed her as a surprise birthday gift, "Snow On The Beach" auto played right after Lana's album ending track, "Lucky Ones". I have to admit, as though I was audibly blindfolded, when Taylor's track started, ladies and gentlemen of the jury, I couldn't tell them apart! "Snow On The Beach" has Lana's red lipstick-stained cigarette butts all over it. She seamlessly weaves in and out of Taylor's (surprisingly) sultry vocal delivery, never taking control of the song. But she's there in the room, the whole time, making sure I'm still okay with this cunning sleight of hand.
My second order of business for the night was to check and see if Lana had just silently dropped an album on me without telling me first. One that included this new song. To my surprise, it's on Taylor Swift's new album!? As a man who appreciates a good musical rabbit hole, I delved further and started "Midnights" from the top. Because "What's the big idea?" and whatnot.
To be perfectly honest, I chuckled at the title of the first track "Lavender Haze". My mind immediately connected it to "Purple Rain" and well... It was a cute moment. I've since read that this album contains Easter eggs, albeit, this may not be one of them. I hit play though and I got smacked in the face with the most uncannily Dua Lipa sounding song on the whole album. This is a good thing though, we like Dua Lipa. And it's refreshing to know that Taylor might have taken some influence from her, and chose to give her a lovely nod to begin the album.
"Maroon" is an interesting track as well, because it's always the second track that sets the pace of an album, in my opinion. Just as a single note isn't a melody until there's a second note to compliment it. In music theory this is called an interval. And in this case, the previous track was in B-flat Major, and "Maroon' is in G Major. Not to get too technical, but this interval the first two tracks created is called a "minor 3rd" (m3). For reference, the first two notes of Moonlight Sonata form a minor 3rd. I already know this album is going to be a little bit sad. And boy did it deliver! Because "Anti-Hero" is in E Major, and we now have a descending diminished arpeggio taking us into the third song. Taylor is building suspence with this track order!
In most albums, you'll find that the third track is almost always a single. "Anti-Hero" comes in loud and clear. Taylor's voice is now front and center with that gorgeous verse melody. The starting lyric is "I have this thing where I get older but just never wiser" and her command of that falsetto on the word "thing" sells the lyric to me at full-price every time. What a mature delivery, to attach to such a doubtful line about oneself, but sing it so confidently. There's something special about this song. It's a song about insecurities, and I'm humbled to hear it sung so proudly. Whatever she was going through, seems now resolved. We enjoy those moments, don't we.
After "Snow On The Beach" we have a few more tracks that seem to explore even further -Taylor's latest pop sensibilities, with "Bejeweled" being the bubbliest one of all. For my personal preference, I wasn't too impressed with it. The song seems a bit crowded with too many lyrics and Taylor seems to breathe between words at odd moments. It's probably more suitable for fans of her previous bodies of work. Let's just say that if "Bejeweled" had played after "Lucky Ones", I wouldn't be writing this review, and I would have never heard one of the most hauntingly beautiful pop songs I've ever listened to, and it's been on repeat since 11:47pm last night...
*Song Spotlight*
That song is "Labyrinth", and it has the honor of a spotlight. Let's listen together.
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If Labyrinth doesn't successfully heal any emotional wounds of yours, then it'll proceed to inflict one, clean it, dress it, and kiss it for you.
This song took me back to 2012. I'd met a beautiful young lady at an airport terminal in Copenhagen on my way back from visiting my mother in Norway. We had a meet cute that led to us spending the next 32 hours holding hands, loitering the airport, waiting for her to tell me to smile again and again, and wishing to never go home. As I finally boarded the flight that separated us, she kissed me on the lips for the first time since we'd met. It was at that moment that "Labyrinth" should have started playing over the loudspeakers. Because in my mind, when I think of that moment, this song belongs to it. This song gave me closure, and I'm grateful.
To close out the album, we have the cleverly celebratory lyrics of "Karma", the rich and sweet nostalgia-inducing "Sweet Nothings", and "Mastermind" could have very well been the first song on the album, because it perfectly encapsulates the lyrical pretenses of every song on this album. She's acknowledging that she's in control of every rushing memory she penned to the sheet, every winding road she willingly drove while sitting in the driver's seat.
