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tomssexdoll · 2 days

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request.

smut 2011 bill and female reader.

bill comes home after a long day of work and yn wants to make him feel better so he surprises him with his favorite cake and she's also wearing his favorite set (something gothic like its style)

yn teases him with the cake as well

surprise

PAIRINGS: Bill 2011 x Female reader CONTENT: SMUT SYPNOSIS: Bill is tired and stressed out from a LONG day of work, Y/N feels bad and wants to make him feel better, knowing he was coming home late you made his favourite cake and wore his favourite lingiere set that you own. A/N: i want cake WARNINGS: teasing, dom!bill, sub!reader, p in v (riding), sucking d, tit playing

Bill finally came home from a long day of work, it was 10pm and I had prepared for his arrival, baking him his favourite cake so he could have something that would cheer him up when he finished his shift.

He came in the door, slouched over and groaning, slamming the keys onto the counter. His face softened as soon as he saw me, engulfing me in a hug, my face mushed against his chest. "Missed you so much baby..the guys are so frustrating, we had to work on a guitar solo for 4 fucking hours cause Tom couldn't get it right" he sighed, letting go and kissing me softly.

"Come here honey, I made your favourite" I smiled, grabbing his hand and guiding him into the kitchen, showing him a slice of his favourite cake, chocolate fudge cake with oreos on top. His eyes lit up at the sight of it, his mouth hanging low. "Oh thank you baby..you're such a good girl" he smiled softly, kissing my neck. I cut a huge slice for him and made him sit down on the couch.

"Stay there baby, I'll be back" I set the cake down, running to the bedroom and putting his favourite set of lingiere that I own, it was very gothic, full of black lace and little dark red flowers.

I came out and watched as his eyes widened, "fuck baby..." he mumbled, covering his mouth, trying to keep his composure. I smirked as a tent built in his pants.

I walked over to the couch and sat on his lap, grabbing the cake and slowly feeding it to him, "is it good baby..?" I whispered, nipping at his neck, he nodded and groaned as I grinded softly on his lap.

I "accidently" swiped some of the frosting onto his lip, "oops! Better clean that up" I smiled innocently, my tongue dragging across his lips, kissing them sweetly.

"Mmm, chocolate" I smirked, his hands flew to my ass and gripped it tightly. "Stop being a tease.." he growled, smacking the flesh.

I smirked and unbuckled his belt, his hips bucking up to help me take his pants off. I slid them off and sat back down on his lap, his cock straining against his boxers, begging to be freed.

I bit my lip and took his cock out, pumping it a few times before getting off the couch and onto my knees. Bill spread his legs slightly, letting me get in between them.

I held his cock with one hand and slightly wrapped my lips around his tip, lowering down onto his cock, "fuckk..yes baby wrap those pretty lips around my cock" he groaned, one hand tangling in my hair softly.

He guided me onto his cock, fitting the full thing inside my mouth. I gagged slightly as his tip hit the back of my throat, tears pricking at my eyes.

I bobbed my head up and down, slobbering all over his erect cock. He groaned and bucked his hips up again, slowly thrusting himself in my mouth, matching my thrusts. "Fuck...so good for me" he praised, caressing my hair softly.

I smiled, picking up my pace and sucking his length faster, ocassionaly swirling my tongue over his sensitive tip, gaining a satifying reaction out of him.

I felt his legs tense up a bit, signalling his impending orgasm. "Make me cum.." he groaned lowly, his head threw back onto the top part of the couch, his other hand reaching out to grip something.

Eventually his other hang grabbed onto my hair, he started to slam his hips into my mouth, throat fucking me cruely. His tip rammed into the back of my throat, saliva building around my mouth as I gagged on his cock.

"Yess!" he whined, shooting his cum deep into my throat, panting heavily. I swallowed his cum, standing up slowly, my legs slightly shaky from being on my knees for quite a while.

"Cmere baby" he smiled, pulled me onto his lap and taping the straps of the lingiere off, revealing my breasts. He grunted and shoved his head into my chest, licking and sucking on my nipples harshly.

I moaned at the sensation, pleasure waves coursing throughout my body as his suction got rougher. I moved the panty part of the lingiere to the side, revealing my pussy. I grinded on his cock to notify him and his eyes shot open, grinning widely and positioning himself at my entrance.

He slowly pushed in, groaning at my tightness, bottoming himself out. I got into a comfortable position, preparing to ride him when he started to softly thrust into me, I put my hand on his chest to stop him, "baby, let me take care of you" I smiled, lifting my hips up and slamming them down.

I moaned as his tip teasingly brushed against my g spot, making me motivated to go faster, I swayed my hips, getting into a pleasurable rhythm.

His hands flew to my ass, grabbing it tightly and smacking it, I gasped at the sudden spank, turning to him. He chuckled "sorry baby you get me so excited" diving his head back into my tits and sucking on my nipples again.

The way his tip brushed past my sweet spot and the sensation of his mouth on my nipples made me crazy, I knew my orgasm was fastly approaching so I sped up, hips slamming into his at an ungodly pace, sweat lining on my forehead, my eyebrows furrowed.

"Gonna cum!" I whined, my hands creeping down and holding onto his waist, the sound of skin slapping filling the house, our moans in sync.

He grabbed my hips, digging his nails into them as we came at the same time, my pussy cumming all over his cock and his load being squirted deep into my hole, coating my walls completely.

"Oh fuck..you're so good" he panted, holding me close to him. I fell forward and tried to catch my breath with him, both of our bodies covered in swear.

After we had calmed down he pulled me off his lap, picking me up in his arms and carrying me to the shower, "cmon baby, we'll wash up and eat that cake you made me" he smirked, kissing my neck gently and turning the water on.

tags: @itsmealaiah @tomscumdump @tomkaulitzloverr @tomscumdoll @ge-billsgf @miyukafujii @charliesgoodboy @estxkios @bkaulitzlover @ballhair

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denimbex1986 · 4 months

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'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

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