#induction ceremony | Explore Tumblr Posts and Blogs

cyarsk52-20 · 1 year

Text

Willie Nelson, Missy Elliott, George Michael, and More: Here Are the 2023 Rock & Roll Hall of Fame Inductees The outlaw legend, the rap queen, and few of this year’s inductees will perform at the ceremony, which takes place on November 3 at Brooklyn’s Barclays Center.

Read in Apple Music: https://apple.news/AB90kvpQXSA2fEnSoLwl1hg

Shared from Apple News

2023 ROCK & ROLL HALL OF FAME

Willie Nelson, Missy Elliott, George Michael, and More: Here Are the 2023 Rock & Roll Hall of Fame Inductees

The outlaw legend, the rap queen, and few of this year’s inductees will perform at the ceremony, which takes place on November 3 at Brooklyn’s Barclays Center.

The Rock & Roll Hall of Fame has announced its 2023 inductees, which include a classic Motown act, a reclusive post-punk goddess, a militant agitprop alt-rock band, and, finally, a 90-year-old country and pop-culture titan. Willie Nelson, George Michael, Missy Elliott, Sheryl Crow, Rage Against the Machine, The Spinners, and Kate Bush will all officially join the institution and receive their well-deserved honors as part of the induction ceremony at Brooklyn’s Barclays Center on November 3.

In addition to these incredible talents, the Hall of Fame will also highlight several musicians and industry champions with additional accolades. The recipients of this year’s Musical Excellence Awards—for artists, musicians, songwriters, and producers whose originality and influence have had a dramatic impact on music—are the reigning Queen of Funk, Chaka Khan; prolific songwriter and longtime Elton John musical partner Bernie Taupin; and Al Kooper, the renowned multi-instrumentalist, producer, Bob Dylan collaborator, and Lynyrd Skynyrd discoverer. Hip-hop pioneer DJ Kool Herc and influential guitarist Link Wray will each receive the Musical Influence Award, designated for artists whose style has directly influenced, inspired, and evolved rock ’n’ roll and music impacting youth culture. The Ahmet Ertegun Award, a distinction for non-performing industry professionals, will posthumously honor Soul Traincreator and TV host and producer Don Cornelius, who passed away in 2012.

Explore essential tracks from some of the 2023 Rock & Roll Hall of Fame inductees below, and tune in to our live broadcast on Apple Music 1, where Apple Music radio hosts Ebro Darden, Rebecca Judd, Matt Wilkinson, Brooke Reese, and Kelleigh Bannen will be joined by Crow and Taupin to discuss their achievements and this year’s celebration.

Willie Nelson

THE BRAIDS, THE smile, the trusty guitar named Trigger, the impassioned activism, the unabashed passion for all things cannabis (and his song about it, “Roll Me Up and Smoke Me When I Die”)—there’s a lot to love about Willie Nelson, and fans all over the world can give you several reasons why they’re still showing up to see him sing well into his 90th year. He may have gotten his start singing country western tunes in the ’50s and ’60s, but Nelson hit his stride in the ’70s when he bucked the conventions of Nashville’s Music Row to make the stripped-down country music hewanted to make, the sort that sounded much more at home in a crowded honky-tonk than the Grand Ole Opry. Then, he found kindred spirits in Johnny Cash, Waylon Jennings, Kris Kristofferson, and other artists who became the founding fathers of outlaw country, and now he’s mentored and played with younger generations of musicians who keep the outlaw spirit alive in their own way, like Margo Price, Jason Isbell, and Sturgill Simpson. At 90, Nelson’s voice may be a bit more gravelly than it was in his Red Headed Stranger days, but he’s still strumming Trigger with abandon any chance he gets.

George Michael

GEORGE MICHAEL ROSE to fame in the ’80s as one half of the feather-haired duo Wham!, who churned out some of the catchiest radio hits of the decade—namely the jubilant “Wake Me Up Before You Go-Go,” the bittersweet modern holiday ballad “Last Christmas,” and “Careless Whisper,” the sultry single possessing one of the most memorable sax solos of all time. His velvety tenor, boyish charm, and melodic instincts as a songwriter secured his pop star status in Wham!’s heyday, but Michael’s star went supernova with 1987’s Faith, his debut solo album. The title track is one of his eight singles to hit No. 1 on the Billboard Hot 100 chart; the other seven include his duet with Aretha Franklin, “I Knew You Were Waiting (For Me),” and a version of Elton John’s “Don’t Let the Sun Go Down on Me” that features both Michael and the Rocket Man himself. In 1998, Michael came out as a gay man, and he was a vocal advocate for the LGBTQ+ community and HIV/AIDS prevention efforts throughout his career. Fans were stunned when Michael passed away unexpectedly in 2016 at the age of 53, but his songs—and his legacy—endure.