Taylor Swift took me on a ride with this album, and I'm inspired to take her up on her next foray into the throws of adult womanhood. I have trust in her now.
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elympios · 3 months
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V pls tell me abt the crossdressing cd
SO THE CROSSDRESSING CD. (yes i'm a week late, school is exhausting)
Now. mind you. this is probably not canon. like 99% not canon. definitely not.
you can listen along here, which I highly recommend tbh. My recap is based on a now-deleted CN fansub by user shinro (I did try to check JP definitions in some places but definitely do not take me as a reasonable source and I did localise some things).
CW for the typical stuff you'd expect out of a forced crossdressing-and-getting-hit-on gag from a decade ago. also extremely one-sided parent/child flirting but neither party knows they're related.
okay so, the party (Ludger, Elle, Jude, Leia, Alvin, Rowen, Elize and Teepo) enter a new FD and find themselves in a locker room. They gradually deduce that they're in a women's locker room in Spirius, and are almost caught by two female employees, but Leia gets the guys to hide behind the door, and then lies to the employees that she's accompanying Elle and Elize for a Rieze Maxian goodwill visit, but they forgot Teepo and were coming back to grab him.
The employees fangirl a little over Teepo because Fractured Ludger in this dimension is a popular agent who wears a suit with a similar design to Teepo. Somehow, Fractured Ludger is still in debt in this world, so his nickname is "the Prince of debt". Prime Ludger is not happy about this.
Fractured Ludger normally doesn't visit the HQ, except for today. The employees start worrying about being able to meet him before the groupies get to him, and Elle leverages the party "knowing" Vera to keep them quiet about them being there. The employees leave them alone to go try and see Ludger.
Rowen figures that since Fractured Ludger is a celebrity here, Prime Ludger will naturally draw attention, and since they're in a women's locker room, which is conveniently empty bc all the female agents are off trying to meet with Ludger... obviously the only solution is to dress Ludger like a girl.
Jude and Alvin immediately abandon Ludger to his fate, while Leia and Elize are very happy to help Rowen.
leia: rowen, i finally found a makeup bag. rowen: thank you very much, leia. leia: i also found a wig and a sewing kit. rowen: that's perfect, place it here and we'll get started. ludger: can someone please stop rowen? elle! elle, you don't want to see me crossdress, right? elle: i... ludger: exactly, you don't want to see that happen! rowen, how about we find some other-- elle: i want pictures!
Short time skip, everyone is super impressed with Rowen and Leia and Elize's work. Ludger is too tired to argue.
(Ludger's outfit is described as a long pink dress and a white shawl, and a tied up wig. Elize also manicured his hands. You can see it in fan art 1, 2, 3, 4, 5, 6. Yes I have these links saved.)
Anyway, Ludger now sufficiently disguised, the party leaves the locker room. Well not before Elle gets her pictures.
elle: let's take a picture! ludger, give me your ghs! ludger: you were serious?! elle: is that bad...? ludger: uh. ugh... fine. elle: yay! now to open the camera... *snap* elle: got it! and next... ludger: do you really need to keep taking pictures? elle: i want to make it your lockscreen! ludger: stop it! give it back! elle: no! if i give it back you're just going to delete it! until we get back to the prime dimension, i'll take care of your ghs! ludger: elle...
Ludger decides they need to get out of the Spirius building first to find the Catalyst.
elle: ludger! it's so rare to see you this pretty, you should sound the part too! alvin: she's right, you have to act like a proper lady. ludger: you should act like it's none of your business! elize: but, we put so much effort into our preparations... ludger: ugh. *falsetto* i understand. is that better? jude: ludger, look out! ludger: uh, i'm sorry-- niisa... julius: ah, pardon me. hm? you are... outside personnel, aren't you? this floor is forbidden to unauthorised staff. ludger: uh. that's right, my apologies, julius-san.
(obligatory fan art.)
Leia lies that they forgot something in the building. Julius says they should have asked the management for help, to which Rowen and Jude say someone did help them, but then they got lost after finding it.
julius: still, that's strange... and this young miss here seemed like she recognised me. ludger: but you're a famous agent! julius: famous? ludger: er... everyone says you're great! elize: and um, we really were only here to get my doll... teepo: there's nothing strange about that~ julius: that doll... but of course. whenever he comes to visit the company, there's always people trying to sneak in like this. ludger: um... julius: you must be fans of ludger, aren't you?
