After seeing your beautiful new piece with the cute vignettes of team 7+team kakashi, i was wondering — how do you feel about Naruto (the boy)?
o thankyou! ;u; my feelings on narts the boy are so torn tbh so im gonna throw my ramblings under a cut bc idk if i can articulate this correctly
og naruto narts? love him. adore him. i miss that dumb little punk kid i loved him challenging the system and wanting to change it and help people. i /wanted/ him to inspire people like kakashi and gai's gen to do the same and realize how fucked up their childhoods were being weapons of the state at like 6 and 7
shippuden narts? He just rubs me the wrong way. started out good with gaara rescue arc, but then all his pizzaz left and let his obsession of sasuke be the only priority. (This isnt his fault, but kishi writing it so ONLY naruto could kill or defeat most of the enemies with his new op move was so boring to me. none of the secondary cast got to do shit) He also didnt take one second to question if his endgoal is still the same since he turned out to be exactly the opposite of "anyone can be hokage" bc he turns out to have the specialist blood of all and got revealed as a nepo baby and chosen one. He licherally became complicit and changed next to nothing as hokage in the end. the status quo remained the fucking same. Naruto rejecting the hokage position bc he recognizes neji was right is so much more interesting to me
Naruto is at his best when sasuke isnt involved imho. I adore his interactions with everyone else bc he truly loves his friends and family, but him and sakura were so delusional over sasuke but didnt actually Know him and his trauma they just loved the Idea of him. the way they talk about it, they act like sasuke was kidnapped and didnt CHOOSE to leave and even tried to kill them multiple times. shikamaru stronger than me, it'd slap the shit out of both of them
I wish they'd head on addressed the whole "sasuke's whole family was slaughtered in front of him" together and not "you have to come back so we can be a team and things can be normal again like nothing ever happened and fight me!" naruto would be the first one to offer to pull up on itachi with him lets be real lmaoo. I wanted him to offer sasuke support to BOTH tackle the injustices of the leaf. it's kinda like hiruzens passiveness with orochimaru and danzo. never holding certain loved ones accountable he was the same way with obito and even hiruzen himself. (is he even aware of hiruzen's part in the uchiha massacre or obito killing his parents?? then pardoning orochimaru?? HELLO???)
There were moments where i did see our boy shine thru, but then the god powers bullshit hit. in short, bring back my punk little man. his pure intentions were ruined by bad writing
my naruto endgame for him is not stuck at a deskjob he hates with a nuclear family he neglects and more he chooses to give up the hokage job to someone who actually can enact change and who isnt from a prestigious family. travels around helping people hands on and finally gets the peaceful life with found family he never had. advocating better for the next gen.
part one naruto, my baby boy
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Kiryuu Touga and the cyclical narrative
TW : Discussions of misogyny, emotional manipulation and abuse, sexual abuse and (sexual) child abuse. (Very vague) mention of incest.
First of all, not really as a disclaimer but more as a recommendation, a lot of my thoughts about Touga are shaped by this essay, which is definitely easily one of my favorite pieces of Utena meta. I think I'm going to implicitly or more explicitly reference it sometimes, but you don't need to read it to understand this post.
I have a complex relationship with Touga. He is despicable, yet the more I watch the series, the more I find myself... fascinated by him. This post is a pretty much a synthesis of all these thoughts.
On a purely narrative level, Touga's role is a bit special. He's the antagonist of the first arc. The three duels involving him are all turning points in the series. He's a core character in the development of several other characters (Saionji, Nanami, Utena and Miki on a different level).
Yet, turns out he's only a puppet, just as everyone else is. How surprising. And when it comes down to it, what do we know about Touga ?
He's the Student Council's president. He seemingly can't have a relationship with anyone without manipulating them to his advantage. He sleeps with any girl (and maybe not only girls) who breathe around him in a 1 ft radius. His way of coping with depression is to seal himself in a wide and totally empty room to listen to his own voice on repeat to ponder heavily on his broken hopes and ideals. (Hmm. Hardcore.)
And more importantly, he wants power. A power that would be absolute. But why so ?
And this is the point where it gets complicated.
Touga is barely the main topic of episodes focused on him. He is the center of many obsessions and interests, but it seems we never touch upon him as a person. He can be seen being vaguely vulnerable in eps 11 and 12 and then there's the whole Black Rose arc thing. But where does all this mess steam from ?
Victim status
Eps 35 and 36 are the one going deeper into Touga’s character and yet... we’re barely sure of what’s actually going on in his brain. These episodes always give me a weird feeling because we don’t really get to see Touga express his feelings very clearly or freely... We barely get to hear his thoughts.