Missy Elliott

THERE HAS NOT been a woman rapper in the Rock & Roll Hall of Fame—until now. “Get Ur Freak On,” “Pass That Dutch,” “Lose Control,” “Work It”—there was a stretch in the early 2000s when Missy Elliott’s beats and bars were inescapable. Her music videos—especially the clip for 1997’s breakthrough single “The Rain (Supa Dupa Fly),” in which she transformed a trash bag into an unforgettable ensemble—were in constant rotation on MTV. Her songs were omnipresent on radio, and earned her a collection of the industry’s highest accolades (including four Grammys and several MTV Video Music Awards). She’s an exceptional rapper, as well as a production genius and lauded songwriter (and one who’s been officially honored by the Songwriters Hall of Fame). She’s collaborated with some of the most beloved hitmakers in R&B and pop at large: Aaliyah, Jennifer Hudson, Jazmine Sullivan, Ciara, Nelly Furtado, and many more. In short: Missy Elliott is, and has been, a force to be reckoned with, an MC who can do it all with infinite crossover appeal. And now, to top it all off, she’s making history.

Sheryl Crow

IT’S BEEN NEARLY 30 years since the release of Tuesday Night Music Club, Sheryl Crow’s debut album, and yet its tunes—“All I Wanna Do,” her first single; the frank and fed-up “Can’t Cry Anymore”; the sparse and stunning “Strong Enough”—remain some of the most beloved in her catalog. That says something, given how busy Crow’s been since: 10 albums followed, as have several songs as beloved as that first batch, from the snarling “If It Makes You Happy” and the profound “Everyday Is a Winding Road” to “Prove You Wrong,” her country-rock anthem featuring Stevie Nicks and Maren Morris. Her writing has always drawn as much from classic rock and folk as it has the licks and conventions of country, and as such she’s carved out a place entirely her own with one foot firmly planted in each genre: She’s as much at home in the studio with Chris Stapleton as she is with Justin Timberlake, and her songwriting chops—not to mention her crystal-clear voice—soar beyond the confines of genre.

Rage Against the Machine

RAGE AGAINST THE Machine has been previously nominated for entry into the Rock & Roll Hall of Fame four times, but the fifth time’s the charm for the righteously deafening rock mainstays. Since forming in 1991, the four-piece has made heavy protest tracks their calling card, with 1992’s unfiltered breakout track “Killing in the Name” and subsequent singles—like “Bulls on Parade,” “Guerilla Radio,” and “Sleep Now in the Fire”—all speaking truth to power while shining a glaring spotlight on the myth of American exceptionalism. Read Rage Against the Machine’s statement regarding their induction in full here:

It is a surprising trajectory for us to be welcomed into the Rock & Roll Hall of Fame. In 1991 four people in Los Angeles formed a musical group to stand where sound and solidarity intersect. We called ourselves Rage Against the Machine. A band who is as well known for our albums as we are for our fierce opposition to the US war machine, white supremacy and exploitation A band whose songs drove alternative radio to new heights while right wing media companies tried to purge every song we ever wrote from the airwaves A band who shut down the NY Stock Exchange for the first time in its history A band who was targeted by police organizations who attempted to ban us from sold out arenas for raising our voices to free Mumia Abu Jamal, Leonard Peltier and other political prisoners A band who sued the US State Department for their fascist practice of using our music to torture innocent men in Guantanamo Bay A band who wrote rebel songs in an abandoned, industrial warehouse in the valley that would later dethrone Simon Cowell ’s X-Factor pop monopoly to occupy the number 1 spot on the UK charts and have the most downloaded song in UK history A band who funded and organized delegations to stand with Mexican rebel Zapatista communities to expose the Mexican government’s war on indigenous people A band whose experimentation in fusing punk, rock and hip-hop became a genre of its own Many thanks to the Hall of Fame for recognizing the music and the mission of Rage Against the Machine. We are grateful to all of the passionate fans, the many talented co-conspirators we’ve worked with and all the activists, organizers, rebels and revolutionaries past, present and future who have inspired our art.