Elize denies it and Teepo says that Ludger is copying him, but Julius just tells them they don't need to deny it that strongly. Ludger begrudgingly agrees in his regular tone of voice, so Alvin covers up for him and pretends he said it 😂 Julius doesn't seem to believe him... but...
julius: never mind, after seeing the face of this beautiful young lady, i won't question you any further. ludger: what.
Actually, he'll take them all to the front door, and he'd like to talk to fem!Ludger specifically... Don't worry, he only wants to know fem!Ludger's feelings about his little brother, nothing else. It's an older brother thing.
While Ludger suffers in the background, Jude and Leia remark that Fractured Julius has the unexpected temperament of a sister-in-law. (And yes that gender is right, they say 小姑).
Alvin wonders if Julius has figured out this is Ludger crossdressing, but Julius casually talks about how he had told Fractured Ludger he could help with his debt, but that Fractured Ludger had insisted on taking care of it himself. Ludger continues suffering in the background.
Julius explains that the job Fractured Ludger got was testing out products in the Suprisingly-Super-Convenient-Goods room (it's a room in Spirius you can visit in-game). They have a tendency to explode.
Anyway, it turns out the reason why Fractured Ludger is super popular is because of one of the SSCG room's inventions, a suit that's meant to soothe people's nerves and let them do the best they can. Everyone who wears that suit, no matter the person, have become incredibly popular, Fractured Ludger included. Julius chalks up the party illegally trespassing in search of him to be the result of that suit.
So, he's kind of worried about the whole thing, since Fractured Ludger once ran away after getting his heart broken...
(Ludger is suffering in the foreground.)
They finally reach the ground floor, but Fractured Ludger's been grabbed by his fans and lost in the crowd. a young Spirius agent asks Julius for help. Julius explains the party are his guests and offers fem!Ludger the chance to meet Fractured Ludger. Prime Ludger understandably does not want to meet his own self he's supposedly crushing on, but Rowen and Leia cover for him by saying they just didn't know Ludger was that popular. Julius walks off to investigate the situation, leaving the young agent with the party.
julius: please, wait a moment here. i'll ask after checking out how things are going. employee: after? mr. julius, didn't you just agree to help-- and he's gone. elle: hey, oji-san! 20-something year old employee: "oji-san"... uh... what's up, kiddo? elle: are all the people here ludger's fans? employee: yep. elle: ludger's amazing...
The nameless not-ojisan agent dives into the crowd to help fish Fractured Ludger out, and immediately disappears into the crowd of fangirls.
The party catch sight of a purple aura in the crowd, and wonder at the sheer power of the Teepo-patterned suit... Then Jude asks if they're not just seeing the glow of a Divergence Catalyst?
ludger: the famous me is a divergence catalyst...  which means the future me could never be popular... elle: isn't this ludger only popular because of the suit? ludger: in other words, there's no way for me to be popular on my own merits.
Julius returns, and offers the back door of the building as a way for them to escape the crowd, and besides, fem!Ludger still wants to meet Fractured Ludger, right? Ludger says it feels different seeing how popular Fractured Ludger is, but Julius assures him it's just the effect of the suit, and it's a better effect than Ludger blowing up.
julius: ah, be careful not to walk into someone. ludger: what-- [ludger walks into someone] bisley: ah, pardon me. ludger: ah, no, i should be the one-- uh. jude: mr. bisley... julius: mr. president. what are you doing here?
It's Bisley, who's here to see the results of the SCCG's invention. Bisley asks who the party are, and Julius says they're his guests. Bisley wonders why it seems like they recognised him... Julius says it'd be odd if they didn't, considering he's the CEO. Bisley is still a bit suspicious... but...
bisley: never mind, after seeing the face of this beautiful young lady, i won't question you any further. jude: beautiful... alvin: ...young lady-- ludger: huh. you--you mean me? bisley: indeed. if you don't mind, allow me to guide you out of the building instead of julius. ludger: n... no, i wouldn't dare trouble the president of the company to act as a guide. bisley: don't be so courteous, i'd like to know more about you. ludger: *suffering* julius: please, stop it, you're confusing her. bisley: you truly are a most elegant young lady. ludger: no, i uh... actually i was interested in ludger...