Just like Anthy.
Don’t make me say what I didn’t say, though. Touga gets to have way more agency than ever does Anthy, and he certainly doesn't endure the same dehumanization as she does. Anthy does have agency in a way. But she expresses it in hidden, implicit ways : playing tricks, hitting people in their sore spots, sarcasm, empty eyes and fake smiles. She’s manipulative and Touga is, too. These two share many similarities, though they can’t completely blend with each other, of course.
We don’t know much about Touga’s childhood. We know he and Nanami were adopted (or “sold”) to the Kiryuu family at a young age. That’s basically it in the canon of the series. Though, Touga’s backstory in the movie, showing him being sexually abused by his adoptive father, was apparently meant to be included in the series as well :
Although the TV series touched upon Touga’s younger days, the film goes into more details – the wound of Touga that was never directly depicted. In his younger days, Touga was a normal kid who enjoyed happy times with his friend Saionji Kyouichi and his younger sister Nanami. However, he came to know his unfortunate fate from the time he was ordered by his parents to wear his hair long. His parents sold him to the Kiryuu family. Although he was an adopted son on the surface, the instinctive Touga knew what that meant. And in order to protect his younger sister, he accepted his lot. Being sold. We did not go into depicting what Touga’s parents obtained by going as far as selling their son. We would like you to think of it as a kind of metaphor.
And Touga accepted in silence the sexual abuse from his new parents. His personality changed while he made a magnanimous show of enjoying the abuses in order to prevent his personality from splitting. The change took place in a spot so deep in his mind, that even those closest to him did not notice. Saionji and Nanami never noticed out of their innocence. And Touga never told his secret to anyone. It is said that a human being gains whatever he lost in exchange. So what did Touga gain in exchange at that point in time? It was the sense of alienation from being abused every night and seeing his innocent friend and sister during the day. The alienated self.
(Extract of a comment Enokido, one of the writers who worked on Utena, wrote about Touga’s role in the Utena movie.)
Of course, you could argue whether or not the sexual abuse is canon or not in the series. After all, the series and the movie don’t seem to take place in the same canon (even though it is hard to completely disconnect the two). Whatever you choose to believe, I personally think it all makes so much sense.
It makes sense regarding Touga’s general behavior in the series (but this is more touched upon in the essay I linked above) and it makes his goal and his narrative role much clearer.
Being sold like a mere object, knowing a much harsher truth about life Saionji and Nanami don’t know about, showing everyone a stronger facade in order to not completely lose your mind and keep protecting your friend and your sister from this reality and eventually... letting them know in a painfully gendered way, perpetuating everything this system has forced on you.
It has all become part of you.
Keeping the cycle of violence going became part of your blood and flesh. Making clear who is supposed to inflict pain and who is supposed to receive it. Who is supposed to protect and who is supposed to be protected. Who is supposed to act and who is supposed to wait.
And you ? No, you’re never supposed to hurt anymore. You want a way out of this. For you, the easiest way is to simply reclaim the place that was always prepared for you to take.
When Touga and Saionji found Utena in her coffin, it feels like Touga knew something Saionji didn’t. Saionji felt it too, but he wasn’t able to recognize what it was. After all, he was still a child. Touga knew about the same thing Utena learned with her parents’ death : they both had a glimpse of what the “adult world” (Akio’s world) actually looks like, shattering their juvenile knowledge of the world.
A world where people die. A world where the weak lose. A world where the prince should protect the princess.
Touga already had a coffin. Utena just found hers and was about to find a new one. Saionji was just finding his.
It all makes sense regarding how obedient Touga is to Akio and why he seeks his validation, his desire to go up in the hierarchy aside. It makes sense because he is “alienated”. Touga got deprived of everything, he knows the burden of being alive and he’s learned, from his early childhood, to be compliant.
He seems independent during the Student Council arc and a majority of the series, but eps 35 and 36 show he is not the mastermind of it all. He has a privileged position but unlike some other characters, Touga never uses his agency to try to break out of the system ─ he follows its rules and tries to reinforce his dominance.
Why would you break out from a system serving you so well ?
“I want to become like him. I want power like his.”
Touga is alienated to the system and his only goal is to become what it expects of him. After all, why wouldn’t he ? Being a prince is the best position offered by the system. Being a prince means acquiring an absolute power. With such power, one doesn’t die and is forever out of reach and harm and pain. Who wouldn’t want such a thing ?
