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#immortality
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I know a lot of characters who are physically one age but are immortal and hundreds of years old so I want to know
EX. A character who was turned immortal at 17 years old, looks 17 years old, but is actually like 2000 years old - do you consider them 17 or 2000?
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A poll because I can
Reblog for sample size :3
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shirecorn · 29 days
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Cadance and Shining Armor || The Bride and the Ugly Ass Groom my @skyscrapergods AU || AU Cadance Tag
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jmfenner91 · 5 months
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I recently got to do a poster for NYU Game Center. I had so much fun on this one. It was based on the game 'Immortality' - such a fascinating game!
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ruthimages · 5 months
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inthefaceofadaffodil · 5 months
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The new HYX leak has 2hatwt in shambles so I thought I’d share it over here
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serien-grl-22 · 7 months
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There are two kinds of male fae love interests:
300+ years older than the girl, powerful, dark-haired, cold
Cardan
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Can i get an immortal villain×mortal hero please please please🥺
I'll give you my croissants 🥐🥐🥐
"How would you like to die?" the villain asked. Their eyes were closed where they sat upon a park bench, head tipped back to the cool breeze and the clear blue sky.
The hero stopped, a little uncertain, but not exactly startled.
"I've tried every kind of death," the villain said. "I can make a recommendation if you prefer."
"I'm not going to die."
The villain's lips twisted - a smile, of sorts. "All mortals die. It is the linchpin of their condition."
"I won't die because of you."
The villain's smile broadened. "Drowning, perhaps. Or maybe suffocation. I don't want to disturb the ducks."
"Why those in particular?"
The villain finally deigned to open their eyes at the question, considering the hero where they stood. The hero couldn't quite read the villain's expression, but their voice remained casual. "Everyone always thinks they can survive those ones. If they just thrash, just fight, hard enough. Then they go very still and very quiet when they realise they can't. You have time to realise what's going to happen to you, see."
"Nice to see you at least put thought into your craft."
"What can I say, I'm a sweetheart. You only get one death."
"But you don't."
"You've done some research. Not enough," the villain added, tipping their head, "seeing as you're still standing there talking to me. But some. Kudos. I guess we'll see if you're brave or stupid."
"I'm not trying to kill you."
"Contain me. Incapacitate me." The villain waved a dismissive hand. "You might save your generation, perhaps, if you get lucky. Are you feeling lucky?"
"I'm not trying to do that either."
"Oh?" The villain sat up a little, finally tuning in properly to the conversation. "Are you not a hero? You dress like one."
"I'm hoping to find a more peaceful, effective solution."
The villain slumped, bored, again. "Mm. This should be good."
"Because I have done my research," the hero said, taking another step closer. "You're immortal. You only kill people when they attack you or are in the way of you wanting something."
"As I said, I'm a sweetheart and a saint."
The hero's jaw tightened. The villain had slaughtered thousands across the decades after all. They were many things, and had lived many lives, but in none of them had they ever been a sweetheart or a saint.
"And what you want most," the hero ploughed on, "other than your comfortable life, is not to be bored. There's no end, after all. So you need distraction. Diversion. Something to make time a little less of of a prison."
The villain was silent for a long moment, watching the hero. "I take it back," they said, finally. "I'm going to drive a knife through your ribs. Nice and slow. You know it's much harder to die from a stab wound than people think? Often it's the blood loss that gets ya."
"And then what?"
The villain shrugged. "Feed the ducks. Go back to my book. Make Christmas lights out of your bones. The possibilities are endless!"
"Sounds lonely."
"You think you're the first to try this, don't you?"
"I think you haven't met me before."
"Maybe I will entertain myself with you," the villain said. "Maybe I'll destroy your life and the live of everyone you talk to from now on. That could be fun. It's been a while since I've been so personal a devil."
Despite themselves, the hero swallowed. Despite their resolve, they considered walking away. Just for a moment.
The villain pushed to their feet, tossing their paperback carelessly aside.
The hero squared their shoulders. They felt their suddenly-fragile feeling heart begin to race. They let the villain stop in front of them, they tried not to let out a desperate shudder as the villain's fingers wrapped around their throat.
"Pick an option," the villain said, caressing their pulse. "Lose air. Lose blood. Or lose everything, but get a few more years before you go. If you ask really nicely, I might even make it quick. "
The hero shifted. They passed through the villain's fingers as if it were nothing, as if the villain were nothing. A ghost. Untouchable.