(obligatory fanart)
The young not-ojisan agent from earlier finally retrieves Fractured Ludger from the crowd, and balks a little at the presence of the CEO. The party ascertains for sure that the suit is the Divergence Catalyst, so Rowen sets up a distraction by pretending to feel faint, and he and Jude and Alvin retreat to another room.
Fractured Ludger asks what the party were saying about his suit, and explains that he wants to change the design. Teepo objects that he can't change the pattern, so Fractured Ludger figures he'll just change the colour then, then asks what the party are there for. Leia says they're here to see the Prince.
fractured ludger: they call me the prince but it's "the prince of debt". it's not really a nice nickname to hear. and this beautiful young lady is...? ludger: huh. me? fractured ludger: have we met before? ludger: maybe... every day in front of the mirror. fractured ludger: hm? i'm sorry, i didn't hear what you just said. ludger: i was just saying you have the wrong impression, i'm from rieze maxia after all. bisley: rieze maxia, you say? then you must be a part of the goodwill delegation? ludger: y-yes! bisley: i had no idea, if i had known a lady like you would be attending the goodwill party, i would have certainly gone myself. ludger: mr. president, you flatter me-- bisley: it's no flattery ludger: *suffering* (how much longer do you guys need, save me already!)
The fire alarm goes off. They speculate something exploded in the SSCG room. Bisley takes Julius to meet with security (I think) to evacuate the crowd, and instructs Fractured Ludger to evacuate the employees. Prime Ludger offers to take the suit off of Fractured Ludger so its powers won't interfere with the evacuation. Fractured Ludger relents, and also says that fem!Ludger's safety is more important than some suit, and to get to safety first.
Rowen, Jude, and Alvin return, having created a smoking mist and then pulled the fire alarm. Spirius has already evacuated the room, leaving them all alone with the Divergence Catalyst.
Jude asks if Ludger isn't going to change clothes, since with the Key of Kresnik, he's going to return to the Prime Dimension still dressed the way he is. Ludger panics and demands his clothes back from Elle's bag. Rowen laments the self-consciousness of youth, and Ludger asks if Rowen would be comfortable if Gaius saw him crossdressing. Rowen replies that (I think) whatever shame he feels would be accompanied by the knowledge of his skills at disguise. Jude says (I think) that whatever anyone's preferences for crossdressing, it's still embarrassing to be seen by others.
Ludger changes back and destroys the Catalyst. They return to the Prime Dimension.
leia: but ludger, you were really so pretty! like a model! you were even popular with julius and bisley! teepo: and you were popular with Fractured Ludger too! ludger: i'm not happy being popular with guys. and it seems like nova still rejected me anyway... elle: but i used ludger's ghs to take some pictures! leia: that's right! we still have pictures! elle: ta-da! elize: ludger's so pretty~ teepo: he's like a supermodel! ludger: delete that already! elle: no way! it was so hard taking such pretty pictures, deleting them would be a waste! elize: ludger, could you send those pictures to my ghs? teepo: if you don't, we'll call you "the prince of debt"! ludger: spare me already...
Rowen says he needs them for future reference. Ludger is adamant nothing like this is happening again.
rowen: you never know what might happen. haven't you heard of the saying about "covering all your bases"? ludger: in that case, shouldn't everyone be prepared to crossdress? alvin: i can’t. rowen: i can’t either. ludger: how can you be so sure?! rowen: because i have a beard. alvin: because i grew a beard. ludger: a beard... jude: ludger... what are you looking at me for? ludger: nothing... maybe i'll just grow a beard too...