The prince never saves the princess out of selflessness. He saves her because it gives him a reward in exchange. He saves her because it gives him power and control over her and ultimately, everyone else. And so, the princess becomes a "toy" wannabe princes has to win, to conquer.
Does Touga, even during what seems to be his most “sincere” moment in ep 36, ever wish to protect Utena for something else than possessing her ? When could have he learned to know and appreciate her as a person, rather than a princess ? A reward to conquer ?
When did he stop wishing he could’ve saved Utena just like Akio did ? I believe he might be genuine, yet he acts toward Utena exactly like she acts toward Anthy. He wants to save her for his own sake, regardless of her personal hopes and desires.
It’s truly sad, though. Because all of it is nothing but a childish dream. There was never once a prince in this world. Only boring and abusive adults.
“Are you really happy with that?”
Well, when it comes down to it, probably not. But was it ever about happiness ? Probably not either. The pursuit of power only ever leads to isolation, to a complete lack of meaning ─ after all, friendship is a fool’s thing. No one can reach what’s behind the facade.
Saionji was able to confront Touga with his own lies and paradoxes, get as close to his real self anyone probably could. But it wasn’t enough. Saionji himself didn’t go as far as leaving the system entirely, even when it seemed he had cracked it all. Touga sort of did, too.
As far as I’m concerned, we only heard his own, deep thoughts once.
“Kiryuu Touga, the playboy Student Council President... Is it? "Playboy" sounds old-fashioned.”
Touga weaponized himself. He weaponized his body (sex is only a tool to aim for power). He weaponized his heart (relationships only matter if you use them to your advantage. Those who believe in love and friendship are fools and will be ultimately be used to someone else’s advantage). And for what ?
I really like the symbolism of the poppy flower in ep 35. I feel like it symbolizes Akio’s power, in a way. I’m incredibly bad when it comes to the language of flowers (so everyone is free to correct me) but please bear with me. In the East, red poppy flowers apparently symbolize romantic love and success (what it probably means for the girl confessing to Touga, as well as Akio when he “eats” it in this scene, since Touga and him are talking about Utena) but it can also symbolize “luxurious pleasures and fantastic extravagance”. In the Japanese language of flowers, red poppies can also symbolize someone “fun-loving”. I feel like both of these work with Akio and I believe that for Touga, they are a symbol of luxury and extravagance.
Yet another girl confessed to him. Without even thinking about it, he kissed her. He will never read her confession letter, he probably didn’t even notice it. He will probably simply leave it on the floor, without a care. This pursuit of power isn’t even fulfilling to him, there’s absolutely no thought behind it. Only automatic actions, behaviors working in favor of someone else’s greater scheme. He won’t even get to actually possess Utena.
He will never get what he truly wants. Is there even anything that he truly wants ? Saionji, maybe. In the meantime, he’s just a tool for a system. A system made up by boring adults, based on lies, illusions and unachievable dreams.
Touga is condemned to go in cycles. He’s given everything to overcome what keeps him stuck and trapped, but it doesn’t do anything. He can only revolve around his own coffin, completing the same circle, again and again.
He doesn’t know how to do anything else.
It will never make anything he’s done forgivable. But at least, maybe one day, he’ll realize. Or maybe never.
We can always create new roads, leading to worlds completely unknown to us, where everything needs to be built. Anthy and Utena are here to show the way, who deserves to follow these new roads is only up to you.
On a purely personal standpoint... I was never really able to answer this question.
“No. It's not over until we see it through the very end.”
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[@distinguished-turtle-enjoyer ]
i actually have not stopped thinkin bout your bb!edit like,,,, its so good and scratches my brain right
how long have you been doin edits for? do have any tips for someone, who hypothetically, wants to start doin edits too? what programs do you use? how did you do the cool animated bits?
im so sorry for all the qustions 😭😭 i just think youre very talented and inspirational and i hope you have a good day ^_^
hi firstly oh my gosh you're literally so sweet i am gently shaking you i love you so much /p. secondly, i apologize for the long answer! (it's all under the cut. this got away from me. i'm so sorry apparently i have a lot to say.) (also you're so good about the questions i would constantly be asking one of my professors questions during class to the point where she said i didn't have to go "i have a question" every time i approached her)
i've been editing since 2016! around march/april, i think? loved it so much i went into film & video production in college as a major so i could do editing for a living. (i have done more motion graphics for my classmates than i have done edits outside of class assignments, BUT!)
the program i use is after effects - i started learning it when covid first hit the united states because i had nothing better to do with my time (other than music theory but i failed that bc my professor focused more on the history aspects than the actual theory soooo) and my ipad kept giving me the "no more storage" whenever i tried to use videostar lmao. (vs has, apparently, gotten a LOT of good updates, so if you're looking to start editing and have an ios system, i'd look into it! only downside is you have to pay for some of the cool stuff).