The Spinners

“I’LL BE AROUND,” the immediately recognizable hit from R&B and soul crooners The Spinners, is a groove with with a unique cultural footprint. You can’t hear the subtle drums and telltale chords without humming the chorus in your head: “Whenever you call me, I’ll be there/Whenever you want me, I’ll be there/Whenever you need me, I’ll be there/I’ll be around.” The Spinners are one of a few Detroit soul groups who truly found their groove by leaving Motown. On that label they hit with Stevie Wonder’s “It’s a Shame,” but it took a hook-up with Philadelphia maestro Thom Bell to bring out their best. Bell’s smooth and sumptuous productions were the blueprint for Philly soul, and The Spinners’ Philippe Wynne had the voice to match. Lightly funkified love ballads became their trademark, but they could also draw from gospel on “Mighty Love” and do social commentary on “Ghetto Child.”

Kate Bush

THOUGH FANS OF Kate Bush have been blasting Hounds of Love and the rest of her greatest hits for decades, the reclusive British singer-songwriter saw an unlikely resurgence when her 1985 single “Running Up That Hill” was worked into the supernatural plot of Netflix’s hit series Stranger Things last summer. It’s hardly surprising that younger audiences connected with its driving drums and synth-laden, discordant chorus, nor is it shocking that Bush’s robust voice continues to stun listeners when they encounter her signature song—or “This Woman’s Work,” or “Wuthering Heights,” or anything else in her repertoire—for the first time. The list of famous Bush fans is long, and it counts everyone from Adele and Björk to ROSALÍA and Solange, not to mention several artists previously honored by the Rock Hall (like Stevie Nicks, who considered recording her own version of “Running Up That Hill” before realizing she “can’t really do that song better than Kate Bush did”).

Sent from my iPhone

Congratulations 🍾🎉🎊🎈 to this year’s 2023 rock and roll hall of fame!

⭐️George Michael

⭐️Sheryl Crow

⭐️Willie Nelson

⭐️Missy Elliott

⭐️Kate Bush

⭐️The Spinners

⭐️Rage Against the Machine

⭐️Chaka Khan

⭐️Al Kooper

⭐️Bernie Taupin

⭐️DJ Kool Herc

⭐️Link Wray

⭐️Don Cornelius

#rock and roll hall of fame #2023 #George Michael #⭐️Sheryl Crow #⭐️Willie Nelson #⭐️Missy Elliott #⭐️Kate Bush #⭐️The Spinners #⭐️Rage Against the Machine #⭐️Chaka Khan #⭐️Al Kooper #⭐️Bernie Taupin #⭐️DJ Kool Herc #⭐️Link Wray #⭐️Don Cornelius #Congratulations 🎊🍾🎈🎉#Induction ceremony

14 notes · View notes

get-back-homeward · 2 years

Text

The Saga of the Bowler Hat: In Four Acts

Sep 30-Oct 15, 1961: Paris trip

We planned to hitchhike to Spain. I had done a spot of hitchhiking with George and we knew you had to have a gimmick; we had been turned down so often and we’d seen that guys that had a gimmick (like a Union Jack round them) had always got the lifts. So I said to John, ‘Let’s get a couple of bowler hats.’ It was showbiz creeping in.

Gustafson happened to bump into them the day they left, Saturday September 30. “They both had bowler hats on, with the usual leather jackets and jeans. They said they were off to Paris, so I walked down to Lime Street station with them and watched them go. They were an incredible pair: always great fun, irreverent, and so close.” [x]

We still had our leather jackets and drainpipes – we were too proud of them not to wear them, in case we met a girl; and if we did meet a girl, off would come the bowlers. But for lifts we would put the bowlers on. Two guys in bowler hats – a lorry would stop! Sense of Humour. This, and the train, is how we got to Paris. [x]

March 2-4, 1964: Filming A Hard Day’s Night train scene

The specially-hired train was destined for Minehead and back, where for the next three days scenes were filmed in the suitably cramped setting. There was a dining car for The Beatles to eat in...[their] dialogue was recorded using microphones hidden inside their shirts, but numerous retakes were required due to sound problems.

The first we did was the train, which we were all dead nervous in. Practically the whole of the train bit we were going to pieces.