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cyberspacenine · 8 months
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Tag game! I was tagged by @nebulouscoffee thank you so much 😌😌😌
3 ships: I don't really have 'favorite' ships, so these are just the ones I'm currently rotating the most in my mind: Louis/Armand from IWTV, Grilka/Natima Lang from DS9 (idc if they never met! in my heart they're together!), and finally Marvin/Whizzer from Falsettos.
first ever ship: ohhh good question. If my memory serves me right? The first pairing I really got into was Usagi and Seiya from Sailor Moon at the age of like... 11 😭 what can i say, im a sucker for bickering/rivalries (and this is still true.)
last song: I listen to stuff on Youtube while I'm at work, which led me to discover this arrangement of songs from the Little Shop of Horrors musical revival! I love this cast and i've been replaying it like a few times over and over. ("Feed me" and "Dentist" especially. I haven't even seen the show yet but these songs are stuck in my head lmao. Very sad that Conrad Ricamora's and Aaron Arnell Harrington's rendition of these songs is not up on Spotify).
last movie: Roommate & I watched The Devil Wears Prada to see if it holds up!
currently reading: Two books that I've been meaning to start with, one is A Psalm for the Wild-Built by Becky Chambers, for a book club I'm in, the other is On Sundays, She Picked Flowers by Yah Yah Scholfield
currently watching: I'm slowly getting through the second act of Angels in America, Perestroika (im watching a recording). Still not sure how i feel about the play overall!
currently consuming: made a mimosa for myself so now im drinking the leftover orange juice!
currently craving: fries, tbh
people to tag: @hateandashbury @the-game-is-up @uncommonbisisst @clonedking @podcastlesbian
ofc no pressure as always!
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jungle-angel · 2 years
Note
Let Coyote catch Bob slacking…he’s gonna catch him real quick. And Hangman? Oh Coyote has some juicy stuff in him. Let this man be a thespian in some form…BOOM! Revenge
OOooooooooo honey I love a good challenge when I see one, mwaahahahahaaa (I did put in an Only The Brave reference in Bob's part, if you're a fan of Miles Teller, you've gotta watch that one)
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Bob
Coyote couldn't go anywhere without the Dagger Squad snickering or giving him shit. Leave it to the best WSO in the entire unit to catch him doing something embarrassing.
But oh was he determined to get the little shit good for this.
He made his way to the rec-room with an empty Coke can in hand and the intention of pitching it the first chance he got. There was absolute silence in the rec-room......save for the snores that came from the sofa.
"Oh now what have we here?" he chuckled.
Coyote whipped out his phone and hit the record button upon finding Bob snoozing away on the couch, his glasses hanging off one side of his face and a line of drool in the cushions. It may not have been the best caught-in-the-act moment.....but better this than nothing.
Coyote chucked the can right at Bob before the can bounced off the back of his head and fell to the floor with a hollow *CLUNK!*.
"C'mon, rise and shine Sleeping Beauty!!!" Coyote said loudly.
Bob groaned and wiped the sticky grog away from his eyes along with the drool on the edge of his mouth.
"Hey while you're at it can you get rid of that for me?' Coyote chuckled.
"Just because you have a crack in your ass doesn't make you a cripple, Javy," Bob quipped, rubbing his eyes and fixing his glasses. "You get it."
Coyote chuckled and left him to his own devices. Now it was time, he figured, for Hangman to get his own.
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Hangman
The showers........Javy thought. Of all the places he could catch Hangman, it'd be in the showers.
He made his way past other pilots who were coming and going and a few who unfortunately didn't have the sense to put a towel on over their clearly visible goods. One of them made a snide remark to Coyote on the way out, but Javy was quick enough to shout "put a fucking towel on" before the instigator was out of earshot.
And then he heard it........
"Gotcha," he cackled under his breath.
Oh if he thought "I'm a Slave 4 You" had been embarrassing, this was twenty times worse. The minute Coyote had heard "Oops I Did It Again" coming from the portable bluetooth speaker on the shower shelf, he had Hangman right by the balls.
Once again, Javy hit record on his phone camera. He bit his knuckles, trying to keep the laugh from flying out of his throat as he listened to Hangman singing in a high falsetto, completely off kilter, making faces as he made questionable thrusting motions with his hips.
Javy tried to choke back the laugh that was beginning to become unbearable. A squeaky gasp escaped as he clapped his hand over his mouth. That's when he saw Hangman turn towards him.
"Are you........JAVY ARE YOU FUCKING FILMING ME RIGHT NOW?!!!!"
