Development Under Baskerville's Skin; Bring a Map, Shoot the Dog
+I don't know if this has been mentioned before or not. Go on and enjoy then, I think?:)
The Map
In THoB, when John is reading the map, Sherlock stands in a higher place but doesn't know about their location on the map.
Being conscious of things doesn't mean you understand them, I believe.
Sherlock views a big picture; he sees what is next to what, not knowing why they are there, not knowing about some parts' identity. He is almost unable to find the way.
John, on the other hand, has the map. "He sees the WAY", he has the power to zoom on each part and guide Sherlock into them. He is aware of their past, their future, and their destination. In contrast with Sherlock, he doesn't know about the bigger picture; he can see the little steps, and the different ways. Though he is not aware of the storyline's aim.
Now, it is about their knowledge of their relationship, and relationships in general. John is familiar with romantic and sexual relationships, and Sherlock sees the aim - love/sex - but doesn't know about the steps, and ways.
We know how small objects like phones can resemble abstract ideas, right? Special places are just the same. [For instance, I refer to this meta about The Gherkin (X) from @i-read-your-writing-upside-down ]
The Minefield.
Sherlock asks about it, "what's that?" John zooms, sees the warning signs, and recognizes, " A minefield?" He tells Sherlock.
So if the whole map scene is about their role and status in their relationship, Minefield, I assume, is the queer nature of it. Sherlock notices. (He is not sexually oblivious at all( ASIP, ASiB mostly, and JIM MORIARTY) )
John is FAMILIAR with this danger. Being queer. His sister, remember? Also, we expect him to be dealing with his sexuality crisis, keep in mind.
He sees danger, he sees a minefield, "made because they(army base) have always been keen to keep people out." And if we analogize the army base to John's deep desires in their relationship, it starts to make sense.
No one from the outside exactly knows what's going on in the army base.
John is interested in him, he grows attached to Sherlock, and he likes to be around him. He may feel something for him. These are locked in the army base. But apparently, the minefield - their relationship being queer - won't allow anyone including himself to step in, to touch his desires, and maybe to let them out.
So, John recognizes the minefield (danger+queer), is conscious of the stages in their relationship (not necessarily wants to proceed all the track, at least for now), and is willing to keep his cravings and desires for himself, untouched.
On the other side, Sherlock, the genius, can see their situation from above (their relationship), and is introduced to John's minefield, which he can already notice. "clearly." And yes, he knows how love and/or sexual appeal works, yet is foreign to the steps. (I'd like to say, not a virgin)
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Driving. Army Base.
Sherlock is driving -> directing John and also the relationship THIS CERTAIN TIME because John is overly insecure to do so.
At Baskerville doors, he is afraid of getting caught, but they enter anyway. In my opinion, that's an excellent portrait of John's feelings, and his heart. There are guards, but they let Sherlock in, even if it is temporary and under special rules.
They (Sherlock, in particular) use Mycroft (=brain)'s card to enter the Baskerville.
Also, Sherlock uses the brain to have some time in Baskerville (John's desires are there) to finally reach a conclusion.
Meaning: Sherlock approached John's emotions through his brain. "Slightly oblivious about emotions" against "sentiment"?
Not the best decision, we will see.
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Laboratory
He leads John again and tests him, with his very own desires.
Sherlock has seen the dog, he got scared. He wanted to know what is John's reaction when he is confronted with a vision of the dog. He is using tricks to see if John is the same as he (check the love interest, may I say??)
They were the same; both were terrified.
So, what is this dog that scares them like this?
The dog is something's symbol, "couldn't bring themselves to have it put down," which Sherlock doesn't get it well but accepts, as it is sentiment.
Let us take a wild guess, could it be related to love? You see, sentiment!
To make the answer clearer, let's talk about some other scenes too.
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We have an explosion.
John has seen explosions, far too much, as he would say. The minefield is queerness. He and Sherlock witness a glimpse of what may happen there. What COMPELLING one - in our case, John - to run towards the army base will bring to them. John, on subtext level, has assumably witnessed these explosions before, with Harry and their parents. Or that's about himself, maybe?
As many ppl have explained, John and Lestrade are not very shocked by the explosion as they've seen it before. But notice how Sherlock is startled.
He once again sees what love/sexual intrest can do. His brain dictates that he must remain out of it, exactly what he has been doing for years.