also the program i use for masking (i think i explain this later dwdw) is superimpose. i've been using it since 2014 and it's SO nice bc i can use my fingers to erase backgrounds & stuff instead of hoping i can get it to work correctly in ae or photoshop (photoshop my DETESTED i'll use it but i'll complain the entire time).
for people who want to start editing: tutorials on how your program works and how to do specific transitions are gonna be your best friend when you're first figuring things out! i forced a friend to literally walk me through how after effects worked when i was first figuring it out, and when i had swapped to videostar back in 2017/2018(?) i had watched a Lot of tutorials. that and played around a lot and figured things out on my own - which is also always a good way to start!! it's also totally valid to look at other people's edits for inspiration - most editors don't really care, as long as you don't flat-out remake their edit (some people don't like that!). i have a style insp folder on instagram where i save edits that i like so if i need transition ideas or i'm doing a different style, i can look there for inspiration. at the end of the day, as long as you're having fun with it that's all that matters!
also, starting simple is always okay!! my edits for a year were just me slapping gifs & video segments together on a timeline in cute cut pro bc imovie didn't load them lol & it'd crash every time i breathed. ++ it never hurts to ask people for feedback/constructive(!!!) criticism/etc! (also not to sound like everyone else but practice? good. it's so good. if i showed my 14/15y/o self some of the edits i can make now they would've passed out on the spot bc i was still trying to figure out transitions back then. programs can also sometimes make a difference in edits, but usually it's not super noticeable until you start getting to the Complicated Shit.)
a lot of popular programs i've seen are ones like video star (ios only), alight motion (android only), after effects (i recommend 🏴☠️ing it tbh, i only use it legally bc i had to use adobe programs for school), capcut, and i think some people still use sony vegas pro & maybe cute cut pro (i've heard it may have actually gotten better since i last used it in 2018)? i have no idea. programs also depend on whatever device you're using to edit on! since i've been using my laptop, i'm able to use after effects (it's computer-only), but when i used my phone/ipad to edit i used ccp & vs.
for the animation - it's a lot of cutting up the image and masking! more complex animations, like the one i had of leo walking down that red 'hallway' have several different layers that have been masked. (i removed the background & filled in the spot where leo originally was in two different apps - superimpose (taking leo out) & photoshop (filling in the bg)) in after effects, the way i've done this was mask out the specific thing i wanted to move (like an eye) and then put that mask on what i've called a "base" (not animated), and then stick a solid behind the base to match the color of the object. (some of my layers are not named appropriately; base 2 is the left arm & the four "SIX_[...]" layers are the mask/bandana tails)
an example of this would be for any of the eye blink animations i did! this (above) is the same shot, with and without the eye - since it's masked out and i have the background solid behind it, it doesn't look too unnatural/have a black outline/mass where his eye should be.
what it looks like without the solid layer behind it ^ (the red lines are from the null layers - ignore that)
this is what my timeline looks like if it's a more simplistic animation - the only five things being animated here are leo & raph's eyes. (there's only this many layers bc it's two characters in one shot & i was also animating their pupils - typically, an eye-blink animation is about 4-6 layers for me (solid, base, mask, & null to animate with, 6 if i'm animating both eyes & 4 if just one))
in after effects, there's this really cool tool called the puppet pin that one of my friends (lovingly) yelled at me for not knowing about - which. yeah fair she wasn't wrong it's SUPER useful in animating, provided you chop up your image first. if you don't it's a mess.
(separated by layer vs i should've really put the mask tails & leo's head on separate layers and didn't bc that was the 2nd to last animation i had to do and i was losing my mind bc i wanted to be done with the edit lmao)
the way people animate depends all on their style (there's two common ways to do blinking animation - having the anchor point at the bottom of the eye, or the middle of it) and the program they use. it's been a while, but i could probably tell you how to do some basic animations on videostar still even though i've been doing them in after effects for about 2-3years now. ALSO the best way to have an animation be noticeable is to over-exaggerate it/make them Big - which, yes, can mean 'breaking bones' and having the limbs be a little wonky at the start. (if you want it to be realistic though go Just to the point where it looks uncomfortable lmao)
uhm. again i am so sorry that this is so long i THINK this is everything? if not: my inbox/dms are always open if you ever want to ask more questions, wanna follow up on something, etc etc!! (also if you ever start editing please send me your edits!!! i'd love to see them <3)
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