When the villain turned, the hero sat on the bench the villain had vacated. They made a show of picking up the villain's book, willing their once-more solid fingers not to tremble.
The villain raised an eyebrow. "Phasing. Cute."
"I don't age when I'm in ghost mode. Any injuries I have heal. If someone kills me, I stay dead, presumably. I'm mortal, as you say, but..."
"Hard to kill."
"Hardest you'll find. Or does the challenge scare you?"
"Determined little martyr, aren't you?"
"Not like you have anything to lose experimenting. You have all the time in the world."
"You realise I don't have to honour any deal now that you've revealed your hand? I could just hunt you and continue hurting other people, especially now I know how much it bothers me."
"I'll disappear."
"I have all the time in the world. I'd find you eventually."
"I guess then I'd just vanish again, if you don't want to play ball."
"You really are just the cutest, aren't you?"
"Is that a yes?"
"Maybe." The villain held out a hand for their book. "I haven't decided. Buy me lunch. See if you can keep my interest for more than five minutes."
"Lunch."
"There's a new cafe I haven't tried. Apparently they make their own croissants."
"You want to go to lunch with me?"
"No, I want to go to lunch. All this talk of bloodshed is giving me the munchies! But I'm assuming you're currently planning to haunt me, so you may as well pay. Unless you want me to just...kill anyone who tries to charge me."
"No! No."
"That's what I thought. Great minds."
The hero pushed to their feet, as the villain had, tentatively offering them their book back. They weren't entirely sure if that encounter had gone well or not.
The villain smiled, full of teeth, eyes gleaming.
"For your sake, little hero, do try not to be boring."
And, so, they went for lunch.
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paigian · 12 days
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in the old guard, immortality = statelessness. to become immortal is to become a permanent non-citizen, to never be able to return home the same way.
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cloudofbutterflies · 1 year
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I made uquiz to attempt to determine if you would make a good immortal.
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writingwithcolor · 3 months
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What Makes an Ethnic Villain "Ethnic" or "Villainous?" How Do You Offset it?
anonymous asked:
Hello WWC! I have a question about the antagonist of my story. She is (currently) Japanese, and I want to make sure I’m writing her in a way that doesn’t associates [sic] her being Asian with being villainous.  The story is set in modern day USA, this character is effectively immortal. She was a samurai who lost loved ones due to failure in combat, and this becomes her character[sic] motivation (portrayed sympathetically to the audience). This story explores many different time periods and how women have shown valor throughout history. The age of the samurai (and the real and legendary female warriors from it) have interested me the most, which is why I want her to be from this period.  The outfit she wears while fighting is based on samurai armor, and she wears modern and traditional Japanese fashion depending on the occasion. She acts pretty similar to modern day people, though more cynical and obsessed with her loss. She’s been able to adapt with the times but still highly values and cherishes her past.  She is the only Asian main character, but I plan to make a supportive Japanese side character. She’s a history teacher who knows about the villain and gives the protagonists information to help them, but isn’t involved in the main plot otherwise.  Are the way I’m writing this villain and the inclusion of a non-antagonist Japanese character enough to prevent a harmful reading of the story, or is there more I should do?
Why Does Your Villain Exist?
This makes me feel old because David Anders plays a villain with this kind of backstory in the series Heroes starring Masi Oka. 
I think you want to think about what you mean when you say: 
Villainous (In what way? To whom? To what end?)
Harmful (What tropes, narratives and implications are present?)
I’m relatively infamous in the mod circle for not caring too much about dimensions of “harm”. The concept is relative and varies widely between people and cultures. I don’t see much value in framing motivations around “What is less harmful?” I think for me, what matters more is: 
“What is more true?” 
“Are characteristics viewed as intrinsic to background, or the product of experiences and personal autonomy?”
“Will your portrayal resonate with a large audience?”
“What will resonate with the members of the audience who share the backgrounds your characters have?” 
This post offers additional questions you could ask yourself instead of “is this okay/not okay/harmful.” 
You could write a story where your antagonist is sly, sadistic, violent and cold-blooded. It may not be an interpretation that will make many Japanese from combat backgrounds feel seen or heard, but it’s not without precedent. These tropes have been weaponized against people of Japanese descent (Like Nikkei Japanese interned during World War II), but Japan also brutalized a good chunk of Asia during World War II. See Herge’s Tintin and The Blue Lotus for an example of a comic that accurately showcases the brutality of Japan’s colonization of Manchuria, but also is racist in terms of how Japanese characters are portrayed (CW: genocide, war, imperialism, racism).