Now that he has seen the depth of hazard with his own eyes- his own senses - will he avoid approaching it? We have the answer right after the explosion, in the next scene.
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Sherlock admits his mistake.
So his guess about the cause was wrong (not sugar-> the fog). He tells John how he wanted to solve the problem there "in a totally scientific laboratory condition." And he wanted to see how the experiment (being drugged to see the dog) would affect John's average mind. It went wrong, as the aim was pretty sentiment and the approach was not.
Sherlock himself was TERRIFIED. He lost his trust in his own senses.
Here I take one of the dog's meanings as "an experiment in love" and "dealing with love/being attracted"
they both got frightened. Both tried to express their fear to the other one. They couldn't reach a common conclusion. Not until they are in the Hollow.
I'll skip Henry and Sherlock's conversation, H.O.U.N.D, and Henry's therapist because it would get so so long.
Now Lestrade, who certainly plays an important role in subtexts [ a brief explanation in @cheuwing 's post about him , ecp the mentor part], is there to help them, literally.
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Failures
Lestrade is with them in Dewer's Hollow, without his ring (coming back from a failure),
Sherlock thinks it's about the sugar(failure, he then changes his method, using MP, second attempt, you can say successful as it saved Henry),
Lestrade shots the dog and misses it (failure)
John shots, the dog falls (very close to the solution, but false. Like the sugar), the dog is not completely dead, he shoots again(second attempt successful)
So they see Lestrade's defeat (sorry, Greg) and learn one or two things; try again to find the solution.
In the end, they discuss the sugar (false approach). Sherlock, at last, admits he was wrong and promises, "won't happen again." He means, "I won't FORCE you to explore your deep and locked desires anymore. I saw the danger."
Though, it's clearly not the end. This episode showed how he is eager to change according to new circumstances, so he tries again -> another approach.
"Gotta see a man about a dog."
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I'd like to bring up one more thing shortly, and here it is;
mirrors
Sorry about the pic, Gary
Here we have Gary and Billy, the couple in an established relationship. By looking at their clothes, names, and mirrored behaviors, we assume Gary is John's mirror, and Billy is Sherlock's mirror.[ I refer to @johnlockelephant 's post about Gary and Billy]
Also, I like to highlight Gary and Billy's parallels to what we see in Johnlock, through s1 and s2.
Gary is the one who communicates, and so is John. They are better in terms of interacting with people. See how the exchange between them is smooth? Even with a slightly sensitive subject - for John - they can continue.
Then Billy comes, and he is not very the same; he is reckless and doesn't avoid topics just because people may feel uncomfortable - there you go, Sherlock.
John's mirror tends to remind Sherlock's mirror when things are not a bit good; Parallel. (John does it literally every episode, but I like to mention the first minutes of TRF)
In the last minutes of THoB, too, we see Gary chatting a little with customers. Billy probably just serves the food. Only work-related conversations maybe. (Johnlock version, well… every episode) Though he - Sherlock's mirror- talks to john.
I'm no expert in drinking metas, but I found milk/WKD interesting.
And what I extremely love is Billy's lying.
It could be related to other episodes, or not. But I'll link it to TRF.
Billy=sherlock lies to protect Gary=John.
One of the lies is so freaking obvious and very much easy to see through - "It's me. It was me." about the meat, AND "I'm a fake," which John easily pushed away.
Honestly, I'm not sure about Gary being unaware of the dog and all, but presuming he didn't know a thing, the second lie comes to the light: lying about being alive. Billy kept the dog alive, without Gary knowing. so did Sherlock( well, that was about a much more serious matter, but whatever.)
AND SHERLOCK GOES TO GARY TO TALK ABOUT THE DOG, GARY=JOHN, to learn more
- In conclusion, Sherlock tries to lead the relationship, and John, to face his desires. He fails, claims his mistake. He promises that this is not going to happen again, and actually tries to learn from his mistake. To learn about John's feelings through John himself.
and that's it^^ thanks for reading!!
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p.s: The thing, is I feel there is more subtext here. Especially about the "dog" and "see a man."
p.s 2: The Hound alongside the Hollow are Sherlock's fears, which I may talk about later (if there's not already a post about it)
If you have something in mind or have read a related meta, please add it!
If you don't want me to tag you or link your post tell me please!
English is not my first language, so if there's any mistake, LMK!
Asks are appreciated very much ~
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