He barely had a second to blink, let alone utter the words "oh shit" before Hangman was furiously at his heels, naked as the day he had entered this world. Coyote scrambled down the halls while the fast, furious and naked Jake Seresin chased him like an angry bull out for blood and soaked from the shower, whipping the air close to Coyote's rear with his towel.
The commotion roused the attention of the rest of the squad, poking their heads out of whatever door they had been in, only to have that glorious image seared into their memories.
"GET BACK HERE YOU WHORE!!!!!" Jake screamed as he let his towel fly.
Bob and Rooster quickly whipped out the cameras once again, not wanting to pass up this sight. "What is with these morons?" Phoenix questioned.
"I don't know," Maverick sighed with exasperation. "All I know is that time-out commences at fifteen hundred.....or whenever those two run out of breath."
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somanyspoons · 5 years
Text
i have a really bad idea
i’ve decided to listen to only the second act of all musicals i’m hearing for the first time
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maybeeatspaghetti · 3 years
Note
1) I'm not sure if this has been asked before, but do you have fics that you haven't posted, or don't plan on posting? If so, and if comfortable with sharing, are there any particular reasons, be it the content, how it's written, etc?
2) Somewhat generic question, but as someone who is interested in writing, be it fanfiction/smut (possibly?) or otherwise, do you have any tips? I know that reading more is the big one, but y'know.. still.
Have a great day/night! ♡
1) I have three fics that I haven’t posted and don’t plan to post. Two are short fics that are so similar to fics I’ve already posted that it would be redundant if I did post them. The third one is a 150k novel that was a Whizzvin fic, but the characters changed so drastically as I wrote the book that I changed the names and developed them into different characters. Maybe it’s a little bit selfish, but I wanted to keep that one for myself and not share it. And I actually cut down the sex scenes, to make it less about sex and more about the story—so instead of four or five sex scenes, I cut it down to two and rewrote it to sound more like Warm Baths, where there are no typical erotica words (like “cock” or “thrust” or “hard”) it’s more about feelings than anything else. 
2) Write, write, write. That’s the biggest tip, and I know it gets thrown around a lot to the point of “I’ve heard this so many times already,” but it’s because it’s true. If you’re starting out writing and you look at it and think, “this is terrible�� and you stop writing forever, then you’ve prevented yourself from ever getting better. The more you write, the better you’ll be. I’ve been writing for 15 years, and I can tell you, the writing I did when I was in middle school is horrific. It’s really bad. And I got marginally better in high school, and a lot better in college, and even better now, beyond college, when I’ve really been able to develop my voice without being encouraged to write a specific way by my teachers and professors. So allow yourself to write badly.
Write and get feedback. It’s not as easy to improve if you’re writing into a vacuum and you’re the only one seeing your work. As hard as it may be, share your work with other people; let them tell you what works and what doesn’t. If you’re uncomfortable sharing your writing with people you know, look for beta readers on the Internet. Feedback is key to helping you grow as a writer.
Yes, reading is important, but I’d rank it lower than writing. Reading helps get a sense for how authors structure their sentences, pace their stories, weave in subplots, and split their chapters, but ultimately, I personally lean much more heavily on the writing than I do on the reading, though I do read, just not as much as some authors. Some authors say to be a good writer you must 1) read x number of books a year, 2) read with a pen in your hand, and 3) read “good” works of literature only. I disagree with all of those: 1) There’s no certain number of books you have to read a year that makes you a reader or a writer. Go at your own pace and read how much you want to. I know some people good-naturedly compete to see who can read more books, but if that’s not the way you work, then don’t feel bad about not reading as much as other people. 2) Taking notes while you read doesn’t necessarily make you a better writer. If you like marking up texts and it works for you, go for it! And I do it sometimes (my Falsettos script... there’s hardly any white space left), but it can make you feel like you’re at school when you do mark in the books or take notes, and that might kill your interest in reading it. Just by reading (without taking notes or writing in the text), you’ll unconsciously absorb a lot of information about what makes a story work. 3) “Good” is subjective. What’s considered “good” by the people who say things like this is usually confined to the literary canon. And while I agree that some knowledge of the literary canon is valuable, there are so many wonderful works beyond it that are just as good. So when people talk about “good literature,” they’re usually deliberately denigrating and stepping on everything beyond the literary canon (which excludes a huge range of diverse works/voices). So don’t listen to them. There’s plenty of good literature outside the literary canon, and who’s to say something they personally didn’t like isn’t good? It’s all about personal taste. So read what you want, be it novels or nonfiction or comics or manga or fanfiction—whatever it is, it can be valuable to you as a writer.