I’m sure it’s less noticeable to people watching in the cinema, but we know that we’re dead conscious in every move we make, we watch each other. Paul’s embarrassed when I’m watching him speak and he knows I am. [x]

March 29, 1967: With A Little Help From My Friends day

At two o’clock in the afternoon John arrived at Paul’s house in St. John’s Wood. They both went up to Paul’s workroom at the top of the house...John started playing his guitar and Paul started banging on his piano. For a couple of hours they both banged away. Each seemed to be in a trance until the other came up with something good, then he would pluck it out of a mass of noises and try it himself. They’d already established the tune the previous afternoon. Now they were trying to polish up the melody and think of some words to go with it.

“Are you afraid when you turn out the light,” sang John. Paul sang it after him and nodded that it was good. John said they could use that idea for all the verses, if they could think of some more questions on those lines.

“Do you believe in love at first sight,” sang John. “No,” he said, stopping singing. “It hasn’t got the right number of syllables. What do you think? Can we split it up and have a pause to give it an extra syllable?”

John then sang the line, breaking it in the middle: “Do you believe—ugh—in love at first sight.”

“How about,” said Paul, “Do you believe in a love at first sight.”

John sang it over and accepted it. In singing it, he added the next line, “Yes, I’m certain it happens all the time.”

They both then sang the two lines to themselves, la-la-ing all the other lines. Apart from this, all they had was the chorus: “I’ll get by with a little help from my friends.” John found himself singing “Would you believe,” which he thought was better.

Then they changed the order, singing the two lines “Would you believe in a love at first sight/Yes I’m certain it happens all the time” before going on to “Are you afraid when you turn out the light,” but they still had to la-la the fourth line, which they couldn’t think of.

It was now about five o’clock. [x]

The Beatles began by recording the rhythm track in 10 takes, the last of which was the best. It had Paul McCartney on piano on track one, George Harrison’s rhythm guitar on two, Starr’s drums and cowbell played by John Lennon on three, and George Martin playing organ on track four.

A reduction mix, numbered take 11, made free some space on the tape for further overdubs. Starr then added his lead vocals to tracks three and four, with backing vocals by Lennon, McCartney and Harrison. This session ended at 5.45am, and recording for the song was completed on the following day. [x]

1967-1968: Paul’s favorite artist inspires Apple Corp name and logo

We were discovering Magritte in the sixties, just through magazines and things. And we just loved his sense of humour. And when we heard that he was a very ordinary bloke who used to paint from nine to one o'clock, and with his bowler hat, it became even more intriguing.

René Magritte, The Son of Man (1964)

One day [Robert Fraser] brought this painting to my house. We were out in the garden, it was a summer's day. And he didn't want to disturb us, I think we were filming or something. So he left this picture of Magritte. It was an apple - and he just left it on the dining room table and he went. It just had written across it "Au revoir", on this beautiful green apple...So it was like wow! What a great conceptual thing to do, you know. And this big green apple, which I still have now, became the inspiration for the logo. And then we decided to cut it in half for the B-side!

René Magritte, Le Jeu de Mourre [The Game of Mora] (1966)

The title was found by Magritte's friend, the Belgian poet Louis Scutenaire, and is probably a play of words on Les Jeunes Amours [Young Love] (1963), the title of a work by Magritte showing three apples. The game of mora is "a game in which one of the players rapidly displays a hand with some fingers raised, the others folded inwards, while his opponent calls out a number, which, for him to win, has to correspond to the total of the raised fingers.” [x]

Epilogue

Paul McCartney’s 1989 My Brave Face single cover

My Brave Face lyrics, written early 1988 with Elvis Costello

January 1988: The Beatles are inducted in the Rock and Roll Hall of Fame

#bowler hat #john and paul #mclennon #blaming friendodorothys tags for this #one google search in curiosity led me down quite a rabbit hole #i had no idea how deep the bowler hat thing went #but MLH did as shown in his j&p fanfic #theres two bowler hats in paris but fairly sure both AHDN and mar 67 are pure hat stealing #fashion accessory stealing is paul's equivalent of a hair twirl #also that game of mora thing is nuts do click the links #im now convinced that apple painting is cursed #violating my 1980s dont exist here rule :(#only because i realized the glasses are a dead match for johns 67 ones #and i couldnt stop thinking about it #then i realized the writing of it links with paul missing the induction ceremony and i was a goner #the labyrinths #fic bunny #for whoever wants it #1961 paris trip #a hard day’s night filming #march 1967 #rene magritte #the dangers of iconography #cursed apple painting #my brave face #paris #paul wearing johns things #mine

99 notes · View notes