You could also write a story where your character’s grief gives way to despair, and fuels their combat such that they are seen as calculating, frigid and deeply driven by revenge/ violence. This might make sense. It’s also been done to death for Japanese female warriors, though (See “Lady Snowblood” by Kazuo Koike and Kazuo Kamimura here, CW: sexual assault, violence, murder and a host of other dark things you’d expect in a revenge story). 
You could further write a story where your antagonist is not necessarily villainous, but the perceived harm comes from fetishizing/ exoticizing elements in how her appearance is presented or how she is sexualized, which is a common problem for Japanese female characters. 
My vote always goes to the most interesting story or character. I don’t see any benefit to writing from a defensive position. This is where I'll point out that, culturally, I can't picture a Japanese character viewing immortality as anything other than a curse. Many cultures in Japan are largely defined by transience and the understanding that many things naturally decay, die, and change form.
There are a lot of ways you could conceivably cause harm, but I’d rather hear about what the point of this character is given the dilemma of their position. 
What is her purpose for the plot? 
How is she designed to make the reader feel? 
What literary devices are relevant to her portrayal?
(Arbitrarily, you can always add more than 1 extra Japanese character. I think you might put less pressure on yourself with this character’s portrayal if you have more Japanese characters to practice with in general.) 
- Marika. 
When Off-Setting: Aim for Average
Seconding the above with regards to this villainess’s story and your motivations for this character, but regardless of her story I think it’s also important to look specifically at how the Japanese teacher character provides contrast. 
I agree with the choice to make her a regular person and not a superhero. Otherwise, your one Asian character is aggressively Asian-themed in a stereotypical Cool Japan way (particularly if her villain suit is samurai-themed & she wears wafu clothing every so often). Adding a chill person who happens to be Japanese and doesn’t have some kind of ninja or kitsune motif will be a breath of fresh air (well, more like a sigh of relief) for Japanese readers. 
A note on characterization—while our standard advice for “offset” characters is to give your offset character the opposite of the personality trait you’re trying to balance, in this case you might want to avoid opposites. You have a villainess who is a cold, tough “don’t need no man” type. Making the teacher mild-mannered, helpful, and accomodating would balance out the villainess’s traits, but you’ll end up swinging to the other side of the pendulum towards the Submissive Asian stereotype depending on execution. If avoiding stereotypes is a concern, I suggest picking something outside of that spectrum of gentleness to violence and making her really boring or really weird or really nerdy or a jock gym teacher or…something. You’re the author.
Similarly, while the villainess is very traditionally Japanese in her motifs and backstory, don’t make the teacher go aggressively in either direction—give her a nice balance of modern vs. traditional, Japanese vs. Western sensibilities as far as her looks, dress, interests, values, etc. Because at the end of the day, that’s most modern Japanese people. 
Sometimes, the most difficult representation of a character of color is making a character who is really average, typical, modern, and boring. 
- Rina
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hanelizabeth · 18 days
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Acorn ~ Immortality 🌞
- a recreation of Magnus Bane’s flower card -
characters by @cassandraclare 🤍
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one-time-i-dreamt · 1 year
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Everybody was immortal, but there was nothing to cherish in life. You got a timer of how long you were alive: mine read 152 years. Underneath it, it read, "How will you escape this fruitless, miserable life?"
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thatshinx · 2 months
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Attention Western LMK fans: This is a public service announcement
when someone says “immortal” in the context of Chinese mythology they do NOT mean “can’t die”. They mean “can live forever”
Think of a mortals lifespan as a candle and an immortals lifespan as an infinitely long candle. The immortal candle can burn forever but it someone blows it out it still goes out. Now some immortal candles are inside a building so they don’t get hit by wind or rain and others are on a patio protected only from rain. It’s different depending on how powerful they are and how many immortalities are stacked
Sun Wukong is an infinitely long trick birthday candle that can blow out in theory but no one’s been strong enough to test that theory
hope this helps clear things up
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blackmoonlightexpress · 3 months
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Who says Luo Yunxi only looks good in white? (Almost) Every Luo Yunxi Costume ever
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Featuring 16x8=128 looks in total from 9 dramas, 4 games, and 1 photoshoot.
Additional looks from Yan Xin Ji and Shui Long Yin will be added as high quality official images become available.
We actually have more leaked photos from Immortality, but I've decided to exclude them in the end - the collage just doesn't look great with such a large gap in quality.
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reality-detective · 2 months
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Immortality of the Soul is spooky shit 🤔
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