Going back to writing—sometimes, you just have to write something bad to get it out and then take it out and start afresh, and I know that takes extra time and effort, but sometimes you need to do it. For example, I was writing a serious story about depression and I just couldn’t keep from writing a specific scene in a humorous way. So I wrote the scene that way, with a completely different feel and tone and pacing to the rest of the story, and then copied and pasted it somewhere else and went back to the beginning of the scene. Once I had gotten that awkward funny stuff out of the way, I could write it seriously. 
I’ve never been particularly good at plot, as I’m a much more character-driven writer, so I’m afraid I can’t offer too many tips about that. I usually let my characters lead the story, no matter whether it’s a short piece like what I mostly post on AO3 or it’s a longer, more involved piece like What a Wonder You Are.
In terms of writing smut... let me tell you—my first attempts at writing smut about five years ago were dreadful, and I actually gave up until this summer, when I jumped right off the deep end into my Shameless Whizzvin Smut series. And I’d grown a lot since the last time I tried to write it, and I did my research and tried to focus on the language and the emotions over the actual acts themselves (though some fics require a level of detachment, like Pretty Little Thing, where the fic is about the acts rather than the emotions), and I thought I did alright. And in the last four months, I’ve gotten better.
If you want to learn how to write good smut, turn to fanfiction authors. I have rarely read a good sex scene in a published, literary, mainstream novel (but for god’s sake, don’t read Fifty Shades of Grey; I know that was fanfiction, but it really doesn’t depict healthy or safe sex in any way—The Atlantic article “Consent Isn’t Enough” is great at explaining why). A lot of novels do the “fade to black” type scene where they cut away just as the characters are falling into bed together (Giovanni’s Room by James Baldwin is a “fade to black,” but it’s done really masterfully). But if you want to learn how to write good smut, read fanfiction and remember that you can write smut that’s sexy without foregoing safety, communication, and consent. 
There’s kind of a fine line between what’s sexy and what’s absurd, and it’s all too easy to step over the line into the absurd, and this is sometimes as basic as word choice—if you say “his cock was flushed and quivering,” it sounds much better than “his flushed and quivering manhood” or “his flushed member was quivering.” If you’re going for the absurd, then use all the ridiculous words you want (manhood, member, manmeat, prick, rod, love muscle, meat stick, loins, etc. etc. etc.)! Just know it’ll be more amusing than sexy and people will probably make fun of it. But if that’s what you’re going for, then go all out! 
If you’re wanting some more specific advice about writing in general or smut writing, you’re welcome to send an ask or message; this response would get entirely too long if I were to go into more detail here. 💕
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ZP stuff for other people
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Kayla edition :)
Disclaimer because yes. I do not own Zoophobia or anything like that. This is also not a post made with the intent to police what people do. This is a list of misconceptions and fun facts people can use if they want to. This is all for fun, so I hope you enjoy. Feel free to add your thoughts in replies and reblogs.
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It’s quarantine time, hunnies, so let’s write some fanfiction.
1. The bad girlfriend
Spoiler alert, we're going to be seeing a few misconceptions that involve turning Kayla into a villain, and this is just one brand of it. This one deals with instances where a story portrays Kayla as, surprise, a bad girlfriend. More specifically, she's either portrayed as a toxic partner to Zill, or she causes problems that Zill has to deal with.
On one hand, I blame the writing of the OG comic for this. I mean, literally our first look into their relationship is a chapter revolving around them having relationship troubles. I dunno about you, but having that be an introduction to any relationship doesn't sound like a great idea to me. It can imply that the relationship is not a strong one, and that these characters might not be right for each other. However, due to how Vivz portrays the relationship outside the comic, and in chapter 4, this relationship is clearly meant to be a strong one (they're the school power couple for christ's sake).
