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rehsgalleries · 5 months
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Eugenio Zampighi
(1859 - 1944)
The Wine Makers
Oil on canvas
23.75 x 18.125 inches
Signed
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leon-production · 9 days
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I couldn't help but post this. Michelangelo's David in the Galleria dell'Accademia.
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byronthesecond · 22 days
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Federico Fellini e Claudia Cardinale 8 e 1/2
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kundst · 1 year
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Orazio Gentileschi (It. 1563 - 1639)
The Rest on the Flight to Egypt (1620)
Oil on canvas (175 × 218 cm)
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loredanaromero · 7 months
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olio su tela
cm 70 x 70
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arthistoriansdiary · 2 months
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The Entombment of Christ
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Michelangelo Merisi da Caravaggio, The Entombment of Christ (1603-04). Oil on canvas, 300 × 203 cm. Pinacoteca Vaticana, Vatican City.
Michelangelo Merisi da Caravaggio's The Entombment of Christ, painted between 1603-04, stands as a testament to the artist's mastery of chiaroscuro and his ability to infuse religious subjects with raw emotion and intense realism. In this analysis, we delve into the compelling narrative and artistic techniques that make The Entombment of Christ a cornerstone of Baroque art.
The Drama of Grief and Devotion:
The Entombment of Christ captures the poignant moment of Christ's body being lowered into the tomb after the crucifixion. Caravaggio's composition draws the viewer into the scene, where figures mourn and console one another amidst the harsh realities of death. The central figure of Christ, with his lifeless body, becomes the focal point of the painting, surrounded by grieving disciples and mourners. Caravaggio's portrayal eschews idealized depictions, opting instead for a visceral and emotionally charged scene that resonates with viewers on a deeply human level.
Chiaroscuro and its Emotional Impact:
Caravaggio's masterful use of chiaroscuro, the contrast between light and dark, heightens the emotional intensity of The Entombment of Christ. Deep shadows and stark highlights create a sense of depth and drama, emphasizing the weight of grief and the solemnity of the moment. The interplay of light and shadow draws attention to the figures' expressions, casting them in a dynamic play of emotions that range from despair to quiet resignation.
Realism and Relatability:
One of Caravaggio's hallmarks is his commitment to realism, evident in the meticulous attention to detail and the lifelike portrayal of the human form in The Entombment of Christ. The figures' faces bear the marks of sorrow and exhaustion, their gestures and postures conveying a profound sense of loss and compassion. Caravaggio's ability to capture the human experience in all its complexity invites viewers to empathize with the scene and reflect on the universal themes of suffering, redemption, and hope.
A Testament to Caravaggio's Genius:
The Entombment of Christ exemplifies Caravaggio's revolutionary approach to art, characterized by his rejection of idealized conventions in favour of raw emotion and stark realism. The painting's impact lies not only in its technical brilliance but also in its ability to transcend the boundaries of time and culture, speaking to audiences across centuries with its timeless portrayal of human emotion and spirituality.
Engagement Question:
How does Caravaggio's portrayal of grief and devotion in The Entombment of Christ resonate with you personally, and what aspects of the painting do you find most compelling or thought-provoking?
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graffiti-library · 11 months
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- That’s Amore - 2023 - nr.05 - 66 pages -
- 20.9-29.6cm - softcover -
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leocadra · 2 years
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Piazza Navone, Parione / Piazza San Martino, Monti. Rome, Lazio, Italy.
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citronsdor · 2 years
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Palazzo Rosso | barocco #palazzorosso #palazzo #palazzorossogenova #genova #genes #baroque #barocco #art #painting #interior #plafond #palais #palace #italianart #artlovers #instaart #decor #belezza #decoration #stradanuova #museidistradanuova #brigole #palazzi #visitgenova #genoa #palazzideirolli #rolli #statue #sculpture #trompeloeil (à Palazzo Rosso) https://www.instagram.com/p/CipXlY8ri2w/?igshid=NGJjMDIxMWI=
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victorianrob · 1 year
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Tetti e gatti.
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rehsgalleries · 4 months
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Eugen von Blaas
(1843 - 1932)
The Mandolinist
Oil on canvas
24 by 32 1/8 inches
Signed
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giovannimanzoni · 2 years
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25 SETTEMBRE h 15:00 C/O STUDIO MANZONI - Via Derna 23, Milano Presentazione libro. LE VERITÀ DEI FIGLI ADOTTIVI di Alessandra Pritie Maria Barzaghi Presenta: Manuel Bragonzi Obbligo prenotazione: whatsapp 3381241409 prenotazione: Gio Manzoni whatsapp 3669710046 [email protected] #manzonistudio #viaderna23 #factory #atelier #studiodartista #study #location #terrazzibotanici #arteitaliana #arte #art #artecontemporanea #artist #contemporaryart #italia #artemoderna #italy #painting #artgallery #italianart #pittura #artwork #artista #design #artistsoninstagram #artlovers #instaart #gallery #italianartist #quadri (presso Manzoni Studio) https://www.instagram.com/p/CivexKlM8BC/?igshid=NGJjMDIxMWI=
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byronthesecond · 2 months
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La notte - Michelangelo Antonioni
Milano 1961
Michelangelo Antonioni, Monica Vitti, Rosy Mazzacurati, Marcello Mastroianni e Jeanne Moreau
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Cristina Landi, Dunia, 2014, Grafite su carta, 375 x 250 mm, Firenze. - Un ritratto in stile steampunk gotic, una vera sfida nel cercare l'iperrealismo Cristina Landi, Dunia, 2014, Graphite on paper, 375 x 250 mm, Florence. - A style steampunk gothic portrait, a real challenge in trying hyperrealism
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