Some of you may be thinking that portraying Kayla in such a way is the writer trying to break them up. Except nope! Surprisingly, I see this in works that have almost nothing to do with the couple. Like... guys. What are we doing here? Yes, Kayla can get angry at Zill, but this happens specifically when Zill fucks up real bad. Kayla is usually a nice person, and this side of her is rarely shown in in general.
2. The Temptress
Somewhat akin to the previous, this deals with instances where it's shown to be a bad thing that Zill is dating Kayla at all. This shows up in different ways. To name a few: Kayla is bad because whenever someone upsets her, Zill comes after them; Kayla is bad because Zill spends more time with her than other people; Kayla is bad because she causes Zill to be romantically unavailable to other people, etc. This... puzzles me. I've seen people try to villainize Kayla simply because she's dating Zill, and sometimes because them dating causes Zill to act in specific ways. To name one instance, one fic I read recently had Zill intimate Damian simply because he bumped into Kay at a comic book store, and she inevitably got scared. And the story makes both Zill and Kay to be the bad guys here. Because Kay can totally 100% control what her partner does.
Funnily enough, this bothers me more than the previous, given that there, I can at least understand why Kay is the bad guy.
3. The Bully
Heeeyyy, you guys know how Kay is a nice person, is friendly to most people, and is incredibly sweet? Fuck that! Don't you know that Kay is homophobic, xenophobic, probably every type of phobic (even doorphobic), and will crucify all those who stand in her way? That's right, Kayla caused nine e××ven, world war two, the extinction of the dinosaurs, etc!
I realize that tone can be difficult to read through text, but I assure you that the previous paragraph was satirical. Anyways, I'm sure at least one person here already has a good idea about what I'm talking about, but for the those scratching their heads, let me explain. This refers to when, no joke, Kay is turned into a female Leeson. Her Christianity is used as an excuse to turn her into a stereotypical, oppressive bitch. Thing is, she's kind of, ya know, not Leeson? As shown in pictures of her interacting with characters such as Addison, Kayla clearly holds more progressive ideologies. Also, Kay, as shown in ch.4, is someone who would stand up to injustices, and help those in need. She, like some real life Christians, may simply follow aspects of Christianity that involve not being a dick to people.
4. The High Achiever
In regards to a fun fact about Kay, there's the fact that she's too legit to quit when it comes to being a student. Apart from being the class president, she works hard at her studies, and is a good student. This doesn't just extend to drama either, but likely all her classes.
5. The Dreamer
The previous fact could be due to her dream of making it big as a performer in the E! District. Possibly inspired by her idol, Celeste, Kay aspires to become a star. However, due to the fact that mammals are lower on the social ladder than snakes and birds, this could prove to be a difficult task.
6. The Rival
Kay does have a rival that exists in the form of Baltimore, who I believe goes to another school, if I recall correctly. Baltimore, being an avian, would have an easier time getting success than Kay, and I imagine that conflict between the two would bring that problem up, with Balti taunting Kay about how nobody would want to see her preform.
7. The Aussie?
As pointed out by @eclecticcoyote , Kay being Australian usually gets forgotten about. While we currently have no reference as to how much this influences her lifestyle apart from her voice, this is something that can be played around with and could make for some interesting scenarios.
8. The Voice of an Angel
Listening to Kayla's Headcanon voice, I would say that Kayla's singing voice would be around the tenor range. Not quite soprano, but still higher than alto. Basically, I can see her lower notes hitting the alto range, her usual voice being tenor, and maybe being able to hit some falsetto. Also, looking at what songs Vivz has drawn her singing, Kayla seems to lean towards mainly Broadway numbers for song choice.
She also can play the piano
9. The fighter
A lot of people, I've noticed, like to write Zill as the one who engages in physical confrontation, while forgetting that Kay can kick some serious ass herself. Not only does the chick have them fencing skills for days, she can literally knock out Rusty with a punch. Not sure if ya guys noticed, but Kay doesn't need Zill to do all the punching. She can knock some heads in herself, thank you very much.
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That's all I've got for now. I may have forgotten something, and will make a follow up post if it turns out I did. I hoped you enjoyed, and feel free to request whatever you want.
I apologize for wasting your time
- Spooky S Skeletons
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